How Far Have We Come? a Critical Look at LGBTQ Identity in Young Adult Literature Cady Lewis Grand Valley State University

Total Page:16

File Type:pdf, Size:1020Kb

How Far Have We Come? a Critical Look at LGBTQ Identity in Young Adult Literature Cady Lewis Grand Valley State University Language Arts Journal of Michigan Volume 30 | Issue 2 Article 10 4-2015 How Far Have We Come? A Critical Look at LGBTQ Identity in Young Adult Literature Cady Lewis Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lajm Recommended Citation Lewis, Cady (2015) "How Far Have We Come? A Critical Look at LGBTQ Identity in Young Adult Literature," Language Arts Journal of Michigan: Vol. 30: Iss. 2, Article 10. Available at: https://doi.org/10.9707/2168-149X.2072 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Language Arts Journal of Michigan by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. CRITICISM How Far Have We Come? A Critical Look at LGBTQ Identity in Young Adult Literature CADY LEWIS n recent years, there has been an influx in the rec- professional manner at work, so none of their colleagues ognition of and interaction with YA literature that know for sure. Liza takes the opportunity to play house with portrays LGBTQ characters. The general consensus Annie. The girls are caught by another teacher and are re- of these discussions of representation in YA nov- ported to a school official, who finds it fitting to pursue a trial els is that we are being offered much more realistic regarding Liza being kicked out of school for her “miscon- Iand positive representations of LGBTQ teens than in past duct.” She is not banned from the school, but the two teach- decades. Still, there may be room for improvement when it ers whose home she and Annie stayed at are fired. Eventually, comes to overall visibility and the ways in which these stories Liza and Annie go their separate ways and head to college, are framed—as hopeful tales of coming to terms with iden- but the end of the novel reveals that they never stopped lov- tity, or as scare tactics meant to guide vulnerable readers back ing each other and rejoin each other during winter break. into a “safe” lifestyle of heterosexuality. Examining three Annie on My Mind was written in a time in which homo- novels with LGBTQ themes published in three different de- sexuality was less understood and less tolerated, which very cades allows us to see where the genre began and where it well could have contributed to the fact that Liza and Annie can still go. These works were chosen for three reasons: first, are met with such fear and trepidation from nearly every sup- they are YA novels that have main characters who identify, or porting character. The AIDS crisis was officially recognized come to identify, as LGBTQ individuals; second, they were in 1981, and the decade following seemed characterized by published in various decades that show the progression of ignorance and misinformation about being gay. This might the genre; and third, the main characters each have unique explain why Liza is subjected to Salem-like inquisitions of perspectives on their sexualities and are at varying landmarks her sexuality and her lifestyle, though even with taking the on the road to their own self-discoveries. history surrounding the time period into consideration, the First published in 1982, Nancy Garden’s Annie on My trials seem particularly ridiculous. Garden is sympathetic to Mind is considered one of the pioneering works focusing on LGBT teens, however, and several characters express disbe- lesbian teens. It is the story of two girls, Liza and Annie, lief that the girls’ sexualities are put on trial. Nevertheless, the who fall in love after becoming close friends. Liza is a driven, mere fact that this novel featuring lesbian teenagers was pub- college-bound class president who attends a private school lished and available to teen readers in the early 1980s is rea- with archaic traditions like a tattletale honesty policy. Annie son for recognition, and it certainly paved the way for other attends public school in the city, and Liza later learns that she young adult novels addressing LGBTQ issues and characters. has quite a rough life. The girls spend a lot of time together, One such novel is David Levithan’s Boy Meets Boy (2003). growing closer with each experience. Eventually, Annie con- This novel is set in a utopia in which queerness is not treated fesses that she thinks she might be gay. Liza has never given as a disability or as the incorrect alternative to straightness. much thought to her own sexuality but knows that she has Rather, it is celebrated. The protagonist is Paul, a gay high always felt different. school student who has known since kindergarten