Actuaries Magazine June 2016
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Going for Gold at Nice: Assessing the EU's Form
Going for Gold at Nice: Assessing the EU’s Form Institute Européen d’Administration Publique European Institute of Public Administration Rethinking the Crossing the Bridge of Size: European Union IGC 2000 and Beyond Reaching a Deal at Nice Edited by Edward Best Mark Gray Dr Edward Best Alexander Stubb Head of Unit I: European Governance and Policy Processes, EIPA Abstract The Intergovernmental Conference which should conclude at Nice in December 2000 deals with issues of institutional reform which must be resolved before proceeding with enlargement. There are four main questions. Should all countries be able to name a Member of the European Commission, or should the number of Commissioners be ‘capped’ at a number lower than the number of Member States? How should the weighting of Member States’ votes in the Council be adjusted to ensure that winning coalitions under qualified-majority voting represent an adequate proportion of the total EU population – as well as to ‘compensate’ those five Member States which lose their second Commissioner? How far should qualified-majority voting be extended? Should the conditions for ‘closer cooperation’ be relaxed to make it easier to press ahead with integration in particular areas without the participation of all Member States? A deal must be reached at Nice, but the IGC has revealed serious differences between the Member States. There is likely to be an agreement: for one Commissioner per Member State, probably with an internal hierarchy; a significant re- weighting of votes in favour of the big Member States; a moderate extension of qualified-majority voting; and at least the removal of the veto regarding closer cooperation. -
Pligeollinsi
... Volume 7 Issue 45 MUSICNovember 10 4% L3 US$ E TECHNOTRONIC WORLD TOUR 1991: ECU 4 ... ....... :.... FEAVULONG MEWS& t ENSYMN ""- ............... The European ............. .. .... Music I, Broad. MEDIATrade Magnin .... 10V" AVAILABLE SOON "TURN IT UP" * THE BRANDNEW SINGLE FROM THE ALBUM PRODUCED BY JO BOGAERT THE REMIXE PligEOLLINSI EXCLUSIVE REPRESENTATION. o RECORD COMPANIES: 3/216 35 97 at, THE VINE VAPIC SANCTUARY STREET 020 - ANTWERPEN AMU LONDON SE 1 101_ BELGIUM TEL 0, 403 0007 FAX 071 37S 0,16 37 37 OFFICE FAX: 053/67 33 34 TI: 00 T I AmericanRadioHistory.Com(-101P0- PHIL COLLINS 2111131M" 4.tcy4E,C417/M1 76 minutes, featuring 15 hit tracks including the new single `Do You Remember'. Something Happened On The Way To Heaven Against All Odds Who Said I Would One More Night Don't Lose My Number Do You Remember Another Day In Paradise Separate Lives In The Air Tonight You Can't Hurry LoveTwo Hearts Sussudie A Groovy Kind 01 LoveEasy Lover Take Me Home Limited edition luxury packaging for initial three months. CD and Cassette in slip cases containing 24 -page full -colour booklet. LP in gatefold sleeve with two full - colour inner bags. SERIOUS +I IN BERLIN Over 160 minutes - the entire allow available on one VHS video and soon on Laser Disc. THE Sri, r 234J.X. A Serious Christmas Gilt contains the 'Serious Hits . Live' CD and the 'Seriously Live in Berlin' VHS plus the 'Serious Tour' tour book. The box comes gift wrapped and tagged ready for the consumer. I'LL; t\I)VT1,911.F1 TV and radio spots, magazine and newspaper adverts across Europe. -
Going for Gold a Unit of Work for 14 to 16-Year-Olds by Dr
Going for gold a unit of work for 14 to 16-year-olds by Dr. Grant Kleeman Macquarie University, Sydney CONTENTS Overview of the unit and rationale Introduction Preparation and introductory activities Activity 1: Factors affecting sporting success in Olympic competition Activity Resource Sheet D1: Factors affecting sporting success in Olympic competition Activity Resource Sheet D2: The Summer Olympics—a truly global event • Table 1: Top five gold medal-winning nations 1988 to 2004 • Figure 2A: Number of countries participating in the Summer Olympic Games 1968 to 2004 • Figure 2B: Number of athletes participating in the Summer Olympic Games 1968 to 2004 • Figure 2C: