Special Discounts for Barclays Center & NYCB LIVE

Total Page:16

File Type:pdf, Size:1020Kb

Special Discounts for Barclays Center & NYCB LIVE Special Discounts for Barclays Center & NYCB LIVE Simply click on the link below your desired event. If you are looking for group tickets (10+) contact Joe Grande directly at [email protected]. You may have to create an account, if it’s your first time ordering through these discount offers. Tickets can be printed online directly after processing your order. 3 Longines Masters of New York Adrien Broner vs Jessie Vargas April 27th through April 29th @ Barclays Center in Brooklyn, NY @ NYCB Live in Long Island, NY Promo code: BKBOXING – CLICK HERE TO BUY NOW Promo code: MASTERS – CLICK HERE TO BUY NOW Danny Jacobs vs Maciej Sulecki WWE LIVE Monday Night Raw May 7th – 7:30pm @ Barclays Center in Brooklyn, NY @ NYCB Live in Long Island, NY Promo code: BKBOXING – CLICK HERE TO BUY NOW CLICK HERE TO BUY NOW Promo code: WWERAW – Joel Osteen Cirque Du Soleil - Volta July 13th @ Barclays Center in Brooklyn, NY May 18th - July 1st @ NYCB Live in Long Island, NY Promo code: Hope – CLICK HERE TO BUY NOW Promo code: VOLTA – CLICK HERE TO BUY NOW Any Questions, call Joe Grande at [email protected] We also have 16 to 27 person suites available for all events, call for pricing Upcoming Barclays Center Events: We usually do not handle regular concert tickets due to the promoters selling them on ticketmaster directly themselves. With that said, if you’re interested in a specific concert, I can help you with 16 to 27 person suites or Premium 4 to 10 seat locations. Date Event Time Date Event Time Friday, May 11, 2018 Kygo* 7:30 PM Friday, August 24, 2018 BIG3 TBA Saturday, May 12, 2018 Mother's Day Good Music 7:00 PM Thursday, October 4, 2018 Bruno Mars* TBA Wednesday, June 6, 2018 Depeche Mode* 7:30 PM Friday, October 5, 2018 Bruno Mars* TBA Friday, June 8, 2018 Soulfrito 8:00 PM Friday, October 26, 2018 Nick Cave & The Bad Seeds 7:15 PM Saturday, June 9, 2018 New York Salsa Festival 8:00 PM Saturday, October 27, 2018 Keith Urban TBA Tuesday, June 26, 2018 Paramore* 7:00 PM Mon, November 19, 2018 Legends Classic TBA Wednesday, June 27, 2018 Sam Smith 8:00 PM Tues, November 20, 2018 Legends Classic TBA Friday, July 13, 2018 Joel Osteen 7:30 PM Friday, March 8, 2019 Elton John 8:00 PM Saturday, July 14, 2018 Shania Twain* 7:30 PM Saturday, March 9, 2019 Elton John 8:00 PM Monday, July 16, 2018 Chris Brown 7:00 PM Friday, April 5, 2019 WWE Hall of Fame Ceremony TBA Saturday, August 18, 2018 WWE NXT TBA Saturday, April 6, 2019 WWE NXT Takeover TBA Sunday, August 19, 2018 WWE SummerSlam 6:30 PM Monday, April 8, 2019 WWE Monday Night Raw TBA Monday, August 20, 2018 WWE Monday Night Raw TBA Tuesday, April 9, 2019 WWE Smackdown Live TBA Tuesday, August 21, 2018 WWE Smackdown Live TBA Brooklyn Nets 2018-19 Ticket Packages: We are currently on sale with Full and Half season plans. Contact Joe Grande to setup an appointment to look at some seating options. 718-942-9653 or [email protected] New York Islanders 2018-19 Ticket Packages: We are currently on sale with Full season, Half season, and Mini plans available for both Barclays Center and NYCB Live packages. Contact Joe Grande to setup an appointment to look at some seating options. 718-942-9653 or [email protected] Any Questions, call Joe Grande at [email protected] We also have 16 to 27 person suites available for all events, call for pricing .
