DOCSLIB.ORG

Day 1: Andy Goldsworthy Works Only with Materials He Finds in Nature. Some of the Things He Uses to Create Art Are Feathers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Day 1: Andy Goldsworthy Works Only with Materials He Finds in Nature. Some of the Things He Uses to Create Art Are Feathers Day 1: Andy Goldsworthy works only with materials he finds in nature. Some of the things he uses to create art are feathers, ice, sand, moss, stone, leaves, flower petals, pine cones, wood, thorns, twigs, and water. He likes to work in isolation in nature where he can experiment with different materials and develop his ideas alone. He photographs his sculptures because they only last a few days, hours, or sometimes minutes! The artist welcomes the changes that time brings. Try it! Take a walk outdoors. You do not have to go far to discover something new. Notice the colors, shapes and patterns in natural materials as you wander. Touch different materials to compare their texture, weight, and size. Like Goldsworthy, you may be inspired to make a work of art during your walk. Take a photo to remember it! Day 2: “I think best in wire.” -Alexander Calder Try it! You will need paper, a pencil or pen, and a single length of lightweight wire, such as plastic-coated electrical wire or picture hanging wire. Choose a subject you can observe closely, such as a family member or friend, a flower, an object in your home, or an animal. Before you pick up your pencil, let your eyes wander over the edges of your subject. Next, use your index finger to trace the outlines of the subject in the air, then try tracing them on your paper with your finger. Finally, take your pencil and begin to draw. Work slowly without lifting the pencil until the figure is finished. Let the continuous line cross over itself and loop from one area to another. Continuous line drawings take practice, so try different ways to make several drawings of the same subject. Now try it in wire! Think of wire as a single continuous line. Carefully bend and twist a piece of thin wire to create a three-dimensional “drawing” of your subject. To display your sculpture, stick the ends of the wire into a lump of clay or use string to hang it! Day 3: Andy Warhol, Ethel Scull 36 Times. 1963. For this portrait of art collector Ethel Scull, Andy Warhol took her to a photo booth in Times Square where she posed with different gestures and expressions. Then he used photo-silkscreen printing to transfer the photographs onto canvas. Notice how Warhol used multiple colors and positioned the prints in different ways to create thirty-six representations of her. Can you see the same pose more than once? How are they similar or different? Try it! Invite a family member to be your photographer. Choose a place in your home as your photo studio. Think carefully about the background for your portrait. Pose for the camera and experiment with different facial expressions. Choose nine of your favorite pictures and arrange them together on your device or print out your photographs and create a grid. How do your faces look all together? Day 4: What is the value of art? Why is it important? You don’t have to go to an art museum to appreciate art! You can see it everywhere. Seeing the beauty all around us makes life a little sweeter. Think about what art means to you and create a composition using words, pictures, and/or color! Day 5: Go to the MET! Use the link below to explore the Metropolitan Museum of Art collection using the MetKids Time Machine. Choose your destination by selecting the time, place, and ideas that interest you. This will take you on a virtual tour of the worlds of art that the museum offers! https://www.metmuseum.org/art/online-features/metkids/time-machine .
Load more

Recommended publications
  • The Social and Environmental Turn in Late 20Th Century Art
    THE SOCIAL AND ENVIRONMENTAL TURN IN LATE 20TH CENTURY ART: A CASE STUDY OF HELEN AND NEWTON HARRISON AFTER MODERNISM A DISSERTATION SUBMITTED TO THE PROGRAM IN MODERN THOUGHT AND LITERATURE AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LAURA CASSIDY ROGERS JUNE 2017 © 2017 by Laura Cassidy Rogers. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial-Share Alike 3.0 United States License. http://creativecommons.org/licenses/by-nc-sa/3.0/us/ This dissertation is online at: http://purl.stanford.edu/gy939rt6115 Includes supplemental files: 1. (Rogers_Circular Dendrogram.pdf) 2. (Rogers_Table_1_Primary.pdf) 3. (Rogers_Table_2_Projects.pdf) 4. (Rogers_Table_3_Places.pdf) 5. (Rogers_Table_4_People.pdf) 6. (Rogers_Table_5_Institutions.pdf) 7. (Rogers_Table_6_Media.pdf) 8. (Rogers_Table_7_Topics.pdf) 9. (Rogers_Table_8_ExhibitionsPerformances.pdf) 10. (Rogers_Table_9_Acquisitions.pdf) ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Zephyr Frank, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Gail Wight I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ursula Heise Approved for the Stanford University Committee on Graduate Studies. Patricia J.
