Laghunyasa Vedic Chant: the Heart Welcomes Healing from the Cosmos Mondays, Sept 10 – Oct 8 | 7:00 – 8:00 Pm

Total Page：16

File Type：pdf, Size：1020Kb

Laghunyasa Vedic Chant: The Heart Welcomes Healing from the Cosmos Mondays, Sept 10 – Oct 8 | 7:00 – 8:00 pm Presented by The Heart as a Channel of Nourishment from the Cosmos Jay Coldwell, RYT-200 will The laghunyasa is a chant, many facilitate this 5-week series on thousands of years old, from the Vedic Vedic chant. culture. It places the heart in the center of the relationship between the Jay studies Vedic Chant with Linda person and the cosmos. Elements Spackman and Sonia Nelson, and within the cosmos nourish our senses, the Yoga Sutra-s with Linda abilities, structures and energies. These in turn, nourish the heart, which Spackman of the Vedic Chant pours into our eternal self, and Institute in Santa Fe, New Mexico. completing the circle, to the ultimate reality underlying all that is. While this series does not require attendance each week, the We will build this chant week-by-week material builds from week to as we: week. However, we will always • Move the body in a few gentle yoga postures to help with back review and practice material care and focus contained in previous weeks, so don’t worry if you can’t attend • Chant a Sanskrit invocation each session. • Learn the chant refrain and one verse at a time • Place the chant in context • Chant the text as a meditation Fee Use your yoga pass! • Immerse yourself in this $15 drop-in, packages available at reduced ancient practice, and the joy of cost. chanting Sanskrit, the language of the spirit, as a group. 2220 Sherman Street, Wausau, WI phone: 715.298.1954 www.5koshasyoga.com .

Copy Link

Recommended publications

Vedic Chant Teacher Training Program Has Become As Popular As Its Unique Yoga Teacher and Yoga Therapy Training Programs
VEDIC CHANT TEACHER1 TRAINING IN THE CLASSICAL TRADITION OF T KRISHNAMACHARYA & TKV DESIKACHAR 2019-2020 INDIA BATCH ® VINIYOGA by KRISHNAMACHARYA HEALING AND YOGA FOUNDA TION KRISHNAMACHARYA HEALING & YOGA FOUNDATION | VEDIC CHANT TRAINING PROGRAM | INDIA | 2019 - 2020 2 I. INTRODUCTION The word ‘Veda’ means Knowledge. According to Indian tradition, the Veda-s which are a vast collection of hymns, were believed to be heard by ancient Indian sages when they were in a deep meditative state. Collectively they are considered the most authoritative source of Indian wisdom as they contain information on every conceivable subject from the relationship between a teacher and student to the structure of the human system, from the relevance of nature and the elements in our lives to the technical know-how necessary to build weapons, from the origin of the universe to simple social etiquette and more. Thus, the Veda-s have, for thousands of years, been the primary source of reference for living. Over the years, the vast information contained in the Veda-s was preserved and transmitted from one generation of teachers and students to the next in an oral manner. There were certain basic rules of chanting the Veda-s that had to be adhered to without compromise. It is because of the rules and pedagogy of chanting that until today, the Veda-s are chanted exactly as it was done several thousand years ago. While chanting from the Veda-s has been part of Indian culture over countless generations, there has been a growing interest in the study of Vedic Chanting internationally too in the last few decades.
