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Volume 7, Issue 2, December 2018 In the Name of God ISSN: 2322-455X An international peer-reviewed journal which publishes in electronic format Volume 7, Issue 2, December 2018 Journal of Art and Architecture Studies J. Art Arch. Stud., 7 (2): 21-33; December 15, 2018 Editorial Team Editor-in-Chief Xi Ye, PhD in Architecture, School of Architecture, Planning and Landscape, Newcastle University, UK; Email: [email protected] Nilay Özsavaş Uluçay, Interior Architecture & Environmental Designer; PhD in Art, Muğla Sıtkı Koçman University, TURKEY; Email: [email protected] Managing Editors Nader Ghaemi, PhD Student, Department of Architecture, Islamic Azad University, Tabriz, IRAN; Email: [email protected] Fatemeh Samimiasl, MSc, Faculty of Social Science, University of Tabriz, IRAN; Email: [email protected] . Reviewers Abdel Al Mohammed Abdoun, PhD, Lecturer and researcher at Cairo University, Holds Master in Architectural and Environmental Engineering, EGYPT, email: [email protected] Ali Mashhadizadeh Roveshti; PhD; Urban and Regional Planning, Gazi University, Ankara, TURKEY; Email: [email protected] Aayushi Verma, PhD Junior Research Fellow (UGC), Department of Humanities and Social Sciences, Indian Institute of Technology Roorkee, Uttarakhand, INDIA, Email: [email protected] Golrokh Daneshgar, Assistant Prof. of Architecture; Islamic Azad University, Hamedan, IRAN; Email: [email protected] Hourakhsh Ahmadnia, PhD; Assistant Prof. of Architecture; Girne American University, TURKEY; Email: [email protected] Houshang Sarvar, Department of Urban Science, Faculty of Humanities, Maragheh University, Maragheh, IRAN; [email protected] Ila Gupta, Professor & HOD, Department of Architecture and Planning, Indian Institute of Technology Roorkee, Uttarakhand, INDIA, Email: [email protected] Johnson Adelani Abodunrin, PhD in Art, Department of Fine and Applied Arts, Ladoke Akintola, University of Technology, Ogbomoso, NIGERIA; Email: [email protected] Jianfei Zhu, Associate Prof. of Architecture; Melbourne University, AUSTRALYA; Email: [email protected] Justyna Karakiewicz, Associate Prof. of Urban Design; Melbourne University, AUSTRALYA; Email: [email protected] Kavos Shahri, PhD in Architecture from Baku National University, The Faculty of Islamic Azad University of West Azarbaijan, Science and Research Branch, Baku, AZERBAIJAN; Email: [email protected] Mahnaz Mahmoody, Assistant Prof. of Architecture; Islamic Azad University, Qazvin, IRAN; Email: [email protected] Mastooreh Gholipour, Department of Urban Planning, Tehran University of Art, Tehran, IRAN; Email: [email protected] Mohammad Arif Kamal, PhD, Associate Prof., Architecture & Environmental Design, Aligarh Muslim University, INDIA; Email: [email protected] Mona Hashemi Yazdi, Master of Art in Urban Design, Tehran University of Art, Tehran, IRAN; Email: [email protected] | P a g e a Miles Lewis, Professor Dr., Faculty of Architecture, Melbourne University, AUSTRALYA Naser Naseri, Assistant Prof., Department of Literature, Shabestar Branch, Islamic Azad University, Shabestar, IRAN Olusegun Moses Idowu, PhD, Department of Architecture, Modibbo Adama University of Technology, Yola, NIGERIA; Email: [email protected] Rafooneh Mokhtarshahi Sani, Assistant Prof. of Architecture; Eastern Mediterranean University, CYPRUS; Email: [email protected] Saeed Khosh Niyat, PhD in Architecture from Baku National University, The Faculty of Islamic Azad University of West Azarbaijan, Science And Research Branch, Baku, AZERBAIJAN; Email: [email protected] Language Editors Samuel Stephen Oldershaw, Master of TESOL, The Humberston School & The Grimsby Institute, Nuns Corner, Grimsby, North East Lincolnshire, UNITED KINGDOM, Email: [email protected] Mehrdad Ehsani-Zad, MA in TEFL, Takestan, Islamic Azad University, IRAN, Email: [email protected] Advisory Board Hourakhsh Ahmadnia, PhD; Assistant Prof. of Architecture; Girne American University, TURKEY; Email: [email protected] Kianoush Zaker Haghighi, Assistant Prof. of Urban Planning; Islamic Azad University, Hamedan, IRAN; Email: [email protected] Mihai Corneliu, PhD of Architect, Architecture Faculty “Politehnica” University of Timisoara, ROMANIA, Email: [email protected] Mohammad Arif Kamal, PhD, Associate Prof., Architecture & Environmental Design, Aligarh Muslim University, INDIA; Email: [email protected] | P a g e b TABLE OF CONTENT Volume 7 (2); December 15, 2018 Research Paper The use of the naturalism approach in designing the Tabriz carpet museum. Rishi Jegheh A and Karimi A. J. Art Arch. Stud., 7(2): 21-27, 2018; pii:S238315531800003-7 DOI: https://dx.doi.org/10.51148/jaas.2018.3 ABSTRACT Culture and art have come from the very beginning of mankind, along with human