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Bridging Worlds: Buddhist Women's Voices Across Generations
BRIDGING WORLDS Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo First Edition: Yuan Chuan Press 2004 Second Edition: Sakyadhita 2018 Copyright © 2018 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover Illustration, "Woman on Bridge" © 1982 Shig Hiu Wan. All rights reserved. "Buddha" calligraphy ©1978 Il Ta Sunim. All rights reserved. Chapter Illustrations © 2012 Dr. Helen H. Hu. All rights reserved. Book design and layout by Lillian Barnes Bridging Worlds Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo 7th Sakyadhita International Conference on Buddhist Women With a Message from His Holiness the XIVth Dalai Lama SAKYADHITA | HONOLULU, HAWAI‘I iv | Bridging Worlds Contents | v CONTENTS MESSAGE His Holiness the XIVth Dalai Lama xi ACKNOWLEDGMENTS xiii INTRODUCTION 1 Karma Lekshe Tsomo UNDERSTANDING BUDDHIST WOMEN AROUND THE WORLD Thus Have I Heard: The Emerging Female Voice in Buddhism Tenzin Palmo 21 Sakyadhita: Empowering the Daughters of the Buddha Thea Mohr 27 Buddhist Women of Bhutan Tenzin Dadon (Sonam Wangmo) 43 Buddhist Laywomen of Nepal Nivedita Kumari Mishra 45 Himalayan Buddhist Nuns Pacha Lobzang Chhodon 59 Great Women Practitioners of Buddhadharma: Inspiration in Modern Times Sherab Sangmo 63 Buddhist Nuns of Vietnam Thich Nu Dien Van Hue 67 A Survey of the Bhikkhunī Saṅgha in Vietnam Thich Nu Dong Anh (Nguyen Thi Kim Loan) 71 Nuns of the Mendicant Tradition in Vietnam Thich Nu Tri Lien (Nguyen Thi Tuyet) 77 vi | Bridging Worlds UNDERSTANDING BUDDHIST WOMEN OF TAIWAN Buddhist Women in Taiwan Chuandao Shih 85 A Perspective on Buddhist Women in Taiwan Yikong Shi 91 The Inspiration ofVen. -
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Journal of Global Buddhism 2020, Vol.21 51–69 DOI: 10.5281/zenodo.4030975 www.globalbuddhism.org ISSN: 1527-6457 (online) © The author(s) Special Focus: Alternate Buddhist Modernities Buddhist Contramodernism: Reconfigurations of Tradition for Modernity Casey R. Collins University of British Columbia Shinnyo-en, and other twentieth-century Buddhist lay movements emerging from older monastic and temple institutions, reconfigures elements of “traditional” Buddhism and “folk” religion to meet the conditions of modernity. Shinnyo-en’s founders and their successors envisioned a particular strategy for being Buddhist in modernity, one which aligns with some, but not all, scholarly characterizations of Buddhist modernism. As a result, Shinnyo-en and other lay organizations have largely remained on the margins of Buddhist studies despite their apparent popularity and proliferation. This article offers a new category for theorizing and positioning such organizations as contramodern—connected with, but divergent from mainstream forms of Buddhist modernism. In this light the emergence of Shinnyo-en in the 1930s, and the soteriological centrality of its founders’ lives, can be better understood in their historical and social contexts as being both connected to over one-thousand years of Shingon tradition and completely unique. The concept of contramodernism opens scholarly discussion of the many forms of Buddhism extant in modernity to those movements and organizations that are historically new, yet not entirely modernist. Keywords: Shinnyo-en: Shingon: Buddhist modernism: contramodernism: new religions he concept of contramodernism I introduce in this article is intended to open studies of contemporary Buddhism to studies of Buddhist “new religions,” their founders, the identities they inform, and Buddhist communities that defy the boundaries of Buddhist Tmodernism. -
An Aristotelian Interpretation of Bojo Jinul and an Enhanced Moral Grounding
