Shibboleths of Rizal in the Aftermath of '98
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reflections on Agoncilloʼs the Revolt of the Masses and the Politics of History
Southeast Asian Studies, Vol. 49, No. 3, December 2011 Reflections on Agoncilloʼs The Revolt of the Masses and the Politics of History Reynaldo C. ILETO* Abstract Teodoro Agoncilloʼs classic work on Andres Bonifacio and the Katipunan revolt of 1896 is framed by the tumultuous events of the 1940s such as the Japanese occupation, nominal independence in 1943, Liberation, independence from the United States, and the onset of the Cold War. Was independence in 1946 really a culmination of the revolution of 1896? Was the revolution spearheaded by the Communist-led Huk movement legitimate? Agoncilloʼs book was written in 1947 in order to hook the present onto the past. The 1890s themes of exploitation and betrayal by the propertied class, the rise of a plebeian leader, and the revolt of the masses against Spain, are implicitly being played out in the late 1940s. The politics of hooking the present onto past events and heroic figures led to the prize-winning manuscriptʼs suppression from 1948 to 1955. Finally seeing print in 1956, it provided a novel and timely reading of Bonifacio at a time when Rizalʼs legacy was being debated in the Senate and as the Church hierarchy, priests, intellectuals, students, and even general public were getting caught up in heated controversies over national heroes. The circumstances of how Agoncilloʼs work came to the attention of the author in the 1960s are also discussed. Keywords: Philippine Revolution, Andres Bonifacio, Katipunan society, Cold War, Japanese occupation, Huk rebellion, Teodoro Agoncillo, Oliver Wolters Teodoro Agoncilloʼs The Revolt of the Masses: The Story of Bonifacio and the Katipunan is one of the most influential books on Philippine history. -
Colonial Contractions: the Making of the Modern Philippines, 1565–1946
Colonial Contractions: The Making of the Modern Philippines, 1565–1946 Colonial Contractions: The Making of the Modern Philippines, 1565–1946 Vicente L. Rafael Subject: Southeast Asia, Philippines, World/Global/Transnational Online Publication Date: Jun 2018 DOI: 10.1093/acrefore/9780190277727.013.268 Summary and Keywords The origins of the Philippine nation-state can be traced to the overlapping histories of three empires that swept onto its shores: the Spanish, the North American, and the Japanese. This history makes the Philippines a kind of imperial artifact. Like all nation- states, it is an ineluctable part of a global order governed by a set of shifting power rela tionships. Such shifts have included not just regime change but also social revolution. The modernity of the modern Philippines is precisely the effect of the contradictory dynamic of imperialism. The Spanish, the North American, and the Japanese colonial regimes, as well as their postcolonial heir, the Republic, have sought to establish power over social life, yet found themselves undermined and overcome by the new kinds of lives they had spawned. It is precisely this dialectical movement of empires that we find starkly illumi nated in the history of the Philippines. Keywords: Philippines, colonialism, empire, Spain, United States, Japan The origins of the modern Philippine nation-state can be traced to the overlapping histo ries of three empires: Spain, the United States, and Japan. This background makes the Philippines a kind of imperial artifact. Like all nation-states, it is an ineluctable part of a global order governed by a set of shifting power relationships. -
Title Reflections on Agoncillo's the Revolt of the Masses and The
Reflections on Agoncillo's The Revolt of the Masses and the Title Politics of History Author(s) ILETO, Reynaldo C. Citation 東南アジア研究 (2011), 49(3): 496-520 Issue Date 2011-12-31 URL http://hdl.handle.net/2433/154791 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University Southeast Asian Studies, Vol. 49, No. 3, December 2011 Reflections on Agoncilloʼs The Revolt of the Masses and the Politics of History Reynaldo C. ILETO* Abstract Teodoro Agoncilloʼs classic work on Andres Bonifacio and the Katipunan revolt of 1896 is framed by the tumultuous events of the 1940s such as the Japanese occupation, nominal independence in 1943, Liberation, independence from the United States, and the onset of the Cold