DOCSLIB.ORG

Eighteenth Century French Plays

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

http://oac.cdlib.org/findaid/ark:/13030/c8q23z81 No online items Eighteenth Century French Plays Preliminary arrangement and description by Special Collections staff; latest revision A. Demeter Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/special-collections/ © 2012 The Regents of the University of California. All rights reserved. Eighteenth Century French Plays Mss 281 1 Guide to Eighteenth Century French Plays, ca. 1707-1979 [bulk dates 1730s-1850s] Collection number: Mss 281 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Special Collections staff Date Completed: 2011 Latest Revision: Sept. 4, 2012 Encoded by: A. Demeter © 2012 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Eighteenth Century French Plays Dates: ca. 1707-1979 Bulk Dates: 1730s-1850s Collection number: Mss 281 Collection Size: 9 linear feet (6 cartons). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: The collection contains 124 volumes (in 71 incomplete sets) of French tragic, comedic, and vaudeville plays from the 17th and18th centuries, including many from the revolutionary era. Physical location: SRLF. Languages: French Access Restrictions Collection is stored off-site; advance notice required for retrieval. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Preferred Citation Eighteenth Century French Plays. Mss 281. Department of Special Collections, Davidson Library, University of California, Santa Barbara. Acquisition Information Undetermined. Scope and Content of Collection The collection contains 124 volumes (in 71 incomplete sets) of French tragic, comedic, musical and vaudeville plays primarily from the 18th century, including many from the revolutionary era. Notable playwrights include Beaumarchais, Marivaux, Regnard, and Voltaire. The plays were printed by various publishers and bound together in sets, which have been assigned numbers in this guide. The collection is arranged by set then volume number. Many of the sets are incomplete. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Theater--France. Eighteenth Century French Plays Mss 281 2 Related Materials in Special Collections Special Collections holds many volumes of individually cataloged plays by the playwrights featured in this collection, including the following: Beaumarchais, Pierre Augustin Caron de (1732-1799). French playwright. Holdings include Eugénie (1767) and Les Deux Amis, ou, Le Négociant de Lyon (1770), anthologized in Spec ML50.2.N95 1755; Le Barbier de Séville (1776) and L'Autre Tartuffe, ou, La Mère Coupable (1794), anthologized in Spec PQ2066.S6 A75 1766; and a fine press edition of Le Mariage de Figaro (1927) by Henry Babou [Spec PQ1956.A7 1927]. Gioacchino Rossini's operatic version of The Barber of Seville is also available on 78 rpm records (1942) [PA Victor M 898]. Destouches, Philippe Néricault (1680-1754). French playwright. Holdings include Le Curieux Impertinent (1711) [Spec PQ1977.D7 A634 1711]; Le Philosophe Marié (1727), La Force du Naturel (1750), L'Obstacle Imprévu (1767), and La Fausse Agnès (1772), all anthologized in Spec PQ1977.D7 A75 1727; and L'Ingrat (1775) [Spec PQ1977.D7 I5]. Molière (1622-1673) [pseudonym of Jean Baptiste Poquelin.] French playwright. Holdings include early editions of Amphitryon (1684) [Spec PQ1826.A7 1684], the eight-volume set Oeuvres de Moliere (1718) [Printers Z239.4.D3 M6], and Le Médecin Malgre Lui (1732) with French and English parallel text [Spec PQ1836.M4 1732]. Fine press editions of Tartuffe (1930) by the Limited Editions Club [Printers Z239.L5 M6] and L'Avare (1931) by Éditions du Bélier [Printers Z257.M538 1931]. Additionally, a passage from L'Avare is recited by Emile M. Stéphan on a 78 RPM record [PA Mss 19/ARVM 23401]. See also Dossiers Molières: Le Bourgeois Gentilhomme (1975) by Sylvie Chevalley [Spec PQ1829.B67 1975]. Racine, Jean (1639-1699). French dramatist. Holdings include Iphigénie (1743) [Spec PQ1896.A1 1743], The Distrest Mother (1791) in English [Spec PQ1890.A45 1791], the seven-volume set Œuvres de Jean Racine (1808) [Spec PQ1885 1808], and The Dramatic Works of Jean Racine (1889) in English [Spec PQ1888.E5 B6]. Fine press edition of Phaedra (1958) by the Grabhorn Press [Printers Z239.G7 R3]. Set No. 1 - Piéces de Théatre Box 1 Ancelot; Saintine, "L'Homme du Monde, Drame en Cinq Actes," Piéces de Théatre vol. 1, Paris: Ambroise Dupont et Cie. ; Barba, 1827 Box 1 Delavigne, Casimir, "Marino Faliero," Piéces de Théatre vol. 1, Paris: Ladvocat ; J.