[Show full text]
Bringing the Divine Down Into Man: the Building
Bringing the Divine down into Man: the building-up of the yoga path Trazendo o Divino para Dentro do Homem: a Construção do Sistema do Yoga Das Göttliche in den Menschen bringen: Die Konstruktion des Yoga Edrisi Fernandes 1 Resumo: O autor analisa a evolução do Yoga como uma disciplina ascética, desde o tempo da absorção dos habitantes originais da ?ndia pelas tribos arianas, que ali chegaram numa época proto-histórica. Ritos austeros, práticas mágicas, exercícios de controle respiratório e atitudes ascéticas dos habitantes locais foram incorporados na metafísica e na religião Védicas, e também no Yoga pré-clássico. A descoberta do poder das práticas ascéticas e meditacionais permitiu um distanciamento progressivo dos yogis em relação a práticas religiosas externas, tais como sacrifícios realizados com a intenção de favorecer os deuses, e a um avanço paralelo da visão do Yoga como um tipo de sacrifício em si mesmo, fundamentado na associação – entendida como uma ligação ou [re]união – entre o “Self”/a Alma vivente (âtman; jivâtman) do homem e a norma eterna (sanatana dharma), o “Senhor das Criaturas” (Prajâpati), o Ser Supremo (Parameshtin; Brahman; Shiva do Shaivismo; Vishnu do Vaishnavismo), ou a força ou poder (Shakti do Shaktismo [Tantrismo]) que torna a vida possível e que mantém o cosmos. Através de uma revisão do tema do Purusha (sânscrito para “pessoa; homem”, mas também para “Homem Universal; homem-deus”) em algumas referências clássicas da literatura indiana – incluindo o Rigveda, o Atharvaveda, muitos Upanishads, porções relevantes
[Show full text]
Performing the Yogasutra
PERFORMING THE YOGASUTRA - TOWARDS A METHODOLOGY FOR STUDYING RECITATION IN MODERN HATHA YOGA (Revised version of paper presented at the conference “Ritual Practices in Indian Religions and Contexts”, Lund, 9-12 December, 2004.) Klas Nevrin, PhD Candidate, Department of History of Religions, Stockholm University. INTRODUCTION In the following I will explore various methodological approaches to studying recitation and chant, with particular focus on recitation of the Yogasutra in the context of modern yoga and the schools often grouped under the heading of Viniyoga. Viniyoga are the teachings and practices primarily associated with the South Indian Brahmin Tirumalai Krishnamacharya (1888-1989) and his son T.K.V. Desikachar (b. 1938). Although the epithet has lately been abandoned by Desikachar it is still in use by many of his students. For our purposes, suffice it to say that I take “Viniyoga” to be an appropriate name for a family of schools descending from Krishnamacharya and Desikachar, which are growing rapidly in popularity. It is one of the styles of modern yoga in which the use of the Yogasutra (YS) is of central importance, being employed as a constant reference for practices and various forms of intellectual guidance. In Viniyoga, the YS is recited using techniques of Vedic chant common in the South Indian environment, which considerably elevates the status of the YS vis-à-vis the Vedas.(1) The historical background to this has to do with Krishnamacharya’s and Desikachar’s own affiliation with Sri Vaisnavism. Traditionally, this form av devotionalism (the lineage being traced to Nathamuni, claimed ancestor by Krishnamacharya, via Ramanuja to Vedantadesika) has neither regarded YS as being of central importance, nor has it engaged with practices typically associated as a whole with the YS, i.e.
[Show full text]
Vedic Chanting in Kerala
The Newsletter | No.69 | Autumn 2014 6 | The Study Vedic chanting in Kerala Left: A Vedic expert On 7 November 2003 the United Nations Educational, Scientific Sankaranarayan Akkithiripad from and Cultural Organization (UNESCO) declared the Tradition of Vedic Kavapra Mana. Below: Chanting (India) a Masterpiece of the Oral and Intangible Heritage Two students of the Trissur Brahmasvam of Humanity. According to Indian tradition, four Vedas – the Ṛgveda Matham (the younger ˙ (hymns), the Yajurveda (sacrificial formulas), the Sāmaveda (chants) with his mother). and the Atharvaveda (magical formulas) – are considered to be non- human in origin (apaurus· eya), beginningless (anādi) and eternal (nitya). This awareness prompted Brahmins of India to create unique methods for their preservation and transmission without even changing any of the accents. These methods are based on sophisticated mnemonic techniques and rely on different versions of repetitions. Natalia Korneeva ALONG WITH the two main powerful Vedic traditions (the living tradition, handed down orally from father to son, Western tradition: Maharashtra, Saurashtra, Varanasi – and from teacher to student. As a living tradition, it demonstrates the Southern tradition: Tamil Nadu, Andhra Pradesh, Mysore) the differences between tradition and texts.6 several isolated traditions have also survived: White Yajurveda tradition in Tamil Nadu; the rare Atharvaveda tradition of the In danger of extinction Śaunaka recension in Saurashtra; the Paippalāda recension in The Nambudiri Sāmaveda (chanting) tradition in Kerala Orissa; and the tradition of Malayalam-speaking Nambudiri is nearly extinct. There are now only four elderly Nambudiri Brahmins in Kerala. Brahmins from two families who have learned Sāmaveda by The Nambudiri (Nampūtiri, Namboodiri, Namboothiri) heart the traditional way, and who can chant all the modes tradition is rather different from other traditions.
