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February 18, 2018-No Deal with the Devil
Genesis 2:15-17; 3:1-13; Hebrews 4:14-16; Matthew 4:1-11 February 18, 2018 First Sunday in Lent Preached by Philip Gladden at the Wallace Presbyterian Church, Wallace, NC NO DEAL WITH THE DEVIL Let us pray: Let the words of my mouth and the meditation of my heart be acceptable to you, O Lord, our rock and our redeemer. Amen. Today at 2:00 p.m. the UNC-Wilmington theater department will present “Dr. Faustus.” The production will be set in a rock and roll dream world and is based on the 16th century play by Christopher Marlowe. The full title of the original play was “The Tragical History of the Life and Death of Doctor Faustus. Marlowe fashioned his play on old German folk tales about Doctor Faustus, an academic who made a deal with the devil, Lucifer, who is represented by the character Mephistophilis. Faustus gets bored with the regular academic subjects and trades his soul for twenty-four years of knowing and practicing the black arts and magic. Despite his misgivings about his deal with the devil as the end gets nearer, and frantic attempts to get out of the deal, Faustus is killed at the stroke of midnight.1 One legend says that when Doctor Faustus was first performed, actual devils showed up on stage and drove some audience members crazy. From that tragic story we get the phrase “a Faustian bargain.” This means trading in your values and morals, exchanging who you really are for some apparently awesome short-term goal. -
HIP HOP & Philosophy
Devil and Philosophy 2nd pages_HIP HOP & philosophy 4/8/14 10:43 AM Page 195 21 Souls for Sale JEFF EWING F Y O Selling your soul to the Devil in exchaPnge for a longer life, wealth, beauty, power, or skill has long been a theme in Obooks, movies, and even music. Souls have Obeen sold for Rknowledge and pleasure (Faust), eternal youth (Dorian Gray), the ability to play the guitar (Tommy JohnCson in O Brother, Where Art P Thou?) or the harmonica (Willie “Blind Do g Fulton Smoke House” Brown in the 1986 Emovie, Crossroads), or for rock’n’roll itself (the way Black SCabbath did on thDeir 1975 greatest hits album, We Sold Our Soul for Rock’n’ERoll). The selling of aN soul as an object of exchange for nearly any- thing, as a sort of fictitious comTmodity with nearly universal exchange valuAe, makes it perChaps the most unique of all possi- ble commVodities (and as such, contracts for the sales of souls are the most unique of aEll possible contracts). One theorist in partiDcular, Karl MaRrx (1818–1883), elaborately analyzed con- tracts, exchange, and “the commodity” itself, along with all the hAidden implicatRions of commodities and the exchange process. Let’s see what Marx has to tell us about the “political economy” of the FaustOian bargain with the Devil, and try to uncover what it trulyC is to sell your soul. N Malice and Malleus Maleficarum UWhile the term devil is sometimes used to refer to minor, lesser demons, in Western religions the term refers to Satan, the fallen angel who led a rebellion against God and was banished from Heaven. -
And Picked up By
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Lessons Unlearned—The Gun Lobby and the Siren Song of Anti
Lessons Unlearned The Gun Lobby and the Siren Song of Anti-Government Rhetoric Violence Policy Center April 2010 The Violence Policy Center (VPC) is a national non-profit educational organization that conducts research and public education on violence in America and provides information and analysis to policymakers, journalists, advocates, and the general public. This report was authored by VPC Executive Director Josh Sugarmann and VPC Policy Analyst Marty Langley. The study was funded in part with the support of the David Bohnett Foundation, The Joyce Foundation, and the Public Welfare Foundation. Past studies released by the VPC include: ! Target: Law Enforcement—Assault Weapons in the News (February 2010) ! Black Homicide Victimization in the United States: An Analysis of 2007 Homicide Data (January 2010) ! When Men Murder Women—An Analysis of 2007 Homicide Data (September 2009) ! Law Enforcement and Private Citizens Killed by Concealed Handgun Permit Holders—An Analysis of News Reports, May 2007 to April 2009 (July 2009) ! Indicted: Types of Firearms and Methods of Gun Trafficking from the United States to Mexico as Revealed in U.S. Court Documents (April 2009) ! Iron River: Gun Violence and Illegal Firearms Trafficking on the U.S.-Mexico Border (March 2009) ! Youth Gang Violence and Guns: Data Collection in California (February 2009) ! “Big Boomers”—Rifle Power Designed Into Handguns (December 2008) ! American Roulette: Murder-Suicide in the United States (April 2008) ! An Analysis of the Decline in Gun Dealers: 1994 to 2007 (August -
The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
Detecting Forgery: Forensic Investigation of Documents
