College Voice Vol. 29 No. 18
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Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
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Promoting Chinese youth visit and training programs: salient features of Hainan University students experience Sheng Zhengjie Abstract In the recent years, Chinese government in higher education system has been promoting tourists who want to learn, explore and experience firsthand new places in and outside China. They do it by visiting not only major tourist attrac- tions of China but also visiting nearby foreign countries. Taking Hainan University as an example, this study assesses pattern of tourism behavior, destination selection, of college students taking holiday vacations while travelling to vari- ous destinations. It employs a random survey approach and utilizes sample data analysis to detect the direction and demand for key tourist attractions. Suggestions are put forward regarding the current demand of students’ main tourist markets. The paper concludes by describing further need to promote even more orchestrated assessment and an inten- sive approach to analysis and development of growing university students’ tourist market. The earlier version of this article was written at the Hainan University in 2018 and the author wishes to express thanks and gratitude for guidance to Assoc. Prof. Lirong Zhu. 1. Introduction 3. Analysis of tourism characteristics of college With China’s rapidly growing economic and social well- students being, many students and young people perceive growing 3.1 Analysis of travel time characteristics of col- new tourism industry as a way to tap and get involved in lege students order to learn, visit and gain new and valuable experience (i) Travel time. College students choose to travel mainly for better working and attractive life. The rise in standard during relatively short holiday periods. -
O.C. Band Rocks in True Irish Fashion Page 4
MUSIC: O.A.R. disapoints concert goers Full MOVIE: ‘Robots’ dismantle in theaters TELEVISION: British TV EFFECT show premierespremieres in U.S. TitanT i t a n EntertainmentE n t e r t a i n m e n t GuideG u i d e O.C. band rocks in true Irish fashion Page 4 The Upside of Anger Costner gives one of his best performances Page 8 M a rc h 1 7 , 2 0 0 5What’S Inside tival…Oasis, the brothers famous Latin afro-headed heroes. The for “Wonderwall” and “Cham- band will release the missing self- Contents pagne Supernova,” will release titled track from Frances the Mute 02 News Briefs-the buzz their next album Don’t Believe on vinyl on March 22. The single the Truth, fueled by the single will also include an acoustic per- 03 Music- ‘Awake’ will make listeners sleepy “Lyla,” on May 31…American formance of “The Widow”…It’s A harmonious set of songs Idol fans will notice something been awhile, since we’ve heard BY NIYAZ PIRANI missing from the remainder of from Aaron Lewis and Staind, Indie artist shows ‘gratitude’ Daily Titan Asst. News Editor 04 Interview- ‘Every day’s a hooley’ with the this season. Mario Vasquez, one but the band is once again in the 50 Cent and The Game of- of the shows remaining fi nal 12 studio and has decided on an early Fenians fi cially squashed whatever prob- summer release for their fourth 05 Movies-’Robots’ short on artifical lems the two had between them album, Chapter V…”Robots” intelligence at a conference held in New York dismantled Vin Diesel at the box offi ce. -
Numero53.Pdf
