Share Your Senses Christoph Mainusch on Alpha TV’S New Line-Up
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Weaponized Humor: the Cultural Politics Of
WEAPONIZED HUMOR: THE CULTURAL POLITICS OF TURKISH-GERMAN ETHNO-COMEDY by TIM HÖLLERING B.A. Georg-August Universität Göttingen, 2008 M.Ed., Georg-August Universität Göttingen, 2010 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Germanic Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2016 © Tim Höllering, 2016 Abstract My thesis aims to show how the humor of Turkish-German ethno-comedians fulfills a double purpose of entertaining its audience while advancing a cultural political agenda that Kathrin Bower called “transnational humanism.” It includes notions of human rights consensus, critical self-reflection, respect, tolerance, and openness to cultural diversity. Promoting these values through comedy, the artists hope to contribute to abating prejudice and discrimination in Germany’s multi-ethnic society. Fusing the traditional theatrical principle of “prodesse et delectare” with contemporary cultural politics, these comedians produce something of political relevance: making their audience aware of its conceptions of “self” and “other” and fostering a sense of community across diverse cultural identifications. My thesis builds mainly on the works of Kathrin Bower, Maha El Hissy, Erol Boran, Deniz Göktürk, and Christie Davies. Whereas Davies denies humor’s potential for cultural impact, Göktürk elucidates its destabilizing power in immigrant films. Boran elaborates this function for Turkish-German Kabarett. El Hissy connects Kabarett, film, and theater of polycultural artists and ties them to Bakhtin’s concept of the carnivalesque and the medieval jester. Bower published several essays on the works of ethno-comedians as humorous catalysts for advancing a multiethnic Germany. -
Annual Report CF AG 2008
CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 2 CONTENTS/ Annual Report 2008 Pages 5/6 -- Foreword Pages 7/9 -- Report by the Supervisory Board Pages 11/12 -- Corporate strategy Page 13 -- The 5-sector strategy Page 15 onwards -- Investor relations Page 23 -- Contents / financial information Page 25 onwards -- Combined management report of the Group and AG for the 2008 fiscal year Page 62 onwards -- Consolidated financial statements Pages 144/145 -- AG balance sheet Page 146 -- AG income statement Page 147 onwards -- Filmography Page 166 onwards -- Terminology Page 171 -- Summary of equity interests CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 3 KEY FIGURES / Group 01.01. – 01.01. – 31.12.2007 31.12.2008 € million € million Sales 225.0 248.5 of which in-house and co-productions 178.9 203.7 of which third-party productions 46.1 44.7 EBITDA 81.7 104.9 Gross profit 32.0 35.5 Operating result 12.4 15.1 Earnings for the year attributable to the shareholders of the parent company 6.2 10.5 Investments in film assets 79.1 73.6 Depreciation of film assets 68.2 88.9 31.12.2007 31.12.2008 Film assets 181.7 166.3 Equity 74.6 84.7 Balance sheet total 333.3 339.5 Permanent employees (number) 481 500 Earnings per share in € (undiluted and diluted) 0.49 0.83 Annual Report 2008 | | Page 3 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 4 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 5 FOREWORD by the Management Board of Constantin Film AG Dear shareholders, dear friends of Constantin Film AG, A positive trend compared with the previous year was apparent again the industry’s overall cost burden, to offer audiences a larger selection in the German theatrical industry in 2008. -
Living with an Acquired Brain Injury
