Public Consultation on the Review of the EU Satellite and Cable Directive
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Daniel Greenway Editor
Daniel Greenway Editor Daniel gained cutting room and features experience working on Batman Begins, The Da Vinci Code and The Bourne Ultimatum. He graduated with a Distinction in 2007 from the National Film and Television School's two year MA programme, specialising in editing. In 2016 he was nominated for a BAFTA for his work on the sci-fi drama series Humans. Daniel is a proficient French speaker and is based in London. Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Drama Production Company Notes SUSPICION Keshet Productions / Apple Dir: Chris Long 4 x 60MIN EPS 1, 2, 7 TV+ Prod: Darin McLeod & 8 2021 BRAVE NEW WORLD Amblin Television / Dir: Andrij Parekh 1 x 60MIN EP 7 NBCUniversal Content Studios Prod: Chloe Moss 2020 / USA Network WHITE LINES Left Bank Pictures / Netflix Dir: Luis Prieto 1 x 60MIN EP 5 Prod: Chris Croucher 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE CROWN Left Bank Pictures / Netflix Dir: Sam Donovan 1 x 60MIN SERIES 3, Prod: Michael Casey EP 9 2019 WORLD ON FIRE Mammoth Screen / BBC One Co-editor 1 x 60MIN EP 1 Dir: Adam Smith 2019 Prods: Nickie Sault, Chris Clough BAPTISTE Two Brothers Pictures / BBC Dir: Börkur Sigþórsson 1 x 60MIN EP 1 One Prod: John Griffin 2019 THE WIDOW Two Brothers Pictures / ITV Dir: Sam Donovan 2 x 60MIN EPS 1 & 2 Prod: Eliza Mellor 2019 THE TERROR Scott Free / AMC Studios Dir: Sergio Mimica-Gezzan 3 x 60MIN -
Living with an Acquired Brain Injury
Living with an acquired brain injury Barriers and facilitators to developing community supports as a basis for independent living, the experiences and perceptions of people with acquired brain injury Dalton, C., Kingston, A., Martin, A. M., O’Riordan, J., Caples, M. and Edwards, C. December, 2014 Table of Contents Executive Summary .................................................................................5 Chapter 1: Introduction ...........................................................................7 Background ................................................................................................................... 7 Acquired brain injury .................................................................................................. 7 Project aim .................................................................................................................... 8 Chapter 2: A review of the knowledge base of experiences of people with ABI living in the community ........................................................ 10 Introduction ............................................................................................................... 10 Construction of self ................................................................................................. 12 Barriers to re-integration ....................................................................................... 13 Support networks and community integration .................................................. 15 Understanding gender interactions -
Rts Announces Winners for the Programme Awards 2009
P R E S S R E L E A S E Tuesday16 March 2010 RTS ANNOUNCES WINNERS FOR THE PROGRAMME AWARDS 2009 The Royal Television Society (RTS), Britain’s leading forum for television and related media, has announced the winners for the RTS Programme Awards 2009. The ceremony, held at Grosvenor House on Tuesday 16 March, was hosted by actor, comedian and radio presenter Rob Brydon and the awards were presented by RTS Chair, Wayne Garvie. The RTS Programme Awards celebrate all genres of television programming, from history to soaps, children's fiction to comedy performance. Covering both national and regional output, as well honouring the programmes themselves, they aim to recognise the work of exceptional actors, presenters, writers and production teams. The Winners: Scripted Comedy The Thick of It BBC Productions for BBC Two “An acerbic, intelligent and sweeping comedy which attained new heights. Faultless ensemble acting, meticulous writing and intricately contrived comedy climaxes combined to make this a series we didn‟t want to end.” Nominees Miranda BBC Productions for BBC Two The Inbetweeners A Bwark Production for E4 Entertainment Newswipe with Charlie Brooker Zeppotron for BBC Four “Right on the money... Refreshingly polemical and with real authenticity.” Nominees Britain's Got Talent A talkbackTHAMES and SYCO TV Production for ITV1 The X Factor A talkbackTHAMES and SYCO TV Production for ITV1 2-6 Northburgh Street, London EC1V 0AY +44 (0) 20 7490 4050 www.franklinrae.com Daytime and Early Peak Programme Come Dine With Me ITV Studios for -
