Click on This Link
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Iiistrum€Ntal Newsl€Tt€R
ceoF6 J€R14Y'S AUSTR,ALIhTT IIISTRUM€NTAL NEWSL€TT€R EDMON #7 _ NOVEMBER 2OO5 RITURN OF THf SURT GUITAR _ trMPIRI HOTf,L. 6 OCTOBIR wlai a briniant birthday bash'!l Friends Gery O'Rorke and' Ben Nestr€ll accompanied m€ up to Sydney where we were met by Bryce crainger (photograph€r / chautreur) snd Te.ry Robins for a completely vocal-liee weekend. Kim Humph€ys and his band of helpers, including'th€ two Phils'aod Jan and Jeffc.ipps, should be prcud ofthe final result. The veme was the Ernpire Hot€I, Crr. Parmnatta Road & Johnston Street, Aniandalq Sydney. Proc€€dings v,/erc staned at 3pm by ex pat Soutl African guitarist MAX PATON, who l€d The (ShadovJy) Outcasts io Rhodesia during th€ early 60's. Tony Ho{ftnan's Shadsfax magazine recently placed Max in a small elit€ goup ofplayers able to faithftlly replicare the eady Shado*G souid, and his claim lras not ill founded! ROTSG is the first gig ol this nature to be ever held in Sydney. and expectatiods were high. Mr. Palon selflessly offered to take on xhe daunting task of being the opening act. lnt€rspers€d with his tumorous patter, Max and red his Strat, accompanied by backing tracks (which had a very tull sound through the venu€'s superb PA) playei Mf Ren$an e Is Lov, Sone Arc Loneq, Kon-Tik, Sofih Of The Boder, Albatoss (introduced as "Albert Ross"). nrcne Fot you g I e6 (aka 'Theme lor Old l,o'"1rs"), Gercnimo, Cosy a'ld Tlp S6'age. -
Instrumental Newsletter
EDITION #20 – September 2008 SPECIAL "SHADOZ" ISSUE!! "Shadoz 2008" marked our 6th anniversary, as well as the 50th anniversary of Cliff and The Shadows. Yet another new venue, and, from all reports the best yet. On a sad note, we recently lost one of our Shadoz friends, Don Hill. Don played drums for Harry's Webb and The Vikings last year, and was one of the 'stalwarts' of Shadoz in recent times. R.I.P. Don. TONY KIEK (Keyboards) and GEORGE LEWIS (Guitar) were fresh from a tour of the UK, where they appeared at a number of Shadows clubs. They were gracious enough to help out by filling the 'dreaded' opening spot. Their set was a wonderful introduction to the day, and they featured some great sounds with WONDERFUL LAND / FANDANGO (with WALTZING MATILDA intro) / DANCES WITH WOLVES / THING-ME-JIG / RODRIGO'S CONCERTO / GOING HOME (THEME FROM 'LOCAL HERO') / THE SAVAGE / SPRING IS NEARLY HERE Whilst Tony and George travelled down from Sydney, no less a feat were the next band, who have travelled from overseas – Phillip Island! - ROB WATSON (Bass) was formerly with Melbourne group "The Avengers", TONY MERCER (Lead Guitar) also played with various Melbourne groups before "retiring" to the island and forming "SHAZAM", MIKE McCABE (Rhythm) worked in England in the 60's with "Hardtack", MARTY SAUNDERS (Drums) played with the popular showband "Out To Lunch" amongst others, and JEFF CULLEN (Lead vocals and rhythm guitar) sang with The Aztecs in Sydney before Billy Thorpe, then with The Rat Finks. A nice mix of Shads and non-Shads numbers included ADVENTURES IN PARADISE / MAN OF MYSTERY / ATLANTIS / THE CRUEL SEA / THE RISE AND FALL OF FLINGEL BUNT / GENIE WITH THE LIGHT BROWN LAMP / IT'S A MAN'S WORLD / THE SAVAGE / CINCINNATTI FIREBALL (voc) / LOVE POTION NO.9 (voc) / THE WANDERER (voc) / THE STRANGER / WALK DON'T RUN One of the joys of "Shadoz" is the ability to welcome newcomers to our shindig. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
THE ATLANTICS Think Surf Rock Classics and a Few Songs Come to Mind