-N. Barba, 1829 Box 1 Ducis, J.-F., "Othello, ou, le More de Venise, Tragédie. Nouvelle Édition," Piéces de Théatre vol. 1, Paris: Barba, 1817 Box 1 Guiraud, M. A., "Le Comte Julien, ou, l'Éxpiation, Tragédie en Cinq Actes," Piéces de Théatre vol. 1, Paris: Boulland et Tardieu ; J. N. Barba, 1823 Box 1 Philippe, D. ; Julien de M., "La Semaine des Amours, Roman-Vaudeville, en Sept Chapitres," Piéces de Théatre vol. 1, Paris: Vente, 1828 Box 1 Picard, L.-B., "Vanglas, ou, les Anciens Amis, Comédie en Cinq Actes," Piéces de Théatre vol. 1, Paris: Gide, 1817 Box 1 Théaulon ; Gabriel, "Jovial en Prison, Comédie-Vaueville en Deux Actes," Piéces de Théatre vol. 1, Paris: R. Riga, 1829 Box 1 de Beaumarchais, "Le Barbier de Séville, ou la Précaution Inutile, Comédie en Quatre Actes; Nouvelle Édition," Piéces de Théatre vol. 2, Paris: Ruault, 1775 Box 1 Desforges, "Tom Jones à Londres, Comédie en Cinq Actes, en Vers, Tirée du Roman de Fielding," Piéces de Théatre vol. 2, Toulouse: Broulhiet, 1783 Box 1 Lamartellière, "Robert, Chef de Brigands, Drame en Cinq Actes, en Prose, Imité de l'Allemand," Piéces de Théatre vol. 2, Paris: Barba, n.d. Box 1 Molière, "Le Misantrope, Comédie, en Cinq Actes et en Vers," Piéces de Théatre vol. 2, Paris: Fages, 1800 (An IX) Box 1 Monvel, Père, "Mathilde, Drame en Prose et en Cinq Actes," Piéces de Théatre vol. 2, Paris: Hautbout-Dumoulin, n.d. Box 1 (Radet, J. B.), "Le Repas des Clercs, ou, la Dinde aux Louis, Comédie en Un Acte et en Prose," Piéces de Théatre vol. 2, Paris: Cailleau, 1786 Box 1 Sedaine, "Richard Cœur de Lion, Comédie en Trois Actes, Mêlée d'Ariettes," Piéces de Théatre vol. 2, Paris: Vente, 1807 Box 1 Voltaire, "Alzire, ou, les Américains, Tragéie, en Cinq Actes et en Vers," Piéces de Théatre vol. 2, Paris: Fages, 1801 (An IX) Eighteenth Century French Plays Mss 281 3 Box 1 Arnault, Lucien, "Régulus, Tragédie en Trois Actes," Piéces de Théatre vol. 3, Paris: Ponthieu, 1822 Box 1 Guiraud, Alexandre, "Les Machabées, ou, le Martyre, Tragédie en Cinq Actes," Piéces de Théatre vol. 3, Paris: Ambrouse Tardieu, 1822 Box 1 Jouy, E., "Sylla, Tragédie en Cinq Actes; Seconde Édition," Piéces de Théatre vol. 3, Paris: Ponthieu, 1822 Box 1 L.-d'Avrigni, C. J., "Jean d'Arc à Rouen, Tragédie en Cinq Actes, en Vers," Piéces de Théatre vol. 3, Paris: Ladvocat ; Éditeur des Fastes de la Gloire, 1819 Box 1 Théaulon ; Dartois ; Ferdinand, "Le Gueux, ou, la Parodie du Paria, Tragédie Burlesque, en Cinq Actes et en Vers," Piéces de Théatre vol. 3, Paris: J.-N. Barba, 1822 Box 1 Vial, J.-C., "Le Mari et l'Amant, Comédie en Un Acte," Piéces de Théatre vol. 3, Paris: Huet ; Barba ; Vente, 1821 Box 1 Boirie ; Carmouche ; Poujol, "Les Deux Forcats, ou, la Meunière du Puy-de-Dome, Mélodrame en Trois Actes, à Spectacle," Piéces de Théatre vol. 4, Paris: Pollet, 1822 Box 1 Bonjour, Casimir, "L'Éducation, ou, les Deux Cousines, Comédie en Cinq Actes et en Vers," Piéces de Théatre vol. 4, Paris: J. L. J. Brière ; Barba, 1823 Box 1 Duval, Alexandre, "La Princesse des Ursins, ou la Disgrace, Comédie Historique en Trois Actes et en Prose," Piéces de Théatre vol. 4, Paris: Barba, 1826 Box 1 Merville, "Les Quatres Ages, Comédie en Vers, en Cinq Actes," Piéces de Théatre vol. 4, Paris: J. A. S. Collin de Plancy ; J.-N. Barba, 1822 Box 1 Raynouard, "Les Templiers, Tragédie en Cinq Actes; Nouvelle Édition," Piéces de Théatre vol. 4, Paris: J. N. Barba, 1823 Box 1 Royou, J. C., "La Mort de César, Tragédie en Cinq Actes," Piéces de Théatre vol. 4, Paris: Le Normant Père, 1825 Box 1 Brazier ; Dumersan, "Les Cuisinières, Comédie en Un Acte, Mêlée de Couplets; Nouvelle Édition," Piéces de Théatre vol. 5, Paris: J.-N. Barba, 1824 Box 1 de la Ville; de Mormont, "Charles VI, Tragédie en Cinq Actes," Piéces de Théatre vol. 5, Paris: Barba ; Au Magasin de Pièces de Théatre, 1826 Box 1 Delongchamps ; Ferd. Laloue, "L'Égoïste par Régime, Comédie-Vaudeville en un Acte," Piéces de Théatre vol. 5, Paris: J. N. Barba ; Au Magasin de Pièces de Théatre ; Quoy, 1826 Box 1 Didot, Firmin, "La Reine de Portugal, Tragédie en Cinq Actes," Piéces de Théatre vol. 5, Paris: De la Typographie de l'Auteur, 1824 Box 1 Lemercier, Népomucène L., "La Démence de Charles VI, Tragédie en Cinq Actes, Seconde Édition," Piéces de Théatre vol. 5, Paris: J.-N. Barba, 1820 Box 1 Liadières, P. Ch., "Jane Shore, Tragédie en Cinq Actes," Piéces de Théatre vol. 5, Paris: Mme Ve. Dabo ; Imprimerie de Firmin Didot, 1824 Box 1 Pichat, "Léonidas, Tragédie en Cinq Actes; Deuxième Édition," Piéces de Théatre vol.
Recommended publications
  • 660464-65 Itunes Massenet