Recommended publications
  • June 15-21, 2017
    JUNE 15-21, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM Proudly presents in Fort Wayne, Indiana ON SALETICKETS FRIDAY ON SALE JUNE NOW! 2 ! ONTICKETS SALE FRIDAYON SALE NOW! JUNE 2 ! ONTICKETS SALE FRIDAY ON SALE NOW! JUNE 2 ! ProudlyProudly presents inpresents Fort Wayne, in Indiana Fort Wayne, Indiana 7KH0RWRU&LW\0DGPDQ5HWXUQV7R)RUW:D\QH ONON SALE SALE NOW! NOW! ON SALEON NOW! SALE NOW!ON SALE NOW! ON SALEON SALE NOW! NOW! ON SALE NOW! WEDNESDAY SEPTEMBER 20, 2017 • 7:30 PM The Foellinger Outdoor Theatre GORDON LIGHTFOOT TUESDAY AUGUST 1, 2017 • 7:30 PM 7+856'$<0$<30 7+856'$<0$<30Fort Wayne, Indiana )5,'$<0$<30THURSDAY)5,'$<0$<30 AUGUST 24,78(6'$<0$<30 2017 • 7:30 PM 78(6'$<0$<30 The Foellinger Outdoor Theatre THE FOELLINGER OUTDOOR THEATRE The Foellinger Outdoor TheatreThe Foellinger TheThe Outdoor Foellinger Foellinger Theatre Outdoor OutdoorThe Foellinger Theatre Theatre Outdoor TheatreThe Foellinger Outdoor Theatre Fort Wayne, Indiana FORT WAYNE, INDIANA Fort Wayne, Indiana Fort Wayne, IndianaFortFort Wayne, Indiana IndianaFort Wayne, Indiana Fort Wayne, Indiana ON SALE ONON NOW!SALE SALE NOW! NOW! ON SALE ON NOW! SALE ON NOW! SALE ON SALE NOW!ON NOW! SALE NOW! ONON SALE SALEON NOW! SALE NOW! NOW!ON SALE NOW!ON SALE ON SALE NOW! NOW! 14 16 TOP 40 HITS Gold and OF GRAND FUNK MORE THAN 5 Platinum TOP 10 HITS Records 30 Million 2 Records #1 HITS RAILROAD! Free Movies Sold WORLDWIDE THURSDAY AUGUST 3, 2017 • 7:30 PM Tickets The Nut Job Wed June 15 9:00 pm MEGA HITS 7+856'$<$8*867307+856'$<$8*86730On-line By PhoneTUESDAY SEPTEMBERSurly, a curmudgeon, 5, 2017 independent • 7:30 squirrel PM is banished from his “ I’m Your Captain (Closer to Home)” “ We’re An American Band” :('1(6'$<$8*86730:('1(6'$<$8*86730 “The Loco-Motion”)5,'$<-8/<30)5,'$<-8/<30 “Some Kind of Wonderful” “Bad Time” www.foellingertheatre.org (260) 427-6000 park and forced to survive in the city.
    [Show full text]
  • The Popular Culture Studies Journal
    THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St.
    [Show full text]
  • MEDIA ADVISORY: Thursday, August 11, 2011**
    **MEDIA ADVISORY: Thursday, August 11, 2011** WWE SummerSlam Cranks Up the Heat at Participating Cineplex Entertainment Theatres Live, in High-Definition on Sunday, August 14, 2011 WHAT: Three championship titles are up for grabs, one will unify the prestigious WWE Championship this Sunday. Cineplex Entertainment, via our Front Row Centre Events, is pleased to announce WWE SummerSlam will be broadcast live at participating Cineplex theatres across Canada on Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT live from the Staples Center in Los Angeles, CA. Matches WWE Champion John Cena vs. WWE Champion CM Punk in an Undisputed WWE Championship Match World Heavyweight Champion Christian vs. Randy Orton in a No Holds Barred Match WWE Divas Champion Kelly Kelly vs. Beth Phoenix WHEN: Sunday, August 14, 2011 at 8:00 p.m. EDT, 7:00 p.m. CDT, 6:00 p.m. MDT and 5:00 p.m. PDT WHERE: Advance tickets are now available at participating theatre box offices, through the Cineplex Mobile Apps and online at www.cineplex.com/events or our mobile site m.cineplex.com. A special rate is available for larger groups of 20 or more. Please contact Cineplex corporate sales at 1-800-313-4461 or via email at [email protected]. The following 2011 WWE events will be shown live at select Cineplex Entertainment theatres: WWE Night of Champions September 18, 2011 WWE Hell in the Cell October 2, 2011 WWE Vengeance (formerly Bragging Rights) October 23, 2011 WWE Survivor Series November 20, 2011 WWE TLC: Tables, Ladders & Chairs December 18, 2011 -30- For more information, photos or interviews, please contact: Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment, 416-323- 6648, [email protected] Kyle Moffatt, Director, Communications, Cineplex Entertainment, 416-323-6728, [email protected] .
