RMA 103 Intro to Buddhism
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1 Post-Canonical Buddhist Political Thought
Post-Canonical Buddhist Political Thought: Explaining the Republican Transformation (D02) (conference draft; please do not quote without permission) Matthew J. Moore Associate Professor Dept. of Political Science Cal Poly State University 1 Grand Avenue San Luis Obispo, CA 93407 805-756-2895 [email protected] 1 Introduction In other recent work I have looked at whether normative political theorizing can be found in the texts of Early or Canonical Buddhism, especially the Nikāya collections and the Vinaya texts governing monastic life, since those texts are viewed as authentic and authoritative by all modern sects of Buddhism.1 In this paper I turn to investigate Buddhist normative political theorizing after the early or Canonical period, which (following Collins2 and Bechert3) I treat as beginning during the life of the Buddha (c. sixth-fifth centuries BCE) and ending in the first century BCE, when the Canonical texts were first written down. At first glance this task is impossibly large, as even by the end of the early period Buddhism had already divided into several sects and had begun to develop substantial regional differences. Over the next 2,000 years Buddhism divided into three main sects: Theravada, Mahāyāna, and Vajrayāna. It also developed into numerous local variants as it mixed with various national cultures and evolved under different historical circumstances. To give just one example, the Sri Lankan national epic, the Mahāvaṃsa, is central to Sinhalese Buddhists’ understanding of what Buddhism says about politics and very influential on other Southeast Asian versions of Buddhism, but has no obvious relevance to Buddhists in Tibet or Japan, who in turn have their own texts and traditions. -
Bridging Worlds: Buddhist Women's Voices Across Generations
BRIDGING WORLDS Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo First Edition: Yuan Chuan Press 2004 Second Edition: Sakyadhita 2018 Copyright © 2018 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover Illustration, "Woman on Bridge" © 1982 Shig Hiu Wan. All rights reserved. "Buddha" calligraphy ©1978 Il Ta Sunim. All rights reserved. Chapter Illustrations © 2012 Dr. Helen H. Hu. All rights reserved. Book design and layout by Lillian Barnes Bridging Worlds Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo 7th Sakyadhita International Conference on Buddhist Women With a Message from His Holiness the XIVth Dalai Lama SAKYADHITA | HONOLULU, HAWAI‘I iv | Bridging Worlds Contents | v CONTENTS MESSAGE His Holiness the XIVth Dalai Lama xi ACKNOWLEDGMENTS xiii INTRODUCTION 1 Karma Lekshe Tsomo UNDERSTANDING BUDDHIST WOMEN AROUND THE WORLD Thus Have I Heard: The Emerging Female Voice in Buddhism Tenzin Palmo 21 Sakyadhita: Empowering the Daughters of the Buddha Thea Mohr 27 Buddhist Women of Bhutan Tenzin Dadon (Sonam Wangmo) 43 Buddhist Laywomen of Nepal Nivedita Kumari Mishra 45 Himalayan Buddhist Nuns Pacha Lobzang Chhodon 59 Great Women Practitioners of Buddhadharma: Inspiration in Modern Times Sherab Sangmo 63 Buddhist Nuns of Vietnam Thich Nu Dien Van Hue 67 A Survey of the Bhikkhunī Saṅgha in Vietnam Thich Nu Dong Anh (Nguyen Thi Kim Loan) 71 Nuns of the Mendicant Tradition in Vietnam Thich Nu Tri Lien (Nguyen Thi Tuyet) 77 vi | Bridging Worlds UNDERSTANDING BUDDHIST WOMEN OF TAIWAN Buddhist Women in Taiwan Chuandao Shih 85 A Perspective on Buddhist Women in Taiwan Yikong Shi 91 The Inspiration ofVen. -
Jirisan-Gure
Jirisan-Gure 1. Hwaeomsa Temple 2. Cheoneunsa Temple 3. Unjoru Hwaeomsa Temple 1. The Building Where the Ritual is Held for Hwaeomsa Temple the Spirit of Jirisan Mountain As you cross the bridge that leads to Hwaeomsa Temple, on the right side you will see a small house. The people who live in this area believe in a god that watches over Jirisan Mountain. This house is the building where the ritual is offered to the mountain spirit. The ritual is held every year around the time that farmers begin planting their crops, and they have been doing this for more than a thousand years. Around 2,000 years ago, the rulers of the Korean Peninsula chose five sacred mountains as the site for the rituals. The mountain in the capital was at the center, while another mountain was chosen for each of the four cardinal directions. The ritual was held at each of these locations as a prayer for the gods to bring peace to the country and the people. Jirisan Mountain was one of those mountains. While dynasties have changed and the capital is different today, this mountain is still considered a holy site. The mountain also plays a role in the ancient Eastern geomantic system known as feng shui. Practitioners of feng shui look at the geographic features of mountains and rivers to predict people's fortunes and to decide where to build a house or dig a grave. According to this system, the mountain is believed to have risen up out of the ground after absorbing energy that shot south across the peninsula from Baekdusan Mountain. -