[Show full text]
New Wave Monthly Newsletter of ISKCON Delhi-NCR
Volume 4, Issue 11 March 2018 The New Wave Monthly Newsletter of ISKCON Delhi-NCR News 1. Seminar on Stress Management (3rd – 4th Feb) 3. Free Medical Camp (4th, 11th and 18th Feb) (ISKCON Gurugram) (ISKCON Gurugram) H.G. Dashrathi Prasad Das conducted a seminar on Stress A free medical camp was organized to provide free tests for management for the senior management of Jhabua Power health check-up, diabetes, blood pressure. The 3 day camp plant in Jabalpur. The program was highly successful and offered counselling and treatment by a team of trained attracted attention of local newspapers as well. The seminar Doctors and Specialists headed by Dr. Suresh, Dr. Vahini and provided tips to encounter daily corporate challenges based Dr. Rajani and Dr. D.D. Gera. Many visitors took consultation on the teachings from ‘Bhagavada Gita As it Is’ by Srila and treatment from the doctors at the camp. Prabhupada. 4. Appearance day of Srila Bhaktisiddhanta Sarasvati Thakura (5th Feb) (ISKCON Delhi-NCR Temples) Srila Bhaktisiddhanta Sarasvati Thakura’s appearance day was celebrated with transcendental kirtan, pushpanjali and feast. The ‘lion guru’ revived Vaishnavism through his philosophical and scholarly approach. His knowledge of 2. IYF 6-day session (from 4th Feb) and faith in shastras paved (ISKCON Punjabi Bagh) the way for the worldwide ISKCON Youth Forum, organized a 6 sessions seminar spread of Vaishnavism. for the youth, which started on 4th February and will be He challenged the deep- conducted every Sunday from 3-5 pm at Srila Prabhupada rooted caste system and Bhavan. The topic of the session is ‘Discover Yourself” and pioneered the propagation it aims to redirect of Vaishnava siddhanta.
[Show full text]
Yoga and Music and Chanting
Yoga and Music and Chanting Compiled by: Trisha Lamb Last Revised: April 27, 2006 © 2004 by International Association of Yoga Therapists (IAYT) International Association of Yoga Therapists P.O. Box 2513 • Prescott • AZ 86302 • Phone: 928-541-0004 E-mail: [email protected] • URL: www.iayt.org The contents of this bibliography do not provide medical advice and should not be so interpreted. Before beginning any exercise program, see your physician for clearance. “When we practice yoga asana, we [can be] easily seduced by an exclusively physical practice and all that may follow from this: obsession with youthfulness and fitness, compulsion for recognition, desire for physical perfection, a need to be the best, and a self-centeredness. As we begin to chant, longingly calling out to God, a Self-centered outlook develops; a life focused towards the Divine, towards spirit. This view brings into focus our friends, family, yoga community, neighbors and world community. We begin to desire not only a personal peace but a world peace.” —Kimberly Flynn From “Beyond Om” (cited below) NOTE: See also the “Mantra” and “Om” bibliographies. Allen, Ryan. Teacher profile: Steve Ross. LA Yoga, May/Jun 2003, pp. 11-12. Steve Ross, former professional guitarist, and teacher of Yoga for twenty years plays loud contemporary music in his asana classes. Ascent magazine. What Makes a Sound Sacred? issue. Summer 2002. See http://www.ascentmagazine.com. Balayogi, Ananda. The Yoga of Sound audiocassette. Kottakuppam, Tamil Nadu, India: International Centre for Yoga Education and Research, 1998. 90 minutes. (Carnatic vocal music with English lyrics.) Bergstrom-Nielsen, Carl.
