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Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Jazzletter PO Box 240, Ojai CA
Gene Lees Jazzletter PO Box 240, Ojai CA. 93024-0240 April 1999 Vol. 18 No. 4 There is a widespread competence in young players, but they are The Immortal joker ofien as interchangeable as the parts on a GM pickup. They may Part Three be accomplished at the technical level, but too many are no more individual than Rich Little doing impressions. It is impossible in our time to perceive how Beethoven’s music The flatted fiflh chord and the minor-seventh-flat-five chord was perceived in his. This is true of artists generally We can were not new in westem music, but as composer Hale Smith points deduce it from the outrage visited on them by critics — Nicolas out, they were probably, for Monk and other jazz musicians, Slonirnsky’s Lexicon ofMusical Invective is a fascinating compen- discoveries, and thus became personal vocabulary. dium of such writings — but we can never actually feel the _ As" composers explored what we call western music over these original impact. last centuries, they expanded the vocabulary but they did not Even knowing how original Louis Annstrong was, we can invent, or re-invent it. However, this expansion, particularly in the never perceive him the way the thunderstruck young musicians of Romantic music of the nineteenth century, appeared to be.inven- his early days did. By the time many of us became aware of him, tion. Thus too with jazz, when Parker and Gillespie entered with Joe Glaser, his manager had manipulated him into position as an such éclat on the scene. -
The Perfect Pitch 2011
THE PERFECT PITCHTWO THOUSAND ELEVEN 2010–2011 Air Force Brass Ensemble Jane Rooks-Ross, Speaker Ann Arbor Trombone Choir George Ruckert, Sarod Arabesque Trio Ann Schein, Piano Chris Beckstrom, Saxophone Bernhard Scully, Horn Janet Beckstrom, Speaker Fred Hersch, Piano and Composer Greg Secor, Percussion D. Neil Bremer, Speaker Kip Hickman, Trombone Scott C. Shuler, Speaker Virginia Broffitt, Flute Quincy Hilliard, Composer and Conductor Theodore Sipes, Baritone Cleveland Jazz All-Stars Lisa A. Jelle, Flute Leonard Slatkin, Conductor George Curran, Trombone Dean Johnson, Voice Chris Smith, Trumpet Quincy Davis, Drums John Knowlton, Speaker Matt Snell, Speaker Carter Dewberry, Cello Carolyn Koebel, Percussion So Percussion Down the Line Carla LaFevre, Voice Julie Sooy, Flute Kurt Elling, Vocal Jazz Bénédicte Lauzière, Violin Philip Sparke, Conductor and Composer Kenny Endo Taiko Drum Ensemble Jerry Leake, Tabla Sphinx Chamber Orchestra Rolf Erdahl, Double Bass Vadim Mazo, Violin and Viola Michelle Stebleton, Horn James Erdman, Trombone Deb Moriarity, Piano Janet Sung, Violin Johannes Ernst, Saxophone Elinore Morin, Alexander Technique Toxic Audio Euclid String Quartet Michael Philip Mossman, Trumpet Frank Tracz, Conductor Jill Felber, Flute New Tricks Roger Treece, Vocal Jazz and Arranger Mark Flugge, Piano Robert Nordling, Adjudicator Tri-Fi Lynn Gackle, Conductor Justin O’Dell, Adjudicator Elena Urioste, Violin Kathryn Goodson, Piano Ted Oien, Clarinet Esther Vandecar, Taiko Drummer Tina Gorter, Piano Eric Olson, Violin Carrie Vecchione, -
Go to Wmich.Edu/Maps Haworth College of Business Oakland Dr