    660464-65 Itunes Massenet

    MASSENET Don César de Bazan Naouri • Dreisig • Lebègue • Bettinger • Helmer • Moungoungou Ensemble Aedes • Les Frivolités Parisiennes Mathieu Romano Jules Émile Frédéric CD 1 74:18 1 Overture 5:48 MA(S184S2–E191N2) ET Act I. Street in Madrid 2 Don César de Bazan (1872) (second version, 1888) No. 1. Introduction: Dès que ton tambour sonne – Ballade aragonaise: Par un frais sentier 5:34 (Chorus, Maritana) 3 Opéra-comique in four acts and four tableaux Scène, Prière et Strette: C’est elle!… – Libretto by Adolphe Philippe d’Ennery (1811–1899), No. 2. Mélodie: L’amour, un amour implacable 8:21 (Charles II, Don José, Maritana, Chorus) Dumanoir (Philippe François Pinel) (1806–1865) 4 No. 3. Air: Partout où l’on chante 3:30 and Jules Chantepie (1843–1885) (Don César) 5 First performance: Paris, Opéra-Comique (Salle Favart 2), No. 4. Quatuor: Le voilà! 6:53 (Captain, Don César, Lazarille, Don José) 30 November 1872 6 No. 5. Finale: Bohème charmante 7:20 Don César de Bazan, a nobleman . Laurent Naouri, Baritone (Chorus, Maritana, Don José, Don César, Alcade, Lazarille) Maritana, a Gypsy street-singer . Elsa Dreisig, Soprano Act II. In a fortress Lazarille, a boy, apprentice arquebusier . Marion Lebègue, Mezzo-soprano 7 Entr’acte 1:59 King Charles II of Spain . Thomas Bettinger, Tenor 8 No. 6. Berceuse: Dors, ami 4:01 Don José de Santarém, first minister to the King . Christian Helmer, Baritone (Lazarille) 9 Captain of the Guard . Christian Moungoungou, Baritone No. 7. Couplets: Riche, j’ai semé les richesses 2:31 (Don César) Men and Women folk, Soldiers, Arquebusiers, 0 No.
  • Archives Du Théâtre De L'odéon (1809-1983)