that he It is not long before their friendship turns into a roman- was gay, ever since his teacher wrote that he was on his re- tic relationship. Over the school year’s final break, Liza volun- port card: “Paul is definitely gay and has a very good sense teers to house sit for two teachers from her school while they of self ” (Levithan, 2003, p. 8). Paul is a popular student take a vacation. These two women live together, some people with many diverse friends, and he is completely happy with suspecting that they are lovers, though they act only in a who he is. A new student, Noah, catches Paul’s eye at the LAJM,Spring 2015 53 How Far Have We Come? A Critical Look at LGBTQ Identity in Young Adult Literature beginning of the story, and the two immediately feel com- he tracks down one of the attackers and fights him. With fortable with each other. Noah comes from a town in which help from his own parents and Dante’s parents, who are all being gay is considered abnormal, so Noah is not as open incredibly supportive, Ari is able to realize that his feelings about who he is as is Paul. Paul has had many boyfriends, but for Dante are more than platonic: he is gay and he is in love for him, Noah is different. with Dante. As soon as Paul and Noah strike up a friendship, one of The novel is situated somewhere in between Annie on Paul’s exes takes a renewed interest in Paul, which becomes My Mind and Boy Meets Boy. It reflects both the time period the novel’s main conflict: a form of a love triangle, though in which it is set and the one in which it was published, cre- Paul is only interested in one of the boys who is interested in ating a distinct environment of acceptance from most and him. The remainder of the novel consists of Paul trying to ignorance from some. The novel offers commentary not only win Noah back. Filled with many diverse characters, like the about discovering one’s sexuality but also simply about dis- transgender cheerleader and quarterback Infinite Darlene, covering one’s identity as a whole, something left unexplored and Paul’s best friend Tony, who lives one town over with by the two previous novels. religious and homophobic parents, several realities faced by These illustrative novels obviously vary in their content LGBTQ characters are explored in a unique utopian setting. and their message. None is perfect in its representation of The novel ends with Paul winning back Noah’s affection, and LGBTQ characters: Liza and Annie feel, at times, like card- with Tony’s friends helping him stand up to his parents once board cutouts whose identities as lesbians seem painted on; and for all. Paul’s life could be described as too unrealistic; and Ari and Often called a modern fairytale, this novel takes a unique Dante do not seem to have sufficient time for interaction approach to representing LGBTQ teens. Here, adolescents upon discovering who they are. Despite their shortcomings, are allowed to be secure in their identities and make their however, these novels indicate that the young adult genre is own decisions about who they are and who they love in a way becoming more inclusive and is working toward more posi- that is so often denied to teenagers, whether they identify as tive representation. gay or not. An interesting contrast to the novels that came before it, including the much more grim landscape of Annie Lesbian Liteature in History on My Mind, Boy Meets Boy is a novel that explores what is still possible for our society when it comes to the treatment, ac- Much of the existing research about LGBTQ YA nov- ceptance, and celebration of the gay community. els focuses on the representation of a partiular kind of LG- Another recent young adult novel that explores LGBTQ BTQ individual: for example, discussing only novels about themes is Aristotle and Dante Discover the Secrets of the Universe gay young men or only about lesbian young women. There by Benjamin Alire Saenz. Though published in 2012, the are significant differences in the lifestyles of these teens, to novel takes place in the 1980s, a couple of years later than be sure, and pretending that their narratives can be lumped the time in which the story of Liza and Annie unfolds. The into one main “queer narrative” is problematic in itself. How- main character is Ari, short for Aristotle, who has always felt ever, that these novels are being evaluated for their positive like an outsider. At the beginning of the summer, he meets or negative representations of LGBTQ people underscores Dante, and the two form a friendship based on the fact that the importance of young adult books including a wide vari- Dante is exactly who Ari needs: someone who is completely ety of characters with a wide range of orientations.