[Show full text]
Çraddhä-Bhakti-Dhyäna-Yogäd Avaihi
çraddhä-bhakti-dhyäna-yogäd avaihi Eleventh and concluding part of the serial article continued from November 2019 issue. Dhyana topic continues.. We have to train ourselves. We can give the mind some time for free thinking, but we cannot be fantasising all the time. So deliberate thinking, conscious thinking is important. For this purpose dhyäna is always advised, especially japa-dhyäna.In japa, a thought is repeated. More often, it is a mantra that is repeated like oà namaù çiväya or oà namo näräyaëäya2. Suppose you chant oà namaù çiväya. Then the next chant also is oà namaù çiväya. There is no connection between the two chants. Generally we have connected thinking. One thing is connected to something else, and it goes on. Here, we break that connected thinking. In order to achieve certain say over the ways of the mind, we break this connection. Japa-dhyäna is not mechanical. If somebody says so, he or she has not understood it at all. It is not mechanical. It is deliberate. It is not repetitive either because it is clinched, in that, each occupation is a complete occupation. Completion is achieved after a given chant, oà namaù çiväya, is over. In this, saguëa-brahma is there, mänasa-vyäpära, mental activity, is there and hence it fulfils the definition of dhyäna. At the same time, one chant is not connected to another chant. Every chant is complete by itself. It is unlike the Vedic chant: oà namaste astu bhagavan viçveçvaräya mahädeväya trayambakäya... Here it is all connected. The Veda presents it in that form and it is how we learn it.
[Show full text]
Vedic Chant WORKSHOP with MONIQUE PARKER
SUNDAY, FEBRUARY 23RD Mantra for Holistic Health: Vedic Chant WORKSHOP WITH MONIQUE PARKER Vedic chanting is the oldest unbroken oral tradition in aranyaka, a simple and beautiful Sanskruit mantra existence and has been declared an Intangible that invokes the blessing of the Divine for longevity, heritage of humanity by UNESCO. Hailing from health and stability. With this mantra we ask for a ancient India, chanting and incorporating long life, health for the body and clarity of mind, sacred Sanskrit mantras can transform our both for ourselves and for others, mentioning practice into a sacred experience. Ancient the different parts of the physical and energetic Indian culture and Brahmin priests devoted their body. Suitable for anyone, this healing mantra lives to maintaining these sacred sounds. offers nourishment to all who chant and listen. $30 Learn to chant Ayurnantrah, part of the Taittirya- for 2-hour workshop. Monique Parker is a certified Vedic chant instructor, yoga teacher and yoga therapist in the tradition of DATE: Sri T. Krishnamacharya. She has been a practitioner of yoga for 25 years SUNDAY and owns Taos Yoga Therapy. February 23rd www. taosyogatherapy.com, www.theyogaofmantra.com TIME: 2:00 - 4:00 PM COST: $30 Pre-registration: [email protected] 2331 HWY 522, QUESTA NM SUNDAY, FEBRUARY 23RD Mantra for Holistic Health: Vedic Chant WORKSHOP WITH MONIQUE PARKER Vedic chanting is the oldest unbroken oral tradition in aranyaka, a simple and beautiful Sanskruit mantra existence and has been declared an Intangible that invokes the blessing of the Divine for longevity, heritage of humanity by UNESCO. Hailing from health and stability.
