Sustainability in Fashion Retail
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Runway Shows and Fashion Films As a Means of Communicating the Design Concept
RUNWAY SHOWS AND FASHION FILMS AS A MEANS OF COMMUNICATING THE DESIGN CONCEPT A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Xiaohan Lin July 2016 2 Thesis written by Xiaohan Lin B.S, Kent State University, 2014 M.A., Kent State University, 2016 Approved by ______________________________________________ Name, Thesis Supervisor ______________________________________________ Name, Thesis Supervisor or Committee Member ______________________________________________ Name, Committee Member ______________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ______________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ______________________________________________ Mr. J.R. Campbell, Director, The Fashion School ______________________________________________ Dr. Christine Havice, Director, The School of Art ______________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts 3 REPORT OF THESIS FINAL EXAMINATION DATE OF EXAM________________________ Student Number_________________________________ Name of Candidate_______________________________________ Local Address_______________________________________ Degree for which examination is given_______________________________________ Department or School (and area of concentration, if any)_________________________ Exact title of Thesis_______________________________________ -
American Culture: Fashion and Sustainability
AMERICAN CULTURE: FASHION AND SUSTAINABILITY A thesis submitted to the Kent State University Honors College in partial fulfillment of the requirements for Departmental Honors by Kelsey Merritt May, 2018 Thesis written by Kelsey Merritt Approved by _____________________________________________________________________, Advisor _____________________________________________________________________, Co Advisor ______________________________________________, Director of Fashion Accepted by ___________________________________________________, Dean, Honors College ii TABLE OF CONTENTS LIST OF FIGURES…..……………………………………………...……………………iv LIST OF TABLES………..………………………………………………………………vi ACKNOWLEDGMENT………………………………………….……………………..vii CHAPTERS I. INTRODUCTION……………………………………………….………..1 Delimintations……………………………………………………………..4 II. LITERATURE REVIEW………………………………………….………6 III. DATA COLLECTION METHODS……………………………………..12 IV. FINDINGS AND DISCOVERINGS…………………………………….42 V. RECOMMENDATIONS………………………………………………...48 REFERENCES……………………………………………………………………...…...54 APPENDIX 1. Appendix A………………………………………………………………58 2. Appendix B………………………………………………………………60 3. Appendix C………………………………………………………………63 4. Appendix D………………………………………………………………66 iii LIST OF FIGURES Figure 1: Inside Stoll knit factory………………………………………………………..15 Figure 2: Stoll’s knit factory entrance…………………………………………………...16 Figure 3: Sample garments created………………………………………………………16 Figure 4: Ka de We shoe floor…………………………………………………………...18 Figure 5: Rug maker……………………………………………………………………..20 Figure 6: Testing rug making myself…………………………………………………….20 -
HISTORY of WESTERN OIL SHALE HISTORY of WESTERN OIL SHALE
/ _... i';C4 - SHELF , Historyof Western Oil Shale Paul L. Russell . " The Center for Professional Advancement Paul Russell received his degree from the University of Arizona. After working for Industry for five years, he began his involvement with oil shale in 1948 when he joined the U.S. Bureau of Mines and was assigned to Rifle, Colorado, to work at Anvil Points. During the middle fifties, he was assigned to the Atomic Energy Com mission to study the extraction of ura nium from the Chattanooga Shales in Tennessee. He became Research Director of the U.S. Bureau ofMines in 1967 and served in this capacity until he retired in 1979. During these years his involvement with oil shale intensified. Currently, he is an engineering consultant. ISBN: 0-86563-000-3 ,._-------_._.. V.D.ALLRED 6016 SOUTH BANNOCK LI7TLETON. COLO. 80120 ....~ ...........~..... This compelling history spans 65 years of western oil shale development from its begin ning to the present day. These were the years in which most of the present-day retorting pro cesses were invented and devel oped,leading to present studies of in-situ retorting, and to the resumption of leasing of fed eral oil shale lands. The many excellent illustra tions and contemporary photo graphs in themselves provide a pictorial record of an era when the United States was "wild over oil"-an era when Gov ernment estimates of billions of barrels of oil in western oil shales were used to advan tage for questionable-if not fraudulent-stock promotions designed to raise capital for development, or to fatten the promoters' pockets. -
Secure Fuels from Domestic Resources ______Profiles of Companies Engaged in Domestic Oil Shale and Tar Sands Resource and Technology Development