Recommended publications
  • Conflicts in Appraising Lesbian Pulp Novels Julie Botnick IS 438A
    Pulp Frictions: Conflicts in Appraising Lesbian Pulp Novels Julie Botnick IS 438A: Seminar in Archival Appraisal June 14, 2018 Abstract The years between 1950 and 1965 were the “golden age” of lesbian pulp novels, which provided some of the only representations of lesbians in the mid-20th century. Thousands of these novels sit in plastic sleeves on shelves in special collections around the United States, val- ued for their evocative covers and campy marketing language. Devoid of accompanying docu- mentation which elaborates on the affective relationships lesbians had with these novels in their own time, the pulps are appraised for their value as visual objects rather than their role in peo- ple’s lives. The appraisal decisions made around these pulps are interdependent with irreversible decisions around access, exhibition, and preservation. I propose introducing affect as an appraisal criterion to build equitable collections which reflect full, holistic life experiences. This would do better justice to the women of the past who relied on these books for survival. !1 “Deep within me the joy spread… As my whole being convulsed in ecstasy I could feel Marilyn sharing my miracle.” From These Curious Pleasures by Sloan Britain, 1961 Lesbian pulp novels provided some of the only representations of lesbians in the mid-20th century. Cheaper than a pack of gum, these ephemeral novels were enjoyed in private and passed discreetly around, stuffed under mattresses, or tossed out with the trash. Today, thou- sands of these novels sit in plastic sleeves on shelves in special collections around the United States, valued for their evocative covers and campy marketing language.
    [Show full text]
  • Carolyn G. Heilbrun I Beautiful Shadow: a Life of Patricia Highsmith by Andrew Wilson PRODUCTION EDITOR: Amanda Nash [email protected] 7 Marie J
    The Women’s Review of Books Vol. XXI, No. 3 December 2003 74035 $4.00 I In This Issue I Political organizers are serious, while the patrons of drag bars and cabarets just wanna have fun, right? Julie Abraham challenges the cate- gories in her review of Wide Open Town: A History of Queer San Francisco. Cover story D I Before she died, Carolyn Heilbrun contributed a final essay to the Women’s Review—a discussion of Beautiful Shadow: A Biography of Patricia Highsmith. The piece expresses Heilbrun’s lifelong inter- est in writing women’s lives, and we publish it with pride and sadness, along with a tribute to the late scholar and mystery novelist. p. 4 Kay Scott (right) and tourists at Mona's 440, a drag bar, c. 1945. From Wide Open Town. I When characters have names like Heed the Night, L, and Celestial, we could be nowhere but in a Toni Morrison novel. Despite Tales of the city its title, Love, her latest, is more by Julie Abraham philosophical exploration than pas- Wide Open Town: A History of Queer San Francisco to 1965 by Nan Alamilla Boyd. sionate romance, says reviewer Deborah E. McDowell. p. 8 Berkeley, CA: University of California Press, 2003, 319 pp., $27.50 hardcover. I I The important but little-known n Wide Open Town, Nan Alamilla Boyd so much lesbian/gay/bisexual/transgender feminist Lucy Stone, who stumped presents queer San Francisco as the scholarship, have served as key points of the country for women’s suffrage, Iproduct of a town “wide open” to all reference in US queer studies over the past forms of pleasure, all forms of money-mak- two decades.