    Archives Du Théâtre De L'odéon (1809-1983)

    Archives du théâtre de l'Odéon (1809-1983) Répertoire (AJ/55/1-AJ/55/430) Par Élisabeth Gautier-Desvaux, Yvette Isselin, Odile Krakovitch, Brigitte Labat- Poussin, Sylvie Nicolas et Juliette Caron Archives nationales (France) Pierrefitte-sur-Seine 2009 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_027874 Cet instrument de recherche a été encodé en 2012 par l'entreprise Numen dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) Préface Tableau chronologique des événements et directeurs du théâtre de l'Odéon de 1782 à 1982 Archives de l'Odéon - Théâtre de l'Europe conservées au service de la documentation du théâtre 1983-1999 Liens : Liens annexes : • Tableau chronologique des événements et directeurs du théâtre de l'Odéon de 1782 à 1982 • Archives de l'Odéon - Théâtre de l'Europe conservées au service de la documentation du théâtre 1983-1999 3 Archives nationales (France) INTRODUCTION Référence AJ/55/1-AJ/55/430 Niveau de description fonds Intitulé Archives du théâtre de l'Odéon Date(s) extrême(s) 1809-1983 Localisation physique Pierrefitte DESCRIPTION Présentation du contenu INTRODUCTION Les archives du théâtre de l'Odéon, rassemblées dans le fonds 55 AJ, par la diversité de leurs versements aussi bien que par leur réunion finale aux Archives nationales (Paris), sont le reflet de l'histoire et de la destinée mouvementée de l'établissement aux XIXeet XXesiècles ainsi que de la constitution souvent complexe des ensembles documentaires.
  • Bruna Grasiela Da Silva Rondinelli Lágrimas E Mitos

    Bruna Grasiela Da Silva Rondinelli Lágrimas E Mitos

    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM BRUNA GRASIELA DA SILVA RONDINELLI LÁGRIMAS E MITOS: TRADUÇÕES E APROPRIAÇÕES DO MELODRAMA FRANCÊS NO BRASIL (1830-1910) CAMPINAS, 2017 BRUNA GRASIELA DA SILVA RONDINELLI LÁGRIMAS E MITOS: TRADUÇÕES E APROPRIAÇÕES DO MELODRAMA FRANCÊS NO BRASIL (1830-1910) Tese de doutorado apresentada ao Instituto de Estudos da Linguagem da Universidade Estadual de Campinas para obtenção do título de Doutora em Teoria e História Literária, na área de História e Historiografia Literária. Orientadora: Profa. Dra. Orna Messer Levin Este exemplar corresponde à versão final da Tese defendida pela aluna Bruna Grasiela da Silva Rondinelli e orientada pela Profa. Dra. Orna Messer Levin. CAMPINAS, 2017 Agência(s) de fomento e nº(s) de processo(s): FAPESP, 2014/06398-9; CAPES ORCID: http://orcid.org/0000-0003-4921-5961 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Estudos da Linguagem Crisllene Queiroz Custódio - CRB 8/8624 Rondinelli, Bruna Grasiela da Silva, 1985- R668L RonLágrimas e mitos : traduções e apropriações do melodrama francês no Brasil (1830-1910) / Bruna Grasiela da Silva Rondinelli. – Campinas, SP : [s.n.], 2017. RonOrientador: Orna Messer Levin. RonTese (doutorado) – Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. Ron1. Caetano, João, 1808-1863. 2. Tradução e interpretação. 3. Melodrama. 4. Teatro brasileiro - Séc. XIX - História e crítica. 5. Teatro francês - Brasil - Traduções para o português. 6. Teatro francês - Brasil
  • Les Pièces De Théâtre Soumises À La Censure (1800-1830)

    Les Pièces De Théâtre Soumises À La Censure (1800-1830)