University of Kentucky UKnowledge Legal Studies Social and Behavioral Studies 1996 Detecting Forgery: Forensic Investigation of Documents Joe Nickell University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Nickell, Joe, "Detecting Forgery: Forensic Investigation of Documents" (1996). Legal Studies. 1. https://uknowledge.uky.edu/upk_legal_studies/1 Detecting Forgery Forensic Investigation of DOCUlllen ts .~. JOE NICKELL THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1996 byThe Universiry Press of Kentucky Paperback edition 2005 The Universiry Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine Universiry, Berea College, Centre College of Kentucky, Eastern Kentucky Universiry, The Filson Historical Sociery, Georgetown College, Kentucky Historical Sociery, Kentucky State University, Morehead State Universiry, Transylvania Universiry, University of Kentucky, Universiry of Louisville, and Western Kentucky Universiry. All rights reserved. Editorial and Sales qtJices:The Universiry Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com The Library of Congress has cataloged the hardcover edition as follows: Nickell,Joe. Detecting forgery : forensic investigation of documents I Joe Nickell. p. cm. ISBN 0-8131-1953-7 (alk. paper) 1. Writing-Identification. 2. Signatures (Writing). 3. -
Faust Among the Witches: Towards an Ethics of Representation —David Hawkes
Faust Among the Witches: Towards an Ethics of Representation —David Hawkes I 1. Money rules the postmodern world, and money is an efficacious, or "performative," sign: a medium of representation that attains practical power. As we might expect, therefore, the concept of the performative sign is theoretically central to the postmodern era' s philosophy, politics, psychology, linguistics and -- a forteriori -- its economics. All of these disciplines, in their postmodern forms, privilege the performative, rather than the denotative, aspect of signs. They all assume that signs do things, and that the objective world is constructed for us via the realm of signification. In the work of such philosophers as Jacques Derrida and Judith Butler, the performative sign even acquires a vague association with political radicalism, since its power can be used to deconstruct such allegedly repressive chimeras as essence and self-identity. 2. The argument that signs are performative by nature leads to the conclusion that there is no prelinguistic or nonmaterial human subject, since subjective intention is irrelevant to the sign's efficacy. The idea that the subject is material thus takes its place alongside the notion that representation is efficacious as a central tenet of postmodern thought. It is not difficult to point to the connection between these ideas in the field of "economics." Money is an externalized representation of abstract human labor power -- that is to say, of human subjective activity, of human life. In addition to being a system of autonomous representation, then, money is the incarnation of objectified subjectivity. It is thus hardly surprising to find that the idea that the subject is material, that it is an object, is very prevalent in postmodern thought, or that materialism dominates intellectual disciplines from sociobiology to literary criticism. -
The Project Gutenberg Ebook of Six Short Plays, Complete, by John Galsworthy SCENE II
The Project Gutenberg EBook of Six Short Plays, Complete, by John Galsworthy SCENE II. WANDA's Room. This eBook is for the use of anyone anywhere at no cost SCENE III. The Same. and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Between SCENE I. and SCENE II.--Thirty hours. Project Gutenberg License included with this eBook or Between SCENE II. and SCENE III.--Two months. online at www.gutenberg.net Title: Six Short Plays, Complete SCENE I Author: John Galsworthy It is six o'clock of a November evening, in KEITH Release Date: October 27, 2006 [EBook #5060] DARRANT'S study. A large, dark-curtained room where the light from a single reading-lamp falling on Turkey Language: English carpet, on books beside a large armchair, on the deep blue-and-gold coffee service, makes a sort of oasis before *** START OF THIS PROJECT GUTENBERG a log fire. In red Turkish slippers and an old brown velvet EBOOK SIX SHORT PLAYS, COMPLETE *** coat, KEITH DARRANT sits asleep. He has a dark, clean-cut, clean-shaven face, dark grizzling hair, dark twisting eyebrows. Produced by David Widger [The curtained door away out in the dim part of the room behind him is opened so softly that he does not wake. LARRY DARRANT enters and stands half lost in the curtain over the door. A thin figure, with a worn, high SIX SHORT PLAYS OF GALSWORTHY cheek-boned face, deep-sunk blue eyes and wavy hair all ruffled--a face which still has a certain beauty. -
Joseph Smith and Diabolism in Early Mormonism 1815-1831
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2021 "He Beheld the Prince of Darkness": Joseph Smith and Diabolism in Early Mormonism 1815-1831 Steven R. Hepworth Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History of Religion Commons Recommended Citation Hepworth, Steven R., ""He Beheld the Prince of Darkness": Joseph Smith and Diabolism in Early Mormonism 1815-1831" (2021). All Graduate Theses and Dissertations. 8062. https://digitalcommons.usu.edu/etd/8062 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. "HE BEHELD THE PRINCE OF DARKNESS": JOSEPH SMITH AND DIABOLISM IN EARLY MORMONISM 1815-1831 by Steven R. Hepworth A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: Patrick Mason, Ph.D. Kyle Bulthuis, Ph.D. Major Professor Committee Member Harrison Kleiner, Ph.D. D. Richard Cutler, Ph.D. Committee Member Interim Vice Provost of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2021 ii Copyright © 2021 Steven R. Hepworth All Rights Reserved iii ABSTRACT “He Beheld the Prince of Darkness”: Joseph Smith and Diabolism in Early Mormonism 1815-1831 by Steven R. Hepworth, Master of Arts Utah State University, 2021 Major Professor: Dr. Patrick Mason Department: History Joseph Smith published his first known recorded history in the preface to the 1830 edition of the Book of Mormon. -