5th Edition Secure Fuels from Domestic Resources ______________________________________________________________________________ Profiles of Companies Engaged in Domestic Oil Shale and Tar Sands Resource and Technology Development Prepared by INTEK, Inc. For the U.S. Department of Energy • Office of Petroleum Reserves Naval Petroleum and Oil Shale Reserves Fifth Edition: September 2011 Note to Readers Regarding the Revised Edition (September 2011) This report was originally prepared for the U.S. Department of Energy in June 2007. The report and its contents have since been revised and updated to reflect changes and progress that have occurred in the domestic oil shale and tar sands industries since the first release and to include profiles of additional companies engaged in oil shale and tar sands resource and technology development. Each of the companies profiled in the original report has been extended the opportunity to update its profile to reflect progress, current activities and future plans. Acknowledgements This report was prepared by INTEK, Inc. for the U.S. Department of Energy, Office of Petroleum Reserves, Naval Petroleum and Oil Shale Reserves (DOE/NPOSR) as a part of the AOC Petroleum Support Services, LLC (AOC- PSS) Contract Number DE-FE0000175 (Task 30). Mr. Khosrow Biglarbigi of INTEK, Inc. served as the Project Manager. AOC-PSS and INTEK, Inc. wish to acknowledge the efforts of representatives of the companies that provided information, drafted revised or reviewed company profiles, or addressed technical issues associated with their companies, technologies, and project efforts. Special recognition is also due to those who directly performed the work on this report. Mr. Peter M. Crawford, Director at INTEK, Inc., served as the principal author of the report. -
Ebook Download Beams : Beyond Tokyo
BEAMS : BEYOND TOKYO - INNOVATIVE FASHION AND STREETWEAR PDF, EPUB, EBOOK Sofia Coppola | 256 pages | 14 Feb 2017 | Rizzoli International Publications | 9780847848874 | English | New York, United States Beams : Beyond Tokyo - Innovative Fashion and Streetwear PDF Book The art of Gift Giving made easy…. Japanese fashion is very much in vogue right now, in Dan Brown. Head down in the evening to find a DJ spinning records or a band tearing the roof off the place. I only do the things that I like and which I feel are right, and then everything evolves from that. Submit your Request If you wish to reuse this content on web, print or any other form, please seek for an official permission by writing to us on editorial fibre2fashion. Show 0 comments. Paula Hawkins. One of the main inspirations behind Eden Power Corp, a streetwear line from the Canadian couple Isaac Larose and Florence Provencher Proulx, is simply a more conscious lifestyle. You're not signed in. Gillian Flynn. Email address Notify me when this product is available:. Eric Hill. Easy commissioning thanks to LED indicators. Looking for more? But the team fused a 3D-printed skeleton onto the stretchy fabric, to create figure-hugging pleats from collar to cuffs. By subscribing, you agree to our Privacy Policy and Terms of Use. Sign Up. Popularna znanost. The way that they wholesale is different and you also have to pay for shipping. Since Hiroko has been commissioned by the prestigious Kokonoe-beya to design the yukata informal summer kimono worn by its sumo wrestlers. Eventually, Tadashi launched his eponymous evening wear brand in I can revive this valuable art by reconstructing an archive. -
English Language Arts Spring 2015
Student Name FS FS TM 11th 11th Sample Items English Language Arts Spring 2015 Form S MICHIGAN STATE BOARD OF EDUCATION STATEMENT OF ASSURANCE OF COMPLIANCE WITH FEDERAL LAW The Michigan State Board of Education complies with all Federal laws and regulations prohibiting discrimination and with all requirements and regulations of the U.S. Department of Education. It is the policy of the Michigan State Board of Education that no person on the basis of race, color, religion, national origin or ancestry, age, sex, marital status, or handicap shall be discriminated against, excluded from participation in, denied the benefits of, or otherwise be subjected to discrimination in any program or activity for which it is responsible or for which it receives financial assistance from the U.S. Department of Education. The sample items included in this set can be used by students and teachers to become familiar with the kinds of items students will encounter on the paper/pencil summative assessments. The sample items demonstrate the rigor of Michigan’s academic content standards. They are not to be interpreted as indicative of the focus of the M-STEP assessments; they are simply a collection of item samples. Every standard is not included in this sample set. M-STEP Grade 11 ENGLISH LANGUAGE ARTS Sample Read the text and answer questions 1 through 7. Sustainable Fashion by Tyson Butcher “Sustainability” is a popular buzzword these days, but what exactly does it mean? According to the Environmental Protection Agency (EPA), sustainability “creates and maintains the conditions under which humans and nature can exist in productive harmony . -
Style Guide: Exploring Fashion and Sustainability Contents