[Show full text]
Lie Academy Madras ’•Road, Madras - 600014
\4& ./uS& .Sirf o*:':*H *£te :' i’" ,■>; v^-v < * /I 'f«3 & - ^ l; Jft* > ' a 4 a 'i. f ‘*»' * :£f ? , ^ K - .. ;. E d j t e d l ^ I s : - p f r - , » :1980 ' - * - n >• ' v r ’;-, lie Academy Madras ’•Road, Madras - 600014 ’W-.v.^v Subscription - Rs. 12; Foreign S 3-QO V" 1 3?. r - - 'V».-- .v,.*.„ sapvv *tv.t.•'*•. *0 ■ ■ ..v«(i- §fefe£|i;#x)i' V ‘ l i OURSELYES The Journal is now being published as an Annual, h • All correspondence relating to ihe Journal should be addressed and all books, advertisement money and cheques intended for it should be sent to Sri T. S. Parthassrathy, Editor, Journal of !the Music Academy, 306, Mowbray’s JRoad, Madras-600 014. ' V , * ■ $V ' Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. JOURNAL COMMiTTEB OF THE MUSIC ACADEMY 1. Sri T. S. Parthasarathy — Editor (and Secretary, Music Academy) 2. „ T. V. Rajagopalan — Trustee 3. „ S. Ramaswamy — Executive Trustee 4. Sandhyavandanam — Member Srinivasa Rao 5. Prof. S. Ramanathan — Member Sri S. Natarajan "t 7. „ R. Ranganathan > Secretaries of Music s. „ T. S. Rangarajan 1 Academy, Ex-officio CONTENTS PAGE The 51st Annual Conference of the Music Acadmy, Madras: Official Report: — 1 A Syama Sastry Bibliography — 72 The Rudra Vina of Somanatha: Ranganayaki Ayyangar — 77 Some Related Ragas: S.
[Show full text]
Living Yoga 41Th International Yoga Congress 24 – 29 August 2014
LIVING YOGA 41TH INTERNATIONAL YOGA CONGRESS 24 – 29 AUGUST 2014 WWW.EUYCONGRESS.ORG TABLES DES MATIÈRES INHOUD THÈME 3 THEMA 4 LE PROGRAMME JOURNALIER 7 PROGRAMMA 8 INVITÉS 10-27 GASTEN 10-27 COMITÉ ORGANISATEUR /TEAM 28 ORGANISATIE / TEAM 28 TARIFS DU CONGRES 29 PRIJZEN 30 INSCRIPTION 32-34 INSCHRIJVING 32-34 CONTENTS CONTENIDO THEME 3 TEMA 5 PROGRAM 7 PROGRAMA DIARIO 9 GUESTS 10-27 PONENTES INVITADOS 10-27 ORGANISING COMITTEE /TEAM 28 ORGANIZACIÓN / TEAM 28 CONGRESS FEES 29 PRECIOS 31 REGISTRATION 32-34 INSCRIPCIÓN 32-34 INHALT CONTENUTO THEMA 4 TEMA 5 TÄGLICHES PROGRAMM 8 IL PROGRAMMA GIORNALIERO 9 REFERENTEN 10-27 OSPITI 10-27 ORGANISATIONSKOMITEE /TEAM 28 ORGANIZZAZIONE / TEAM 28 PREISE 30 PREZZI 31 ANMELDUNG 32-34 REGISTRAZIONE 32-34 1 2 Thème – Theme – Thema Thème – Theme – Thema Thema – Tema – Tema Thema – Tema – Tema VIVRE EN YOGA YOGA LEBEN Discipline – Tapas Einsatz – Tapas Réflexion – Svadhyaya Selbststudium – Svadhyaya L’Abandon – Isvarapranidhana Hingabe – Isvarapranidhana Le yoga est une philosophie vivante et comme telle doit être expérimentée. Yoga ist eine lebende Philosophie und als solche bestimmt erfahren zu Une philosophie séparée de la vie quotidienne est sans valeur. Les connais- werden. Eine Philosophie abgetrennt vom täglichen Leben ist wertlos. Die sances acquises par l’étude des Yoga Sutra de Patanjali et d’autres textes Erkenntnisse welche durch das Studium der Yoga Sutras des Patanjali oder sacrés peuvent être appliquées au quotidien. La réalisation dans ce contexte durch andere heilige Texte erworben werden, können im täglichen Leben est la forme la plus élevée du savoir-connaissance à travers l’expérience. umgesetzt werden.