Nomenclature of Post Graduate Courses in Buddhist Studies
UNIVERSITY OF JAMMU CHOICE BASED CREDIT SYSTEM FORPOST GRADUATE PROGRAMME IN THE DEPARTMENT OF BUDDHIST STUDIES W.E.F. THE ACADEMIC YEAR 2020-21 Nomenclature of Post Graduate Courses in Buddhist Studies Nomenclature of courses will be done in such a way that the course code will consist of eleven characters. The first character ‘P’ stands for Post Graduate. The second character ‘S’ stands for Semester. Next two characters will denote the Subject Code. Subject Subject Code Buddhist Studies BS Next character will signify the nature of the course. T- Theory Course D- Project based Courses leading to dissertation (e.g. Major, Minor, Mini Project etc.) L- Training S- Independent Study V- Special Topic Lecture Courses Tu- Tutorial The succeeding character will denote whether the course is compulsory “C” or Elective “E”. The next character will denote the Semester Number. For example: 1 will denote Semester— I, and 2 will denote Semester— II Last two characters will denote the paper Number. Nomenclature of P G Courses PSBSTC101 P POST GRADUATE S SEMESTER BS BUDDHIST STUDIES (SUBJECT CODE) T THEORY (NATURE OF COURSE) C COMPULSORY 1 SEMESTER NUMBER 01 PAPER NUMBER O OPEN 1 Semester wise Distribution of Courses and Credits SEMESTER- I (December 2018, 2019, 2020 & 2021) Course code Paper Credits PSBSTC101 History of Buddhism in India 6 PSBSTC102 Fundamentals of Buddhist Philosophy 6 PSBSTC103 Pali Language and History 6 PSBSTC104 Selected Pali Sutta Texts 6 SEMESTER- II (May 2019, 2020 and 2021) Course code Paper Credits PSBSTC201 Vinaya -
Print This Article
Journal of Global Buddhism 2020, Vol.21 51–69 DOI: 10.5281/zenodo.4030975 www.globalbuddhism.org ISSN: 1527-6457 (online) © The author(s) Special Focus: Alternate Buddhist Modernities Buddhist Contramodernism: Reconfigurations of Tradition for Modernity Casey R. Collins University of British Columbia Shinnyo-en, and other twentieth-century Buddhist lay movements emerging from older monastic and temple institutions, reconfigures elements of “traditional” Buddhism and “folk” religion to meet the conditions of modernity. Shinnyo-en’s founders and their successors envisioned a particular strategy for being Buddhist in modernity, one which aligns with some, but not all, scholarly characterizations of Buddhist modernism. As a result, Shinnyo-en and other lay organizations have largely remained on the margins of Buddhist studies despite their apparent popularity and proliferation. This article offers a new category for theorizing and positioning such organizations as contramodern—connected with, but divergent from mainstream forms of Buddhist modernism. In this light the emergence of Shinnyo-en in the 1930s, and the soteriological centrality of its founders’ lives, can be better understood in their historical and social contexts as being both connected to over one-thousand years of Shingon tradition and completely unique. The concept of contramodernism opens scholarly discussion of the many forms of Buddhism extant in modernity to those movements and organizations that are historically new, yet not entirely modernist. Keywords: Shinnyo-en: Shingon: Buddhist modernism: contramodernism: new religions he concept of contramodernism I introduce in this article is intended to open studies of contemporary Buddhism to studies of Buddhist “new religions,” their founders, the identities they inform, and Buddhist communities that defy the boundaries of Buddhist Tmodernism. -
An Aristotelian Interpretation of Bojo Jinul and an Enhanced Moral Grounding
religions Article An Aristotelian Interpretation of Bojo Jinul and an Enhanced Moral Grounding Song-Chong Lee Religious Studies and Philosophy, University of Findlay, Findlay, OH 45840, USA; lee@findlay.edu Received: 17 March 2020; Accepted: 13 April 2020; Published: 16 April 2020 Abstract: This paper explores the eclecticism of Bojo Jinul (1158–1210 CE), who is arguably the most influential historic figure in establishing and developing the Buddhist monastic institution of Korea. As a great harmonizer of the conflicting Buddhist trends in the late Goryeo period, Jinul not only shaped the foundation of the traditional monastic discipline balanced between theory and practice but also made Korean Buddhist thoughts known to a larger part of East Asia. I revisit the eclecticism of Bojo Jinul on harmonizing the two conflicting understandings of enlightenment represented by Seon (Cha’n) and Gyo (Hwaeom study) schools: the former stressing sudden enlightenment by sitting mediation and oral transmission of dharma and the latter stressing gradual cultivation by the formal training of textual