Werner Herzog Interview with a Legend
July/August 2019 Werner Herzog Interview with a legend David Harewood | Alex Scott | The South Bank Show CREATE MAXIMUM IMPACT WITH MUSIC A collection of epic music composed, recorded and produced specifically for film trailers and broadcast programming, from stirring emotional drama to apocalyptic action. AVAILABLE FOR LICENCE AT AUDIONETWORK.COM/DISCOVER/MAXIMUMIMPACT FIND OUT MORE: Rebecca Hodges [email protected] (0)207 566 1441 1012-RTS ADVERTS-MAX_IMPACT-V2.indd 1 25/06/2019 09:31 Journal of The Royal Television Society July/August 2019 l Volume 56/7 From the CEO We have just enjoyed We had a full house as some of televi- creative icon, Werner Herzog. His new two outstanding sion’s most successful storytellers BBC Arena film, focusing on his rela- national RTS events, shared their approaches to their craft. tionship with Bruce Chatwin, is some- the RTS Student Tele- I am very grateful to the event’s joint thing to look forward to this autumn. vision Awards and a organisers, Directors Cut Productions, Don’t miss Simon Shaps’s incisive live South Bank Show Sky Arts and Premier. review of a new book that analyses the special devoted to the I am thrilled that Alex Scott found the recent battle to own Sky, and Stewart art of screenwriting. Many thanks to time to write this edition’s Our Friend Purvis’s account of how the politics of all of you who worked hard to make column. The Women’s World Cup Brexit are challenging news broadcast- these happen. Congratulations to all really did capture and hold the pub- ers and what impartiality means in a the nominees and winners of the lic’s imagination: England’s semi-final fragmenting political landscape. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
Sydney Program Guide
Page 1 of 31 Sydney Program Guide Sun Dec 17, 2017 06:00 FLIPPING THE HEARTLAND Repeat WS G Big House, Big Problems In order to keep the purchase price down on a large property in Broken Arrow, OK, Dan and Melinda agree to take it sight-unseen. But as they begin their renovation plans, they run into severe water damage and a crumbling foundation. 06:30 FLIPPING THE HEARTLAND Repeat WS G Retro Rehab Dan and Melinda purchase a house in Highland Park, OK, with a dated design and an odd floor plan that quickly becomes a money pit. 07:00 COLIN & JUSTIN'S HOME HEIST Repeat WS PG Baby In The Laundry Colin and Justin try to renovate Ian and Ashley's home. Cons.Advice: Sexual References, Some Coarse Language 08:00 EXTREME HOMES Repeat WS G Upside Down, Wave, Spaceship This amazing assortment of homes from all over the world includes a house hidden behind a wooden grille in Italy, a wave-form residence in California and an Austrian residence that's rusting beautifully. 09:00 GETAWAY Captioned Repeat WS PG This week on Getaway Tim Blackwell takes a tour through Hawaii's answer to Hollywood, the famous Kualoa Ranch. Catriona is in Bali checking out some wonderful places to stay and David Reyne is sailing around Tasmania's stunning Freycinet Peninsula. 09:30 POSTCARDS SUMMER Captioned WS PG Bec visits immaculate South Hampton mansion in Red Hill and enjoys the enchanting Cruden Farm, Alex checks out fellow teammate- Dylan Grimes' new Mt Macedon winery and Brodie finds all the thrills at Adventure Park. -
The Singapore Grip Production Notes Low Res FINAL
THE SINGAPORE GRIP PRODUCTION NOTES Contents *** The content of this press pack is strictly embargoed until 0001hrs on Thursday 3 September *** Press Release 3-4 Interview with Jane Horrocks 29-31 Foreword by Sir Christopher Hampton 5 Interview with Charles Dance 33-35 Character Biographies 6-9 Interview with Colm Meaney 36-39 Interview with adaptor and executive producer Sir Christopher Hampton 10-12 Interview with Georgia Blizzard 40-43 Interview with producer Farah Abushwesha 13-16 Episodes One and Two Synopses 45-46 Interview with Luke Treadaway 17-20 Cast and Production Credits 50-52 Interview with David Morrissey 21-24 Publicity Contacts 53 Interview with Elizabeth Tan 25-28 2 Luke Treadaway, David Morrissey, Jane Horrocks, Colm Meaney and Charles Dance star in epic and ambitious adaptation of The Singapore Grip produced by Mammoth Screen Adapted from Booker Prize winner J.G. Farrell’s novel by Oscar winning screenwriter and playwright Sir Christopher Hampton (Atonement, Dangerous Liaisons), The Singapore grip stars Luke Treadaway, David Morrissey, Jane Horrocks, Colm