Good Practices Collection Thetris Project Wp3.3.2 Wpc
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GALILEO CREATION and COSMOGONY a Study on the Interplay Between Galileo’S Science of Motion and the Creation Theme [M-STO/05, M-FIL/06]
DOCTORAL DISSERTATION GALILEO CREATION AND COSMOGONY A Study on the Interplay between Galileo’s Science of Motion and the Creation Theme [M-STO/05, M-FIL/06] Ph.D. Candidate Ph.D. Coordinator IVAN MALARA Prof. ANDREA PINOTTI Registration number: R11933 JOINT PH.D. SUPERVISORS Università degli Studi di Milano Prof. LUCA BIANCHI Doctoral course in Philosophy and Human Sciences – XXXIII Cycle Prof. ELIO NENCI (Dipartimento di Filosofia “Piero Martinetti”) Gent Universiteit Prof. MAARTEN VAN DYCK Academic Year 2019/2020 È chiaro che il pensiero dà fastidio anche se chi pensa è muto come un pesce anzi è un pesce e come pesce è difficile da bloccare perché lo protegge il mare Com’è profondo il mare LUCIO DALLA, Com’è profondo il mare (1977) Non ’mbrischiare a calia ca ’nzudda (Calabrian saying) Table of contents Abstract English .........................................................................................................VII Italian ..........................................................................................................VIII Dutch.............................................................................................................IX Introduction .............................................................................................................XI PART ONE: CREATION I. Anno 1607: Galileo and Castelli 1. Galileo in 1607..............................................................................................3 2. Castelli in 1607. The epistulae Cavenses....................................................... -
Cultural Anatomies of the Heart in Aristotle
Marjorie O’Rourke Boyle Cultural Anatomies of the Heart in Aristotle, Augustine, Aquinas, Calvin, & Harvey Cultural Anatomies of the Heart in Aristotle, Augustine, Aquinas, Calvin, and Harvey Giotto di Bondone. Charity. Scrovegni Chapel, Padua. Courtesy of: ART Collection / Alamy Stock Photo Marjorie O’Rourke Boyle Cultural Anatomies of the Heart in Aristotle, Augustine, Aquinas, Calvin, and Harvey Marjorie O’Rourke Boyle Centre for Medieval Studies University of Toronto Toronto, ON, Canada ISBN 978-3-319-93652-9 ISBN 978-3-319-93653-6 (eBook) https://doi.org/10.1007/978-3-319-93653-6 Library of Congress Control Number: 2018951591 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. -
Il Paesaggio Costruito, Il Paesaggio Nell'arte
Il paesaggio costruito, il paesaggio nell’arte paesaggi A cura di Gianmario Guidarelli ed Elena Svalduz PADOVA UP PADOVA UNIVERSITY PRESS Armonie composte. Paesaggi Collana sottoposta adouble-blind peer review Collana diretta da Gianmario Guidarelli ed Elena Svalduz Comitato Scientifico della collana Jacopo Bonetto (Università degli Studi di Padova), Giordana Mariani Canova (Università degli Studi di Padova), Benedetta Castiglioni (Università degli Studi di Padova), Paolo Fassera osb (Abbazia di Praglia), Gianmario Guidarelli (Università degli Studi di Pado- va), Mauro Maccarinelli osb (Abbazia di Praglia), Carmelo Maiorana (Università degli Studi di Padova), Bruno Marin osb (Abbazia di Praglia), Alessandra Pattanaro (Univer- sità degli Studi di Padova), Carlo Pellegrino (Università degli Studi di Padova), Vittoria Romani (Università degli Studi di Padova), Salvatore Settis (Scuola Normale Superiore di Pisa), Elena Svalduz (Università degli Studi di Padova), Carlo Tosco (Politecnico di Torino), Francesco Trolese osb (Abbazia di S. Giustina), Giovanna Valenzano (Univer- sità degli Studi di Padova), Norberto Villa osb (Abbazia di Praglia), Giuseppe Zaccaria (Università degli Studi di Padova), Stefano Zaggia (Università degli Studi di Padova). Armonie composte. Ciclo di seminari sul paesaggio monastico Segreteria Scientifica e coordinamento organizzativo: Paola Vettore Ferraro (http://www.praglia.it/wordpress/?p=44554) Armonie composte. Paesaggi Collana diretta da Gianmario Guidarelli ed Elena Svalduz Prima edizione 2017, Padova University Press Titolo originale Il paesaggio costruito, il paesaggio nell’arte © 2017 Padova University Press Università degli Studi di Padova via 8 Febbraio 2, Padova www.padovauniversitypress.it Redazione Padova University Press Progetto grafico Padova University Press Logo a cura di Luca Cerasoli Tutti i contributi del presente volume sono stati sottoposti a double-blind peer review, secondo i criteri stabiliti dal Comitato scientifico della collana. -
Thetris Project Brochure 2