    [Show full text]
  • 209 Queer Serial Transcript
    American LGBTQ+ liberation from day 1 to Stonewall. Written & produced by Devlyn Camp Episode released August 5, 2020 [email protected] Season 2, Episode 9: “The Twilight Woman” Visit www.queerserial.com for resources and additional information. For images to accompany the story, follow the show @queerserial on Instagram & Twitter For this episode, begin with posts starting August 3, 2020. (Click above.) The original Mattachine Society jester logo is courtesy of ONE Archives at the USC Libraries. This transcript includes text from real homophile-era publications, letters, organizational documents, et cetera. These texts contain identifying terms that may now be out of date. MARGE: She joined the trio of sexual perverts. The majority of the female customers were dressed in mannish costume. Agent recommends the revocation of liquor license for Mary’s First and Last Chance Bar on the grounds that it is a resort for sex perverts. HOST: Just two days before Christmas 1959, the ruling comes down on Mary’s First and Last Chance, a lesbian bar in Oakland, California. After the Alcoholic Beverage Control Board orders the revocation of the bar’s liquor license on the grounds that it’s a “resort for sex perverts,” bar owners Mary Azar and Albert Vallerga hire attorney Morris Lowenthal. Lowenthal has previously defended the Black Cat Café. Throughout Lowenthal’s appeals process, he defends Mary’s First and Last by using the Daughters of Bilitis as an example of the bar’s clientele. Look at these upstanding, law-abiding, gendernormative citizens! These women wear skirts and have long hair. On December 23, 1959, the California Supreme Court rules in favor of Mary’s First and Last Chance.
    [Show full text]
  • Sketchy Lesbians: "Carol" As History and Fantasy
    Swarthmore College Works Film & Media Studies Faculty Works Film & Media Studies Winter 2015 Sketchy Lesbians: "Carol" as History and Fantasy Patricia White Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-film-media Part of the Film and Media Studies Commons Recommended Citation Patricia White. (2015). "Sketchy Lesbians: "Carol" as History and Fantasy". Film Quarterly. Volume 69, Issue 2. 8-18. DOI: 10.1525/FQ.2015.69.2.8 https://works.swarthmore.edu/fac-film-media/52 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Film & Media Studies Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. FEATURES SKETCHY LESBIANS: CAROL AS HISTORY AND FANTASY Patricia White Lesbians and Patricia Highsmith fans who savored her 1952 Headlining a film with two women is considered box of- novel The Price of Salt over the years may well have had, like fice bravery in an industry that is only now being called out me, no clue what the title meant. The book’s authorship was for the lack of opportunity women find both in front of and also murky, since Highsmith had used the pseudonym Claire behind the camera. The film’s British producer Liz Karlsen, Morgan. But these equivocations only made the book’s currently head of Women in Film and Television UK, is out- lesbian content more alluring. When published as a pocket- spoken about these inequities. Distributor Harvey Weinstein sized paperback in 1952, the novel sold nearly one million took on the risk in this case, banking on awards capital to copies, according to Highsmith, joining other suggestive counter any lack of blockbuster appeal.
    [Show full text]
  • "Drifting on an Unfriendly Sea" Lesbian Pulp Novels and the Creation Of' Community
    "Drifting on an unfriendly sea" Lesbian pulp novels and the creation of' community Linnea A. Stenson he 1940s and 1950s brougb t considerable changes to the lives of women iJ1 the United States. World War IT brought an influx of single women T ineo major metropolitan areas. Their newfound ind pendence and economic strength gave them freedoms they had not had since World War 1. As well, they tended to live in highly sex-segregated communities, both in the armed services and in civilian housing, which allowed lesbians to find one another in a manner that had been nearly impossible before. The growth of the number of bars that catered exclusively to homosexuals began to foster a semblance of group identity. The publication of the Kinsey reports startled the American consciousness with scientific evidence that the frequency of homosexual activity, for both women and men, was significantly higher than previously thought. Finally, the publication of Donald Webster Cory's The homosexual in America in 1951 (and The lesbian inAme­ rica later in 1964) presented a new view of the homosexual: that of a persecuted minority. All these factors played into the "bloom" of lesbian novels that occurred during the 195 Os and early 1960s. The paperback revolution begun by Pocket Books in 1939 made books affordable and sex (of A VIVID AND SEARCHING NOVEL OF FORBIDDEN any sort) made them saleable. LOVE IN THE TWILIGHT WORLD OF THE THIRD SEX While the 1940s saw little in the 45 Linnea A. Stenson way of lesbian fiction published due to "military requisition of cellulose for explosives, which resulted in an unprecedented shortage of paper and stringent selectivity in published fiction" (Foster 1956 p.