P Goldsworth Valley Residence Halls Building index Parking Structure 1 .................. D-9 A Parking Structure 2 ................... I-5 Ackley Hall Parking Services ...................... G-3 3 2 Garneau 1 Academic buildings Sports facilities Streets A (Goldsworth Valley 1) ................ A-6 Physical Plant ......................... C-15 WMU Campus Map Fox Key Admissions Public Safety (Police Station) .. D-12 Harvey (Seibert Administration Bldg.) ... F-7 Power Plant (Bob Beam) ......... H-10 Parking Student housing Find major routes Shilling B R Eldridge Bernhard Ctr. ............................. E-7 Read Fieldhouse (University Arena) F-9 Visitor parking Student services Bob Beam Power Plant ............ H-10 Richmond Ctr. ........................... H-5 Valley 2 Dr. Bookstore (Bernhard Ctr.) ......... E-7 Rood Hall ................................... F-5 Valley 3 Dr. Eicher Ackley Visit wmich.edu/broncotransit for route information. Britton Hall (Goldsworth Valley 1) B-6 ROTC ........................................ H-11 Brown Hall ................................ H-6 Harrison LeFevre B S Visit wmich.edu/disabilityservices for information about building accessibility or call Burnhams (Ernest and Smith) ... H-7 Sangren Hall ............................. F-6 Hadley C Schneider Hall ......................... D-4 Stinson (269) 387-2116. At wmich.edu/maps, click on layers on the right and scroll down to Campus Services Bldg. ........... G-13 Goldsworth Valley Apts. Accessibility to view information such as accessible parking, mobility routes, curb cuts, School of Medicine Clinics Chemistry Bldg. ........................ G-6 (Linda Richards Bldg.) ............ G-14 Britton electronic doors, ramp entrances and accessible buildings. Computer Ctr. ............................. G-6 Valley Dining Valley 1 Dr. Seelye Facility (Indoor Practice) D-14 D Seibert Administration Bldg. Center Goldsworth Dalton Ctr. ................................. H-6 TO W. MAIN (Admissions) ............................. F-7 Lower Davis Hall ................................. -
Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394)
JAMU 20150422-2 –Dizzy Gillespie-Lalo Schifrin suites (ukázky) Dizzy Gillespie and His Orchestra: A PORTRAIT OF DUKE ELLINGTON (Verve V6-8386) A1 In A Mellow Tone 3:44 A2 Things Ain't What They Used To Be 4:50 A3 Serenade To Sweden 4:23 A4 Chelsea Bridge 2:34 A5 Upper Manhatten Medical Group 3:05 A6 Do Nothin' Till You Hear From Me 2:38 B1 Caravan 5:18 B2 Sophisticated Lady 3:19 B3 Johnny Come Lately 3:35 B4 Perdido 4:47 B5 Come Sunday 2:56 Trumpet – Dizzy Gillespie Trombone – Bennie Green French Horn – Joe Singer, Ray Alonge, Richard Berg Tuba – Jay McAllister Flute – Robert DiDomenica Woodwind – Ernest Bright, John Murtaugh, Paul Richie, Stan Webb Vibraphone – George Devens Piano, Celeste – Hank Jones Bass – George Duvivier Drums – Charlie Persip Arranged By – Clare Fisher Recorded on 27-28 April, 1960 in NYC. Dizzy Gillespie and the Big Band: GILLESPIANA (Verve V6-8394) A1 Prelude 5:52 A2 Blues 11:16 A3 Panamericana 4:39 B1 Africana 7:31 B2 Toccata 12:01 Trumpet – Clark Terry, Dizzy Gillespie, Ernie Royal, Joe Wilder, John Frosk Trombone – Britt Woodman, Frank Rehak, Paul Faulise, Urbie Green Horns – Al Richman, Gunther Schuller, James Buffington, Julius Watkins, Morris Secon, William Lister Tuba – Don Butterfield Saxophone – Leo Wright Piano, Written-By, Arranged By – Lalo Schifrin Bass – Art Davis Drums – Chuck Lampkin Bongos – Jack Del Rio Congas – Candido Timbales, Timpani – Willie Rodriguez Recorded November 14-15, 1960 in New York Dizzy Gillespie and the Big Band: CARNEGIE HALL CONCERT (Verve V6-8423) A1 Manteca 6:22 A2 This Is -
04/17/1989 - Clark Terry at Eastern University Marketing and Communications