and doctrinal understanding specifically on the Hwaeom Sutra. Utilizing the metaphysics of Aristotle, I confirm the logical validity of his eclecticism and address some of its moral implications. Keywords: Korean Buddhism; Jinul; sudden enlightenment; gradual cultivation; Korean Seon; Zen; potentiality and actuality; Aristotelian metaphysics 1. Introduction This paper explores the eclecticism of Bojo Jinul (1158–1210 CE), who is arguably the most influential historic figure in establishing and developing the Buddhist monastic institution of Korea. As a great harmonizer of the conflicting Buddhist trends in the late Goryeo period,1 Jinul not only shaped the foundation of the traditional monastic discipline balanced between theory and practice2 but also made Korean Buddhist thoughts known to a larger part of East Asia. -
An Archaeological Analysis of Early Buddhism and the Mauryan Empire at Lumbini, Nepal
Durham E-Theses The Mauryan Horizon: An Archaeological Analysis of Early Buddhism and the Mauryan Empire at Lumbini, Nepal TREMBLAY, JENNIFER,CARRIE How to cite: TREMBLAY, JENNIFER,CARRIE (2014) The Mauryan Horizon: An Archaeological Analysis of Early Buddhism and the Mauryan Empire at Lumbini, Nepal , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11038/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract The Mauryan Horizon: An Archaeological Analysis of early Buddhism and the Mauryan Empire at Lumbini, Nepal Jennifer Carrie Tremblay The archaeology of Buddhism in South Asia is reliant on the art historical study of monumental remains, the identification of which is tied to the textual historical sources that dominate Buddhist scholarship. The development and spread of early Buddhism from the third century BCE has been intrinsically linked with the Mauryan Emperor Asoka, and is consequently reliant on the identification of ‘Mauryan’ remains in the archaeological record. -
Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship
religions Article Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship Jahyun Kim Department of History and Culture, University of Ulsan, Ulsan 44610, Korea; [email protected] Received: 24 October 2020; Accepted: 28 November 2020; Published: 2 December 2020 Abstract: This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly known. These factors made systematic research difficult, but the release of various related materials has recently enabled comprehensive study of the subject. As materials substantiating Buddhism’s religious role in society and the propagation activities of temples, single-sheet Buddhist prints hold great value. Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice. The former type was likely made for self-protection or Buddhist enshrinement in statues for their protection and to seek blessings for this meritorious deed or to protect the dharma. The latter type was used as a visual aid in worship and chanting. They can be divided into prints featuring universally loved icons and prints featuring icons reflecting the trends of certain periods. They were analyzed in relation to popular beliefs and methods of spiritual practice in the Buddhist circle as well as trends in faith among the ordinary people. Keywords: single-sheet woodblock illustrated Buddhist print; dharani; talismans; protection of the dharma; objects of worship or spiritual practice; Three Gates Buddhist Practice 三門修m; Suryukjae 4xK ritual; belief in Chilseong 七星 1. -
The Tradition of Sangiti and Pali Literature Introduction Meaning of Sangiti
Session: The Traditionl of Pāḷi Studies 1 The Tradition Of Sangiti And Pali Literature Prof. Bhikshu Satyapala, Ph.D. Department of Buddhist Studies University of Delhi Delhi 110 007, India Introduction Pali literature named after its language, Pali, refers to the Literature of Theravada Buddhist canonical and non-canonical literatures. The form of the Pali literature, which we have at present, has come down to us through the tradition of Sangities. History of Buddhism has records of more than a dozen Sangiti which has, so far, been convened in order to recite and preserve the original form of the Buddha’s teaching. Of these twelve, only two Sangities (the Councils held in Kashmir and Lhasa) were organized by two Buddhist schools (other than Theravada), which adopted respectively Sanskrit and Tibetan languages as the mode of transmission of the Buddha’s teachings among their followers. It is the work of these Councils due to which we have been able to preserve from centuries the tradition and teachings of the Buddha. The Buddha’s teachings currently available in Pali, Tibetan, and Sanskrit (most of which though not available in its original form but in Chinese translations) are the result of the Sangities held from time to time. Hence, it appears pertinent, firstly, to decipher the meaning of the term Sangiti and the role played by it. Meaning of Sangiti 1 The paper was presented in the International Conference of Theravada Buddhist Universities organized by International Theravada Buddhist Missionary University (ITBMU) and read in group discussion held under the chairmanship of Ven. Venerable Dr. -