life, in order to calm down humankind, and what comes out of mind in different arts and in different ways. With the advancement of mankind in various arenas and sciences, art, in turn, was subject to change and in various parts of the earth's human races, the craftsmanship of buildings and handicrafts was made in caves. Meanwhile, art in the Middle East from ancient times was the cradle of human civilization and the creator and developer of human beings in various fields, including art. From ancient times, especially after the arrival of Islam, Iran has witnessed progress in various fields of literary culture, especially art and architecture. In addition to the art of building and architecture, the creation of motifs in the tiling of mosaics etc. Handmade carpet art is one of the characteristics of recognizing the art of the land of Iran, especially the territory of Azerbaijan. Tabriz is a Persian carpet garden with the texture and development of a variety of carpets in different designs with a fringe in the range and worldwide name in different parts of the world. It is worth mentioning that this ancient city has an exhibition or museums in which architecture along with art witnesses the display of authentic Iranian and Islamic art and architecture. In the post-industrial and post-modern era, we are studying and designing the spaces needed for the place. In addition to an indicator for the city of Tabriz, we have a very small footprint in reducing the heating of the earth and using indigenous and nature-friendly materials. Keywords: Museum, Carpet, Naturalism Architecture, Architectural Design [Full text-PDF] [HTML] [ePub] Research Paper Iranian Garden’s Architectural Designing: Collocation of Voronoi and Fractal Algorithms in the Context of Natural Background. Omranifar S, Akbari Namdar Sh , Ghaemi N , Narimanpour Maleki Y. J. Art Arch. Stud., 7(2): 28-33, 2018; pii:S238315531800004-7 DOI: https://dx.doi.org/10.51148/jaas.2018.4 ABSTRACT In the present article, the collocation of the Fractal Geometries and Voronoi Algorithm has been proved in line with the designing of garden’s digital architecture and it was made clear that the designing of the ancient four-segment gardens is considerably matching with the contemporary architecture which has come about subject to the effect of computers and software. The present study is a qualitative research of descriptive-analytical type and it has been conducted with a glance at the history of Iranian gardens’ designs and their delineated geometrical analyses concerning the structural philosophy of Voronoi and Fractal algorithms. The primary goal of the researcher is showcasing the timelessness in the designing of the Iranian garden so as to prove that the prior designing has been in accordance with the novel patterns of the contemporary architecture and it can get the paradise manifested like before in a corner of the earthy ground in today's machining world. It can be stated as a part of the obtained results that the idea of exhibiting water in the garden and the system of water transmission to the most distant spots in the garden tries depicting the ancient imaginations of the previous architects about Voronoi algorithm considering the use of the shortest path which is a perpendicular line drawn towards a dot on a straight line. Moreover, the use of four-segment garden’s basic module and its division in an internally descending manner displays Fractal geometry in each of Voronoi levels of the garden’s plots. Keywords: Iranian garden, Geometry, Voronoi algorithm, Fractal, Water [Full text-PDF] [HTML] [ePub] Archive | P a g e c ABOUT JOURNAL Journal of Art and Architecture Studies ISSN: 2383-1553 Frequency: Quarterly Frequency: Biannual (June & December) Current Issue: 2018, Vol: 7, Issue: 2 (December) Publisher: SCIENCELINE Journal of Art and Architecture Studies aims to promote an integrated and multidisciplinary approach to art and architecture view aims and scope http://jaas.science-line.com » Indexed/covered by Ulrich's™, RICeST (ISC), OCLC, TOCs, TIB, ROAD, Genamics, Google Scholar, IndexCopernicus (view full index information) » Open access full-text articles is available beginning with Volume 1, Issue 1. » Full texts and XML articles are available in ISC-RICeST. » This journal is in compliance with Budapest Open Access Initiative. » High visibility of articles over the internet. » This journal encourage the academic institutions in low-income countries to publish high quality scientific results, free of charges... view Review/Decisions/Processing/Policy ABOUT US | CONTACT US | PRIVACY POLICY Editorial Offices: Atatürk University, Erzurum 25100, Turkey University of Manitoba, Winnipeg, Manitoba R3T 2N2,
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