War. Was independence in 1946 really a culmination of the revolution of 1896? Was the revolution spearheaded by the Communist-led Huk movement legitimate? Agoncilloʼs book was written in 1947 in order to hook the present onto the past. The 1890s themes of exploitation and betrayal by the propertied class, the rise of a plebeian leader, and the revolt of the masses against Spain, are implicitly being played out in the late 1940s. The politics of hooking the present onto past events and heroic figures led to the prize-winning manuscriptʼs suppression from 1948 to 1955. Finally seeing print in 1956, it provided a novel and timely reading of Bonifacio at a time when Rizalʼs legacy was being debated in the Senate and as the Church hierarchy, priests, intellectuals, students, and even general public were getting caught up in heated controversies over national heroes. -
Reflections on Agoncilloʼs the Revolt of the Masses and the Politics of History
Kyoto University Southeast Asian Studies, Vol. 49, No. 3, December 2011 Reflections on Agoncilloʼs The Revolt of the Masses and the Politics of History Reynaldo C. ILETO* Abstract Teodoro Agoncilloʼs classic work on Andres Bonifacio and the Katipunan revolt of 1896 is framed by the tumultuous events of the 1940s such as the Japanese occupation, nominal independence in 1943, Liberation, independence from the United States, and the onset of the Cold War. Was independence in 1946 really a culmination of the revolution of 1896? Was the revolution spearheaded by the Communist-led Huk movement legitimate? Agoncilloʼs book was written in 1947 in order to hook the present onto the past. The 1890s themes of exploitation and betrayal by the propertied class, the rise of a plebeian leader, and the revolt of the masses against Spain, are implicitly being played out in the late 1940s. The politics of hooking the present onto past events and heroic figures led to the prize-winning manuscriptʼs suppression from 1948 to 1955. Finally seeing print in 1956, it provided a novel and timely reading of Bonifacio at a time when Rizalʼs legacy was being debated in the Senate and as the Church hierarchy, priests, intellectuals, students, and even general public were getting caught up in heated controversies over national heroes. The circumstances of how Agoncilloʼs work came to the attention of the author in the 1960s are also discussed. Keywords: Philippine Revolution, Andres Bonifacio, Katipunan society, Cold War, Japanese occupation, Huk rebellion, Teodoro Agoncillo, Oliver Wolters Teodoro Agoncilloʼs The Revolt of the Masses: The Story of Bonifacio and the Katipunan is one of the most influential books on Philippine history. -
José Rizal and Benito Pérez Galdós: Writing Spanish Identity in Pascale Casanova’S World Republic of Letters
José Rizal and Benito Pérez Galdós: Writing Spanish Identity in Pascale Casanova’s World Republic of Letters Aaron C. Castroverde Georgia College Abstract: This article will examine the relationship between Casanova’s World Republic of Letters and its critical importance, demonstrating the false dilemma of anti-colonial resistance as either a nationalist or cosmopolitan phenomenon. Her contribution to the field gives scholars a tool for theorizing anti-colonial literature thus paving the way for a new conceptualization of the ‘nation’ itself. As a case study, we will look at the novels of the Filipino writer José Rizal and the Spanish novelist Benito Pérez Galdós. Keywords: Spain – Philippines – José Rizal – Benito Pérez Galdós – World Literature – Pascale Casanova. dialectical history of Pascale Casanova’s ideas could look something like this: Her World Republic of Letters tries to reconcile the contradiction between ‘historical’ (i.e. Post-colonial) reading of literature with the ‘internal’ or A purely literary reading by positing ‘world literary space’ as the resolution. However, the very act of reflecting and speaking of the heterogeneity that is ‘world’ literature (now under the aegis of modernity, whose azimuth is Paris) creates a new gravitational orbit. This synthesis of ‘difference’ into ‘identity’ reveals further contradictions of power and access, which in turn demand further analysis. Is the new paradigm truly better than the old? Or perhaps a better question would be: what are the liberatory possibilities contained within the new paradigm that could not have previously been expressed in the old? *** The following attempt to answer that question will be divided into three parts: first we will look at Rizal’s novel, Noli me tángere, and examine the uneasiness with which the protagonist approached Europe and modernity itself. -