    [Show full text]
  • Gender Performance in Photography
    PHOTOGRAPHY (A CI (A CI GENDER PERFORMANCE IN PHOTOGRAPHY (A a C/VFV4& (A a )^/VM)6e GENDER PERFORMANCE IN PHOTOGRAPHY JENNIFER BLESSING JUDITH HALBERSTAM LYLE ASHTON HARRIS NANCY SPECTOR CAROLE-ANNE TYLER SARAH WILSON GUGGENHEIM MUSEUM Rrose is a Rrose is a Rrose: front cover: Gender Performance in Photography Claude Cahun Organized by Jennifer Blessing Self- Portrait, ca. 1928 Gelatin-silver print, Solomon R. Guggenheim Museum, New York 11 'X. x 9>s inches (30 x 23.8 cm) January 17—April 27, 1997 Musee des Beaux Arts de Nantes This exhibition is supported in part by back cover: the National Endowment tor the Arts Nan Goldin Jimmy Paulettc and Tabboo! in the bathroom, NYC, 1991 €)1997 The Solomon R. Guggenheim Foundation, Cibachrome print, New York. All rights reserved. 30 x 40 inches (76.2 x 101.6 cm) Courtesy of the artist and ISBN 0-8109-6901-7 (hardcover) Matthew Marks Gallery, New York ISBN 0-89207-185-0 (softcover) Guggenheim Museum Publications 1071 Fifth Avenue New York, New York 10128 Hardcover edition distributed by Harry N. Abrams, Inc. 100 Fifth Avenue New York, New York 10011 Designed by Bethany Johns Design, New York Printed in Italy by Sfera Contents JENNIFER BLESSING xyVwMie is a c/\rose is a z/vxose Gender Performance in Photography JENNIFER BLESSING CAROLE-ANNE TYLER 134 id'emt nut files - KyMxUcuo&wuieS SARAH WILSON 156 c/erfoymuiq me c/jodt/ im me J970s NANCY SPECTOR 176 ^ne S$r/ of ~&e#idew Bathrooms, Butches, and the Aesthetics of Female Masculinity JUDITH HALBERSTAM 190 f//a« waclna LYLE ASHTON HARRIS 204 Stfrtists ' iyjtoqra/inies TRACEY BASHKOFF, SUSAN CROSS, VIVIEN GREENE, AND J.
    [Show full text]
  • 2008 Feature Template
    THE NW Scull Sum 10:Layout 1 6/21/10 3:25 PM Page 2 N E WS L E H T E F O T F I G , K R O Y W E N , T R A F O M U E S U M N A T I L O P O R T E M E H T D N A K R O Y W E N , T R A N A C I R E M A F O M U E S U M Y E N T I H W L Ethel Scull 36 E H T Times , 1963, was Y B D The Five-Year Plan Andy Warhol’s first E N W O commissioned Y L How the Met and the Whitney came to share an iconic Warhol T portrait. N I O J / K BY ANN LANDI R O Y W E N , ) oint-custody arrangements for chil - $2.2 million and earning the enmity of she should do with the portrait, and he S R A ( dren are commonplace when cou - the art world. recommended giving it to the Whitney Y T E I ples divorce, but works of art But a decade before the honeymoon Museum, which had shown his portraits C O S J rarely get shuttled between two homes. was over, Scull hired Warhol to paint from the ’70s in a spectacular exhibi - S T H Yet such is the case with Andy Warhol’s his wife’s likeness as a present for her tion.