INUTILE aprile 2013, numero 53 Supplemento al #4205 di PressItalia.net, registrazione presso il Tribunale di Perugia #33 del 5 maggio 2006, pubblicazione trimestrale a cura di INUTILE » ASSOCIAZIONE CULTURALE la redazione leonardo azzolini, marco montanaro, nicolò porcelluzzi, alessandro romeo, matteo scandolin, tamara viola hanno collaborato francesca ballarini, fabio deotto, andrea maggiolo, gianluca nativo, andrea pomella correzioni elisa sottana copertina yuanyuan yang {yuanyuanyang.com} layout leonardo azzolini {leonardoazzolini.com} stampa Le Colibrì - Agenzia di stampa, Gubbio {[email protected]} abbonamenti rivistainutile.it/abbonarsi wild wild web rivistainutile.it twitter.com/inutileonline vimeo.com/inutile Il presente opuscolo è diffuso sotto la disciplina della licenza CREATIVE COMMONS Attribuzione - Non commerciale - Non opere derivate 2.5 Italia. La licenza integrale è disponibile a questo url: http://tinyurl.com/8g7sw5 3 editoriale 4 counselling gianluca nativo 7 via rinaldi 46, ninopoli francesca ballarini 10 quelli che sanno si salvano marco montanaro 16 the mars volta: una storia di confini fabio deotto 24 micronarrativa andrea maggiolo editoriale C’è Gianluca Nativo col suo racconto in grado di sal- la redazione tare da qui a là senza farti mai fermare; c’è Francesca Ballarini con la sua Ninopoli, che c’ha fatto innamo- La copertina di questo numero è un arcobaleno per rare; c’è Marco Montanaro che ci ha fatto riflettere, noi e per voi: per quelli che sono stanchi e abbat- come sempre fa lui; c’è Fabio Deotto che cerca di tuti, la siamo andati a recuperare direttamente da metabolizzare lo scioglimento dei Mars Volta; c’è la Yuanyuan Yang, artista cinese che lavora a New York. -
Your Passport to Success
www.walnuthillcollege.edu Culinary Arts • Pastry Arts • Hotel Management • Restaurant Management Your Passport to Success Walnut Hill College • 4207 Walnut street • Philadelphia, Pa 19104 877.925.6884 • 215.222.4200 2019 • 2020 course catalog W alnu t TTaabbllee ooff Hill CCoonntteennttss College Academic Calendar . 4 Catalog Mission Statement . 6 Accreditations and Professional Memberships . 6 History, Educational Philosophy and Objectives . 8 Campus and Student Life . 12 Tour of France . 32 Cruise and Resort Tour . 34 Cultural Tour of England . 36 Admissions . 38 Tuition and Fees . 40 Financial Aid . 41 Academic Information . 43 Program Descriptions . 63 Course Descriptions . 80 Career Development . 106 Internships . 107 College Directory . 110 Directions to the College . 114 This catalog was created for information purposes only and does not constitute a contract between the student and the college. Course and curricula changes, tuition modifications, or other unforeseen changes may occur after the publication of this catalog. The college reserves the right to alter its curricula, tuition, fees, and policies as deemed necessary. A reasonable effort will be made to inform students of these changes as they occur. Students are expected to familiarize themselves with the policies contained in this catalog as well as those outlined in the Student Handbook. SP - indicates stock photos. All other photographs appearing in this catalog were taken on site at Walnut Hill College. Amended: 072019 e enc r fe 10 f 10 R e a s o n s Di e t o c h o o s e Colleg l Hil WHC t alnu W 2 W The Walnut Hill College Difference alnu t Hill Documented graduate success. -
UESDAT, AUGUST 81; 19431 L the Weather
<iA4« TUESDAT, AUGUST 81; 19431 _L The Weather . Uerage Daily CircuIatiM Foreeaot of I’. S. Weather Bureau Mrs. Charles Biraie of 73 Spruce Emergency Doctor^ [ to his family, I am sura they • the Month of August, IW* oy u street and her - daughters, Mrs. Pays Tribute would want to know wher^ he is Not nwM'h change In tempera A bout T ? Leonard Farrand and Miss Lor buried,” .To Begin Studies Nieb Johnson INCOME TAX SERVICE I ture tonight or Thursday morn raine Birnie have returned after Dr„ George Lundberg of the . 1,2 . 