THE ATLANTICS Think surf rock classics and a few songs come to mind. The Surfari’s Wipeout, Dick Dale’s Miserlou, Pipeline by the Chantays and of course Bombora, by Australia’s own, Atlantics. Virtually the only successful surf instrumental band, not from America. Echoing the Shadow’s Twangy Atmospheric Instrumental Sound, they were snapped up by CBS Records and became a household name with the release of their Giant Hit Bombora Bombora shot to number one, for a record eight weeks in Australia and also charted around the world. Their follow up single, The Crusher also charted strongly and established the band as a leader in the Instrumental Rock Scene. The Atlantics went on to record seven more singles and four LP’s for CBS, all of which are now regarded as classics of the Surf Instrumental Genre. They also recorded a string of vocal singles with various recording companies and these songs are now considered as outstanding examples of Pre-Punk Garage Rock. After a long break from the music scene, original members Jim Skiathitis, Peter Hood and Bosco Bosanac along with new guitarist, Martin Cilia, reformed and set about recapturing the sound that had propelled them to fame so many years before and had lifted them to a legendary status worldwide. Since reforming The Atlantics have released four excellent new CD’s. ‘Flight Of The Surf Guitar’, ‘Atlantics- The Next Generation’, ‘Point Zero’ and ‘Atlantics The Best Of’. In 2000 Bombora was given the ultimate accolade by being used in the Closing Ceremony of the Sydney 2000 Olympic games. -
Volume Xl - Number 48 - April 14, 1979
www.americanradiohistory.com www.americanradiohistory.com VOLUME XL - NUMBER 48 - APRIL 14, 1979 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher If The Price Is Right MEL ALBERT EDITORIAL Vice President and General Manager of records by these un- In the wake of discussions on alternative pricing structures for is a way to increase exposure and sales CHUCK MEYER and similar com- known artists, while at the same time encouraging the consumer Director of Marketing new artists at the recent NARM convention, ments from rack jobbers in this week's survey article (page 8), we to be more willing to take a chance on lesser known acts. to DAVE FULTON believe that the following editorial from the Oct. 7, 1978 issue of We propose a sliding scale of suggested retail list prices Editor In Chief The Cash Box warrants reprinting. While a number of industry ex- cover the various career stages that artists pass through. the J.B. CARMICLE ecutives responded favorably to the concept presented therein, easiest way to establish such a scale would be to base it on Manager. East Coast General no concrete action has yet been taken on this or any other sales history of the respective act. might list for $6.98, a JIM SHARP variable pricing proposal for new acts. For example, a completely unknown artist Director, Nashville proven 250,000 unit seller would list for $7.98, a gold album for $9.98, and so on. The East Coast Editorial New artists are the lifeblood of the music business. -
R.I.P. GERRY WOODAGE Gerry Passed Away on 7 March
Unfortunately, some of our Sydney contingent have been forced to withdraw due to ill health, but we can promise a great line-up of musicians for your listening pleasure! R.I.P. GERRY WOODAGE Starring Martin Cilia (Atlantics), Bryan Browne, The Futuras, Space Party (from Canberra), Five O’Clock Gerry passed away on 7 March after a long battle Shadows (from Hobart), Ben Rogers’ Instrumental with cancer. Gerry edited The Ventures Asylum, The Shedows, Shadamataz and some Resurgence for many years and was a staunch special surprises, with further acts to be confirmed. supporter of the