The-Buddhist-Circuit-Brand-Identity-Usage-Guidelines.Pdf
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized TABLE OF CONTENTS INTRODUCTION SOUTH ASIAN BUDDHIST HERITAGE: PAST, PRESENT AND FUTURE ..........................................................................1 GUIDELINES FOR A COMMON BRAND IDENTITY FOR THE BUDDHIST CIRCUIT IN SOUTH ASIA OBJECTIVES AND AUDIENCE...................................................................................................................................................2 WHY A COMMON VISUAL AND BRAND IDENTITY? ..........................................................................................................2 METHODOLOGY FOR THE CREATION OF THE BRAND IDENTITY ................................................................................3 NOMENCLATURE ..........................................................................................................................................................................4 ELEMENTS ......................................................................................................................................................................................6 Inner Circle Symbol .............................................................................................................................................................7 Outer Circle Symbol ............................................................................................................................................................8 Inner Circle Motto -
In Buddhist Studies
Dr. B.R. Ambedkar University of Social Sciences Dr. Ambedkar Nagar (Mhow), Indore (M.P.) M.A. (MASTER OF ARTS) IN BUDDHIST STUDIES SYLLABUS 2018 Course started from session: 2018-19 M.A. in Buddhist Studies, Session: 2018-19, Dr. B.R. Ambedkar University of Social Sciences, Mhow Page 1 of 19 ikB~;Øe ifjp; (Introduction of the Course) ,e-,- ¼ckS) v/;;u½ ,e-,- (ckS) v/;;u) ikB~;Øe iw.kZdkfyd f}o"khZ; ikB~;Øe gSA ;g ikB~;Øe pkj l=k)ksZa (Semesters) rFkk nks o"kksZ ds Øe esa foHkDr gSA ÁFke o"kZ esa l=k)Z I o II rFkk f}rh; o"kZ esa l=k)Z III o IV dk v/;kiu fd;k tk;sxkA ikB~;dze ds vUrxZr O;k[;kuksa] laxksf"B;ksa] izk;ksfxd&dk;ksZ] V;wVksfj;Yl rFkk iznÙk&dk;ksZ (Assignments) vkfn ds ek/;e ls v/;kiu fd;k tk;sxkA izR;sd l=k)Z esa ckS) v/;;u fo"k; ds pkj&pkj iz'u&i= gksaxsA izR;sd iz'u&i= ds fy, ik¡p bdkb;k¡ (Units) rFkk 3 ØsfMV~l fu/kkZfjr gksaxsA vad&foHkktu ¼izfr iz'u&i=½ 1- lS)kfUrd&iz'u & 60 (Theoretical Questions) 2- vkUrfjd& ewY;kadu & 40 (Internal Assessment) e/;&l=k)Z ewY;kadu + x`g dk;Z + d{kk esa laxks"Bh i= izLrqfr ¼20 + 10+ 10½ ;ksx % & 100 ijh{kk ek/;e % ckS) v/;;u fo"k; fgUnh ,oa vaxzsth nksuksa ek/;e esa lapkfyr fd;k tk,xk A lS)kfUrd iz'u&i= dk Lo#i (Pattern of Theatrical Question paper) nh?kksZŸkjh; iz'u 4 x 10 & 20 vad y?kqŸkjh; iz'u 6 x 5 & 30 vad fVIi.kh ys[ku 2 x 5 & 10 vad ;ksx & 60 M.A. -
Early Buddhist Stupas and the Origin of Mahayana Buddhism
Material Practice and the Metamorphosis of a Sign: Early Buddhist Stupas and the Origin of Mahayana Buddhism LArS FogeLiN While there is some debate, Buddhist textual sources suggest that the Buddha lived in the gangetic Plain of South Asia from roughly the late sixth to early fifth centuries b.c. (but see Bechert 1995). over the next six centuries, Buddhism became established throughout South Asia and beyond. Later, in the first through fifth centuries ad, in- dian Buddhism went through a profound and transformative change in terms of its theology and ritual. This change led to the development of Mahayana Buddhism. While there is no single, coherent body of Mahayana scripture, one element is par- ticularly central. Where early Buddhists viewed the Buddha as an absent exemplar for the attainment of enlightenment, later Mahayana Buddhists worshiped an active Buddha with continuing involvement in the world. in Mahayana Buddhism, the Bud- dha and Bodhisattvas continued to intercede in worldly affairs to help others attain enlightenment. The development of Mahayana Buddhism coincided with a change in the material representation of the Buddha. Buddha images, which were taboo in early Buddhism, became common in South Asia. What factors allowed for Mahayana Buddhism to diverge from early Buddhist orthodoxy in the first through fifth centu- ries a.d.? What conditions allowed Buddha images to assist in this process? Answers to these questions lie at the intersection of studies of materiality, practice theory, and semiotics. Prior to the advent of Buddha images in the first through fifth centuries a.d., the most common foci of Buddhist rituals were stupas.