    [Show full text]
  • Winter 2003 Newsletternewslettera Publication of the Gay, Lesbian, Bisexual, Transgendered Newsletternewsletterround Table of the American Library Association
    Vol 15 Volume 15 Number 4 GLBTRTGLBGLB NewsletterTRTRTT WinterNo 2003 4 Winter 2003 NewsletterNewsletterA publication of the Gay, Lesbian, Bisexual, Transgendered NewsletterNewsletterRound Table of the American Library Association Hello, all!! The 2004 midwinter conference is almost here! As usual, the Round Table will have the two Steering Committee Thanks so much to everyone for helping to bring this issue of the meetings, which all members are welcome and encouraged newsletter together. I always depend on all of you to make this to attend. The candidates for ALA President will be making work, and every time you provide me with wonderful materials. a brief appearance at the Monday meeting of the Steering Thank you all so much! Committee. If you have any questions or comments about the newsletter, The all committee meeting on Saturday morning at 8 am or if you wish to submit something for an upcoming issue, offers committees to meet and plan their activities. If you please email me. I am always happy to get new material! are not on a committee and would like to be, please come to this meeting. It will offer you the opportunity to meet Thank you for your ongoing support! those who are involved. Ken Wells, GLBTRT Newsletter Editor At the end of the all committee meeting, Ebsco has asked [email protected] for an opportunity to demonstrate the new GLBT Life data- base. I have asked Ebsco for a trial so everyone can have a chance to look at the database. Hopefully by the time this is published you will have access to the database.
    [Show full text]
  • WGSS 2367.03 Professor C. Burack US Lesbian Writers: [email protected] Text and Context 274 University Hall Office Hours: W 4-5:00 Autumn 2013 and by Appointment
    WGSS 2367.03 Professor C. Burack US Lesbian Writers: [email protected] Text and Context 274 University Hall Office Hours: W 4-5:00 Autumn 2013 and by appointment Lesbians in the US have written their lives, fears, desires, fantasies, aspirations, and politics. Has lesbian writing changed over time? Or have our expectations of lesbian writing changed? This course examines lesbian experience in the US since the 1950s, with an emphasis on intersections between fiction/creative non-fiction and lesbian socio-political history. Women’s, Gender and Sexuality Studies 2367.03 fulfills the “writing and related skills” and the “social diversity in the United States” GEC requirements. WGSS 2367.03 may also be applied to the major or minor requirements in the Sexuality Studies Program Required Texts Patricia Highsmith, The Price of Salt (1951) “Vin Packer,” Spring Fire (1952) Rita Mae Brown, Rubyfruit Jungle (1973) Karla Jay, Tales of the Lavender Menace: A Memoir of Liberation (2000) Alison Bechdel, Fun Home: A Family Tragicomic (2006) Readings on Carmen • Craig Loftin, Masked Voices, “Introduction: The Masks of McCarthy” • Marijane Meaker, Highsmith: A Romance of the 1950s, Chapters 1-5 • Katherine V. Forrest, editor, Lesbian Pulp Fiction: The Sexually Intrepid World of Lesbian Paperback Novels 1950-1965, Introduction Course Requirements You must complete all readings by the dates indicated on the schedule below. I expect you to attend all class meetings, and I will keep track of attendance through the distribution of a roll sheet at the beginning of every class period. You may miss 3 classes without penalty; for every absence after the 3rd, 3 points will be subtracted from the final score for your papers.