[Show full text]
Encyclopedia-Of-Hinduism-Pt.02.Pdf
Jyoti, Swami Amar 215 J birth and rebirth but remains alive. Most Shaivite Jnanasambanthar See SAMBANTHAR. traditions, and the VEDANTA of SHANKARA, accept the possibility of jivanmukti (living liberation). Other Hindu traditions, such as VAISHNAVISM, do jnana yoga See BHAGAVAD GITA. not accept the concept; they insist that full libera- tion occurs only at death. Neither Jains nor Sikhs believe in jivanmukti. jnanedriya See SAMKHYA. Historically, many of the earlier philosophies of India, such as SAMKHYA, had no place for the idea. A strict reading of YOGA SUTRA would not Jnaneshvara (1275–1296) poet-saint allow for it either. Jnaneshvara was a Vaishnavite (see VAISHNAVISM) poet-saint from Maharashtra, who wrote hymns Further reading: Andrew O. Fort, Jivanmukti in Transfor- of praise to VITHOBA and RUKMINI, the Maha- mation: Embodied Liberation in advaita and Neo-Vedanta rashtran forms of KRISHNA and RADHA who are (Albany: State University of New York Press, 1998). worshipped at Pandharpur. He is most famous for his commentary on the BHAGAVAD GITA writ- ten in old Marathi, a beloved and revered text jivatman See VEDANTA. in Maharashtra. It is said that Jnaneshvara died at the age of 22, at Alandi on the Krishna River. This is now an important pilgrimage site; his jnana shrine is visited there at the time of the poet’s Jnana (from the root jna, “to know”) literally death in November. means “knowledge” but is better translated as “gnosis” or “realization.” Specifically, it is the Further reading: P. V. Bobde, trans., Garland of Divine knowledge of the unity between the highest real- Flowers: Selected Devotional Lyrics of Saint Jnanesvara ity, or BRAHMAN, and the individual self, or JIVATMAN.
[Show full text]
The Essence of Veda Chanting Inaugural Address by Dr
The Essence of Veda Chanting Inaugural Address by Dr. Narendranath Reddy Chairman, Sathya Sai International Organisation International Young Adults Veda Programme 20 June 2020 Om Sahanavavatu 500 BC by the Turkish and Persians to refer to Sahanau bhunaktu, the people who were living in the Indus Valley Saha viryam karavavahai, area. People say Sanathana Dharma began Tejasvi navadhithamastu, around 5,000 or 10,000 BC. Sanathana Dharma Ma Vidvishavahai means eternal religion – there is no beginning. Om. Shanti, Shanti, Shanti That is why our Swami’s journal is called Sana- thana Sarathi – He is the eternal charioteer who May the Lord protect us, may He nourish us. is taking us in the right direction. Let us under- May we acquire the capacity to study and un- stand that Vedas teach the eternal religion (San- derstand the scriptures. May our study be bril- athana Dharma). liant and may we not cavil at each other. Om. Peace, Peace, Peace unto us all. Main Message of the Vedas What is the main message of the Vedas? Ananto With love and gratitude, I offer my prayerful Vai Veda Pranams at the Divine Lotus Feet of our dearest, the message is Brahma Sathyam (God alone is loving and omnipresent Lord, Bhagawan Sri true) Jagath, Vedas Mithya are infinite, (the world but theis illusory) summary, Jivo of Sathya Sai Baba who is Veda Mata (The mother Brahmaiva Naparah (we the embodied beings, of Vedas), the Veda Purusha and Vedamayaa are divine). Swami says that the goal and pur- (that means He is the Veda Himself) and He is pose of human life is to realise and manifest in- Veda Vedya (He could be realised and attained nate divinity Also, Swami says that the purpose through Vedas).
[Show full text]