    [Show full text]
  • Wwe Q3 2018 Results – October 25, 2018 Forward-Looking Statements
    WWE Q3 2018 RESULTS – OCTOBER 25, 2018 FORWARD-LOOKING STATEMENTS This presentation contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to: entering, maintaining and renewing major distribution agreements; WWE Network (including the risk that we are unable to attract, retain and renew subscribers); our need to continue to develop creative and entertaining programs and events; the possibility of a decline in the popularity of our brand of sports entertainment; the continued importance of key performers and the services of Vincent K. McMahon; possible adverse changes in the regulatory atmosphere and related private sector initiatives; the highly competitive, rapidly changing and increasingly fragmented nature of the markets in which we operate and greater financial resources or marketplace presence of many of our competitors; uncertainties associated with international markets; our difficulty or inability to promote and conduct our live events and/or other businesses if we do not comply with applicable regulations; our dependence on our intellectual property rights, our need to protect those rights, and the risks of our infringement of others’ intellectual property rights; the complexity of our rights agreements across distribution mechanisms and geographical areas; potential substantial liability in the event of accidents or injuries occurring
    [Show full text]
  • 2020 WWE Finest
    BASE BASE CARDS 1 Angel Garza Raw® 2 Akam Raw® 3 Aleister Black Raw® 4 Andrade Raw® 5 Angelo Dawkins Raw® 6 Asuka Raw® 7 Austin Theory Raw® 8 Becky Lynch Raw® 9 Bianca Belair Raw® 10 Bobby Lashley Raw® 11 Murphy Raw® 12 Charlotte Flair Raw® 13 Drew McIntyre Raw® 14 Edge Raw® 15 Erik Raw® 16 Humberto Carrillo Raw® 17 Ivar Raw® 18 Kairi Sane Raw® 19 Kevin Owens Raw® 20 Lana Raw® 21 Liv Morgan Raw® 22 Montez Ford Raw® 23 Nia Jax Raw® 24 R-Truth Raw® 25 Randy Orton Raw® 26 Rezar Raw® 27 Ricochet Raw® 28 Riddick Moss Raw® 29 Ruby Riott Raw® 30 Samoa Joe Raw® 31 Seth Rollins Raw® 32 Shayna Baszler Raw® 33 Zelina Vega Raw® 34 AJ Styles SmackDown® 35 Alexa Bliss SmackDown® 36 Bayley SmackDown® 37 Big E SmackDown® 38 Braun Strowman SmackDown® 39 "The Fiend" Bray Wyatt SmackDown® 40 Carmella SmackDown® 41 Cesaro SmackDown® 42 Daniel Bryan SmackDown® 43 Dolph Ziggler SmackDown® 44 Elias SmackDown® 45 Jeff Hardy SmackDown® 46 Jey Uso SmackDown® 47 Jimmy Uso SmackDown® 48 John Morrison SmackDown® 49 King Corbin SmackDown® 50 Kofi Kingston SmackDown® 51 Lacey Evans SmackDown® 52 Mandy Rose SmackDown® 53 Matt Riddle SmackDown® 54 Mojo Rawley SmackDown® 55 Mustafa Ali Raw® 56 Naomi SmackDown® 57 Nikki Cross SmackDown® 58 Otis SmackDown® 59 Robert Roode Raw® 60 Roman Reigns SmackDown® 61 Sami Zayn SmackDown® 62 Sasha Banks SmackDown® 63 Sheamus SmackDown® 64 Shinsuke Nakamura SmackDown® 65 Shorty G SmackDown® 66 Sonya Deville SmackDown® 67 Tamina SmackDown® 68 The Miz SmackDown® 69 Tucker SmackDown® 70 Xavier Woods SmackDown® 71 Adam Cole NXT® 72 Bobby
    [Show full text]
  • 2021 Topps WWE NXT Checklist.Xls