    Les pièces de théâtre soumises à la censure (1800-1830) Inventaire analytique (F/18/581-F/18/668,F/21/966-F/21/995) Par O. Krakovitch Archives nationales (France) Pierrefitte-sur-Seine 1982 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_003921 Cet instrument de recherche a été encodé en 2012 par l'entreprise Numen dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Archives nationales (France) Préface AVANT-PROPOS Le seul moyen de trouver dans les archives le matériau d'une recherche historique, c'est d'y chercher ce que l'histoire a pu conduire vers nos dépôts. Cette vérité, que connaissent bien tous les historiens des institutions et tous ceux qui cherchent dans la documentation archivistique un reflet des structures et des phénomènes sociaux, ne conditionne pas moins les recherches de qui se penche sur l'histoire des faits culturels, et plus spécialement de la création intellectuelle. La vie de l'esprit ne saurait figurer dans les archives publiques que dans la mesure où elle s'est rencontrée avec l'autorité publique et avec les rouages par lesquels s'exerce celle-ci. Écrire une pièce de théâtre n'engendre guère d'archives, cela va de soi, et ce n'est pas dans nos liasses austères qu'il faut chercher le premier produit de l'inspiration créatrice. La faire jouer, en revanche, c'est ouvrir un dossier.
  • Opera's En Libretto's Uit Het Théatre De Metz

    Opera's En Libretto's Uit Het Théatre De Metz

    EHC: C 100015 [S0–283 g / Zie : 100013] La prison d'Edimbourg: opera-comique´ en trois actes / Eugene` Scribe ; Franc¸ois Antoine Eugene` de Planard ; Michele Enrico Carafa de Colobrano ; [pass. aut.] William Scott. — Paris : Gretry´ au Parnasse: tableau mythologique en action, prec´ ed´ e´ Barba, 1833. — 65 p. d'un prologue impromptu melˆ e´ de vaudevilles / J.B.A. Artesis-KC: MM–LZ–CARAF-prison-1 Chatelain. — Havre : Faure, 1825. — 23 p. EHC: C 100285:[201] [S0–244 b] Artesis-KC: MT–TF–CHATE-gretry-1 Le puits d'amour: opera-comique´ en trois actes / Eugene` L'homme a` bonne fortune: comedie´ en cinq actes et en prose / Scribe ; Adolphe de Leuven ; Michael William Balfe. — Paris : Michel Boyron. — 2 ed. — Paris : Duchesne, 1789. — 76 p. Boule,´ 1843. — 32 p. Artesis-KC: MTOD–TF–BARON-homme-1 Artesis-KC: MM–LZ–BALFE-puitsda-1 EHC: C 100285:[712] [S0–244 b] Le tonnelier: opera-comique,´ mesle´ d'arriettes / Franc¸ois-Joseph Gossec ; Franc¸ois-Antoine Quetant´ ; Les projets de mariage, ou: Les deux militaires: comedie´ en un Nicolas-Medard´ Audinot ; e.a. — 2 ed. — Paris : Duchesne, acte et en prose / Alexandre Vincent Pineux Duval. — Paris : 1770. — 45 p. Barba, an 11[=1803]. — 40 p. Artesis-KC: MMOD–LZ–GOSSE-tonneli-1 Artesis-KC: MT–TF–DUVAL-projets-1 EHC: C 271767 [C3–108 b / ds 984] Fra-Diavolo, ou: L'hotellerie de Terracine: opera´ comique en trois actes / Daniel Franc¸ois Esprit Auber ; Eugene` Scribe. — Les deux grenadiers, ou: Les quiproquos: comedie´ en trois Paris : Bezou, 1830. — 80 p. actes et en prose / Joseph Patrat.
  • Plays Licensed in 1860