    [Show full text]
  • Stanford Auctioneers Pop Art, Fine Art, Photographs: 3 Day Sale Friday – October 14Th, 2016
    Stanford Auctioneers Pop Art, Fine Art, Photographs: 3 Day Sale Friday – October 14th, 2016 www.stanfordauctioneers.com | [email protected] 1: ANDY WARHOL - 100 Cans USD 600 - 800 Andy Warhol (American, 1928 - 1987). "100 Cans [museum card]". Color offset lithograph. Printed 1984. Signed in black marker, center right. Edition unknown. Very light cream wove paper. The full sheet. Fine impression. Fine condition. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 6 x 4 in. (152 x 102 mm). [28785] |400| {R100} (TL1) nzz~rzz 2: ANDY WARHOL - 16 Jackies USD 800 - 900 Andy Warhol (American, 1928 - 1987). "16 Jackies [museum card]". Color offset lithograph. c1980. Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. Full margins. Very good impression. Very good condition. The original acrylic and silkscreen enamel on canvas was composed by Warhol in 1964 and is in the collection of the Walker Art Center, Minneapolis. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. Overall size: 7 x 5 in. (178 x 127 mm). [28347] |600| {R100} (TL1) rzz~izz 3: ANDY WARHOL & KEITH HARING - 20th Montreux Jazz Festival USD 1,500 - 1,800 Andy Warhol & Keith Haring (Americans, 20th Century). "20th Montreux Jazz Festival". Original color silkscreen. 1986. Signed in black marker by both Haring and Warhol, center left and right; signed in the plate by both Haring and Warhol. Edition unknown. White wove paper. Full margins. Fine impression with vibrant colors. Overall very good to fine condition.
    [Show full text]
  • Artist in the City As We Welcome Spring, Inspiration Blooms Everywhere
    arts & culture | nyc Artist in the City As we welcome spring, inspiration blooms everywhere. Visiting the vibrant art galleries and museums throughout New York City is an amazing way to let your mind run free and to experience different perspectives that can inspire you to blossom as well. Here are a few cutting-edge exhibits to visit in the Big Apple. May they stimulate Andy Warhol (1928–1987), Ethel Scull 36 Times, 1963. Silkscreen ink and acrylic on linen, thirty-six panels: 80 × 144 in. (203.2 × 365.8 cm) overall. Whitney your senses and open your Museum of American Art, New York; jointly owned by the Whitney Museum of American Art and The Metropolitan Museum of Art; gift of Ethel Redner mind to the new possibilities Scull 86.61a‒jj © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York ANDY WARHOL - FROM A TO B AND BACK AGAIN THE WHITNEY MUSEUM OF AMERICAN ART for this season. 99 GANSEVOORT STREET NEW YORK, NY 10014 Whitney.org By Jessica Licciardello Nestled between the High Line and 10th Avenue is the spectacular Whitney Museum, which is showcasing work by Andy Warhol through the end of March 2019. As with many well-known artists, we have seen the “greatest hits” many times—it is always a treat to delve deeper and see work that has not been in the public eye as frequently. This exhibit is the first Warhol retrospective organized in the U.S. since 1989, and the largest in terms of its scope of ideas and range.