Ventures, compiling CD’s, writing liner notes for Ace and See For Miles and others. I The Club's bistro is open for lunch and dinner at was fortunate to meet Gerry and his charming wife reasonable prices, and the bar will be open for the Dulcie back in 1992 and found him to be a true duration. Accommodation is available at St Georges gentleman. Our sincere condolences to Dulcie and Motor Inn, 334 St Georges Road, Thornbury – family and friends. Telephone (03) 9416 8233 – it's just 1km from "Shadoz". Admission is $20.00 at the door. We look forward to seeing you again. Bring along your friends, relations, and even enemies – let’s make this the best ever! Please feel free to contact us for further information as follows: Geoff: Phone: (03) 9749 3223 Mobile: 0428 288 577 Email: [email protected] Address: 9 Hughes Street, Hoppers Crossing, Vic 3029 Russell: Phone (Mobile): 0411 642 788 Email: [email protected] “Shadoz 2009” will again be at The Northcote RSL Club, 496 High Street, Northcote, Vic. -
Book Club Notes: River of Salt 1
RIVER OF SALT DAVE WARNER ABOUT THE BOOK In 1963, hitman Blake Saunders flees the Philadelphia Mob for a quieter existence in a tiny coastal Australian town. Life in Coral Shoals is perfect and Blake is a new man – running a club called the Surf Shack, and playing nights there with his surf music band, The Twang. But then a young woman’s body is found at a local motel, a matchbook from the Surf Shack on her bedside table. When Blake’s friend is arrested for her murder and the local sergeant doesn’t want to know about it, it becomes clear that it is up to Blake – a man who understands the business of killing – to protect his corner of paradise. ABOUT THE AUTHOR Dave Warner is an author, musician and screenwriter. His first novel, City of Light, won the Western Australian Premier’s Book Award for Fiction. He is also the author of Clear to the Horizon and Before it Breaks, which won the Ned Kelly Award for best Australian crime fiction. Once nominated by Bob Dylan as his favourite Australian music artist, Dave Warner originally came to national prominence with his gold album Mug’s Game. In 2017 he released his tenth album When. He has been named a Western Australian State Living Treasure and has been inducted into the WAMi Rock’n’Roll of Renown. DISCUSSION QUESTIONS 1. Why is the novel called River of Salt? 2. How would you describe Blake’s moral code? 3. Do you think he is right to make the choices he does to protect his ‘corner of paradise’? 4. -
Instrumental Newsletter!) but Mark Is a Fantastic Guitar Oliver‟S “Opus One” to “The Flintstones Theme”, This a Player, with a Unique Style
THE ATLANTICS EDITORIAL “THE ATLANTICS LIVE AT FRESHWATER” (DVD) Welcome to Issue 27. Lots of reviews this time, BOMBORA CREATIVE (Aust) BOMBORA 23 along with news on the Cliff / Shadows tour and TICKET TO RIO / COSSACK / ONE MORE SUMMER / associated products. Some good news for a change – NIGHT STAR / WEDDING CAKE ISLAND / RIFF A GO GO Kim Humphreys seems to be making a recovery, and is / BOMBORA hoping that his new CD will be available soon. Thanks to This DVD is FANTASTIC! Every home should Kim for the special Christmas header, thanks to Mandy have one. Some new tracks, some old ones – all recorded Hall for the Atlantics news and photo‟s, and thanks to all in the days leading up to the “Delightful Rain” project. those who have supported 2G4W. Delightfully filmed and produced, you‟ll be spellbound by the magical Atlantics. Go out now and buy it!! As this looks like being the last 2G4W before Christmas, I‟d like to wish you all a happy and joyful time, and all best wishes for 2010. Cheers, Geoff