Meaney and Charles Dance. Former Coronation Street actor Elizabeth Tan and rising star Georgia Blizzard will also star as leads in the highly anticipated series. An epic story set during World War Two, The Singapore Grip focuses on a British family living in Singapore at the time of the Japanese invasion. Olivier Award winning actor Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Ordeal By Innocence, Traitors) plays the reluctant hero and innocent abroad Matthew Webb. Award winning actor, David Morrissey (The Missing, Britannia, The Walking Dead) takes the role of ruthless rubber merchant Walter Blackett, who is head of British Singapore’s oldest and most powerful firm alongside his business partner Webb played by Charles Dance OBE (Game of Thrones, And Then There Were None). -
The Role of Psbs in the UK TV Production Sector
Small Screen: Big Debate Consultation – Annex 7. The role of PSBs in the UK TV production sector A7. The role of PSBs in the UK TV production sector Overview The TV production sector is a UK success story. The skill base of UK TV production companies has attracted valuable inward investment and global sales of UK programmes have boosted the image of the UK. The UK TV production sector consists of a mixture of large and small independent producers which operate alongside production companies owned by UK broadcasters. This successful production sector has attracted significant inward investment, from foreign broadcasters and streaming services. The UK independent TV production sector is not a product of the market alone; it has been supported and nurtured by the rules and obligations placed on the PSBs over the years. Rules on external commissioning, IP rights and regional quotas have played a vital role in the emergence and development of the independent TV production sector in the UK. UK TV production industry A7.1 The UK TV production sector has changed dramatically over the last 20 years. In 2004, the Public Service Broadcasters (PSBs) accounted for around 87% of all UK commissions.1 The PSBs also dominated content production, accounting for over half (56%) of all UK production.2 A7.2 Fast forward to now, the sector is diverse, competitive, and internationally successful. It has almost doubled in size over this period with commissioning spend on UK productions estimated to range between £4.5bn and £5bn in 2018.3 A7.3 In 2018, UK producers were responsible for almost half of all peak-time shows in major international markets.4 Formats such as Love Island and Strictly Come Dancing/Dancing with the Stars and The Office originated in the UK and have gone on to be global hits. -
Come Dine with Me Is Europe's Top Format
Come Dine with Me is Europe’s top format Come Dine with Me (4,126 hours) was the most screened TV format in Europe in 2011, according to a new report that covers 50 major formats across 16 countries. The TV Formats in Europe report calculates that the hourly total of Endemol’s Big Brother has fallen considerably since 2009, with Who Wants to Be a Millionaire also declining. Jonathan Bailey, co-author and Managing Director at Essential Television Statistics, added: “Money Drop was screened for 615 hours and The Voice for 312 hours in 2011 – impressive considering that both shows only started in 2010. Both are expected to grow sharply in 2012.” Top five titles by value created in 2011 ($ million) Channel Distributor $ mil. Come Dine with Me ITV Studios 217.4 Money Drop Endemol 171.2 Who wants to be a Millionaire? Sony 165.2 Dancing with the Stars BBC Worldwide 140.1 Got Talent FremantleMedia 121.5 Source: Essential Television Statistics, Madigan Cluff, Digital TV Research Relative newcomer Money Drop has already become the second title by value created across Europe. More established titles such as Big Brother, Who Wants to Be a Millionaire, Wheel of Fortune and Deal or No Deal saw considerable falls in value for calendar 2011 compared to 2009 and 2010. Total format hours (for the 50 titles covered) in Europe was 16,856 in 2011, comparable with 2009 and 2010. The UK was the leading country, but its 2011 total was considerably lower than in 2010. Five began transmitting Big Brother in 2011, transmitting many fewer hours than Channel 4/E4, the previous broadcasters. -