    Plays Licensed in 1860

    52989 A - W. LORD CHAMBERLAIN'S PLAYS, 1852 - 1866. January - February 1860. A ‘The warrior’s career, or, The emperor’s decree’, drama in two acts by R. Phillips. Licence sent 14 January 1860 for performance at Astley’s Ampitheatre. Keywords: horses, royalty, servants, Russian settings and characters, family relationships, exile, Circassians, soldiers, battle scenes, war, eavesdropping, divorce, class contrast, transport, stagecraft, music, tableaus. ff. 61. B. ‘The Christmas box system’, farce in one act by A. Mayhew and H. S. Edwards. Licence sent 14 January 1860 for performance at the Strand. Cuts made in pencil. Published in Lacy’s, vol. 46, no. 685 as Christmas boxes. Keywords: music, marital relationships, eavesdropping. ff.39. C. ‘My name is Norval’, tragic ballet in one act by J. Oxenford. Licence sent 16 January 1860 for performance at the St. James’s. Actors’ names listed next to dramatis personæ. Keywords: theatre, drama production, dance, actors, shopkeepers, music, literary references, festivals, tableaus. ff. 24. D. ‘Quicksands and whirlpools’, drama in two acts by Robert Soutar. Licence sent 18 January to be performed at the Theatre Royal, Brighton on 23 January 1860. Cover bears name of H. Nye Chart, lessee and manager. f. 13 written and signed by Robert Soutar. Keywords: aristocracy, family relationships, adultery, elopement, letters, soldiers, Canada, abduction, lighthouses, natural phenomena, murder, Paris, gambling, female actors, impersonation, poison, stagecraft, pictures. ff. 40. E. ‘Has anybody seen Mrs. Brown, or, Brown Jones and Robertson examined and selected’, farce in one act by H. Legge. Licence sent 18 January 1860 to be performed at the Theatre Royal, Brighton on 19 January.
  • The Jardin Des Femmes As Scenic Convention in French Opera and Ballet

    The Jardin Des Femmes As Scenic Convention in French Opera and Ballet

    THE JARDIN DES FEMMES AS SCENIC CONVENTION IN FRENCH OPERA AND BALLET by HELENA KOPCHICK SPENCER A DISSERTATION Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2014 DISSERTATION APPROVAL PAGE Student: Helena Kopchick Spencer Title: The Jardin des Femmes as Scenic Convention in French Opera and Ballet This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Music and Dance by: Marian Smith Chairperson Lori Kruckenberg Core Member Roger Mathew Grant Core Member Fabienne Moore Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2014 ii © 2014 Helena Kopchick Spencer iii DISSERTATION ABSTRACT Helena Kopchick Spencer Doctor of Philosophy School of Music and Dance March 2014 Title: The Jardin des Femmes as Scenic Convention in French Opera and Ballet Much scholarship on French grand opera has understandably focused on the monumentality of the genre—its sweeping historical panoramas, public spectacles, and large onstage chorus. This focus is reinforced, for example, by Anselm Gerhard, who associates the chorus with the Parisian crowd in its diversity, autonomy, and even violence, and by Marian Smith, who contrasts grand opera’s magnificent urban and indoor settings with the bucolic countryside locales of ballet-pantomime. Yet this emphasis on the “grandness” of grand opera has obscured the dramaturgical significance of private gardens within French opera of the July Monarchy era.
  • La Presse, an Annotated Index of Articles On

    La Presse, an Annotated Index of Articles On

    LA PRESSE , AN ANNOTATED INDEX OF ARTICLES ON LITERATURE, ART, AND MUSIC (1836-1841) BY EUGENA POULIN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1 986 Copyright 1986 by Eugena Poulin This work is gratefully dedicated to Dr. Albert B. Smith for his scholarly guidance, sensitive concern, and unfailing assistance. TABLE OF CONTENTS Page ABSTRACT INTRODUCTION 1 Notes 17 ANNOTATED INDEX 22 BIOGRAPHIES OF CONTRIBUTORS TO LA PRESSE 388 APPENDICES A INDEX OF AUTHORS 435 B INDEX OF NAMES CITED 44? C INDEX OF WORKS 493 BIBLIOGRAPHY 547 BIOGRAPHICAL SKETCH 553 . Abstract of Dissertation Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy LA PRESSE , AN ANNOTATED INDEX OF ARTICLES ON LITERATURE, ART, AND MUSIC ( 1 836-1 8^11) BY EUGENA POULIN December , 1986 Chairman: Dr. Albert B, Smith Major Department: Romance Languages This work is an annotated index of the articles on literature, art, and music published in the daily newspaper. La Presse , from its beginning in July, I 836 through December, 1841. La Presse was the first successful inexpensive daily newspaper in France. Its editor, Emile de Girardin, sought not only to make this journalistic venture a financial success but also to educate his subscribers by offering articles on a variety of subjects. The paper thus contains a wealth of information. The index was undertaken to provide a research tool for scholars interested in nineteenth-century France.
  • Teatro Da Rua Dos Condes 1738-1882