Living with an acquired brain injury Barriers and facilitators to developing community supports as a basis for independent living, the experiences and perceptions of people with acquired brain injury Dalton, C., Kingston, A., Martin, A. M., O’Riordan, J., Caples, M. and Edwards, C. December, 2014 Table of Contents Executive Summary .................................................................................5 Chapter 1: Introduction ...........................................................................7 Background ................................................................................................................... 7 Acquired brain injury .................................................................................................. 7 Project aim .................................................................................................................... 8 Chapter 2: A review of the knowledge base of experiences of people with ABI living in the community ........................................................ 10 Introduction ............................................................................................................... 10 Construction of self ................................................................................................. 12 Barriers to re-integration ....................................................................................... 13 Support networks and community integration .................................................. 15 Understanding gender interactions -
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
Rts Announces Winners for the Programme Awards 2009
P R E S S R E L E A S E Tuesday16 March 2010 RTS ANNOUNCES WINNERS FOR THE PROGRAMME AWARDS 2009 The Royal Television Society (RTS), Britain’s leading forum for television and related media, has announced the winners for the RTS Programme Awards 2009. The ceremony, held at Grosvenor House on Tuesday 16 March, was hosted by actor, comedian and radio presenter Rob Brydon and the awards were presented by RTS Chair, Wayne Garvie. The RTS Programme Awards celebrate all genres of television programming, from history to soaps, children's fiction to comedy performance. Covering both national and regional output, as well honouring the programmes themselves, they aim to recognise the work of exceptional actors, presenters, writers and production teams. The Winners: Scripted Comedy The Thick of It BBC Productions for BBC Two “An acerbic, intelligent and sweeping comedy which attained new heights. Faultless ensemble acting, meticulous writing and intricately contrived comedy climaxes combined to make this a series we didn‟t want to end.” Nominees Miranda BBC Productions for BBC Two The Inbetweeners A Bwark Production for E4 Entertainment Newswipe with Charlie Brooker Zeppotron for BBC Four “Right on the money... Refreshingly polemical and with real authenticity.” Nominees Britain's Got Talent A talkbackTHAMES and SYCO TV Production for ITV1 The X Factor A talkbackTHAMES and SYCO TV Production for ITV1 2-6 Northburgh Street, London EC1V 0AY +44 (0) 20 7490 4050 www.franklinrae.com Daytime and Early Peak Programme Come Dine With Me ITV Studios for -
Peter Nottmeier
Peter Nottmeier http://www.peter-nottmeier.de © Tine Acke - 2020 Information Acting age 50 - 60 years Nationality German Year of birth 1958 (63 years) Languages German: native-language Height (cm) 170 English: medium Weight (in kg) 68 Dialects Kölsch Eye color blue Bairisch Hair color Brunette Ruhr area Hair length Chaplet Norden Stature normal Berlin German Place of residence Köln Accents Austrian: only when required Housing options Hamburg, Berlin, Sport Bowling, Fencing (stage), Rifle Frankfurt am Main, shooting, Juggle, Pistol München, Köln, shooting, Swim, Table tennis Dortmund Profession Actor Pitch Baritone Primary professional training 1984 Westfälische Schauspielschule Bochum Other Education & Training 2013 KHM Köln /IFS Weiterbildungsseminare bei Maximillian Schell, István Szabo und Gerhard Roiss Awards 2013 Switch Reloaded-"Wetten dass...?" - Spezial Adolf-Grimme-Preis 2011 Switch Reloaded Video-Champion-Award 2009 Switch Reloaded (Preis der Jury) Romy 2008 Switch Reloaded (Beste Comedy) Deutscher Fernsehpreis 2002 Ladykracher Deutscher Comedypreis 2002 Vita Peter Nottmeier by www.castupload.com — As of: 2021-08-09 Page 1 of 6 Ladykracher Deutscher Fernsehpreis Film 2016 Radio Heimat Role: Klassenlehrer Hecker (SR) Director: Matthias Kutschmann Producer: Christian Becker Distribution: West Film 2015 Antonio im Wunderland Role: Supporting role Director: Sven Unterwaldt Producer: Ronald Mühlfellner, Bavaria Pictures 2008 Henry IV. Role: Supporting role Director: Jo Baier 2005 Kalte Karibik Role: Leading role Director: Wolf Wolff -