5 8 Manchester Medical Asidcla-s. Lieutenant Duffy who has been PrelVmlnary T «x tt«luraB ing. ' Mrs. Arthur Hanson of Oolway spending a few days in New York, on a number of bombing missions >leniberN4the Au«|It where they were guests at the tion will respond to emergency^ To His Buddy In So. Pacific for ludivtduals ^ itraet has ratumed aftar spandlng: calls tomorrow afternoon./ ' writes that each time he goes up Burrau of Clf^laU ^s \- a week Mt the shore cottage of Roosevelt Hotel. Their son and he writes Squat’s name on every Ara Duo September 15th. J____ Manchester— A City of Villafie Charm bar/aMae, Mrs. Roheet Coseo. at brother; Private Louis W. Birnie, bomb as a tribute to a great fight U. S. M. C,, left Saturday morn Lieiit. Elmer Duffys 111 Telephone Manchester 32081 Po^Mttock, Oroton. Mr. and Mrs. C. T^,-AIll..ion of er, and he adds that some of them lA>c(d Paramarine Noti PRICE THREE CENTS ing by plane from La Guardin' MANCHESTER, CONN., WEDNESDAY, SEPTEMBER 1,1943 Fast Center street are spending Letter Home, Speak$ have hit their Urget squarely in (aassISed Advertlaing on Pago 14) Mias Ethel Ta3rIor of Madison Field to the. -
Timeline: Music Evolved the Universe in 500 Songs
Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers -
Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service. -
LCD Soundsystem This Is Happening
LCD Soundsystem This Is Happening Tracklist: 1. Dance Yrself Clean 6. You Wanted A Hit 2. Drunk Girls 7. Pow Pow 3. One Touch 8. Somebody’s Calling Me 4. All I Want 9. Home 5. I Can Change Back in print, the classic third LCD Soundsystem LP. Of the many arresting moments that fill LCD Soundsystem’s This Is Happening, perhaps the most unexpected comes less than halfway through album opener “Dance Yrself Clean.” The seemingly unassuming, low-key rumble of a song morphs from its mumbled beginnings into an outsized flash of synth ballast and Release Info: wailing vocals. The sudden shift is like the flicking on Catalog Number: DFA2250 of a light, the perfect example of frontman-songwriter- Formats: 2xLP mastermind James Murphy’s effortless balance of restraint Release Date: October 14, 2014 and release, organic rock and electro pop, and muted cool LP UPC: 829732225013 and vibrant emotion. This study in contrasts pervades LCD Vinyl is non-returnable. Soundsystem’s third, and possibly final, release--an album Territories: US / Canada / Mexico only where Murphy refracts images of heartbreak and longing Genre: Indie, Electronic through the scattered light of a disco ball. Box Lot: 26, 2 boxes of 13 Label Contact Email: [email protected] The cautious observations and honest reveals that follow Recommended if Talking Heads, The Fall, New are literally and figuratively quieter moments than that you like: Order, The Rapture initial blare. On “All I Want,” against a wall of whirling guitar, Murphy recognizes a relationship that can’t be saved, and instead asks for “your pity” and “your bitter Points of Interest: tears.” “Home” shuffles over pulsing keys and bubbling 1. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Sound Matters: Postcolonial Critique for a Viral Age
Philosophische Fakultät Lars Eckstein Sound matters: postcolonial critique for a viral age Suggested citation referring to the original publication: Atlantic studies 13 (2016) 4, pp. 445–456 DOI http://dx.doi.org/10.1080/14788810.2016.1216222 ISSN (online) 1740-4649 ISBN (print) 1478-8810 Postprint archived at the Institutional Repository of the Potsdam University in: Postprints der Universität Potsdam Philosophische Reihe ; 119 ISSN 1866-8380 http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393 ATLANTIC STUDIES, 2016 VOL. 13, NO. 4, 445–456 http://dx.doi.org/10.1080/14788810.2016.1216222 Sound matters: postcolonial critique for a viral age Lars Eckstein Department of English and American Studies, University of Potsdam, Potsdam, Germany ABSTRACT KEYWORDS This essay proposes a reorientation in postcolonial studies that takes Sound; M.I.A.; Galang; music; account of the transcultural realities of the viral twenty-first century. postcolonial critique; This reorientation entails close attention to actual performances, transculturality; pirate their specific medial embeddedness, and their entanglement in modernity; Great Britain; South Asian diaspora concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang”–as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.