    Teatro Da Rua Dos Condes 1738-1882

    UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS O Teatro da Rua dos Condes 1738-1882 Apêndice Repertório do Teatro da Rua dos Condes Licínia Rodrigues Ferreira Orientador: Professor Doutor José António Camilo Guerreiro Camões Tese especialmente elaborada para obtenção do grau de Doutor no ramo de Estudos Artísticos, na especialidade de Estudos de Teatro 2019 Nota prévia A lista que se segue compõe-se de todos os espetáculos que conseguimos apurar realizados no Teatro da Rua dos Condes entre 1738 e 1882. Não é, por conseguinte, o repertório completo, nem está isenta de falhas. Usámos os seguintes critérios para a sua construção: - O objetivo desta lista é mostrar os títulos representados em cada ano. Ou seja, não se encontra nela o número de récitas que alcançou cada peça. - Optou-se por manter nesta lista apenas os espetáculos de que se conhece o ano de representação. Aqueles de que se conhece apenas uma data provável não foram considerados. Do mesmo modo, apenas são mantidos aqueles de que é certa a representação no Teatro da Rua dos Condes. - Quando a data é completa – ano-mês-dia –, corresponde ao primeiro dia para o qual foi anunciada a representação. Poderá, provavelmente, ser o dia de estreia, mas não constitui critério de organização desta lista o fornecimento de uma data de estreia. - No campo “Responsabilidade artística”, a ocorrência de um nome sem menção de função significa que se trata do autor do texto. As restantes funções são especificadas, seguindo quanto possível a forma constante nas fontes. - Uma vez que o calendário teatral sofreu modificações ao longo do período considerado – no século XVIII durava da Páscoa até ao Carnaval seguinte, na segunda metade do século XIX inicia em setembro/outubro e decorre até maio/junho –, optou-se por organizar esta lista por ano civil.
  • LETTRES & MANUSCRITS AUTOGRAPHES Salle Des Ventes

    LETTRES & MANUSCRITS AUTOGRAPHES Salle Des Ventes

    LETTRES & MANUSCRITS AUTOGRAPHES Salle des ventes Favart Mardi 29 et mercredi 30 novembre 2016 division du catalogue Mardi 29 novembre Beaux-aRts Nos 1 à 29 Eugène laBiCHe Nos 30 à 145 littéRatuRe Nos 146 à 328 saint-exupéRy Nos 282 à 305 Mercredi 30 novembre musique et speCtaCle Nos 329 à 444 sCienCes, teCHniques et Voyages Nos 445 à 501 HistoiRe Nos 502 à 677 Abréviations : L.A.S. ou P.A.S. : lettre ou pièce autographe signée L.S. ou P.S. : lettre ou pièce signée (texte d’une autre main ou dactylographié) L.A. ou P.A. : lettre ou pièce autographe non signée Expert Thierry BODIN, Les Autographes Syndicat Français des Experts Professionnels en Œuvres d’Art 45, rue de l’Abbé Grégoire - 75006 Paris Tél. : + 33 (0)1 45 48 25 31 - Fax : + 33 (0)1 45 48 92 67 [email protected] Mardi 29 novembre 2016 à 14 heures nos 1 à 328 Mercredi 30 novembre 2016 à 14 heures nos 328 à 677 Vente aux enchères publiques Salle des Ventes Favart 3, rue Favart 75002 Paris Expert : Thierry BODIN, Les Autographes Syndicat Français des Experts Professionnels en Œuvres d’Art 45, rue de l’Abbé Grégoire - 75006 Paris Tél. : + 33 (0)1 45 48 25 31 Fax : + 33 (0)1 45 48 92 67 [email protected] LETTRES & Responsable de la vente : Marc GUYOT MANUSCRITS [email protected] Tél : 01 53 40 77 10 Exposition privée sur rendez-vous chez l’expert AUTOGRAPHES Expositions publiques Salle des Ventes Favart Lundi 28 novembre de 11 h à 18 h Mardi 29 novembre de 10 h à 12 h Mercredi 30 novembre de 10 h à 12 h Téléphone pendant l’exposition : 01 53 40 77 10 Catalogue visible sur www.ader-paris.fr Enchérissez en direct sur www.drouotlive.com En 1re de couverture, est reproduit le lot 236 En 2e de couverture, est reproduit le lot 31 En 4e de couverture, est reproduit le lot 282 1 2 BEAUX-ARTS 1.