religions Article An Aristotelian Interpretation of Bojo Jinul and an Enhanced Moral Grounding Song-Chong Lee Religious Studies and Philosophy, University of Findlay, Findlay, OH 45840, USA; lee@findlay.edu Received: 17 March 2020; Accepted: 13 April 2020; Published: 16 April 2020 Abstract: This paper explores the eclecticism of Bojo Jinul (1158–1210 CE), who is arguably the most influential historic figure in establishing and developing the Buddhist monastic institution of Korea. As a great harmonizer of the conflicting Buddhist trends in the late Goryeo period, Jinul not only shaped the foundation of the traditional monastic discipline balanced between theory and practice but also made Korean Buddhist thoughts known to a larger part of East Asia. I revisit the eclecticism of Bojo Jinul on harmonizing the two conflicting understandings of enlightenment represented by Seon (Cha’n) and Gyo (Hwaeom study) schools: the former stressing sudden enlightenment by sitting mediation and oral transmission of dharma and the latter stressing gradual cultivation by the formal training of textual and doctrinal understanding specifically on the Hwaeom Sutra. Utilizing the metaphysics of Aristotle, I confirm the logical validity of his eclecticism and address some of its moral implications. Keywords: Korean Buddhism; Jinul; sudden enlightenment; gradual cultivation; Korean Seon; Zen; potentiality and actuality; Aristotelian metaphysics 1. Introduction This paper explores the eclecticism of Bojo Jinul (1158–1210 CE), who is arguably the most influential historic figure in establishing and developing the Buddhist monastic institution of Korea. As a great harmonizer of the conflicting Buddhist trends in the late Goryeo period,1 Jinul not only shaped the foundation of the traditional monastic discipline balanced between theory and practice2 but also made Korean Buddhist thoughts known to a larger part of East Asia. -
Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship
religions Article Korean Single-Sheet Buddhist Woodblock Illustrated Prints Produced for Protection and Worship Jahyun Kim Department of History and Culture, University of Ulsan, Ulsan 44610, Korea; [email protected] Received: 24 October 2020; Accepted: 28 November 2020; Published: 2 December 2020 Abstract: This paper examines the characteristics and production background of major examples of single-sheet Buddhist woodblock illustrated prints. In the form a single sheet of paper, the original first prints were not easily handed down, and in most cases the date and place of production are not clearly known. These factors made systematic research difficult, but the release of various related materials has recently enabled comprehensive study of the subject. As materials substantiating Buddhism’s religious role in society and the propagation activities of temples, single-sheet Buddhist prints hold great value. Research showed that two major types of single-sheet Buddhist prints were made: dharani-type prints used as talismans and prints used for worship or spiritual practice. The former type was likely made for self-protection or Buddhist enshrinement in statues for their protection and to seek blessings for this meritorious deed or to protect the dharma. The latter type was used as a visual aid in worship and chanting. They can be divided into prints featuring universally loved icons and prints featuring icons reflecting the trends of certain periods. They were analyzed in relation to popular beliefs and methods of spiritual practice in the Buddhist circle as well as trends in faith among the ordinary people. Keywords: single-sheet woodblock illustrated Buddhist print; dharani; talismans; protection of the dharma; objects of worship or spiritual practice; Three Gates Buddhist Practice 三門修m; Suryukjae 4xK ritual; belief in Chilseong 七星 1. -
The New Buddhism: the Western Transformation of an Ancient Tradition
The New Buddhism: The Western Transformation of an Ancient Tradition James William Coleman OXFORD UNIVERSITY PRESS the new buddhism This page intentionally left blank the new buddhism The Western Transformation of an Ancient Tradition James William Coleman 1 1 Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto and an associated company in Berlin Copyright © 2001 by James William Coleman First published by Oxford University Press, Inc., 2001 198 Madison Avenue, New York, New York, 10016 First issued as an Oxford University Press paperback, 2002 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Coleman, James William 1947– The new Buddhism : the western transformation of an ancient tradition / James William Coleman. p. cm. Includes index. ISBN 0-19-513162-2 (Cloth) ISBN 0-19-515241-7 (Pbk.) 1. Buddhism—United States—History—20th century. 2. Religious life—Buddhism. 3. Monastic and religious life (Buddhism)—United States. I.Title. BQ734.C65 2000 294.3'0973—dc21 00-024981 1 3 5 7 9 8 6 4 2 Printed in the United States of America Contents one What -