CD REVIEWS FROM GEOFF’S JUKEBOX ♫♫♫♫♫♫ BRAD PAISLEY “PLAY: THE GUITAR ALBUM” MARTIN CILIA ARISTA / SONY (Aust) 88697-26908-2 HUCKLEBERRY JAM / TURF‟S UP / START A BAND “THE ODD ONE OUT (BACKING TRACKS)” (Duet with KEITH URBAN) / KIM / DEPARTURE / COME BOMBORA CREATIVE (Aust) BOMBORA 22 ON IN (Featuring BUCK OWENS) / KENTUCKY JELLY / THE ODD ONE OUT / REAL TO REEL / CRY FOR A PLAYING WITH FIRE / MORE THAN JUST THIS SONG SHADOW / EXILE ON CHAPEL STREET / MEDICATION / (Featuring STEVE WARINER) / LES IS MORE / PRE- THE SAME SONG REMAINS / OLD GUITARS (v) / CLUSTER CLUSTER PLUCK PREQUEL (PRELUDE) / CHUNKY / PICK ON ME / ANCESTOR / WEST OF BONDI CLUSTER PLUCK / CLIFFS OF ROCK CITY / LET THE / 1993 / ROAD TO BALLARAT GOOD TIMES ROLL (Featuring B.B. -
Music? Just Like the Beach Boys, Isn’T It? - Not Exactly, Do You Remember Pulp Fiction? the Opening Track with the Guitar for Example
o d Garden Party Productions presents a n r o T r a t i u G - k n MOMS u P e g a t n i V - I’D LIKE c i s u m f r u S TO SURF Garden Party Productions 10 montée Valérieux - 73000 Chambéry +33 6 63 74 75 83 - [email protected] +33 6 64 22 54 97- [email protected] www.gardenpartyprod.com Introduction « Surf Music? Just like the Beach Boys, isn’t it? - Not exactly, do you remember Pulp Fiction? The opening track with the guitar for example... That’s what Surf Music really is – Oh, yeah that rocks! « This discussion, the 4 MILS musicians have chosen to have it regularly, it’s part of the exercise: playing a style that everybody knows without being aware of it. Of course, depending on the generation, this 60’s music style is more or less anchored in the imaginary and the references aren’t always the same but the effect produced by this energetic and jubilant music on the public stil remains unchanged. Reviving this music genre requires to be aware of its codes, and the Surf Music directly imposes an essential constraint: the style is to be instrumental! The «ban on singing» does not scare Moms I’d Like to Surf. This characteristic becomes an argument, a force that increases their interest in practice and composition. The sounds and other instrumental techniques specific to this highly specialised music can fully compensate this lack of lyrics while keeping the energy of a Rock concert. -
Recording Delightful Rain Issue 49
FEATURE A SURFING SAFARI AT 34 The story behind the Say, one morning, you were moved by the The morning I came to pay my respects, spirit – swept up in a wave of religious fervour, GANGgajang were assembling down one end recording of Delightful Rain you might say – to record a choir of monks of the room while Mick was busying himself performing a Gregorian chant. How would over his recording rig, resplendent in his Delightful Rain is a you proceed? Would you book a studio and ‘Nothing Sounds Like Tape’ T-shirt. ‘celebration of Australian send a bus to the monastery to pick up the Not just the session’s engineer, Mick is one monks for a recording and overdub session? surf music’, recorded over a of the key protagonists behind this inspired Or, would you assemble a rig and record the enterprise and a good person to explain its two-week period on location monks in their environment – soaking up genesis: the atmosphere of the chants as they resonate at the Freshwater Surf Life throughout a glorious gothic cathedral? Surely “David Minear, who runs Bombora Creative, Saving Club on Sydney’s the decision is obvious – giving the music and Kerryn Tolhurst [onetime prime mover its sense of place and capturing authentic in seminal Australian rock band The Northern Beaches. For the atmosphere is far more desirable. Dingoes, now a NYC-based music producer] musicians involved it was came up with the brainwave of doing a record There is another religion in this nation girt by and a film celebration of Australian surf all good times and good sea, of course – surfing. -