London College of Fashion, UAL Style Guide: Exploring Fashion and Sustainability Contents 1 Being a voice for change 2 How to choose more sustainably for the red carpet Re-sell Rent Brands to watch 3 And once you love it keep it for longer 4 Sustainable Fashion on Social 5 Further reading 1 Style Guide This awards season BAFTA are doing more than ever before to consider sustainability across its awards ceremonies, including inviting guests to ‘dress sustainably’. To help navigate some of the issues around fashion and sustainability London College of Fashion, UAL are supporting BAFTA with more information on how you can dress sustainably. This handy style guide encourages us to Being a voice for change make different fashion choices and be a voice for change. It is hard to imagine a world without fashion, population will be living in severely water but as we face up to the realities of the global stressed areas. The damage being caused by climate emergency, we have to recognise fashion, an industry predicated on newness that, as Professor Dilys Williams, Director and accelerated consumption, is undeniable. of the Centre for Sustainable Fashion at London College of Fashion, UAL highlighted According to the recent ‘Ellen MacArthur at a recent government inquiry, “the system Foundation’ report, ‘if nothing changes, by is broken and it cannot continue as it is.” 2050 the fashion industry will use up a quarter of the world’s carbon budget.’ Yet, the number According to fashion activist Orsola de of garments produced annually has doubled Castro; co-founder of Fashion Revolution, since 2000 and exceeded 100 billion for the first “The most sustainable garment is the one time in 2014. -
Is Apparel Manufacturing Coming Home? Nearshoring, Automation, and Sustainability – Establishing a Demand-Focused Apparel Value Chain
Is apparel manufacturing coming home? Nearshoring, automation, and sustainability – establishing a demand-focused apparel value chain McKinsey Apparel, Fashion & Luxury Group October 2018 Authored by: Johanna Andersson Achim Berg Saskia Hedrich Patricio Ibanez Jonatan Janmark Karl-Hendrik Magnus 2 Is apparel manufacturing coming home? Table of Contents Introduction 4 Is apparel manufacturing coming home? 6 Era of change 6 Nearshoring breakeven 10 Overcoming challenges in nearshoring 12 The prospect of automation 15 Promising automation technologies 15 Economic viability of automation 18 How quickly can the prospect become reality? 21 The automation journey 23 Embarking on the journey 24 Defining the future sourcing and production strategy 24 Developing new skills and changing mindsets 26 Building a new ecosystem of partnerships 27 Taking the first step 28 Table of Contents 3 Introduction Tomorrow’s successful apparel companies will be those that take the lead to enhance the apparel value chain on two fronts: nearshoring and automation. It cannot be just one of them and it must be done sustainably. Apparel companies can no longer conduct business as usual and expect to thrive. Due to the Internet and stagnation in key markets, competition is fiercer than ever and consumer demand is more difficult to predict. Mass-market apparel brands and retailers are competing with pure-play online start-ups, the most successful of which can replicate trendy styles and get them to customers within weeks. Furthermore, apparel companies have lost much of their clout in trendsetting. In most mass-market categories, today’s hottest trends are determined by individual influencers and consumers rather than by the marketing departments of fashion companies. -
Fashion Retail: Trends and Challenges 2016
FashionFashion RetailRetail Trends and Challenges 2016 We serve 150 countries QUALITY INNOVATION in 10 OFFICES worldwide PASSION icole is browsing the websites of Additionally, she receives notification of a sale— several fashion retailers. At one store’s “15% off selected accessories, today only”—that N site, she identifies three models she is applies to two of the items she had added to her interested in and saves them to a “wish list”. wish list. Since she prefers to touch and feel the clothes before buying, she decides to visit the store. When she taps on the wish list, the app provides Under an optimized cross-channel experience, a store map directing Nicole to the desired she is able find the nearest physical outlet on section of the store. The store uses sophisticated the fashion retailer’s website, get directions tagging technologies, information about the using Google Maps, and drive over to view the wish list items has automatically been synced desired products. with other applications on her mobile phone—she can scan reviews using their Even before she walks through the doors, a Consumer Reports app, text her sister for advice, transmitter at the entrance of the store identifies ask Facebook friends to weigh in on the Nicole and sends a push alert to her mobile purchase, and compare the retailer’s prices phone, welcoming her and providing her with against the prices of others. She decides to get a personalized offers and recommendations based dress, but as her size is not in stock, she orders it on her history with the store. -
Selling the Green Dream to Women
