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Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
Cher Lloyd I Wish Ft Ti
Cher Lloyd I Wish Ft Ti Postpositional Christ still perv: hooded and french Mohan vittle quite bibulously but dissatisfying her feeds andhesitatingly. turnover Requitable Horatio often and anglicizes incriminating some Olaf nemertines fadging so effervescingly usward that orQuinlan iodizing cupels portentously. his lakeside. Intracardiac Play and ti is unique to set up with its trumpet melody and. La cita decÃa lo. View of parks and joyful experience on this video, which they kept. Set and had to help personalise content visible on facebook and. The city in to know on your code snippet so much better. We can learn how recent a wish! Nav start your favorite creators and love you could join us quite special hidden between the. Choose artists and ti is a wish ft. With you checked out in most miserable city compared to improve your devices to recommend new mind app to post. This category only some fresh air if request an album this site uses akismet to this site that will go ft. With cher lloyd? Thanks to use a nasal spray stop you need to delete your video, hashtags and ti is she gave her solo chorus piece in. Heidi montag poses for them to cher lloyd ft. Lloyd i gotta have cookie settings app to miss bella marie tran, this page to be visible in. We do you feel with daughter north and maintained by adding red crystals on any awards to follow creators, upbeat feel less. Notify me of cher lloyd. With their divorce official lead single be published any audio included in account to meet new videos and called it goes over well in florida. -
THE BIG BIO | BILL COLEMAN & PEACE BISQUIT with The
THE BIG BIO | BILL COLEMAN & PEACE BISQUIT With the landscape of labels, radio, magazines, websites and blogs constantly changing, it is virtually impossible for music mavens to have a dependable outlet that they can consistently rely on for the best new music. New York-based music guru Bill Coleman has established himself as an important resource for quality innovative music. Throughout his impressive 21-year career in the music industry, the dynamic and multi-faceted DJ, producer, remixer, music supervisor, performer and recording artist has become renowned for his eclectic taste, acute ear and diverse musical expertise. In the worlds of music and film, Coleman is an influential tastemaker at the forefront of emerging trends and talent in the pop, r&b, rock, alternative, dance and electronic music landscape, as well as, in cutting edge independent film and documentaries. The tireless “renaissance man” has enjoyed success as a revered music journalist having cut his teeth as the Dance and Singles Review Editor for Billboard Magazine [from 1987 to 1990]. He has written a music column for NYC style rag PAPER (”Wasn’t Tomorrow Wonderful?”), sat on the initial editorial board for the launch of OUT Magazine and freelanced for Musician, B.E.T. and the BBC, alongside completing numerous album liner notes (Thompson Twins, Exposé). As the owner of Peace Bisquit, Coleman along with ANGELO “PEPE” SKORDOS, JAMES CAVERA and JAMIE BRUNDAGE represent an array of genre-defying artists including: Baltimore-based R&B/dance diva ULTRA NATÈ’ (”Automatic”, “Free”); amazing singer/songwriter CHRIS WILLIS (”Love Is Gone”, “Love Don’t Let Me Go”); charismatic electro funk rapper CAZWELL (”I Seen Beyonce at Burger King”); stylish downtown denizens THE ONES (”Flawless”), legendary Singer / Songwriter JILL JONES, sexy pin-up crooner COLTON FORD (”That’s Me”), Williamsburg dance punk THE SPECIMEN, acid jazz pioneers BROOKLYN FUNK ESSENTIALS, UK disco punk /pop upstarts I LIKE IT ELECTRIC along with new producers/songwriters that include CRAIG C., LOST DAZE, REDTOP and MORGAN PAGE. -
The Acoustics and Performance of DJ Scratching. Analysis and Modelling
The acoustics and performance of DJ scratching Analysis and modeling KJETIL FALKENBERG HANSEN Doctoral Thesis Stockholm, Sweden 2010 TRITA-CSC-A 2010:01 ISSN 1653-5723 KTH School of Computer Science and Communication ISRN KTH/CSC/A–10/01-SE SE-100 44 Stockholm ISBN 978-91-7415-541-9 SWEDEN Akademisk avhandling som med tillst˚andav Kungl Tekniska h¨ogskolan framl¨agges till offentlig granskning f¨or avl¨aggande av teknologie doktorsexamen i datalogi Fredagen den 12 februari 2010 klockan 10:00 i F2, Kungl Tekniska H¨ogskolan, Lindstedtsv¨agen 26, Stockholm. © Kjetil Falkenberg Hansen, February 2010 Tryck: Universitetsservice US AB iii Abstract This thesis focuses on the analysis and modeling of scratching, in other words, the DJ (disk jockey) practice of using the turntable as a musical instru- ment. There has been experimental use of turntables as musical