209 Queer Serial Transcript
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Conflicts in Appraising Lesbian Pulp Novels Julie Botnick IS 438A
Pulp Frictions: Conflicts in Appraising Lesbian Pulp Novels Julie Botnick IS 438A: Seminar in Archival Appraisal June 14, 2018 Abstract The years between 1950 and 1965 were the “golden age” of lesbian pulp novels, which provided some of the only representations of lesbians in the mid-20th century. Thousands of these novels sit in plastic sleeves on shelves in special collections around the United States, val- ued for their evocative covers and campy marketing language. Devoid of accompanying docu- mentation which elaborates on the affective relationships lesbians had with these novels in their own time, the pulps are appraised for their value as visual objects rather than their role in peo- ple’s lives. The appraisal decisions made around these pulps are interdependent with irreversible decisions around access, exhibition, and preservation. I propose introducing affect as an appraisal criterion to build equitable collections which reflect full, holistic life experiences. This would do better justice to the women of the past who relied on these books for survival. !1 “Deep within me the joy spread… As my whole being convulsed in ecstasy I could feel Marilyn sharing my miracle.” From These Curious Pleasures by Sloan Britain, 1961 Lesbian pulp novels provided some of the only representations of lesbians in the mid-20th century. Cheaper than a pack of gum, these ephemeral novels were enjoyed in private and passed discreetly around, stuffed under mattresses, or tossed out with the trash. Today, thou- sands of these novels sit in plastic sleeves on shelves in special collections around the United States, valued for their evocative covers and campy marketing language. -
Sexual Orientation and Gender Expression
1 Carmichael, J.V. (2014). Sexual Orientation and Gender Expression. In M. Alfino & L. Koltutsky (Eds.), The Library Juice Press Handbook of Intellectual Freedom: Concepts, Cases and Theories (pp.380-404). Sacramento, CA: Library Juice Press. Made available courtesy of Litwin Books, LLC: http://libraryjuicepress.com/IF- handbook.php ***Reprinted with permission. No further reproduction is authorized without written permission from Litwin Books, LLC. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document. *** Sexual Orientation and Gender Expression Coming from the insularity and prejudices of England [. .] she [Madge Garland] also found something as elusive and enduring as this aesthetic awakening: an instinct for the possibilities of friendship and an understanding of the world as her home. She called it “freedom of thought.” Lisa Cohen, For All We Know (2012) Introduction Our ability to use words as we see fit is perhaps the primary measure of our intellectual freedom. Otherwise, we would live in a dream world, largely unexpressed. We form hierarchical classifications of value, create laws by which we function as societies, interpret law and custom, and make decisions that in turn are justified by ethical and moral understandings through words. This essay discusses words and their changing meanings over time as they have referred to sexual orientation and gender expression, and how language generally engages intellectual freedom. How humans have designated meaning by symbols and signs is one of the enduring objects of study. Words conceal as well as reveal meaning too. Minority members invent local patois understood only by initiates so that they may communicate with one another without being understood by members of the usually oppressive majority. -
Carolyn G. Heilbrun I Beautiful Shadow: a Life of Patricia Highsmith by Andrew Wilson PRODUCTION EDITOR: Amanda Nash [email protected] 7 Marie J
The Women’s Review of Books Vol. XXI, No. 3 December 2003 74035 $4.00 I In This Issue I Political organizers are serious, while the patrons of drag bars and cabarets just wanna have fun, right? Julie Abraham challenges the cate- gories in her review of Wide Open Town: A History of Queer San Francisco. Cover story D I Before she died, Carolyn Heilbrun contributed a final essay to the Women’s Review—a discussion of Beautiful Shadow: A Biography of Patricia Highsmith. The piece expresses Heilbrun’s lifelong inter- est in writing women’s lives, and we publish it with pride and sadness, along with a tribute to the late scholar and mystery novelist. p. 4 Kay Scott (right) and tourists at Mona's 440, a drag bar, c. 1945. From Wide Open Town. I When characters have names like Heed the Night, L, and Celestial, we could be nowhere but in a Toni Morrison