Human Rights and Exhibit Space
Human Rights and Exhibit Space Author: Jennifer Rose Hasso, Art History Professor, Harold Washington College, Triton College Time: 80 minutes Overview: The venue where art is displayed and how it is curated impacts how we interpret it as a historical document. The location of an artwork reflects how well it upholds academic tradition or rejects that format. Locale determines the amount of bureaucratic control an artist faces and may determine the economic prospects of their work. Therefore, artworks range from literal to symbolic according to the artists’ ability to create their vision without fear of censorship. Objectives: Understand the similarities and differences between works of art. Understand the relationship of art history to other histories. Identify historical events that have contributed to the evolution of the arts. Develop observational abilities in order to critique visual art. Justify personal and non-personal critiques of art. Gain an overall academic awareness through the study of the fine arts. Outcomes: Analyze the relationship between visual art and human rights. Connect human rights to larger social and cultural issues and movements. Understand how artists critique and challenge history and cultural conventions. Analyze the impact that artists have on improving the lives of those around them and society at large. Background Information: Human rights themes in Philippine visual art began in the late 19th century and extend into the present era. Initially, artwork reflected abuses enacted by colonial or foreign powers that were in direct control of the government and military, or were controlling economic and political affairs from afar. Colonialism is deeply embedded in the history and identity of the Philippines and is a controversial topic because many Filipinos want to divorce themselves from this colonial past, while others see the Western world as a positive influence on their culture. -
Spanish Presence in the Philippines
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Southern Queensland ePrints Spanish Presence in the Philippines Filipino opposition to Spain’s control of the Philippines grew steadily from the eighteenth century onwards. Following the loss of its Latin American territories in the early 1800s, Spain’s administrative presence became increasingly intrusive and onerous for Filipinos. Forms of opposition varied however, and whilst emerging groups of middle class Filipinos demanded legal and economic reforms, sporadic peasant protests also continued. Initially, leading opponents to Spanish rule rarely supported independence, but by the late nineteenth century it had become clear that Spain was no longer able to contain the recurrent violence and demands for change. The vulnerability of Spanish control had been demonstrated in September 1762, when a hostile British naval squadron appeared in Manila Bay with over a thousand troops onboard. Defending troops from Spain (and the viceroyalty of New Spain) were unprepared and surrendered, having been unaware of Spain’s involvement in the Seven Years War. The British withdrew in 1764, but sporadic Filipino resistance to Spanish rule continued in Ilocos, Pangasinan and Bohol. Filipino grievances in these areas ranged widely from the imposition of the tribute to resentment at friars and attempts at religious control. The British occupation had revealed the need for better revenues to fund the Philippines’ defence. Spain’s economic interests had been largely focused on Manila, which served as an entrepôt for luxury Asian goods. In accordance with Spain’s mercantilist policies, the goods were sent annually by galleon from Manila to Acapulco in New Spain. -
In Search of Filipino Philosophy