Eastern Illinois University The Keep 1989 Press Releases 4-17-1989 04/17/1989 - Clark Terry At Eastern University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_1989 Recommended Citation University Marketing and Communications, "04/17/1989 - Clark Terry At Eastern" (1989). 1989. 174. http://thekeep.eiu.edu/press_releases_1989/174 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 1989 by an authorized administrator of The Keep. For more information, please contact [email protected]. ... EASTERN ILLINOIS UNIVERSITY Charleston, Illinois ART TATE, Assistant Director, University Relations Office: (217) 581-5983- Home: (217) 348-7553 89-185 April 17, 1989 FOR IMMEDIATE RELEASE: :>- CLARK TERRY AT EASTERN ~.,. C':) CHARLESTON, IL.--Well-known jazz artist Clark Terry will appear Ca.:.) Ld-1 with the Eastern Illinois University Jazz Ensemble at 7:30 p.m. .,..,.. J ..._-- Thursday, April 20, in Eastern's Dvorak Concert Hall. Tickets for the concert, sponsored by Eastern's Jazz Studies Program and the University Board, can be purchased at the door for $5 for adults and $3 for students and senior citizens. Tickets can be ordered by calling the EIU Student Union Ticket Office at 581-5122. Terry will also present two clinic sessions at 2 and 3 p.m. in Eastern's Fine Arts Center. A trumpeter, Terry gained early recognition when he played with the bands of Charlie Banjet, Eddie Vinson and Charlie Ventura. He became widely known after joining Count Basie in 1948. -
Western News
WESTERN NEWS Volume 1, Number 4 WESTERN MICHIGAN UNIVERSITY September 26, 1974 Campus Approve New Briefs· Advising Plan The Beta Iota chapter of Kappa The first comprehensive Univer- Delta Pi, an honor society in edu- sity-wide plan for academic advis- cation, is taking a survey to deter- ing of Western students was ap- mine membership among the UDi- proved Friday by the WMU Board versity faculty in the society. Uni- of Trustees. versity faculty who are members . The Trustees' approval of the of the society are asked to notify plan, submitted by Dr. Philip Den- Jim Burns, chapter counselor, in enfeld, associate vice president for the teacher education department, academic affairs, authorizes the 3-0430. University to develop a system of *** academic advising composed of As of Oct. 3, all users files not many present departmental and accessed since Aug. 3 will be trans- college advising programs and mod- ferred to magnetic tape and purged ifications of other existing pro- from the disk system. The access grams. date is updated by reading, updat- Henry Mancini SUah Vaughn The new advising system results ing, or hmning the file. from a year-long study by a repre- In order to recover a file purged sentative University committee ap- from the disk, a user must request pointed to recommend a systematic that it be reinstated through the Robert Goulet Here Saturday, Mancini, approach to academic advising, PLEASE command or a written no- which Denenfeld told the Board tice to the manager of Computer Sarah Vaughn Head Homecoming Show "has for many years been uneven center Operations. -
Blues to Be There
JAZZ AT LINCOLN CENTER’S ESSENTIALLY ELLINGTON LIBRARY Wynton Marsalis, Managing and Artistic Director, Jazz at Lincoln Center Blues to Be There (from Newport Jazz Festival Suite) Duke Ellington and Billy Strayhorn Arranged by Billy Strayhorn As performed by Duke Ellington and His Famous Orchestra Transcribed and Edited by Mark Lopeman for Jazz at Lincoln Center Full Score This transcription was made especially for Jazz at Lincoln Center’s 2018–19 Twenty-Fourth Annual Essentially Ellington High School Jazz Band Program. Jazz at Lincoln Center and Jazz Lines Publishing gratefully acknowledge the cooperation and support provided in the publication of this year's Essentially Ellington music series: Founding leadership support for Essentially Ellington is provided by The Jack and Susan Rudin Educational and Scholarship Fund. Major support is provided by Jessica and Natan Bibliowicz, Alfred and Gail Engelberg, Casey Lipscomb, Dr. J. Douglas White and the King-White Family Foundation, Cheryl and Louis Raspino, Augustine Foundation, Ella Fitzgerald Charitable Foundation, and Charles Evans Hughes Memorial Foundation. NOTES ON PLAYING ELLINGTON 4. In Ellington’s music, each player should express the individuality More than one on a part makes it sound more like a concert band of his own line. He must find a musical balance of supporting and and less like a jazz band. At least 95% of modern-day large ensemble jazz playing comes out following the section leader and bringing out the character of the 11. This is acoustic music. Keep amplification to an absolute minimum; of three traditions: Count Basie’s band, Duke Ellington’s band, and the underpart. -