novel. Despite Tales of the city its title, Love, her latest, is more by Julie Abraham philosophical exploration than pas- Wide Open Town: A History of Queer San Francisco to 1965 by Nan Alamilla Boyd. sionate romance, says reviewer Deborah E. McDowell. p. 8 Berkeley, CA: University of California Press, 2003, 319 pp., $27.50 hardcover. I I The important but little-known n Wide Open Town, Nan Alamilla Boyd so much lesbian/gay/bisexual/transgender feminist Lucy Stone, who stumped presents queer San Francisco as the scholarship, have served as key points of the country for women’s suffrage, Iproduct of a town “wide open” to all reference in US queer studies over the past forms of pleasure, all forms of money-mak- two decades. -
Ann Bannon B
ANN BANNON b. September 15, 1932 AUTHOR “We wrote the stories no one else could tell.” “We were exploring a Ann Bannon is an author best known for her lesbian-themed fiction series, “The corner of the human spirit Beebo Brinker Chronicles.” The popularity of the novels earned her the title “The that few others were Queen of Lesbian Pulp Fiction.” writing about.” In 1954, Bannon graduated from the University of Illinois with a degree in French. During her college years she was influenced by the lesbian novels “The Well of Loneliness,” by Radclyffe Hall, and “Spring Fire,” by Vin Packer. At 24, Bannon published her first novel, “Odd Girl Out.” Born Ann Weldy, she adopted the pen name Ann Bannon because she did not want to be associated with lesbian pulps. Although she was married to a man, she secretly spent weekends in Greenwich Village exploring the lesbian nightlife. Between 1957 and 1962, she wrote “I Am A Woman,” “Women in the Shadows,” “Journey to a Woman” and “Beebo Brinker.” Together they constitute the “The Beebo Brinker Chronicles.” The series centers on young lesbians living in Greenwich Village and is noted for its accurate and sympathetic portrayal of gay and lesbian life. “We were exploring a corner of the human spirit that few others were writing about, or ever had,” said Bannon, “And we were doing it in a time and place where our needs and hopes were frankly illegal.” In 1980, when her books were reprinted, she claimed authorship of the novels. In 2004, “The Beebo Brinker Chronicles” was adapted into a successful stage play. -
Tavern Guild of San Francisco Records, 1961-1993
http://oac.cdlib.org/findaid/ark:/13030/kt509nb9d7 No online items Guide to the Tavern Guild of San Francisco Records, 1961-1993 Processed by Martin Meeker and Heather Arnold. © 2003 The Gay, Lesbian, Bisexual, Transgender Historical Society. All rights reserved. Guide to the Tavern Guild of San 1995-02 1 Francisco Records, 1961-1993 Guide to the Tavern Guild of San Francisco Records, 1961-1993 Accession number: 1995-02 Gay, Lesbian, Bisexual, Transgender Historical Society San Francisco, California Processed by: Martin Meeker and Heather Arnold Date Completed: July, 2003 © 2003 The Gay, Lesbian, Bisexual, Transgender Historical Society. All rights reserved. Descriptive Summary Title: Tavern Guild of San Francisco Records, Date (inclusive): 1961-1993 Accession number: 1995-02 Creator: Tavern Guild of San Francisco Extent: 21 boxes, 2 folders Repository: The Gay, Lesbian, Bisexual, Transgender Historical Society. San Francisco, California. Abstract: Minutes, correspondence, financial papers, membership materials, ephemera, photographs, and banners, 1962-1993 (11.25 linear feet), document the work of the Tavern Guild of San Francisco in promoting the interests of gay bars in San Francisco as well as the growth of the Tavern Guild into a well-known service and fundraising organization. Language: English. Access Collection is open for research. Publication Rights Copyright to unpublished manuscript materials has been transferred to the Gay, Lesbian, Bisexual, Transgender Historical Society. Preferred Citation [Identification of item], Tavern Guild of San Francisco Records, 1995-02, Gay, Lesbian, Bisexual, Transgender Historical Society. Acquisition Information Donated to the GLBT Historical Society by Stanley Boyd in 1995. Organizational History The Tavern Guild of San Francisco (TGSF) was founded in 1962. -
Pulp Paperbacks and Their Covers by Teresa Theophano