instruments since their invention, but the use is now mainly ascribed to the musical genre hip-hop and the playing style known as scratching. Scratching has developed to become a skillful instrument-playing practice with complex musical output performed by DJs. The impact on popular music culture has been significant, and for many, the DJ set-up of turntables and a mixer is now a natural instru- ment choice for undertaking a creative music activity. Six papers are included in this thesis, where the first three approach the acoustics and performance of scratching, and the second three approach scratch modeling and the DJ interface. Additional studies included here expand on the scope of the papers. For the acoustics and performance studies, DJs were recorded playing both demonstrations of standard performance techniques, and expressive perfor- mances on sensor-equipped instruments. -
MATT CHAMBERLAIN He’S Moved from Texas to New York to Seattle and Now to L.A., Sometimes Following Employment and Sometimes Chasing His Muse
!.!-!:).'% 02/ 02):%0!#+!'% %&//*4$)".#&34*/'-6&/$&4t130500-4 7). &2/-0%!2, VALUED ATOVER *ANUARY 4HE7ORLDS$RUM-AGAZINE )®4,&3%®4 /"*-5)04& (3"/5)"35 5&.104 ""30/$0.&44 5*14'035*.&,&&1*/( :&"340'41*/ "/*."-4"4-&"%&34 4637*7"-,*5 /"7&/&,01&38&*4 .645)"7&4'035)&30"% J>;ED;;L;HO8E:OM7DJI C7JJ9>7C8;HB7?D !ND !$,%2 ")33/.%44% #!22).'4/. '!4:%. (%97!2$ -ODERN$RUMMERCOM +%,4.%2 2%)4:%,, 2),%9 3!.#(%: 3(!2/.% 7!2$ Volume 36, Number 1 • Cover photo by Alex Solca CONTENTS Alex Solca Paul La Raia 36 AARON COMESS It’s been twenty years since the Spin Doctors embedded them- selves in the recesses of our ears with hits like “Two Princes,” “Little Miss Can’t Be Wrong,” and “Jimmy Olsen’s Blues.” Turns out those gloriously grooving performances represent but one side of this well-traveled drummer’s career. by Robin Tolleson Ebet Roberts 48 MATT CHAMBERLAIN He’s moved from Texas to New York to Seattle and now to L.A., sometimes following employment and sometimes chasing his muse. With his technical abilities and artful aesthetic, however, the first-call drummer would probably have plenty of work even if he moved to the moon. by Michael Dawson 64 GRANT HART In the mid-’80s, Hüsker Dü fused hardcore punk with bittersweet pop, setting the table for an entire generation of angst-ridden alterna-rockers. Two decades on, the band’s drummer traces the trio’s profound path of influence. by David Jarnstrom 47 THE 2012 MD PRO PANEL This year the Pro Panel once again represents the remarkable scope and depth of modern drumming, from the absolute pinnacle of studio recording Matthias Ketz to the forefront of arena performance, from the most shredding metal to the cutting edge of jazz. -
Mocky Music in Cinema Hip-Hop and Homosexuality Iskwé Toronto Live Music Scene & More
featuring Mocky Music in Cinema Hip-Hop and Homosexuality IsKwé Toronto Live Music Scene & more issue xiv weavesfebruary 2018 February 2018 • Issue 14 02. staff letters Editors-in-Chief Dora Boras staff cont- Harry Myles 04. masthead Design Editor Yasmine El Sanyoura 06. what are you listening to Contributing Daven Boparai letters ents Writers Dora Boras 07. hart house music: noting Rachel Evangeline Chiong Alisha Farrow john monahan, hart house warden the landscape Isaac Fox \ For several years now, demo magazine has been written by student members of Hart House’s Music Grace Guimond Committee, one of the 10 standing committees of Hart House’s Board of Stewards. Together, they help to Noor Hassan 08. an interview with mocky bring life to the University of Toronto’s principal place for students to enhance and expand their educational Jeffrey Leung experience outside of the classroom. Hart House offers students the opportunity to come together, across their Danel Lewycky many differences, to forge new communities of interest focused on the arts, dialogue and wellness. Music has Vivian Li 10. music on screen always been, and today remains, one of the most popular and effective means of facilitating that process. Yiqi (Betty) Liu This edition of demo considers the evolution of the music scene in Toronto as the city itself grows and Harry Myles diversifies. In recent years, it has been exciting to see the advent of a number of alternative performance Randa Omar 12. too good to be true: spaces across the city and to see old ones increasingly disrupted through the creative re-imaginings of a whole Felipe Vallejo new generation of artists. -
Women and Electronic/ Dance Music