Chapter 4 Clubland 1962-1972
Chapter 4 Clubland 1962-1972 From 1957 into the early 1960s, Johnny O'Keefe, Col Joye, Johnny Devlin, Johnny Rebb, Alan Dale and Lonnie Lee had provided proudly masculine templates of local success. O'Keefe and Joye also revealed considerable entrepreneurial skills in establishing managerial empires based upon their live circuit, radio and television popularity. Upon establishing responsive local environments, both managed many of the second wave of performers. This chapter examines the growth in Sydney's licensed clubs, and their concurrent interest in rock and roll as a lucrative form of entertainment. As identified in the development of the hotel and club circuits, this required a refinement of the 'unruly' rock and roll aesthetic evident in the previous chapter. The belief in more 'melodic' recording arrangements, and performers' incorporation into older notions of club entertainment signified a break with the more hysterical constructions of the music in the 50s. However, an examination of the Sydney surf club circuit in the mid-60s reveals a brief resurrection of earlier rock and roll beliefs. The surf club battles between 'surfies' and 'rockers' present an interesting precedent to the mods-rockers clashes in Britain. Moreover, echoes of earlier town hall/ballroom battles are evidenced in concerns founded upon generational differences regarding civic duty, and teens' contributions in constructions of community. While rock and roll displayed an increasing professionalism by promoters and performers, portrayals of 'wild' youth persisted as powerful discursive devices of social control. An important context of 1960s leisure is provided in the transfer of State government from Labor to the Liberal Party in 1965. -
BEAT, 60S/70S DEE-JAY DOO WOP SERIES SEIRESPOWOODYAJ
DEE-JAY DOO WOP SERIES 183 TEEN SCENE CD BB 55113 € 15.34 WINCHELL : Don’t Make Small Talk Baby RICKY SHAW : The Riddle TOMMY BIENER & WENDY &...: The Top 40 DOVERS: Alice My SEVEN TEENS: Steady Guy AUGIE RIOS : Augie Stay Home CURT Love PAUL GRIF FIN : Ragdoll Baby LEE PARKER : Sand Dance JENSEN : Bobbie CHARLES DELL : I’m Here To Tell You (What MELLODEERS: The Letter DOVERS: A Lonely Heart RALPH DE Ronnie Couldn ’t..) RONI POWERS : Any Friend Of Henry’s RICKY MARCO : Donna MELODEERS: Born To Be Mine GINO: I’m A Boy SHAW : I Got A Girl GINO & THE DELLS: Baby Don’t Go Now In Love ANDY & GINO: Love Is Love (All Around The World) DONNY LEE MOORE : You Left Me Standing There AUGIE RIOS : DANNY WINCHELL : Sugar Baby RICKY & ROBBY: Suzzanne No One CHARLES DELL : Let’s Tell Him Now BIG BOB AUGIE ROSE : Lullaby ANDY ROSE & THE THORNS: Just For Fun DOUGHERTY : Bang Bang RICKY & ROBBY: Purple Pedal Pushers MONTELLS: My Prince Will Come (And He Will Be The One) DICK HEARTHERTON : Hey! Travelin’ Man ANGELA MARTIN : Two Pairs Of Shoes JAN TOBER : Just Married ANDY ROSE : Hey Scooter AUGIE RIOS & NOTA TIONS: There’s A Girl Down The Way CHESS MEN: Prayer Of Love DANNY BEAT, 60s/70s 13TH FLOOR ELEVATORS Willow Weep For Me- Yours Until Tomor row- Simon Smith And The Amaz ing Dancing Bear- Tickle Me 8 PARA DISE LOST 2-CD CD LSR 19630 € 24.90 CD-1:- Gloria- You’re Gonna Miss Me- Tried To Hide- Splash One- ALLMAN BROS You Can’t Hurt Me Anymore- Make That Girl Your Own- Before You UNIVER SAL MASTER Accuse Me- Fire In My Bones- Monkey Island- Thru The Rhythm-