The cover of Ann Bannon's Odd Girl Out as reissued by Cleis Press. Courtesy of Cleis Press. Pulp Paperbacks and Their Covers by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com As much an artifact of lesbian popular culture as a source of amusing kitsch in today's more tolerant political climate, pulp fiction paperbacks (named for the inexpensive paper on which they were printed) remain a fascinating slice of life from the 1950s and 1960s. It was hard to miss those cheap books with their lurid covers and "shocking" tag lines, such as "She Hated Men and Turned to a Lesbian for Comfort!" Strangely enough, unlike today, lesbian-themed novels were easily available in almost any drugstore--and their publishers unknowingly provided a kind of lifeline for gay women living in a terrifically oppressive time. While some of these books were penned by men using female pseudonyms, the majority were written by lesbians for lesbians. Despite the buxom cover models featured to help sell the books to a male audience, there was some fairly serious literature among the pulp ranks. Indeed, author Ann Bannon, whose first pulpy book Odd Girl Out was published by Gold Medal in 1957, refers to the 1950s and 1960s as the "Golden Age of lesbian writing and publication." Mixed in with the ultra-sleazy "adult" titles such as Satan Was a Lesbian (1966) and Killer Dyke (1964), which were clearly intended to function as soft-core pornography, were some profound examinations of lesbian life, such as Claire Morgan's [that is, Patricia Highsmith's] The Price of Salt (1952), Ann Bannon's Beebo Brinker series (1957-1962), Valerie Taylor's A World Without Men (1963), and even reprints of Gale Wilhelm's Torchlight to Valhalla (1938) and Radclyffe Hall's classic The Well of Loneliness (1928). -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library. -
Cultural Frames in the Gay Liberation Movement
The Hilltop Review Volume 7 Issue 2 Spring Article 17 April 2015 From “Black is Beautiful” to “Gay Power”: Cultural Frames in the Gay Liberation Movement Eric Denby Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Part of the Cultural History Commons, Social History Commons, and the United States History Commons Recommended Citation Denby, Eric (2015) "From “Black is Beautiful” to “Gay Power”: Cultural Frames in the Gay Liberation Movement," The Hilltop Review: Vol. 7 : Iss. 2 , Article 17. Available at: https://scholarworks.wmich.edu/hilltopreview/vol7/iss2/17 This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 132 From “Black is Beautiful” to “Gay Power”: Cultural Frames in the Gay Liberation Movement Runner-Up, 2014 Graduate Humanities Conference By Eric Denby Department of History [email protected] The 1960s and 1970s were a decade of turbulence, militancy, and unrest in America. The post-World War II boom in consumerism and consumption made way for a new post- materialist societal ethos, one that looked past the American dream of home ownership and material wealth. Many citizens were now concerned with social and economic equality, justice for all people of the world, and a restructuring of the capitalist system itself. According to Max Elbaum, the -
Guide to the One Archives Cataloging Project: Founders and Pioneers
GUIDE TO THE ONE ARCHIVES CATALOGING PROJECT: FOUNDERS AND PIONEERS FUNDED BY THE NATIONAL ENDOWMENT FOR THE HUMANITIES ONE NATIONAL GAY & LESBIAN ARCHIVES AT THE UNIVERSITY OF SOUTHERN CALIFORNIA GUIDE TO THE ONE ARCHIVES CATALOGING PROJECT: FOUNDERS AND PIONEERS Funded by the National Endowment for the Humanities Grant #PW-50526-10 2010-2012 Project Guide by Greg Williams ONE NATIONAL GAY & LESBIAN ARCHIVES AT THE UNIVERSITY OF SOUTHERN CALIFORNIA LOS ANGELES, 2012 Copyright © July 2012 ONE National Gay & Lesbian Archives Director’s Note In October 1952, a small group began meeting to discuss the possible publication and distribution of a magazine by and for the “homophile” community. The group met in secret, and the members knew each other by pseudonyms or first names only. An unidentified lawyer was consulted by the members to provide legal advice on creating such a publication. By January 1953, they created ONE Magazine with the tagline “a homosexual viewpoint.” It was the first national LGBTQ magazine to openly discuss sexual and gender diversity, and it was a flashpoint for all those LGBTQ individuals who didn’t have a community to call their own. ONE has survived a number of major changes in the 60 years since those first meetings. It was a publisher, a social service organization, and a research and educational institute; it was the target of major thefts, FBI investigations, and U.S. Postal Service confiscations; it was on the losing side of a real estate battle and on the winning side of a Supreme Court case; and on a number of occasions, it was on the verge of shuttering… only to begin anew. -
Notfiing but the Word Successful' Can Describe the Recent Beaux Arts Ball