Number of sporting events contested in the Summer Olympic Games 1968 to 2004 • Figure 3: Changing Summer Olympic Games gold medal distribution 1988 to 2004 Activity Resource Sheet D3: The relationship between gold medal tally and population size • Figure 4: Population and gold medal distribution by continent, Athens 2004 • Table 2: Top 10 gold medal-winning countries adjusted for population, Athens 2004 • Figure 5: Semi-logarithmic scatter graph showing the relationship between gold medal tally and population, Athens 2004 Activity Resource Sheet D4: The relationship between gold medal tally and relative wealth • Figure 6: The relationship between Gross Domestic Product PPP per capita and the number of gold medals won (by region), Athens 2004 Olympic Games • Table 3: Top 10 gold medal-winning countries adjusted for GNI PPP per capita, Athens 2004 • Figure 7: Semi-logarithmic scatter graph showing the relationship between gold medal tally and GDP PPP per capita, Athens 2004 Activity Resource Sheet D5: Student tasks Drawing the lessons together and ideas for follow-up and assessment Activity Resource Sheet D6: Supplementary data © Copyright Australian Geography Teachers’ Association Limited and The Geographical Association (UK) GOING FOR GOLD THE BEIJING GAMES Going for gold Dr. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Conference Booklet
FEST Conference 2019 egio Ma he EuR as-Rh in t ine 24 – 28 July 2019 WELCOME WELCOME TO THE FEST CONFERENCE 2019 In the name of our organization Haus der Märchen und Geschichten we welcome you to the Euregio Maas-Rhine. Three years ago when you decided in Paris to come here we just wanted to present our region – through touring, spending time in three countries just a few miles apart from each other, telling our regional smuggler tales, presenting our mutual trickster/hero figure Till Eulenspiegel/Tijl Ulenspegel, talking in our three languages. Rising awareness of what it is like to live in a border area where politics devided the land and where people are not so sure what nationality one is. Meanwhile we won the EU grant and our perception widened to a new FEST approach with more and different responsibilites and abilities. Still you will be presented with „tricky borders“: Jamming with Jazz musicians, looking into trickster behaviour, reflecting on multisensory storytelling and science and tales, brain- storming about a global trickster figure, working with Mixed Reality, but added are the various strands of the grant, the idea of an ambas- sador, the meeting of the Young Storytellers as well as brainstorming about the future of FEST – still all of it is as tricky as this border area. We hope you will enjoy our meeting and may this conference be challenging, fun loving and inspiring! Regina Sommer, Suna Niemetz, Tom Van Outryve, Meta van Appeven TRICKY BORDERS – EUREGIO MAAS-RHINE – HISTORY IN A NUTSHELL TRICKY BORDERS 3 MOVING BORDERS Before the French Revolution The region is a patchwork of secular and clerical territories. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Jury Members List VERSION 2 (PRELIMINARY) - Last Update: 2 May 2016 18:00 CEST
Jury members list VERSION 2 (PRELIMINARY) - Last update: 2 May 2016 18:00 CEST Country First name Middle name Last name Commonly known as Role Gender Age Occupation/profession Albania Edison Misso chairperson male 63 Professor of classic guitar at the University of Arts Tirana Albania Kejsi Tola member female 23 Singer Albania Flamur Shehu member male 69 Composer Albania Nisida Tufa member female 33 Journalist / speaker / moderator Albania Agim Doci member male 67 Author, lyrics writer Armenia Hayk Hakobyan Hayko chairperson male 42 Musician, Songwriter, Producer Armenia Naira Gurjinyan Naira Gurjinyan member female 54 Musician, Songwriter Armenia Erik Karapetyan Erik member male 27 Singer, songwriter Armenia Vardan Babayan DJ Dale member male 37 Dj Armenia Arevik Simonyan Arevik Simonyan member female 31 Fashion Designer Australia Monica Trapaga Monica Trapaga chairperson female 50 Singer / Songwriter Australia Shannon Noll Shannon Noll member male 40 Singer / Songwriter Australia Craig Porteils member male 53 Music Producer Australia James Mathison member male 38 Presenter / Broadcaster Australia Myf Warhurst member female 41 Radio Broadcaster and Television Personality Austria Daniel Harb Sankil Jones chairperson male 35 singer, songwriter, performer Austria Dorothee Freiberger member female 34 Musikproduzentin/Tonmeisterin/Komponistin Austria Franz Joseph Pleterski Franz Pleterski member male 40 Marketing Director Austria Austria Lukas Hillebrand Hille member male 36 Musician/Producer Austria Peter Pansky member male 48 Music Management, -