    [Show full text]
  • Andy at a Sell out of a Closed Shoe Warehouse in the Late 1970S
    AndyUaMt PI OFFICIAL EXHIBITION CATALOGUE Reed Fine Art Gallery University of Maine at Presque Isle September 5 – October 11, 2008 Generous sponsorship for this exhibition from the Presque Isle Savings Bank of Maine. A special thank you to our UMPI arts alumna, JANE CAULFIELD, owner of Morning Star Art & Framing of Presque Isle. The University of Maine at Presque Isle is grateful for their support. COVER IMAGE : “Shoe, (Women’s Single) 1980” Polaroid Unless otherwise noted, all images © Andy Warhol Foundation for the Visual Arts, Inc. Catalogue by Linda Zillman, M.A., History of Photography; Design & Layout: Dick Harrison The Warhol Photographs The Owl Undated 5” x 7” black and white print It is sheer luck that we received this photo, UMPI’s owl mascot, from the Warhol Foundation. We have made the pairing of The Owl and The Pussycat in honor of Edward Lear’s poem and with the thought that it is just the kind of association Warhol would have made. In 1978 Martha Graham created a dance entitled The Owl and the Pussycat using the words from Lear’s famous poem. Rudolph Nureyev danced and Liza Minnelli was the narrator. The Owl and the Pussycat played at Covent Garden and in New York City. ( Diaries, p. 229-230) Andy was present at the Covent Garden opening on July 23, 1979. ( Diaries, p. 230) Both The Owl and The Pussycat share the same white background as well as interesting shadows in the photographs. Not exactly dancing “by the light of the moon,” as Lear wrote, but use your imagination! The Warhol Photographs The Pussycat Undated 5” x 7” black and white print In 1976, Andy Warhol did an acrylic and silkscreen ink on canvas portrait of a cat.
    [Show full text]
  • Shelby Derck, John Buyea, Rebecca Gregory, Dejun Liu, Tyler Sudyn, Nadia Parfait Andy Warhol
    Andy Warhol Shelby Derck, John Buyea, Rebecca Gregory, Dejun Liu, Tyler Sudyn, Nadia Parfait Andy Warhol ● August 6, 1928 - February 22, 1987. ● Leading figure in the Pop Art Movement. Suicide - Purple Jumping Man (1963) ● Silk screen painting in black ink on a purple background ● Currently held in Tehran ● Depicts two images in sequence ● Recorded by a documentary photographer Coca-Cola(3) (early 1962) ● Casein on Cotton ● At about 5.8 X 4.5 ft. the work stand as tall as a human. ● Hand painted not screen print Campbell's Soup Cans (1962) ● Synthetic polymer paint on 32 canvases; with each canvases measuring 20in x 16 in. ● All hand-painted. ● Also referred to as “32 Campbell’s Soup Cans”. Mao (1972) ● Screenprint on Beckett High White Paper. ● Size: 36″ x 36″ ● Edition of 250 signed in ball-point pen and numbered with a rubber stamp on verso. There are 50 AP singed and numbered in pencil on verso; some signed and numbered in ball-point pen. Portfolio of 10. Ingris Bergman with Hat (1983) ● Created by Warhol at the request of a Swedish art gallery. ● Made up of 3 different types of screen prints. ● Was printed in 1983 by Rupert Jason Smith in New York and published by Galerie Borjeson, Malmo, Sweden. Portrait of Maurice (1976) ● Painting of Gabrielle Keiller’s dog maurice ● Synthetic polymer paint and silkscreen ink on canvas ● 65.80 x 81.40 cm Camouflage Self Portrait (1986) ● Synthetic Polymer paint and silkscreen on canvas ● Part of a series of camouflage self portrait paintings ● Was intrigued by the use of camouflage in the military and as a fashion statement Rorschach (1984) ● Synthetic Polymer Paint on canvas ● Created by painting on half the canvas then folding it over ● Part of a series modeled after the “ink blot” test National Velvet (1963) ● Silver paint, silkscreen ink, and graphite on linen.