Download the Tenor Saxophone of Buddy Tate
1 The TENORSAX of GEORGE HOLMES TATE “BUDDY” Solographer: Jan Evensmo Last update: Jan. 4, 2020 2 Born: Sherman, Texas, Feb. 22, 1914 Died: Chandler, Arizona, Feb. 10, 2001 Introduction: We became familiar with Buddy Tate very early through his recordings with Count Basie. I met him once, many years ago, at the Molde International Jazz Festival. He was a very kind man, and when he realized I was doing some useful work on ja zz tenor saxophone, he invited me to his hotel room for whisky. We had a very nice time together in the light summer night of Norway! Early history: His brother, a saxophonist, gave Buddy an alto in 1925. Two years later began gigging with McCloud's Night Owls (led by his cousin, trumpeter Roy McCloud). In 1929 played for several months in Wichita Falls with the St. Louis Merrymakers, later that year joined Troy Floyd's Band in San Antonio. Briefly with Gene Coy's Band, then with Terrence Holder's 12 Clouds of Joy from 1930-33. Worked with E. J. Malone and his Rhythm Kings (early 1933), Wesley Smiths' Band, ‘Tan Town Topics’, and Ethel May's Band before joining Count Basie in Little Rock, Arkansas (ca. July 1934). From late 1934 until early summer 1935 with Andy Kirk, played with band at Wiley College, Texas, then long spell with Nat Towles until joining Count Basie in spring 1939. Remained with Basie until September 1948, brief return in early 1949, then for the rest of that year worked mostly with Hot Lips Page, occasionally with Lucky Millinder. -
Footnotes, Issue 3, Spring 2009
Western Michigan University ScholarWorks at WMU Footnotes: Department of English Newsletter (2008-2012) English Spring 2009 Footnotes, Issue 3, Spring 2009 Department of English Follow this and additional works at: https://scholarworks.wmich.edu/english_news Part of the English Language and Literature Commons WMU ScholarWorks Citation Department of English, "Footnotes, Issue 3, Spring 2009" (2009). Footnotes: Department of English Newsletter (2008-2012). 4. https://scholarworks.wmich.edu/english_news/4 This Newsletter is brought to you for free and open access by the English at ScholarWorks at WMU. It has been accepted for inclusion in Footnotes: Department of English Newsletter (2008-2012) by an authorized administrator of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 3Footnotes A Newsletter for Friends of the Department of English 2009 Distinguished Scholar Robert Bradley In 1951 Robert Bradley graduated cum “Going to Western has really made a difference laude from the College of Education with a major in my life,” said Bradley, “I was an outcast at Bloomfield in English Literature and minors in History and Hills High School and really found myself at Western. I am French; he also received the George Sprau award proud to have graduated from there.” in English. Sixty years later Bradley returns to Bradley will speak at the annual Department Western Michigan University to receive the English Awards and Recognition Ceremony that will be held on Department’s Distinguished Scholar Award. April 15. “I feel quite good to have my teaching ca- -Aly Worden reer recognized,” said Bradley. “I’m very pleased.” For more on Robert Bradley See Alumni Book Reviews on During his time as a student at Western, page 5 Bradley was highly influenced by one particular professor, Dr.William Brown. -