Eurovision Song Contest Is Not Just a Pop Song Competition: Often, It Is a Musical Manifestation of Political and Social Issues of Great Significance
60TH ANNIVERSARY CONFERENCE 24 APRIL 2015 #Eurovision60 The Eurovision Song Contest is not just a pop song competition: often, it is a musical manifestation of political and social issues of great significance. Melissa Scott ,, “New Europe, Center Stage - Orientalism and Nationalism in the Eurovision Song Contest”, Midway Review 2011 2 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest will be held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality live news, sport, entertainment, cultural and music content. -
After the Gold Rush : a Sustainable Olympics for London
After the Gold Rush A sustainable Olympics for London Edited by Anthony Vigor, Melissa Mean and Charlie Tims After the Gold Rush A sustainable Olympics for London Edited by Anthony Vigor, Melissa Mean and Charlie Tims The Institute for Public Policy Research (ippr) is the UK’s leading progressive think tank and was established in 1988. Its role is to bridge the political divide between the social democratic and liberal traditions, the intellectual divide between academia and the policy making establishment and the cultural divide between government and civil society. It is first and foremost a research institute, aiming to provide innovative and credible policy solutions. Its work, the questions its research poses and the methods it uses are driven by the belief that the journey to a good society is one that places social justice, democratic participation and economic and environmental sustainability at its core. For further information you can contact ippr’s external affairs department on [email protected], you can view our website at www.ippr.org and you can buy our books from Central Books on 0845 458 9910 or email [email protected]. Demos is a greenhouse for new ideas which can improve the quality of our lives. As an independent think tank, we aim to create an open resource of knowledge and learning that operates beyond traditional party politics. We connect researchers, thinkers and practitioners to an international network of people changing politics. Our ideas regularly influence government policy, but we also work with companies, NGOs, colleges and professional bodies. You can contact us at: Demos, Third Floor, Magdalen House, 136 Tooley Street, London SE1 2TU, tel: 0845 458 5949, www.demos.co.uk. -
Flying to Vienna
The Royal Band of the Belgian Air Force conducted by Matty Cilissen Flying ASBF PHOENIX to Vienna PRODUCTION BELGIAN AIR FORCE ROYAL SYMPHONIC BAND ASSOCIATION A.S.B.F. Met dit nieuwe album nodigt de Koninklijke Muziekkapel van de Luchtmacht u uit een vlucht te maken in de muzikale sfeer van het keizerlijke en vreugdevolle Wenen, de stad van walsen, polka’s, marsen, operettes en opera’s. Matty Cilissen leidt er zijn orkest in een fascinerende interpretatie van de mooiste meesterwerken die het publiek onophoudelijk blijven ontroeren. De Belgian Air Force Symphonic Band Association (ASBF) is erg blij dit album te mogen produceren. Avec ce nouvel album, la Musique Royale de la Force Aérienne vous invite à voler dans l’atmosphère musicale de la Vienne impériale et joyeuse; cette Vienne des valses, des polkas, des marches, des opérettes et des opéras. Matty Cilissen y entraine son orchestre dans une interprétation fascinante des plus beaux chefs-d’œuvre qui ne cessent d’émouvoir le public. La Belgian Air Force Symphonic Band Association (ASBF) est très heureuse de produire cet