IN SEARCH OF FILIPINO PHILOSOPHY PRECIOSA REGINA ANG DE JOYA B.A., M.A. (Ateneo de Manila) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SOUTHEAST ASIAN STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2013 ii Acknowledgments My deepest thanks to friends and family who have accompanied me in this long and wonderful journey: to my parents, who taught me resilience and hardwork; to all my teachers who inspired me, and gently pushed me to paths I would not otherwise have had the courage to take; and friends who have shared my joys and patiently suffered my woes. Special thanks to my teachers: to my supervisor, Professor Reynaldo Ileto, for introducing me to the field of Southeast Asian Studies and for setting me on this path; to Dr. John Giordano, who never ceased to be a mentor; to Dr. Jan Mrazek, for introducing me to Javanese culture; Dr. Julius Bautista, for his insightful and invaluable comments on my research proposal; Professor Zeus Salazar, for sharing with me the vision and passions of Pantayong Pananaw; Professor Consolacion Alaras, who accompanied me in my pamumuesto; Pak Ego and Pak Kasidi, who sat with me for hours and hours, patiently unraveling the wisdom of Javanese thought; Romo Budi Subanar, S.J., who showed me the importance of humor, and Fr. Roque Ferriols, S.J., who inspired me to become a teacher. This journey would also have not been possible if it were not for the people who helped me along the way: friends and colleagues in the Ateneo Philosophy department, and those who have shared my passion for philosophy, especially Roy Tolentino, Michael Ner Mariano, P.J. -
FILIPINOS in HISTORY Published By
FILIPINOS in HISTORY Published by: NATIONAL HISTORICAL INSTITUTE T.M. Kalaw St., Ermita, Manila Philippines Research and Publications Division: REGINO P. PAULAR Acting Chief CARMINDA R. AREVALO Publication Officer Cover design by: Teodoro S. Atienza First Printing, 1990 Second Printing, 1996 ISBN NO. 971 — 538 — 003 — 4 (Hardbound) ISBN NO. 971 — 538 — 006 — 9 (Softbound) FILIPINOS in HIS TOR Y Volume II NATIONAL HISTORICAL INSTITUTE 1990 Republic of the Philippines Department of Education, Culture and Sports NATIONAL HISTORICAL INSTITUTE FIDEL V. RAMOS President Republic of the Philippines RICARDO T. GLORIA Secretary of Education, Culture and Sports SERAFIN D. QUIASON Chairman and Executive Director ONOFRE D. CORPUZ MARCELINO A. FORONDA Member Member SAMUEL K. TAN HELEN R. TUBANGUI Member Member GABRIEL S. CASAL Ex-OfficioMember EMELITA V. ALMOSARA Deputy Executive/Director III REGINO P. PAULAR AVELINA M. CASTA/CIEDA Acting Chief, Research and Chief, Historical Publications Division Education Division REYNALDO A. INOVERO NIMFA R. MARAVILLA Chief, Historic Acting Chief, Monuments and Preservation Division Heraldry Division JULIETA M. DIZON RHODORA C. INONCILLO Administrative Officer V Auditor This is the second of the volumes of Filipinos in History, a com- pilation of biographies of noted Filipinos whose lives, works, deeds and contributions to the historical development of our country have left lasting influences and inspirations to the present and future generations of Filipinos. NATIONAL HISTORICAL INSTITUTE 1990 MGA ULIRANG PILIPINO TABLE OF CONTENTS Page Lianera, Mariano 1 Llorente, Julio 4 Lopez Jaena, Graciano 5 Lukban, Justo 9 Lukban, Vicente 12 Luna, Antonio 15 Luna, Juan 19 Mabini, Apolinario 23 Magbanua, Pascual 25 Magbanua, Teresa 27 Magsaysay, Ramon 29 Makabulos, Francisco S 31 Malabanan, Valerio 35 Malvar, Miguel 36 Mapa, Victorino M. -
Scientific Authority, Nationalism, and Colonial Entanglements Between Germany, Spain, and the Philippines, 1850 to 1900
Scientific Authority, Nationalism, and Colonial Entanglements between Germany, Spain, and the Philippines, 1850 to 1900 Nathaniel Parker Weston A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Uta G. Poiger, Chair Vicente L. Rafael Lynn Thomas Program Authorized to Offer Degree: History ©Copyright 2012 Nathaniel Parker Weston University of Washington Abstract Scientific Authority, Nationalism, and Colonial Entanglements between Germany, Spain, and the Philippines, 1850 to 1900 Nathaniel Parker Weston Chair of the Supervisory Committee: Professor Uta G. Poiger This dissertation analyzes the impact of German anthropology and natural history on colonialism and nationalism in Germany, Spain, the Philippines, and the United States during the second half of the nineteenth-century. In their scientific tracts, German authors rehearsed the construction of racial categories among colonized peoples in the years prior to the acquisition of formal colonies in Imperial Germany and portrayed their writings about Filipinos as superior to all that had been previously produced. Spanish writers subsequently translated several