Sydney Program Guide
Page 1 of 31 Sydney Program Guide Sun Dec 17, 2017 06:00 FLIPPING THE HEARTLAND Repeat WS G Big House, Big Problems In order to keep the purchase price down on a large property in Broken Arrow, OK, Dan and Melinda agree to take it sight-unseen. But as they begin their renovation plans, they run into severe water damage and a crumbling foundation. 06:30 FLIPPING THE HEARTLAND Repeat WS G Retro Rehab Dan and Melinda purchase a house in Highland Park, OK, with a dated design and an odd floor plan that quickly becomes a money pit. 07:00 COLIN & JUSTIN'S HOME HEIST Repeat WS PG Baby In The Laundry Colin and Justin try to renovate Ian and Ashley's home. Cons.Advice: Sexual References, Some Coarse Language 08:00 EXTREME HOMES Repeat WS G Upside Down, Wave, Spaceship This amazing assortment of homes from all over the world includes a house hidden behind a wooden grille in Italy, a wave-form residence in California and an Austrian residence that's rusting beautifully. 09:00 GETAWAY Captioned Repeat WS PG This week on Getaway Tim Blackwell takes a tour through Hawaii's answer to Hollywood, the famous Kualoa Ranch. Catriona is in Bali checking out some wonderful places to stay and David Reyne is sailing around Tasmania's stunning Freycinet Peninsula. 09:30 POSTCARDS SUMMER Captioned WS PG Bec visits immaculate South Hampton mansion in Red Hill and enjoys the enchanting Cruden Farm, Alex checks out fellow teammate- Dylan Grimes' new Mt Macedon winery and Brodie finds all the thrills at Adventure Park. -
Come Dine with Me Is Europe's Top Format
Come Dine with Me is Europe’s top format Come Dine with Me (4,126 hours) was the most screened TV format in Europe in 2011, according to a new report that covers 50 major formats across 16 countries. The TV Formats in Europe report calculates that the hourly total of Endemol’s Big Brother has fallen considerably since 2009, with Who Wants to Be a Millionaire also declining. Jonathan Bailey, co-author and Managing Director at Essential Television Statistics, added: “Money Drop was screened for 615 hours and The Voice for 312 hours in 2011 – impressive considering that both shows only started in 2010. Both are expected to grow sharply in 2012.” Top five titles by value created in 2011 ($ million) Channel Distributor $ mil. Come Dine with Me ITV Studios 217.4 Money Drop Endemol 171.2 Who wants to be a Millionaire? Sony 165.2 Dancing with the Stars BBC Worldwide 140.1 Got Talent FremantleMedia 121.5 Source: Essential Television Statistics, Madigan Cluff, Digital TV Research Relative newcomer Money Drop has already become the second title by value created across Europe. More established titles such as Big Brother, Who Wants to Be a Millionaire, Wheel of Fortune and Deal or No Deal saw considerable falls in value for calendar 2011 compared to 2009 and 2010. Total format hours (for the 50 titles covered) in Europe was 16,856 in 2011, comparable with 2009 and 2010. The UK was the leading country, but its 2011 total was considerably lower than in 2010. Five began transmitting Big Brother in 2011, transmitting many fewer hours than Channel 4/E4, the previous broadcasters. -
Ofcom Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 220 17 December 2012 1 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Contents Introduction 4 Standards cases In Breach Line of Duty BBC 2, 17 July 2012, 21:00 and 24 July 2012, 21:00 5 Note to Broadcasters The involvement of people under eighteen in programmes 16 In Breach Paigham-e-Mustafa Noor TV, 3 May 2012, 11:00 18 Rock All Stars Scuzz TV, 19 August 2012, 20:40 32 Islam Channel News The Islam Channel, 8 June 2012, 21:10 43 Good Cop (Trailer) BBC1 HD, 6 August 2012, 18:40 51 Not in Breach The X Factor ITV1, 9 September 2012, 20:00 ITV2, 10 September 2012, 01:05, 10 September 2012, 20:00 and 11 September 2012, 00:15 55 Broadcast Licence Condition cases In Breach Breach of licence conditions Voice of Africa Radio 