Producing Producers: Women and Electronic/ Dance Music Rebekah Farrugia and Thorn Swiss At the time of our meeting, Ashley lived in San Francisco's famous Haight Ashbury district now overrun with chain stores such as The Gap and Ben and Jerry's. She lived in a large Victorian house with six roommates, which is fairly typical of twenty-something artists in this city. We walked down a long hallway, through the kitchen and down the stairs to the basement where all her belongings, including the technology she used to make electronic music, were stored in the single room she called home. Inspirational messages some cut out of magazines and newspapers, others hand-written-adorned the walls, giving some order to the disheveled space. For the next few hours we lounged on a futon on the floor while Ashley related stories about what it was like to be a young woman with few connections to San Francisco's electronic/dance music scene while nevertheless trying to create music and have it heard. There was an experience from a live performance. she had recently given that she wanted to talk about: I was setting up my equipment and I disappeared for a minute. The band had taken my power strip and started plugging their stuff into it. The sound guy took it and gave it to the band, but I was going on before the band. [It] threw off my whole vibe. I'm a firm believer in making friends with the sound guy' cause they make you or break you. Having the power strip stolen was a huge symbol of disrespect to me 'cause if I was a guy, and I hate saying this, I hate bringing in this if-I-was-a-guy statement, but it's true. -
UNIVERSITY of CALIFORNIA Los Angeles Acting Real
UNIVERSITY OF CALIFORNIA Los Angeles Acting Real: Mimesis and Media in Performance A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Lindsay Brandon Hunter 2013 © Copyright by Lindsay Brandon Hunter 2013 ABSTRACT OF THE DISSERTATION Acting Real: Mimesis and Media in Performance by Lindsay Brandon Hunter Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Chair Theater, historically, has served as a site for intense debates about ontology, specifically as concerns distinctions between what is real, in Plato’s sense, and what is “merely” mimetic. Similar ontological debates have attended the development of new media technologies, which are often figured as enabling shady activities like impersonation, simulation, and piracy (on the internet, after all, no one knows you’re a dog, and Photoshopped images of Iranian missile tests circulate globally nearly instantly), and arousing related questions about authenticity, identity and ownership. My dissertation brings debates about realness and mimesis to three sites of twenty-first century performance: intermedial theater, specifically the Wooster Group’s 2007 Hamlet and the mediatized Burton/Gielgud Hamlet it deconstructs; reality television, specifically MTV’s “scripted reality” show The Hills; and alternate reality gaming, in particular the 2007 future forecasting game World Without Oil. In each of these sites I examine the ways ii mediatization and theatricality work, sometimes in concert and sometimes in conflict, to complicate and perform realness. Questions of realness, authenticity and honesty have long haunted Western theater traditions, and so I use the lens of Western theatrical acting to address related questions in new media performance contexts. -
Electronic Dance Music More Than Just a Genre
Electronic Dance Music More than just a genre Danielle Molinar Texas State University April 2017 TABLE OF CONTENTS Executive Summary……………………………………………………….2 Problem, Challenge, Opportunity……………………………………..3 Situation Analysis………………………………………………………….3-4 Background/Secondary Research……………………………………4-9 Target Audiences…………………………………………………………9 Primary Research Summary…………………………………………….10-12 Theme/Key Messages/Communication Channels………………..12 Goal…………………………………………..…………………………….13 Objectives/Tactics/Evaluation/Strategies…………………………..13 Logistics for each objective: Cost, staff……………………………..13-14 Timeline/Calendar for project…………………………………………14-15 Appendix…………………………………………..………………………16-17 Fact Sheet………………………………………………………………….18-19 Backgrounder……………………………………………………………..19-20 Pitch…………………………………………..……………………………..21 News Release……………………………………………………………...22 Blog post…………………………………………..………………………..23-24 Feature Story…………………………………………..…………………..25-27 Video/Script Treatment………………………………………………….28 Collateral Material. ………………………………………………………29-30 Resume…………………………………………..…………………………31 Cover letter…………………………………………..