Ofcom Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 220 17 December 2012 1 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Contents Introduction 4 Standards cases In Breach Line of Duty BBC 2, 17 July 2012, 21:00 and 24 July 2012, 21:00 5 Note to Broadcasters The involvement of people under eighteen in programmes 16 In Breach Paigham-e-Mustafa Noor TV, 3 May 2012, 11:00 18 Rock All Stars Scuzz TV, 19 August 2012, 20:40 32 Islam Channel News The Islam Channel, 8 June 2012, 21:10 43 Good Cop (Trailer) BBC1 HD, 6 August 2012, 18:40 51 Not in Breach The X Factor ITV1, 9 September 2012, 20:00 ITV2, 10 September 2012, 01:05, 10 September 2012, 20:00 and 11 September 2012, 00:15 55 Broadcast Licence Condition cases In Breach Breach of licence conditions Voice of Africa Radio 60 In Breach/Resolved Breach of licence conditions Erewash Sound, Felixstowe Radio, The Super Station Orkney, Seaside FM, Ambur Radio, Phoenix FM 62 2 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Fairness and Privacy cases Upheld Complaint by Complaint by the Central Electoral Commission of Latvia Russian language referendum item, REN TV Baltic & Mir Baltic, November 2011, various dates and times 66 Complaint by Dr Usama Hasan Islam Channel News, The Islam Channel, 8 June 2012 70 Not Upheld Complaint by Dr Usama Hasan Politics and Media, The Islam Channel, 11 June 2012 77 Other Programmes Not in Breach 89 Complaints Assessed, Not Investigated 90 Investigations List 100 3 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
TV Formats in Europe
TV Formats in Europe Given the prolonged advertising recession and the fact that several major titles have peaked, the TV formats market in Europe is showing remarkable resilience. The value created by the top 100 formats was $2,931 million in 2013 for 84 European channels across the 16 territories and 21 distributors, according to the TV Formats in Europe report. The 2013 figure was 3.3% down on the 2012 total, but up on 2011. The number of hours broadcast reached 28,386 in 2013, nearly the same as 2012. The UK is the TV formats leader in Europe – just ahead of France. The value created by formats for UK broadcasters was $600 million in 2013, down from $677 million in 2012. France recorded $599 million in 2013, up from $547 million in 2012. The UK, France, Germany and Italy accounted for 72% of Europe’s total value created in 2013. The top 10 broadcasters accounted for two-thirds of the total value created in Europe for 2013 – which means that the remaining third was shared by 74 channels. France’s TF1 ($332 million) led the pack again, followed by Italy’s Rai 1 and the UK’s BBC1. The total number of hours broadcast in Europe for the 100 formats was 28,386 in 2013; very close to 2012. The UK was the leader again, despite its 2013 total (3,935) being considerably lower than in 2012 (4,623). Romania took third place, having added 645 hours to its total in 2013. Published in March 2014, this 146-page, PDF-delivered report covers 100 major formats on 84 channels across 16 European territories; with extensive comparison tables. -
2019 Brand Portfolio
2019 Brand Portfolio Target TOP RATED BUILD, BATTLE & Audience: 4-9 ACTION SERIES* COLLECT HUNDREDS OF ROBOTS Content partners include: In this world, you need to battle to survive. A story of friendship between Ariston and Mangle and their rebel quest to defeat the Corvus Imperium. It is the ultimate Gladiatorial TOY PARTNERS INCLUDE robot battling sport and highly toyetic – play patterns and role play are the pillars of the series. Robozuna is always on! Kids can access content via multiple platforms at all times: linear TV, Netflix SVOD and Catch Up (ITV Hub), Gaming and UGC, YouTube Kids webisodes, YouTube influencers who are part of the brand DNA. HEAVYWEIGHT MARKETING & CONTENT PLAN FEATURING YOUTUBE STARS ALI-A AND ETHAN GAMER Create and battle your own Combatabots in the Robozuna arena! Challenge friends using innovative gameplay Stage 1 launched Jan 2019 BRINGING THE SERIES TO LIFE LIFE-SIZE MANGLE COSTUME CHARACTER 40x22’ episodes 100+ supporting video content For more information please contact: Robozuna © 2019 ITV Global Entertainment Limited/Kidscave Entertainment Productions Limited *CITV and ITV Oct-Dec 2018, March to May 2019 [email protected] 2019/2020 Toy line 78 X 22’ EPISODES NOW AVAILABLE #1 KIDS SHOW ON ITV* *(Source: BARB/APRIL 2018, breakfast block) UK AUSTRALIA NEW ZEALAND NEW TOY LINE LAUNCHING Q3 2019: 12” FIGURES WITH LIGHTS & SOUNDS DELUXE VEHICLES MOTION-TECH WITH FIGURES VEHICLES LAUNCH ‘N’ GO MINI VEHICLES CELEBRATE THUNDERBIRDS DAY (30TH SEPTEMBER) WITH US! CONTACT [email protected] FOR OPPORTUNITIES Get quizzing with the TOP CLASS TARGET Top Class Quiz Book! QUIZ BOOK, Packed full of fascinating facts, BY ORCHARD AGE you can challenge yourself, your friends and even your teachers with BOOKS / Children 7-11 these brain-tingling quiz questions.