Doctrinal Treatises Selected Works Doctrinal Treatises 諸敎學諸敎學 Doctrinaldoctrinal Treatisestreatises Selectedselected Worksworks Richard D
6 COLLECTED WORKS OF KOREAN BUDDHISM 6 SELECTED WORKS DOCTRINAL TREATISES SELECTED WORKS DOCTRINAL TREATISES 諸敎學諸敎學 DOCTRINALDOCTRINAL TREATISESTREATISES SELECTEDSELECTED WORKSWORKS RICHARD D. MCBRIDE II RICHARD D. CHARLES MULLER A. RICHARD D. MCBRIDE II RICHARD D. CHARLES MULLER A. COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 6 諸敎學 DOCTRINAL TREATISES SELECTED WORKS Collected Works of Korean Buddhism, Vol. 6 Doctrinal Treatises: Selected Works Edited by A. Charles Muller Translated by A. Charles Muller, Richard D. McBride II Published by the Jogye Order of Korean Buddhism Distributed by the Compilation Committee of Korean Buddhist Thought 45 Gyeonji-dong, Jongno-gu, Seoul, 110-170, Korea / T. 82-2-725-0364 / F. 82-2-725-0365 First printed on June 25, 2012 Designed by ahn graphics ltd. Printed by Chun-il Munhwasa, Paju, Korea © 2012 by the Compilation Committee of Korean Buddhist Thought, Jogye Order of Korean Buddhism This project has been supported by the Ministry of Culture, Sports and Tourism, Republic of Korea. ISBN: 978-89-94117-09-6 ISBN: 978-89-94117-17-1 (Set) Printed in Korea COLLECTED WORKS OF KOREAN BUDDHISM VOLUME 6 諸敎學 DOCTRINAL TREATISES SELECTED WORKS INTRODUCED AND EDITED BY A. CHARLES MULLER TRANSLATED AND ANNOTATED BY A. CHARLES MULLER & RICHARD D. MCBRIDE II i Preface to The Collected Works of Korean Buddhism At the start of the twenty-first century, humanity looked with hope on the dawning of a new millennium. A decade later, however, the global village still faces the continued reality of suffering, whether it is the slaughter of innocents in politically volatile regions, the ongoing economic crisis that currently roils the world financial system, or repeated natural disasters. -
Aspiring to Enlightenment: Pure Land Buddhism in Silla Korea'
H-Buddhism Jones on McBride, 'Aspiring to Enlightenment: Pure Land Buddhism in Silla Korea' Review published on Thursday, December 10, 2020 Richard D. McBride. Aspiring to Enlightenment: Pure Land Buddhism in Silla Korea. Pure Land Buddhist Studies. Honolulu: University of Hawaii Press, 2020. 247 pp. $68.00 (cloth),ISBN 978-0-8248-8260-0. Reviewed by Charles B. Jones (The Catholic University of America)Published on H-Buddhism (December, 2020) Commissioned by Sujung Kim (DePauw University) Printable Version: https://www.h-net.org/reviews/showpdf.php?id=55678 I want to begin by saying this is a fine book that belongs in the collection of any scholar interested in East Asian Buddhism. The field has been dominated by studies of Buddhism in China and Japan, and despite the fact that Korea sits squarely between these two regions and often served as the connective tissue between them, studies in Korean Buddhism have been sadly lacking. Every competent study of this neglected topic should be received with gratitude. Still, I have some reservations about this book. As a specialist in the study of Pure Land Buddhism, I wanted to welcome it as a needed addition to that field as well. However, I found myself puzzled at several junctures, and I think the source of my confusion can be seen in two sentences, one from the beginning of the book and one from the end. On the first page of chapter 1, the author says: “The purposes of this book are to explore the development of Pure Land Buddhism in the early Korean state of Silla 新羅 (ca. -
Aspirations for the Pure Land Embodied in a Modern Korean Temple, Anyang’Am