    [Show full text]
  • Queer Texts and the Cold War: How Nationalism and Domesticity Shaped U.S
    Queer Texts and the Cold War: How Nationalism and Domesticity Shaped U.S. Lesbian and Gay Writing, 1945-1960 A Dissertation Submitted to the Faculty of the Graduate School of the University of Minnesota and the Department of American Studies by Angela E. Galik In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy June 2009 Dr. Edén Torres, Advisor Copyright © Angela E. Galik, June 2009. Acknowledgements The best part of completing this dissertation is that I get to reflect with joy and gratitude on the many people who have helped and supported me in my journey through graduate school, through the development and writing of the dissertation itself, and through all the surprises and transitions that Life came up with along the way. I offer my most sincere and humble thanks and appreciation to all of those people now, with the faith that if I accidentally forget to mention any names, my gratitude will nonetheless be felt by all who have contributed to my success. The faculty in American Studies and English (and a few other fields) with whom I have had the great privilege to work during my years at the University of Minnesota are truly beyond compare. I cannot imagine a more passionate, committed, brilliant group of professors. Most importantly and most remarkably, not only are the American Studies faculty accomplished and well-respected scholars, each and every one of them are also dedicated to graduate education and supportive of graduate students themselves. At every stage, I knew that I could trust my professors not only to challenge me, but also to help me to refine my thinking, polish my writing, expand my awareness, narrow my questions, own my arguments, and send my work out into the world.
    [Show full text]
  • “A Brilliant Story of Lesbian Love”: Lesbian Paperback Originals and Lesbian Identity in 1950Sand 1960Samerica
    FOOTNOTES Volume 1 (2008) QUEER THEORY & EMBODIMENT “A Brilliant Story of Lesbian Love”: Lesbian Paperback Originals and Lesbian identity in 1950s and 1960s America Tamara de Szegheo Lang Abstract The 1950s and 1960s were terribly oppressive fbr lesbians. Not only was homosexuality considered an illness but it was illegal, which meant that many women had to live in secrecy. Pulp fiction novels were one place where lesbians could find Out about other women like them, offering them a sense of community. These novels are valuable fbr more than just this however. They can also provide an indication as to the social and political climate at the time as well as the events that may have subconsciously affected the authors’ develop ment of these stories. The novel Beebo Brinker by Ann Bannon is one example of these novels that reflects on the time period. Introduction: The Importance of Pulp Lesbians who lived through the 1 950s often remark on the support that lesbian paperback novels offered in a very oppressive age for lesbians in America. As Yvonne Keller writes in her study of the genre; “when it was conceptualized at all in the 1950s, homosexuality was a crime, sin, or illness; many individuals thought of themselves as ‘flawed individuals’ or people with a ‘homosexual problem.” Since lesbians were trained to be ashamed of their sexuality, they could not often be open about it. This, in turn, made it seem as though lesbianism was rare. This led to feelings of deep isolation and fear for many lesbian women. It was thus very important for women to know that they were not alone, that other lesbians existed and that it was possible to find a community that was supportive.
    [Show full text]
  • Biblio-Notes
    Biblio-Notes Issued by the Literatures in English Section of the Association of College & Research Libraries, a division of the American Library Association #45 Spring 2005 ISSN 1076-8947 Notes from the Chair: I invite you all to attend our program, as well as the rest of the LES events at ALA Annual, as we navigate our own “rivers of change.” Rivers of Change Jen Stevens As I write this, the ACRL National LES Chair, 2004-2005 Conference in April is swiftly approaching. It’ll George Mason University probably have long been over by the time that [email protected] you see this column, but I think that its theme, “Navigating the Rivers of Change,” will still be relevant. Change seems to be the one constant for LES Mentoring Program academic and research libraries. Some of this Call for Volunteers change comes from larger changes in higher education, such as the growth in distance Are you seeking guidance and direction in education programs, while other changes seem your professional career? largely driven by technology. Of course, we’re not the only ones changing. Other libraries are Would you like to help colleagues navigate changing too. Ask a roomful of reference their way through librarianship? librarians whether there will still be reference desks in ten years, and you’ll likely to get a The ALA/ACRL Literatures in English Section roomful of nervous laughter. is actively working to match mentors and Not surprisingly, many of our LES discussions mentees according to their needs, areas of and programs have reflected that sense of interest, and work experience, among other change.