    BASE BASE CARDS 1 Roderick Strong™ def. Bronson Reed™ NXT 2 Keith Lee™ Retains the NXT® North American Championship NXT TakeOver: Portland 3 The BroserWeights™ Win the NXT® Tag Team Championship NXT TakeOver: Portland 4 NXT® Champion Adam Cole™ def. Tommaso Ciampa™ NXT TakeOver: Portland 5 Johnny Gargano™ Attacks Tommaso Ciampa™ NXT 6 The BroserWeights™ Retain the NXT® Tag Team Championship NXT 7 Tommaso Ciampa™ and Johnny Gargano™ Brawl in the WWE® PC NXT 8 Keith Lee™ def. Dominik Dijakovic™ and Damian Priest™ NXT 9 Johnny Gargano™ def. Tommaso Ciampa™ NXT 10 Timothy Thatcher™ Fills in for The BroserWeights™ NXT 11 Karrion Kross™ Attacks Tommaso Ciampa™ NXT 12 Akira Tozawa™ def. Isaiah "Swerve" Scott™ NXT 13 El Hijo del Fantasma™ Debuts NXT 14 Jake Atlas™ def. Drake Maverick™ NXT 15 Kushida™ def. Tony Nese™ NXT 16 Isaiah "Swerve" Scott™ def. El Hijo del Fantasma™ NXT 17 Imperium™ Attacks Matt Riddle™ & Timothy Thatcher™ NXT 18 Drake Maverick™ def. Tony Nese™ NXT 19 NXT® North American Champion Keith Lee™ def. Damian Priest™ NXT 20 Johnny Gargano™ def. Dominik Dijakovic™ NXT 21 Karrion Kross™ def. Leon Ruff™ NXT 22 Adam Cole™ Retains the NXT® Championship NXT 23 Akira Tozawa™ Picks up a Tournament Victory NXT 24 Kushida™ def. Jake Atlas™ NXT 25 Jake Atlas™ def. Tony Nese™ NXT 26 Imperium™ Wins the NXT® Tag Team Championship NXT 27 Damian Priest™ Attacks Finn Bálor™ NXT 28 Riddle™ def. Timothy Thatcher™ NXT 29 El Hijo del Fantasma™ Wins Group B NXT 30 Roderick Strong™ def. Dexter Lumis™ NXT 31 Drake Maverick™ Wins Group A NXT 32 Tommaso Ciampa™ def.
    [Show full text]
  • WWE Network Streaming Schedule - Week of February 22, 2021
    WWE Network Streaming Schedule - Week of February 22, 2021 Monday, Feb 22 Tuesday, Feb 23 Wednesday, Feb 24 Thursday, Feb 25 Friday, Feb 26 Saturday, Feb 27 Sunday, Feb 28 Elimination Chamber WWE Photo Shoot WWE 24 WWE NXT UK 205 Live WWE's The Bump WWE 24 6AM 6AM 2021 Ron Simmons Edge Feb. 18, 2021 Feb. 19, 2021 Feb. 24, 2021 Edge R-Truth Game Show WWE's The Bump 6:30A The Second Mountain The Second Mountain 6:30A Big E & The Boss Feb. 24, 2021 WWE Chronicle Elimination Chamber 7AM 7AM Bianca Belair 2021 WWE 24 WrestleMania Rewind Elimination Chamber WWE NXT UK 7:30A 7:30A R-Truth 2021 Feb. 25, 2021 WWE NXT UK 8AM The Mania Begins 8AM Feb. 25, 2021 205 Live WWE NXT UK WWE 24 8:30A 8:30A Feb. 19, 2021 Feb. 18, 2021 R-Truth WWE Untold WWE NXT UK NXT TakeOver 9AM 9AM APA Feb. 18, 2021 Vengeance Day 205 Live Broken Skull Sessions 9:30A 9:30A Feb. 19, 2021 The Best of WWE Raw Talk WWE's THE BUMP WWE Photo Shoot 10AM Sasha Banks 10AM Feb 22, 2021 FEB 24, 2021 Kofi Kingston Elimination Chamber WWE Untold This Week in WWE 10:30A The Best of John Cena 10:30A 2021 APA Feb. 25, 2021 Broken Skull Sessions WWE 365 11AM 11AM Ricochet Elimination Chamber Liv Forever 11:30A Sasha Banks 11:30A 2021 205 Live SmackDown 549 WWE Photo Shoot 12N 12N Feb. 19, 2021 Feb. 26, 2010 Kofi Kingston WWE's The Bump Chasing The Magic WWE 24 12:30P 12:30P Feb.
    [Show full text]
  • The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
    Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order.