ACTA KOREANA Vol. 22, No. 1, June 2019: 35–59 doi:10.18399/acta.2019.22.1.003 Aspirations for the Pure Land Embodied in a Modern Korean Temple, Anyang’am LEE SEUNGHYE A binary model of patronage has often guided previous studies on modern Korean Buddhist paintings from the metropolitan area around present-day Seoul. This model sharply contrasts works sponsored by the royal court at the end of Chosŏn with those commissioned by abbots of prominent temples during the colonial period. In this model, formal features of paintings are aligned with social status and the political stance of patrons; court-sponsored works are considered as displaying conventional style and iconography, while those sponsored by abbots who collaborated with Japanese colonialists show new painting techniques and iconographic motifs. Yet the complex history of Korean Buddhism and its visual culture complicates any attempts to address the history of Korean Buddhist art at the turn of the twentieth century from a monolithic and linear perspective. The Buddhist art and architecture of Anyang’am, founded in 1889 by a devout layman who later became fully ordained, provide a case study for rethinking this binary model of art and patronage. My investigation reveals that the Buddhist art and architecture of the temple, dating from the 1890s to 1910s, show stylistic, iconographic, and spatial affinities with LEE SEUNGHYE ([email protected]) is a curator of Buddhist Art, Leeum, Samsung Museum of Art, South Korea. * This article was first presented at the symposium “Korea Imagined: Korean Visual Culture in Chicago,” held at the University of Chicago in October 2012. -
Thought and Praxis in Cotemporary Korean Buddhism: a Critical Examination
Thought and Praxis in Cotemporary Korean Buddhism: A Critical Examination Jongmyung Kim The Academy of Korean Studies, R.O.K. Sŏn (Ch. Chan; Jp. Zen) Buddhism has constituted the main current of Korean Buddhism since the ninth century. Korea is also the country where the tradition of Kanhwa Sŏn (Ch. Kanhua Chan; Jp. Kōan Zen)1 or “Keyword Meditation” (Bodiford 2010:95) or meditation of observing the critical phrase, has been best preserved in the world (KHS 2008:45), which is a great characteristic of Korean Buddhism in comparison with the Chinese and Japanese counterparts (Kim 2009:46). The purpose of this paper aims to examine the relationship between Buddhist thought and praxis in contemporary Korea 2 , focusing on the Chogye 3 Order of Korean Buddhism (Taehan Pulgyo Chogyejong),4 the mainstream of Korean Buddhism, from the critical point of view. Scholars in Korea have focused on research on the paths to enlightenment. The Chogye Order also has held international conferences on Kanhwa Sŏn and published books on it5 and guidelines for its practice for both monks and lay people. However, Buddhist thought and practice in contemporary Korea are not in unity and little study has been done with regard to this issue.6 Composed of three sections, the first section of this paper will examine the thought of the Chogye Order, focusing on its emphasis on the concept of emptiness, meditative thought, and Flower Garland (K. Hwaŏm; Ch. Huayan; Jp. Kegon) thought, and the second section will be devoted to investigating its soteriology, concentrating on the historical development and procedure. -
Purification Buddhist Movement, 1954-62: the Recovery of Traditional Monasticism from Japanized Buddhism in South Korea
Purification Buddhist Movement, 1954-62: The Recovery of Traditional Monasticism from Japanized Buddhism in South Korea By Chanju Mun ABSTRACT The main theme of this article is to introduce Purification Buddhist Movement (Jeonghwa Bulgyo Undong), without which the readers cannot understand current Korean Buddhism. Even so, the movement has never been introduced to outside of South Korea, so the writer is to inform the readers of visualizing the movement’s general picture. There are only several academic articles on the movement even in the Korean language. In 2000, Korean Buddhists held a seminar on the movement in the first time and in 2001 published the first academic book on the subject with the collection of the articles presented at the seminar.1 Gim Gwangsik, specialist in modern and contemporary Korean Buddhism, leading the research on the subject, along with I Cheolgyo, compiled source materials for Purification Buddhist movement in 1996,2 which smoothly paved historians and sociologists in modern and current Korean Buddhism to conduct research on the movement academically and extensively. Based upon the source materials, he also published several papers on it in various journals and recently included them in his two books, published in 2000 and 2006 respectively.3 The Monastic Alumni Association of Dongguk University published a general historical book on modern Korean Buddhism in 19974 and discussed various subjects under five parts, (1) religious orders, (2) propagation, (3) text translation, (4) education, (5) culture, and -