    [Show full text]
  • Lesbian Pulp Fiction and Community Formation 1950
    S Lou Stratton ([email protected]), Dr Danielle Fuller School of English, Drama, and American and Canadian Studies Utilising a Sociological Methodology On its own, mainstream sociological thought is inadequate because there is an implicit denial of the lesbian community as a community. Though foundational to the formation of Sociology, the theories of Comte, Durkheim, Weber, and Simmel are inadequate when describing that which lies outside of normative concepts of gender. An overall focus on the heteropatriarchal family in sociological study, in addition to the influence of Various images of The Ladder: lesbian periodical published from 1956-1972. Courtesy of The GLBT Freudian psychoanalysis (Millet 1970) on the sociological schools in the Historical Society, San Francisco, CA. United States, leads to heterosexist definitions of community. Post-1900 sociological definitions of community become gender-dependent The Daughters of Bilitis (DOB) when conceived of mainstream (or male stream) sociological thought. For The DOB formed in 1955 and published The Ladder. Historically grouped an examination of lesbian community, a view focused on the image of the with male homophile organisations, including the Mattachine Society and 1950s nuclear family would lead to warped interpretations of community One, Inc., the DOB initially sought integrationist strategies, minimising the structure. publicly perceived difference between lesbians and straight women, before allying ‘with the militant segment of the homophile movement’ in the 1960s (Esterberg 1994, pp.426-427). In the context of homosexual and communist persecution of the McCarthy Era (Esterberg 1994 and Schultz 2001) it was perhaps necessary for the DOB to ‘[sacrifice] lesbian sexuality to protect its members’ (Schultz 2001, p.385).
    [Show full text]
  • WGSS 367.03 Professor Cynthia Burack US Lesbian Writers: Text and Context 274 University Hall Office Hours: Wednesday 3:00-5:00 Autumn 2011 and by Appointment
    WGSS 367.03 Professor Cynthia Burack US Lesbian Writers: Text and Context 274 University Hall Office Hours: Wednesday 3:00-5:00 Autumn 2011 and by appointment Lesbians in the US have written their lives, fears, fantasies, aspirations, and politics. Has lesbian writing changed over time? Or have our expectations of lesbian writing changed? This course examines lesbian experience in the US since the 1950s, with an emphasis on intersections between fiction/creative non-fiction and lesbian socio-political history. Women’s, Gender, and Sexuality Studies 367.03 fulfills the “writing and related skills” and the “social diversity in the United States” GEC requirements. WGSS 367.03 may also be applied to the major or minor requirements in the Sexuality Studies Program. Required Texts Patricia Highsmith, The Price of Salt, (1951) “Vin Packer,” Spring Fire (1952) Rita Mae Brown, Rubyfruit Jungle (1973) Karla Jay, Tales of the Lavender Menace: A Memoir of Liberation (2000) Alison Bechdel, Fun Home: A Family Tragicomic (2006) Linda Villarosa, Passing for Black (2008) Readings on Carmen • Craig Loftin, Masked Voices, “Introduction: The Masks of McCarthy” • Marijane Meaker, Highsmith: A Romance of the 1950s, Chapters 1-5 • Katherine V. Forrest, editor, Lesbian Pulp Fiction: The Sexually Intrepid World of Lesbian Paperback Novels 1950-1965, Introduction • Ellen D. B. Riggle, Amber Olsen, Joy S. Whitman, and Sharon Scales Rostosky, “The Positive Aspects of Being a Lesbian or Gay Man” • Diane DiMassa, The Complete Hothead Paisan: Homicidal Lesbian Terrorist, selections, pp. 79-123 [note: this reading is not required] Course Requirements You must complete all readings by the dates indicated on the schedule below.
    [Show full text]