Kalamazoo, Michigan, 49008, USA August 1 – 4, 2018 Program
IGU Commission on Local and Regional Development Preconference Meeting Western Michigan University-Main Campus 1903 West Michigan Avenue W. E. Upjohn Center for the Study of Geographical Change 1100 Welborn Hall Kalamazoo, Michigan, 49008, USA August 1 – 4, 2018 Program WEDNESDAY, AUGUST 1, 2018 Arrival of Participants THURSDAY, AUGUST 2, 2018 8:30 AM Welcome to Kalamazoo and Western Michigan University Benjamin Ofori-Amoah, Department of Geography, Western Michigan University, Kalamazoo, Michigan, USA. Paper Session I Agriculture and Industry in Local and Regional Development 9:00 AM Phases to the Transformation of Agriculture in Central Europe – Selected Processes and their Results Jerzy Banski, Institute of Geography and Spatial Organization, Polish Academy of Sciences, Warszawa, Poland. 9:30 AM Industry Relatedness, FDI Liberalization and the Indigenous Innovation Process in China Anthony Howell, Peking University, Beijing, China. Paper Session II Disparities in Local and Regional Development 10:30 AM Development Differences in Poland and their Factors in the Period of the Influence of Contemporary Socio-economic Megatrends. Pawel Churski, Institute of Socio-Economic Geography and Spatial Management, Adam Mickiewicz University Poznan, Poland. 11:00 AM Territorial Disparities in the Socio-economic Development of Rural Areas in Romania Focus on the Social Disadvantaged Areas in Romania. Bianca Mitrică, Irena Mocanu, Ines Grigorescu, Nicoleta Damian, Paul Şerban, Monica Dumitraşcu, Institute of Geography, Romanian Academy, Bucharest, Romania. 12:00 Noon – 1:00 PM - Lunch Paper Session III Socio-economic Changes in Local and Regional Development 1:30 PM External Migration and Children Left Behind in Romania – A Consequence of the Post-Communist Socio-economic Changes: A Territorial Multi-Level Approach Ines Grigorescu, Irena Mocanu, Bianca Mitrica, and Monica Dumitrascu, Institute of Geography, Romanian Academy, Bucharest, Romania. -
Tape Reel Collection
Title Date Personnel/Notes Adderleys S.F./F. Navarro/Gillespie Paris 69 dubs of these albums? African Drums and Songs Elordi / Bill Graham / Eurell Mevills / Chief Bay Sounds of Night, When My Dreamboat, Cielito Avakian, George - "3 in Jazz" master tape dub 3/11/63 Lindo, Blues Tonight - Lord lists as 11/3/63 Bodega Band - Trondheim n.d. from "Per" Boston College, Fritz Piece end of box: Sound Effects #1 w/Clark Terry, Marty Harris, Nick Ceroli, Larry Ditto Commercial Gales - in manila envelope Edison, CT, Gillespie, L.Merian, Mendez, Nancy Perry's (Chicago) - compliation Ellington, Duke 1968 BBC tribute to Clark w/Ellington Ellington, Duke - Fargo, ND 11/7/40 w/Ellington Tribute, CBS New York 5/24/74 Ellington, Duke Orchestra 3/4-5/58 Travis AFB, CA; Mather Field AFB, CA Garvanoff, Jean Peron Requiem for Bud, music for Bud Powell Haerle, Dan, The Essence of, Reel #1 w/yellow lined paper, notes, track titles Hamme, Al - Binghamton, NY no other info Hawkins, Coleman and His Orchestra Commercial release - Crown ST 120 Henderson, Skitch Group - White House White House Staff Party - w/CT? Honesty / Song Has Ended mini-reel Jackson, Duffy 5/20/68 "To Clark: Great Musician…." Duffy Jackson Jamal, Ahmad 9/6/58 Commercial release - Bel Canto ST-117 Jazz Suite: Blues/Ballad Rock/Progressive-Latin 3/14/73 no other info Kelting, Reimer West Germany - no songs listed Kessel, Barney - Sandvik Big Band Norway? Tangerine, Don't Get Sassy Lambert, Jane Demo Tape 1978 Demo w/letter to Clark comp. by LeVester Cunningham; demo sung by Lonesome Little Black Cowboy Manuel Dickens; in corrugated cardboard box Mister Ambassador (show?) w/note from Johnny Graff Letter to CT about Roch, NY marketing radio Moyle, Will - letter (no tape) 5/29/78 survey Prof.