Korean Buddhism at the Crossroads: in Search of a New Paradigm for Early Modern and Modern Korean Buddhist Studies
Korean Buddhism at the Crossroads: In Search of a New Paradigm for Early Modern and Modern Korean Buddhist Studies Compiled Abstracts Updated December 14, 2018 Juhn AHN (University of Michigan) Early Chosŏn Buddhism in Chŏlla The impact of the Koryŏ-Chosŏn transition on the Buddhist establishment in Korea is generally understood in current scholarship to have been a negative one. It is generally assumed that Buddhist monasteries underwent a radical reduction in size and number and their wealth confiscated to replenish the empty royal fisc. There is also a tendency to assume that this restructuring of the Buddhist establishment—often misinterpreted as its “decline”—was orchestrated and executed by the new Neo-Confucian Chosŏn government. This paper takes issue with this top-down view of the transformation of Buddhism in early Chosŏn Korea. Although the Chosŏn government did make a heavy-handed attempt to exert greater control over the Buddhist establishment, this paper argues that the fate of monasteries in the two Chŏlla provinces like Paegyang-sa, Paengnyŏn-sa, Songgwang-sa, and Wŏlnam-sa had less to do with state-led efforts than with complex negotiations that took place between the government, local families, and Buddhist monastic communities. It has been shown that the government's recognition of eighty-eight chabok monasteries in 1408 was the product of negotiations between local Buddhist communities and the government. Behind the recognition of Chŏlla monasteries we similarly find negotiations between the government and prominent local families such as the Kosŏng Yi. As this paper will show, concerns about center-periphery relations, spiritual lineage and monastery ownership, famines, border security, elite family credentials, and the local economy played a critical role in these negotiations and thus the shaping of the fate of Chŏlla- area monasteries during the early Chosŏn period. -
Only Keep "Don't Know" Mind
Glossary of Zen Names and Terms AIGO (Korean): word for responding to an incomprehensible situation, such as sudden death, or grief, or even surprise. Anuttara Samyak Sambodhi (Sanskrit): "perfect universal samadhi"; the enlightenment experience in which a person becomes a Buddha. Avalokitesvara (Sanskrit): bodhisattva of compassion (see Kwan Seum Bosal). beads: a string of beads resembling a bracelet or necklace, used for counting bows or repetitions of a mantra in various sects of Buddhism. Also known as a "mala." Bhikshu (Sanskrit): a fully ordained monk. Bhikshuni (Sanskrit): a fully ordained nun. Blue Cliff Record (Chinese: Pi-Ye-Lu; Japanese: Hekigan Roku): compiled in 1125 CE, one of the most important collections of kong-ans, still in use today. bodhi (Sanskrit): "awakening"; enlightenment. Bodhidharma (Sanskrit): the first Zen patriarch; he reputedly came to China in 520 CE. and sat for nine years facing a wall at Shao-Lin temple. bodhisattva (Sanskrit): a being whose actions promote unity or harmony; one who vows to postpone one's own enlightenment in order to help all sentient beings realize liberation; one who seeks enlightenment not only for oneself but for others. The bodhisattva ideal is at the heart of Mahayana and Zen Buddhism. bodhisattva teacher: in the Kwan Um School of Zen, one who has met certain training requirements, usually over at least ten years, and has taken forty-eight precepts in addition to the sixteen precepts of a Senior Dharma Teacher (sixty-four precepts in all). bosalnim (Korean): in Korea, a lay woman who helps at a temple Buddha (Sanskrit): an awakened one; refers usually to Siddhartha Gautama (sixth century BCE), historic founder of Buddhism.