    [Show full text]
  • WWE Summerslam : Brock Lesnar's Opponent Announced
    WWE Summerslam : Brock Lesnar's opponent announced Author : Robert D. Cobb WWE's biggest party of the Summer comes on August 21st from the Barclay's Center in Brooklyn, New York for the second straight year. Well, we now know one of the matches on that card that will sure to be a classic. As announced on Smackdown on July 7, Brock Lesnar will be going up against “The Viper” Randy Orton. The last time we saw Brock Lesnar in the ring was at Wrestlemania 32 when he had a Street Fight against Dean Ambrose. We have not seen Randy Orton in any in-ring action since October of last year. These two wrestlers who are going to be going into the Hall of Fame eventually, have not faced each other since a Smackdown singles match in September of 2002. It should also be noted both Orton and Lesnar came into WWE when John Cena and Batista did as well. What is interesting though to note is the timing, Brock Lesnar is going to be main eventing this weekend's UFC 200 after the Jon Jones was removed. However, many of the wrestling sites like cagesideseats.com were reporting that the timing for this was not done on accident. Apparently, UFC will be advertising Lesnar's match at Summerslam. Also,it should be noted that Brock Lesnar is expected back on TV on July 19th which happens to be the Draft special. So figure that is where you will see the storyline begin to develop. Also, Randy Orton is expected to return to the WWE during a live show on August 13th.
    [Show full text]
  • WWE® Reports 2010 Third Quarter Results
    FOR IMMEDIATE RELEASE Contacts: Investors: Michael Weitz 203-352-8642 Media: Robert Zimmerman 203-359-5131 WWE® Reports 2010 Third Quarter Results STAMFORD, Conn., November 4, 2010 - World Wrestling Entertainment, Inc. (NYSE:WWE) today announced financial results for its third quarter ended September 30, 2010. Revenues totaled $109.6 million as compared to $111.3 million in the prior year quarter. Operating income was $20.3 million as compared to $14.5 million in the prior year quarter. Net income was $14.3 million, or $0.19 per share, as compared to $8.9 million, or $0.12 per share, in the prior year quarter. Impacting comparability to the prior year quarter are production tax credits recorded in both current and prior year quarters. Excluding the impact of these credits, Adjusted Operating income was $14.2 million as compared to $12.0 million in the prior year quarter. Adjusted Net income was $10.3 million, or $0.14 per share, as compared to $7.4 million, or $0.10 per share. “In the third quarter, our results reflected the Company’s continued focus on optimizing business results in a difficult environment,” stated Vince McMahon, Chairman and Chief Executive Officer. “We generated earnings growth despite a decline in revenue across many of our businesses. We believe our ongoing talent transition and the sluggish economy were important factors in these declines. Based on our history of developing talent and creating content with broad appeal, we are confident we can address these creative challenges. Further, by taking advantage of our strategic opportunities, we can achieve meaningful growth.” Comparability of Results Excluding the impact of production tax credits, Q3 2010 Adjusted Operating income increased 18% to $14.2 million and Adjusted EBITDA increased 12% to $17.4 million.
    [Show full text]
  • Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v
    [Show full text]
  • Personal Losses Lesa Williams Southern Illinois University Carbondale
    Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 8-1998 Personal Losses Lesa Williams Southern Illinois University Carbondale Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Williams, Lesa, "Personal Losses" (1998). Honors Theses. Paper 100. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Personal Losses Lesa Williams UHON 499 Prof. Rodney Jones Summer 1998 Acknowledgements The following poems have been previously published: "The Slow Death of Music in Paris," Poetry Motel "An Artist's Model in Her Grave," Papyrus "Rulebreakers will Be Punished Severely," Branching Out Table of Contemts Head of the House 1 Christ on Earth at 2 P.M. 2 A Samurai Giving Birth to Herself 3 Tresses 4 The Slow Death of Music in Paris 5 Skinning Myself 6 Carnivores 7 Framed Photographs 8 An Artist's Model in Her Grave 9 Stop 10 Testimony of Dead Branches 11 Bermuda Triangle 12 Necropolis 13 Rulebreakers Will be Punished Severely 14 Regrets from a Love Suicide 15 The Amusement Park 16 Screen ... 17 Dying Spring 18 Mountain Meadows 19 Interior Landscape 21 Williams--l Head of the House Not a breath of cool air moved when he returned, entered his horne. Not a sound of him reached the ears of family, wife and son. He might as well be dead, sitting in his La-Z-Boy clicking the remote.
    [Show full text]