German studies to promote continued economic exploitation of the Philippines and uphold notions of Spaniards’ racial supremacy over Filipinos. However, Filipino authors also employed the translations, first to demand colonial reform and to examine civilizations in the Philippines before and after the arrival of the Spanish, and later to formulate nationalist arguments. By the 1880s, the writings of Filipino intellectuals found an audience in newly established German scientific associations, such as the German Society for Anthropology, Ethnology, and Prehistory, and German-language periodicals dealing with anthropology, ethnology, geography, and folklore. -
Ignorance, Character, and Class in Teodoro Agoncillo's the Revolt Of
Ateneo de Manila University Archīum Ateneo History Department Faculty Publications History Department 2020 What Made the Masses Revolutionary?: Ignorance, Character, and Class in Teodoro Agoncillo’s The Revolt of the Masses Filomeno V. Aguilar Jr Follow this and additional works at: https://archium.ateneo.edu/history-faculty-pubs Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons Philippine Studies: Historical and Ethnographic Viewpoints Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines What Made the Masses Revolutionary?: Ignorance, Character, and Class in Teodoro Agoncillo’s The Revolt of the Masses Filomeno V. Aguilar Jr. Philippine Studies: Historical and Ethnographic Viewpoints vol. 68 no. 2 (2020): 137–78 Copyright © Ateneo de Manila University Philippine Studies: Historical and Ethnographic Viewpoints is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted in a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncommercial use only. This article is an open-access resource. It can be uploaded in the author’s institutional repository, with this copyright page retained. Republication of this article or its storage in electronic databases other than as specified above is not allowed without prior permission in writing from the publisher. For any further use of this work, please contact the publisher at [email protected]. http://www.philippinestudies.net FILOMENO V. AGUILAR JR. What Made the Masses Revolutionary? Ignorance, Character, and Class in Teodoro Agoncillo’s The Revolt of the Masses Regarded as a classic in Philippine historiography, Teodoro Agoncillo’s The Revolt of the Masses published in 1956 is examined to understand the author’s explanation of what made “the masses” revolutionary. -
The Religious Experience of Hermano Puli's Cofradia and the Seeding of the 1896 Philippine Revolution
the religious experience of hermano puli’s Cofradia and the seeding of the 1896 philippine revolution a kierkegaardian reading of reynaldo ileto’s pasyon and revolution Rhochie Matienzo University of Santo Tomas Abstract Before the celebrated EDSA people power revolutions in recent Philippine history, Apolinario “Hermano Puli” de la Cruz founded the Cofradia de San José as early as the 19th century which laid the seminal principles of the Filipino struggle for freedom and eventual democracy. The Cofradia, albeit berated by the Church and Spanish rulers, has become the emblem of the untiring search for authentic freedom against foreign rule and bourgeois leadership. This search for freedom is said to have been motivated by the rituals practiced by the Katagalugan (Southern Luzon Region) peasantry. These rituals, of which the most criticized is the Pasyon Pilapil, were informally documented through popular songs, poetry, and readings. Condemned as abominable and heretical, the suppression of the Cofradia and its rituals led to the brutal persecution of Hermano Puli and the massacre of hundreds of members of the Cofradia in 1841. This study aims to reflect on Reynaldo Ileto’s Pasyon and Rebolusyon from an existentialist perspective in order to philosophically explore the seminal thoughts that stimulated the late 19th-century Philippine uprisings against the colonial Spain. Ileto contends that the brotherhood’s teachings followed a tripartite structure of Dalit (light); as it begins with the brightness (innocence at the Garden of Eden), followed by a darkness (Christ's passion and death), towards the luminous glory (of the Resurrection). This gradation, consciously and unconsciously, influenced the Katipunan that played a huge role in the Filipino struggle for independence at the turn of that century.