Edited and Published by: Bohemian Switzerland P. B. C. České Švýcarsko o. p. s. Křinické náměstí 1169/10 407 46 Krásná Lípa, Czech Republic www.ceskesvycarsko.cz Content structure and graphic layout was created by Bohemian Switzerland P. B. C. Editorial work: Klára Mrkusová Content text was prepared by responsible project partners. Photos on front cover (from top to bottom, left to right): 1. Church of St. Nicholas in Bodružal, interior. Photo: Dušan Guzi 2. Church of St. Luke Evangelist in Tročany. Photo: Dušan Guzi 3. Lettnerkreuz in Benedictine Abbey Seckau. Photo: Severin Schneider OSB 4. Reformed church of Tiszacsécse. Photo: László Guti Photos on inner cover (from top to bottom, left to right): 1. Greek Catholic Catedral of St. John the Baptist in Prešov. Photo: Mária Žarnayová 2. Madonna from Chapel of Assumption of Virgin Mary in Česká Kamenice. Photo: Zdeněk Patzelt 3. Reformed church of Vámosoroszi, interior. Photo: László Guti 4. Benedictine Abbey Seckau, interior. Photo: Severin Schneider OSB 5. Fresco in Church of St. Francesco in Cassine. Photo: Archive of the Municipality of Casssine 6. Cross in Rynartice in Bohemian Switzerland. Photo:Václav Sojka 7. Christmas nativity scene detail from Šluknov St. Wenceslas Church. Photo: Eva Habel 8. St. Jacob Church in Česká Kamenice. Photo: Zdeněk Patzelt 9. Lipnica Murowana. Photo: Paweł Mierniczak © Thetris, 2013 Thetris Project Brochure 2 Contacts to Thetris project Lead Partner: Association of Municipalities in the Upper-Tisza Area, Hugary www.fehergyarmatkisterseg.hu on behalf of the Lead Partner: THEmatic Transnational Gabriella BIROVECZNÉ OLÁH church Route development [email protected] with the Involvement of local Society on behalf of the External Management Unit - ÉARDA Nonprofit Ltd.: Zsófia MÜNNICH [email protected] The PDF version of this brochure is possible to download on: www.thetris.eu This Project is implemented through the CENTRAL EUROPE Programme co-financed by the ERDF. -
General Index
Cambridge University Press 978-0-521-26021-3 — Medieval European Coinage William R. Day, Jr , Michael Matzke , Andrea Saccocci , General editor Elina Screen Index More Information GENERAL INDEX Ordinary type indicates pages, bold type catalogue entries. The index covers mainly personal names and place names together with exceptional denomina- tions (e.g. pegione, bagattino, etc.) and references to speciic issues of individual mints. It does not cover more generic references to denominations such as denaro and grosso except where such terms are explained. Personal and place names are given in the forms and spellings used in the text, with cross-references where Latin or other forms diverge appreciably from these. Persons of the same name are placed in the customary sequence of saints, popes, emperors, sovereigns in alphabetical order of the states they ruled, and others in whatever order seems best adapted for easy reference. Names of modern scholars, and names in the section ‘Collectors, dealers and donors’ that precedes the main catalogue,have not been indexed.Coin hoards and inds are indexed in alphabetical order by ind type under the heading coin inds. Aachen (Germany), Peace (812), 627; renewal (840), 628 Adige, river and/or valley,65, 554, 606, 607, 618, 631, 653 Abati, lords, 101 administrative reforms, early tenth century,35; early Abbiategrasso (Lombardy), 484, 501 fourteenth century,80 Abundus or Abundius, saint, patron of Como, 84, 87, 365, Adolph of Nassau, king of Germany,3, 208 368, 369, 370, 710 Adorno, family,of Genoa, 298, -
Breviary (Benedictine Use, Congregation of Santa Giustina) in Latin, Illuminated Manuscript on Parchment Lombardy (Piacenza), Probably C
Breviary (Benedictine Use, Congregation of Santa Giustina) In Latin, illuminated manuscript on parchment Lombardy (Piacenza), probably c. 1457 iii (parchment) + 479 folios on parchment (very fine, prepared in the manner of Southern Europe), missing text (a quire?) at end, else complete (collation i-xx10 xxi8 xxii4 xxiii-xxx10 xxxi4 xxxii-xlv10 xlvi4 [-4, a cancelled blank] xlvii- l10), fanciful decorated horizontal catchwords, lower middle margin, no signatures, ruled, usually very lightly, in lead with single full-length vertical bounding lines, a few prickings remain top margin (justification 80-78 x 60-57 mm; ff. 243-272v, 88 x 60 mm.), written in a very small and precise Southern gothic bookhand in two columns of thirty-two lines, majuscules touched in pale yellow, red rubrics, red or blue paragraph marks, one- to three-line alternately red and blue initials, three- to five-line alternately red and blue initials with contrasting pen decoration in violet or red, four nine- to six-line illuminated initials in pink or green enclosing scrolling vine, flowers, or acanthus leaves in blue, green, and pink on brightly burnished gold grounds (ff. 1, 213, 297, 440), the first with a decorated panel border in the outer margin, not connected with the initial (slightly trimmed at the top) of similar tightly curled leaves with gold undersides and infill, large colored circular diagram on verso of first endleaf, initial on f. 440 is damaged, ff. 112-339 show varying degrees of damage from water, most folios are simply stained, but there is occasional damage to the upper lines of text (e.g.