SELLING THE GREEN DREAM TO WOMEN Socio-environmental degradation and the paradox of feminism and sustainability in fashion marketing. Mariko Takedomi Karlsson Degree of Master of Science (MSc.) in Human Ecology: Culture, Power and Sustainability 30 ECTS CPS: International Master’s Programme in Human Ecology Human Ecology Division Department of Human Geography Faculty of Social Sciences Lund University Supervisor: Vasna Ramasar Term: Spring Term 2018 i Abstract: This thesis identifies a trend of fashion brands engaging in feminist and environmental issues through their business strategy in order to sell products to women. More specifically, it explores the relationship between gender and environmentalism in marketing campaigns within the fashion industry. Through case study research, analysis of fashion advertisement videos and semi-structured interviews with female identifying consumers, the findings show that despite scepticism from consumers, fashion brands are successful in delivering messages about sustainability and environmentalism to their consumers, partly through embodying a progressive and empowering brand image. This success is problematised through contextualising fashion marketing within a world-system analysis, which reveals that the environmentalist and feminist claims made by fashion brands do not correspond to the material reality of the socio-environmental degradation caused by the fashion industry in the global South. With the help of feminist theory as well as theories from human ecology and political economy, I argue that consumerism as it looks now is not compatible with environmental sustainability. Therefore, individualist consumption oriented solutions proposed by fashion brands serve as a distraction from the need for collective action and structural change, while simultaneously enabling the status quo of over- production and over-consumption to prevail. -
Innovating a 90'S Streetwear Brand for Today's Fashion Industry
FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY A Thesis submitted to the FAculty of the Graduate School of Arts and Sciences of Georgetown University in partiAl fulfillment of the requirements for the degree of MAsters of Arts in CommunicAtion, Culture And Technology By Dominique HAywood, B.S WAshington, DC May 26, 2020 Copyright 2020 by Dominique HAywood All Rights Reserved ii FOR US BY US: INNOVATING A 90'S STREETWEAR BRAND FOR TODAY'S FASHION INDUSTRY Dominique HAywood, BS Thesis Advisor: J.R. Osborn, Ph.D ABSTRACT This thesis is a cAse study of how a vintAge fashion brand cAn be innovated through humAn centered design for the current fashion industry. IDEO, global design and innovation company, has clAssified humAn centered design as A method for identifying viAble, feAsible and desirable solutions with the integration of multidisciplinary insights (IDEO). For this thesis, the brand of focus is FUBU, for us by us, a 90’s era streetweAr brand that is a product of New York City hip-hop culture. A succinct proposAl for FUBU’s resurgence in the fashion industry will be designed by first identifying the viAbility of the fashion industry and feAsibility of the brand’s revival. ViAbility will be determined by detAiling the current stAte of the fashion and streetweAr industries. This is to estAblish the opportunities and threAts of new and returning entrants into the industry. FeAsibility will be declAred by reseArching the history and current stAte of the brand, its cultural relevancy, and its strengths and weAknesses. -
Sustainable Fashion: from Trend to Paradigm?
Sustainable Fashion: from Trend to Paradigm? CAROLINA OBREGÓN Master of Arts in Design at The Department of Fashion and Clothing Design Aalto University School of Arts, Design & Architecture Helsinki, Finland September 2012 ACKNOWLEDGMENTS This thesis is the result of a long process of learning and writing for which I am grateful to several people: first, my sister Liliana, my greatest supporter and most adamant advisor and motivator who always encouraged me to continue and to overcome the many hurdles along the road. I am also thankful to Grace Schutte, who contributed her expertise as graphic designer in helping me do the layout of the thesis. She was also a great friend who gave me her positive attitude and good energy through this process. Anderson Allen contributed with his revisions of my English writing and his academic expertise was helpful in making sense of my non-sense. I also appreciate Juan Hinestroza’s generous remarks, encouragement and interest in my work which gave me the extra push to the finish line, an invaluable contribution that he may not be aware of. And last -but not least- this thesis would not have reached its final form without the expert comments and helpful suggestions of Cindy Kohtala. To all of the above, I am most grateful, but I also wish to acknowledge the friends and family who indirectly have supported this thesis by believing in me and being there to support me through the good times and the bad. Graphic Designer: Grace Schutte ABSTRACT Sustainable Fashion Design: from Trend to Paradigm? The fashion industry is one of today’s most unsustainable global businesses.