"With His Blood He Wrote"
:LWK+LV%ORRG+H:URWH )XQFWLRQVRIWKH3DFW0RWLILQ)DXVWLDQ/LWHUDWXUH 2OH-RKDQ+ROJHUQHV Thesis for the degree of philosophiae doctor (PhD) at the University of Bergen 'DWHRIGHIHQFH0D\ © Copyright Ole Johan Holgernes The material in this publication is protected by copyright law. Year: 2017 Title: “With his Blood he Wrote”. Functions of the Pact Motif in Faustian Literature. Author: Ole Johan Holgernes Print: AiT Bjerch AS / University of Bergen 3 Acknowledgements I would like to thank the following for their respective roles in the creation of this doctoral dissertation: Professor Anders Kristian Strand, my supervisor, who has guided this study from its initial stages to final product with a combination of encouraging friendliness, uncompromising severity and dedicated thoroughness. Professor Emeritus Frank Baron from the University of Kansas, who encouraged me and engaged in inspiring discussion regarding his own extensive Faustbook research. Eve Rosenhaft and Helga Muellneritsch from the University of Liverpool, who have provided erudite insights on recent theories of materiality of writing, sign and indexicality. Doctor Julian Reidy from the Mann archives in Zürich, with apologies for my criticism of some of his work, for sharing his insights into the overall structure of Thomas Mann’s Doktor Faustus, and for providing me with some sources that have been valuable to my work. Professor Erik Bjerck Hagen for help with updated Ibsen research, and for organizing the research group “History, Reception, Rhetoric”, which has provided a platform for presentations of works in progress. Professor Lars Sætre for his role in organizing the research school TBLR, for arranging a master class during the final phase of my work, and for friendly words of encouragement. -
GATEWAY Health Plan Dental Reference Guide Medical Assistance Program
GATEWAY Health Plan Dental Reference Guide Medical Assistance Program Administered by United Concordia December 2009 GATEWAY HEALTH PLAN® DENTAL REFERENCE GUIDE TABLE OF CONTENTS INTRODUCTION SECTION 1 – SUPPORT SERVICES Communication Sources ........................................................................ 1.1 Dental Professional Relations Representatives ..................................... 1.1 Dental Customer Service Representatives ............................................ 1.2 Interactive Voice Response (IVR) System ............................................. 1.2 My Patients’ Benefits.............................................................................. 1.3 Dental Reference Guide......................................................................... 1.3 Dentist Newsletter .................................................................................. 1.3 Special Mailings ..................................................................................... 1.4 Internet ................................................................................................... 1.4 Mailing Addresses for Claim and Prior Authorization Submissions........ 1.4 Mailing Addresses for Inquiries .............................................................. 1.5 Telephone Numbers............................................................................... 1.6 Helpful Websites .................................................................................... 1.6 SECTION 2 – AUTOMATED SERVICES My Patients’ Benefits............................................................................. -
Horacio Quiroga in Dialogue with Japanese Horror Cinema
Haunted Screens: Horacio Quiroga in Dialogue with Japanese Horror Cinema ______________________________________________ GABRIEL ELJAIEK-RODRÍGUEZ THE NEW SCHOOL OF ATLANTA Abstract In this article, I will argue that ghosts are used, in two very different contexts and cases, as ways to represent and discuss anxieties about the advances of science and the uses of technology, at the same time that they express a cautious fascination with these unstoppable advances. This concern with the ability of ghosts to move and adapt to technological change is not only about what happens in the films but is also related to what happens outside the films, that is, the viral expansion of ghosts stories and filmic narratives as ways to talk about social and political issues. I will work primarily with two short stories by Uruguayan writer Horacio Quiroga, “The Specter” and “The Puritan”, that I will place in dialog with two Japanese movies, The Ring by Hideo Nakata and Pulse by Kiyoshi Kurosawa, tracing their possible connections and interpolations. Keywords: Horacio Quiroga, Japanese horror, Ghosts in cinema, Logic of sense Since the beginning of the twentieth century, writers and filmmakers of multiple nationalities have dramatized similarities between ghosts and cinema. Such comparisons are not difficult to imagine: both the ghostly and the cinematic appear and disappear, both are intangible projections, and both gesture towards immortality. Early twentieth-century Uruguayan writer Horacio Quiroga deals with the related idea of cinema as a haunted art in four short stories “Miss Dorothy Phillips, mi esposa” (“Miss Dorothy Phillips, my wife”, 1919), “El espectro” (“The Specter”, 1921), “El puritano” (“The Puritan”, 1926) and “El vampiro” (“The Vampire”, 1927).