60 In Breach/Resolved Breach of licence conditions Erewash Sound, Felixstowe Radio, The Super Station Orkney, Seaside FM, Ambur Radio, Phoenix FM 62 2 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Fairness and Privacy cases Upheld Complaint by Complaint by the Central Electoral Commission of Latvia Russian language referendum item, REN TV Baltic & Mir Baltic, November 2011, various dates and times 66 Complaint by Dr Usama Hasan Islam Channel News, The Islam Channel, 8 June 2012 70 Not Upheld Complaint by Dr Usama Hasan Politics and Media, The Islam Channel, 11 June 2012 77 Other Programmes Not in Breach 89 Complaints Assessed, Not Investigated 90 Investigations List 100 3 Ofcom Broadcast Bulletin, Issue 220 17 December 2012 Introduction Under the Communications Act 2003, Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1, Ofcom must include these standards in a code or codes. -
Quarterly 4 · 2004
German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian -
TV Formats in Europe
TV Formats in Europe Given the prolonged advertising recession and the fact that several major titles have peaked, the TV formats market in Europe is showing remarkable resilience. The value created by the top 100 formats was $2,931 million in 2013 for 84 European channels across the 16 territories and 21 distributors, according to the TV Formats in Europe report. The 2013 figure was 3.3% down on the 2012 total, but up on 2011. The number of hours broadcast reached 28,386 in 2013, nearly the same as 2012. The UK is the TV formats leader in Europe – just ahead of France. The value created by formats for UK broadcasters was $600 million in 2013, down from $677 million in 2012. France recorded $599 million in 2013, up from $547 million in 2012. The UK, France, Germany and Italy accounted for 72% of Europe’s total value created in 2013. The top 10 broadcasters accounted for two-thirds of the total value created in Europe for 2013 – which means that the remaining third was shared by 74 channels. France’s TF1 ($332 million) led the pack again, followed by Italy’s Rai 1 and the UK’s BBC1. The total number of hours broadcast in Europe for the 100 formats was 28,386 in 2013; very close to 2012. The UK was the leader again, despite its 2013 total (3,935) being considerably lower than in 2012 (4,623). Romania took third place, having added 645 hours to its total in 2013. Published in March 2014, this 146-page, PDF-delivered report covers 100 major formats on 84 channels across 16 European territories; with extensive comparison tables. -
TV Formats in Europe
TV Formats in Europe The value created for European broadcasters by the 100 major TV formats was $2,745 million in 2012. The 2012 figure was 5.3% up on the 2011 total, despite the number of hours broadcast increasing by 19.3%. Relative newcomer Money Drop was the top format title by value created in 2012; pushing Come Dine with Me into second place. The TV Formats in Europe report further states that The Voice entered the top 10 in 2012. Who Wants to Be a Millionaire was the top title in both 2009 and 2010, but had dropped to ninth in 2012. Endemol ($711 million – 26% of the total) was the leading distributor by value created in 2012, followed by FremantleMedia ($456 million – 17%). ITV was third, with 10% of the total. So, these three distributors combined took 53% of the total value created. These top three distributors accounted for half of the format hours screened in 2012. ITV Studios (5,425 hours) is the largest distributor by hours, mainly due to Come Dine with Me. FremantleMedia (3,316 hours and supplier of 13 titles in the top 100) and Endemol (4,231 hours and 12 titles) followed. Published in March 2013, this 172-page (23% larger than the previous edition), PDF-delivered report covers 100 major formats (double the number covered in the previous edition) on 84 channels across 16 European territories; with extensive comparison tables. Territory profiles include: Analysis of the formats in that market Overview of the TV market and the main channels Revenue generated by the top 100 formats by channel and country (2009-2012) Total