    [Show full text]
  • Máquina, Corpo E Erotismo Nos Filmes De Andy Warhol
    UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES CALAC NOGUEIRA SALGADO NEVES Máquina, corpo e erotismo nos filmes de Andy Warhol SÃO PAULO 2017 CALAC NOGUEIRA SALGADO NEVES Máquina, corpo e erotismo nos filmes de Andy Warhol Versão corrigida (Versão original encontra-se disponível na Biblioteca da ECA-USP e na Biblioteca Digital de Teses e Dissertações da USP — BDTD) Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais Área de Concentração: Meios e Processos Audiovisuais Orientador: Prof. Dr. Cristian Borges São Paulo 2017 I Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados fornecidos pelo(a) autor(a) Nogueira, Calac Máquina, corpo e erotismo nos filmes de Andy Warhol / Calac Nogueira. -- São Paulo: C. Nogueira, 2017. 129 p.: il. Dissertação (Mestrado) - Programa de Pós-Graduação em Meios e Processos Audiovisuais - Escola de Comunicações e Artes / Universidade de São Paulo. Orientador: Cristian Borges Bibliografia 1. Andy Warhol (1928-1987) 2. Cinema Experimental I. Borges, Cristian II. Título. CDD 21.ed. - 791.43 II FOLHA DE APROVAÇÃO Calac Nogueira Salgado Neves Máquina, corpo e erotismo nos filmes de Andy Warhol Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais. Banca Examinadora Prof. Dr.: __________________________________________ Instituição: ________________________________________ Assinatura: ________________________________________ Prof.
    [Show full text]
  • Andy Warhol's Key to Success
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2010 Appropriating from the World of Business: Andy Warhol's Key to Success Rusty Adam Meadows College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Arts and Humanities Commons Recommended Citation Meadows, Rusty Adam, "Appropriating from the World of Business: Andy Warhol's Key to Success" (2010). Undergraduate Honors Theses. Paper 701. https://scholarworks.wm.edu/honorstheses/701 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Appropriating from the World of Business: Andy Warholʼs Key to Success Defense Committee: Alan Wallach, Advisor Danielle Moretti-Langholtz Charles Palermo 1 By Rusty A. Meadows 2 Acknowledgments I would to thank the following people for the help they provided during the completion of this thesis: My academic and honors advisor Alan Wallach. My honors defense committee members: Danielle Moretti-Langholtz and Charles Palermo. The staff of the Muscarelle Museum of Art, with special thanks to: Aaron De Groft, Amy Gorman, and Christina Carroll. Those who granted me interviews: Jay Barrows, David Dalton, Vincent Fremont, and Gerard Malanga. Finally, my friends and family, especially Connie Meadows (my mother) and Autumn Parker (my sister). 3 Introduction The Pop art movement was one in which artists no longer fought against the consumerist world they lived in.
    [Show full text]
  • Andy Warhol—From a to B and Back Again Opens at Sfmoma on May 19, 2019
    ANDY WARHOL—FROM A TO B AND BACK AGAIN OPENS AT SFMOMA ON MAY 19, 2019 Critically Acclaimed Exhibition Marks First Retrospective of the Artist’s Work in 25 Years Warhol Film Program begins June 27 at SFMOMA Spanish Language Tours of the Exhibition Available Warhol-Inspired Menu Items at In Situ and Cafe 5 SAN FRANCISCO, CA (January 31, 2019)—The San Francisco Museum of Modern Art (SFMOMA) announces the exclusive West Coast presentation of the critically acclaimed exhibition, Andy Warhol— From A to B and Back Again on view from May 19 through September 2, 2019. Spanning the artist’s 40- year career and featuring more than 300 works on three different floors of the museum, the exhibition includes paintings, drawings, graphics, photographs, films, television shows as well as a San Francisco Museum of Modern Art Andy Warhol Press Release 1 personal time capsule of ephemera. The retrospective features examples of the artist’s most iconic pieces in addition to lesser-known abstract paintings from later in his career. Uncannily relevant in today’s image-driven world, Andy Warhol—From A to B and Back Again provides new insight into Andy Warhol himself by examining the complexities of this enigmatic artist more than 30 years after his death in 1987. The show’s title is taken from Warhol’s 1975 book, The Philosophy of Andy Warhol (From A to B and Back Again), a memoir featuring the artist’s musings on fame, love, beauty, class, money and other key themes that frequently appear in his work. “He’s a complicated figure and a complicated artist,” said Gary Garrels, Elise S.