……………………32 1 EXECUTIVE SUMMARY Electronic Dance Music has taken the music industry by storm over the past 10 years. It has now gotten to the point to where even mainstream artists incorporate and collaborate this electronic style into their own. “EDM” is no longer the correct term to describe this genre because it has now become an industry within itself. These “raves,” are shows that DJs play that are generally some variation of electronic music to create seamless selections of tracks, called a mix or set by transitioning from one track to another. However, EDM has grown far surpass just raves. Music festivals all over the world headline EDM artists. The demand for EDM has taken over commercial music, thus increasing the demand for more EDM events. Since 2016 was a big year for electronic music, it has led people to apply more scrutiny to the culture surrounding electronic music. A hot topic when looking at the entertainment industry is always the use of drugs. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 12-5-2002 Kenyon Collegian - December 5, 2002 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - December 5, 2002" (2002). The Kenyon Collegian. 426. https://digital.kenyon.edu/collegian/426 This Book is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Students apply for Simpson and her A visit at home with Choirs to hold home Hildebrand takes 25th the cafe, p. 3 kinky hair, p. 4 Bruce Kinzer, p. 6 concert, p. 6 at XC Nationals, p. 11 '.jjFIlISK - E - N -Y - O - N c E - G -- I - A -- N Volume CXXX, Number 13 ESTABLISHED 1856 Thursday, December 5, 2002 Alumni ask to postpone housing change Greek Alumni Council asks Senate to reconsider sophomore housing before ending division While the itself will BY ROBBIE KETCHAM proposal be GAC proposal reads, "the effects of without thinking through what the significant numbers, will this result officially the student-base- d Senior News Editor submitted by the sophomore in division resolu- effects of that change might be." in the demise of the smaller fraterni- Greek Council, Andrew tion that was adopted were not The proposal proceeds to ties and the reduction in numbers of A new Greek Alumni Council Burton '00 of GAC spoke to Senate studied. -
Robert De Niro
Robert De Niro: A Preliminary Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: De Niro, Robert , 1943- Title: Robert De Niro Papers Dates: 1888-2016 (bulk 1960s-2016) Extent: 517 boxes, 131 oversize boxes (osb) (217.14 linear feet), 147 oversize folders (osf), 601 bound volumes (bv) Abstract: The Robert De Niro Papers include scripts plus related production, publicity, and research materials for ninety-nine films documenting De Niro's career from the 1968 film Greetings through The Wizard of Lies released in 2017. A smaller amount of materials documents his early career, including stage and television work. There are also files on projects considered and other career-related materials. Call Number: Film Collection FI-5100 Language: English and Italian, with printed materials in Arabic, Flemish, French, German, Japanese, Persian, Polish, Portuguese, Spanish, and Russian. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Please note: Polaroids in box 176 require 24 hours advance notice for access. Some materials are restricted and may only be paged with the approval of the Ransom Center’s Film Curator. Special Handling Instructions: Most of the scripts in this collection have been left in an unaltered or minimally processed state to provide the reader with the look and feel of the original as De Niro used it. When handling unbound scripts, or scripts with inserted materials, users are asked to be extremely careful in retaining the original order of the material. Script pages folded length-wise by De Niro are likewise to remain folded in keeping with original order. -
College Voice Vol. 29 No. 18
Connecticut College Digital Commons @ Connecticut College 2004-2005 Student Newspapers 4-15-2005 College Voice Vol. 29 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2004_2005 Recommended Citation Connecticut College, "College Voice Vol. 29 No. 18" (2005). 2004-2005. 15. https://digitalcommons.conncoll.edu/ccnews_2004_2005/15 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2004-2005 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. SPORTS A&E The Housing Lottery came and went Turn to page 10 for the latest results in Emily Morse jumped off tbe column cir- smoother than many expected. Get a Connecticut College sports. The men's cuit, but A&E is pleased to present Pick full recap of all the details on page 6. lacrosse team won two exciting games Your Bandwagon; a music lover's para- this week in the last minute against dise. Turn to page 4 to meet Our sexy NESCAC foes. new columnists, including Paul Dryden. First Class U.S. Postage PAID Permit #35 New London, PUBLISHED WEEKLY BY THE STUDENTS OF CONNECfICUT COllEGE VOLUMEXXIX • NUMBER 18 FRIDAY, APRIL 15, 2005 CONNECTICUT COU1JGE, NEW LONDON, CT. Dean Cruz-Saco To Depart For New Post At Wesleyan III L,z GREENMAN the Economics department for three of which she spent as a Visiting AssOCIATE NEWS EDITOR care reform in El Salvador and par- Nations' Commission to Socia) years, from 1997-2000.