Right Now Wo'rO' Voi. II, No. 4 . But Wo’ro Going to Be ‘The Talk~of the Town’ ! DECEMBER 1965 San Froacisco/Los Angeles FRANCISCO'S 75,000 homosexuals / YEAR’S FINEST DRAGS FUTUEM KINSEY RESEARCH •VO* supposed to bo ifM topic h r “ Blab- ^ HEAD UP GALA PARADE DISCARDS PATHOLOGY IDEA bmrmouth Night” recently at the Coffoo AT BEAUX ARTS BALL ABOUT HOMOSEXUALITY __ Gallory on Grant Avo. vihon lAodorator Notfiing but the word successful' can Jerom e Kulok prosontod^Mwk Forfdstor “ Homosexuality and Its Social Setting” describe the recent Beaux Arts Ball of tho Socioty for Individual Rights and was the title of ap address delivered Nov. sponswed by the Tavern Guild of San Hal Call of tho Mattatine Society, lith in the Student Union at Stanford by Francisco - on Halloween at Winter- Following Introductory remarks by Kulak Dr. John Gagnon research associate of land Arena. The huge bam had plenty w h ic h w ere o recitation of Encyclopedia the Institute for Sex Research. oftoom for the 700 guests, but the streets Britannica's pontificatlon on sex deviation, Almost 500 students and faculty mem outside were choked for awhile by three the two speakers ranged all the way from bers were present to heat the research times that many looking on. the Decline i Fall of Rome to the future scientist who is one of the directors of Glittering costumes were so nume^ vAen we may see licenses required of the famed institute formerly headed by ous that the board of judges were hard parents whb have babies, and tax bene Dr. -
Odd Girl out by Ann Bannon Book
Odd Girl Out by Ann Bannon book Ebook Odd Girl Out currently available for review only, if you need complete ebook Odd Girl Out please fill out registration form to access in our databases Download here >> Series:::: Lesbian Pulp Fiction+++Paperback:::: 211 pages+++Publisher:::: Cleis Press; F First Edition Used edition (September 9, 2001)+++Language:::: English+++ISBN-10:::: 9781573441285+++ISBN-13:::: 978-1573441285+++ASIN:::: 1573441287+++Product Dimensions::::5.5 x 0.7 x 7.9 inches++++++ ISBN10 9781573441285 ISBN13 978-1573441 Download here >> Description: In the 1950s, Ann Bannon broke through the shame and isolation typically portrayed in lesbian pulps, offering instead women characters who embraced their sexuality. With Odd Girl Out, Bannon introduces Laura Landon, whose love affair with her college roommate Beth launched the lesbian pulp fiction genre. This is the first in what is usually referred to as the Beebo Brinker series (even though Beebo doesnt appear in this book). Laura and Beth are roommates who fall in love. This is set (and written) in the 1950s, so, of course there is doubt on the part of both girls (especially Beth) about their feelings for one another, and Beth has a boyfriend in addition to her relationship with Laura. The ending is not unpredictable, but does set the scene for the next three books in the series: I am a Woman, Women in the Shadows, and Journey to a Woman. Although not my favorite book in the series (that would probably be I am a Woman, or Beebo Brinker), it is a pretty good read, and a good place to start in reading this series. -
Sketchy Lesbians: "Carol" As History and Fantasy
Swarthmore College Works Film & Media Studies Faculty Works Film & Media Studies Winter 2015 Sketchy Lesbians: "Carol" as History and Fantasy Patricia White Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-film-media Part of the Film and Media Studies Commons Recommended Citation Patricia White. (2015). "Sketchy Lesbians: "Carol" as History and Fantasy". Film Quarterly. Volume 69, Issue 2. 8-18. DOI: 10.1525/FQ.2015.69.2.8 https://works.swarthmore.edu/fac-film-media/52 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Film & Media Studies Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. FEATURES SKETCHY LESBIANS: CAROL AS HISTORY AND FANTASY Patricia White Lesbians and Patricia Highsmith fans who savored her 1952 Headlining a film with two women is considered box of- novel The Price of Salt over the years may well have had, like fice bravery in an industry that is only now being called out me, no clue what the title meant. The book’s authorship was for the lack of opportunity women find both in front of and also murky, since Highsmith had used the pseudonym Claire behind the camera. The film’s British producer Liz Karlsen, Morgan. But these equivocations only made the book’s currently head of Women in Film and Television UK, is out- lesbian content more alluring. When published as a pocket- spoken about these inequities. Distributor Harvey Weinstein sized paperback in 1952, the novel sold nearly one million took on the risk in this case, banking on awards capital to copies, according to Highsmith, joining other suggestive counter any lack of blockbuster appeal.