    [Show full text]
  • Eric Shanes TS Warhol 4C.Qxd 10/11/2004 3:24 PM Page 2 TS Warhol ENG P-1.Qxd 10/13/2004 11:57 AM Page 2
    WARHOL Eric Shanes TS Warhol 4C.qxd 10/11/2004 3:24 PM Page 2 TS Warhol ENG P-1.qxd 10/13/2004 11:57 AM Page 2 For Jane Greenwood, with much love Page 3: Photo of Andy Warhol at the Antony d’Offay Gallery, London, 1986. Page 6: Self-Portrait, 1964, silkscreen ink, acrylic paint on canvas, 16 panels, each 50.8 x 40.6 cm, private collection. Text: Eric Shanes Layout: Baseline Co. Ltd 19-25 Nguyen Hue Blvd, District 1, Ho Chi Minh City, Vietnam ISBN 978-1-78042-960-1 © Confidential Concepts, worldwide, USA © Parkstone Press Ltd, New York, USA © Warhol Estate / Artists Rights Society, New York, USA All rights reserved. No part of this may be reproduced or adapted without the permission of the copyright holder, throughout the world. Unless otherwise specified, copyright on the works reproduced lies with the respective photographers. Despite intensive research, it has not always been possible to establish copyright ownership. Where this is the case, we would appreciate notification. This book is a third, revised edition of Warhol/The Masterworks by Eric Shanes which was first published in London in 1991. TS Warhol 4C.qxd 10/11/2004 3:24 PM Page 3 TS Warhol ENG P-1.qxd 10/13/2004 11:57 AM Page 3 WARHOL The Life and Masterworks Eric Shanes TS Warhol 4C.qxd 10/11/2004 3:24 PM Page 4 TS Warhol 4C.qxd 10/11/2004 3:24 PM Page 5 TS Warhol ENG P-1.qxd 10/13/2004 11:57 AM Page 5 CONTENTS The Life 9 The Masterworks 102 Peach Halves 96 Saturday’s Popeye 98 Before and After 3 100 Do It Yourself (Landscape) 102 32 Soup Cans 104 Baseball 106 192 One-Dollar
    [Show full text]
  • Kuwaittimes 14-11-2018.Qxp Layout 1
    RABI ALAWWAL 6,1440 AH WEDNESDAY, NOVEMBER 14, 2018 22º 28 Pages Max 150 Fils Established 1961 Min 20º ISSUE NO: 17683 The First Daily in the Arabian Gulf www.kuwaittimes.net Crown Prince returns Smartphones double-edged Search for bodies, answers Williams sparks Clippers over 2 home after private visit 6 sword for terrorist outfits 24 after Calif wildfire kills 42 28 Warriors in overtime upset All schools, public bodies shut as heavy rain forecast Govt forms fact-finding committee • Oil minister forced to submit probe report By B Izzak Amir, Abbas hold official talks KUWAIT: The government yesterday decided to sus- Call to scrap pend work at all ministries, state institutions, universities and public and private schools today as a precautionary 10-year-old measure. The step was taken in line with forecasts by local and global meteorologists that the country will wit- ness unstable weather conditions in the coming hours. cars rejected Forecasts indicate heavy downpours and active winds By A Saleh with high speed, the Cabinet said on its Twitter account yesterday. It added the precautionary move was taken to KUWAIT: The ministerial services committee ensure the safety of both citizens and expatriates. The rejected a proposal from the traffic council that Cabinet appealed to all people to be cautious and follow called for banning 10-year-old cars from the road, instructions and guidelines issued by official bodies and and preferred to wait because the time is “not suit- Kuwait TV in this matter. It prayed to Allah to protect the able”. Sources said the proposal is one of several country and people from any risks.
    [Show full text]