album. With this new album, the Royal Band of the Air Force invites you to fly in the musical atmosphere of the imperial and festive Vienna ; this Vienna of waltzes, polkas, marches, operettas and operas. Matty Cilissen leads his band into a fascinating interpretation of the most beautiful masterpieces that continue to give emotion to the audience. The Belgian Air Force Symphonic Band Association (ASBF) is very pleased to produce this album. De voorzitter van de ASBF Le président de l’ASBF The president of the ASBF THE ROYAL BAND of the BELGIAN AIR FORCE HISTORIEK De Koninklijke Muziekkapel van de Belgische Luchtmacht werd opgericht in 1946. -
Canadawest in the International Arena FOUNDAT ION GOING for GOLD Western Canada’S Economic Prosperity Is Not Only Good for the West, but for Canada As a Whole
GOING FOR GOLD The Western Canadian Economy Businessin the Taxation International Arena in Western Canada: Settling for a Personal Best? Kenneth J. McKenzie, Ph.D. January 2009 GOING FOR GOLD The Western Canadian Economy CanadaWest in the International Arena FOUNDAT ION GOING FOR GOLD Western Canada’s economic prosperity is not only good for the West, but for Canada as a whole. But the West cannot rest on its laurels. Like the athletes training for the forthcoming Winter Olympics in Vancouver, western Canada needs to be at the top of its game if it is to continue to compete successfully in the international economic arena, especially as its competitors step up their games. If we are not successful, our standard of living will fall. The Going For Gold Project is examining how best to position western Canada in the global economy through a series of research papers, consultations and a seminal economic conference in Vancouver in the fall of 2009. The Going for Gold Project has been made possible with the support of: Additional funding has been provided by the Provinces of British Columbia (Economic Development), Alberta (Employment, Immigration and Industry), Saskatchewan (Enterprise and Innovation), and Manitoba (Competitiveness, Training and Trade). This paper was prepared by Dr. Kenneth McKenzie of the University of Calgary’s Department of Economics. The paper is part of the Canada West Foundation’s Going for Gold Project Research Paper Series. Each paper examines a key issue related to improving western Canada’s ability to compete and win in the global economy over the long-term. -
Deploying Musical Narratives of Internal Others in Soviet and Post-Soviet Ukraine
“THEY BELIEVE THE DAWN WILL COME”: DEPLOYING MUSICAL NARRATIVES OF INTERNAL OTHERS IN SOVIET AND POST-SOVIET UKRAINE Melissa Bialecki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2017 Committee: Katherine Meizel, Advisor Sidra Lawrence © 2017 Melissa Bialecki All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor This thesis explores the roles of internal others in constructing a Soviet and post-Soviet Ukrainian national identity. I begin with an analysis of the kobzars—a group of blind, itinerant minstrels who performed across Ukraine in the late 19th and early 20th centuries, before they disappeared entirely during Stalin’s Great Terror in the 1930s. First, I explore the ways in which the Ukrainian bandura, an asymmetrical lute instrument, has become a site for documenting epistemologies of blind musicians in Ukraine. I then examine how these ways of knowing blindness have been influenced by myths of blind musicians in Ukraine that seek to demystify these internal “others.” Furthermore, I discuss how these myths continue to influence 21st century depictions of blind minstrels through an analysis of the 2014 Ukrainian film, The Guide. Finally, I turn my focus to the Eurovision Song Contest in order to examine how narratives of internal others are deployed in order to negotiate Ukraine’s position in 21st century Europe and in the context of the Russian-Ukrainian conflict. I then reflect on the ways in which deploying these narratives of internal others does not draw these groups into the mainstream, but instead emphasizes and exploits their difference for the purpose of rejecting external hegemony in Ukraine.