CATALOGUE CATALOGUE CATALOGUE CATALOGUE No 32

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CATALOGUE CATALOGUE CATALOGUE CATALOGUE No 32 [wa N o XXXII ld 'g No 32 æm. ( )] WILD WILD G RAM Grammar·[ www.emaf.de¶ 24/04 – 24 MAR N European·Media·Art·Festival¬ o 32·Wild·[ – 28/04 28/04 26/05 26/05 ' g wa ↦ æm. Festival¬ ld ↦ ]¬ ( Exhibition¶ ) ] ¶ CATALOG UE CATALOG UE CATALOG UE 1 CATALOG UE No 32: WILD GRAMMAR CATALOG UE ⟼ EN Language widens and defines boundaries. It creates our image of the world, and Performances, Installationen, Klangperformances und Animationen bietet INIT shapes our interaction with the world and with each other. Time and again, artistic Experience im Haus der Jugend und im Haus Heger Straße 29/30 einen regen languages in particular have worked against the simplification and entrenchment Austausch an unterschiedlichsten künstlerischen Ausdrucksformen. of our image of reality: they have deliberately produced non-sense, cultivated Wir freuen uns, dass der Niedersächsische Ministerpräsident Stephan contradictions, upturned hierarchies, and devised new codes that let us see and Weil wieder die Schirmherrschaft über das Festival übernommen hat. Außerdem experience the world in a different way: “wild grammar” as a counter declaration bedanken wir uns bei unseren Unterstützern, Förderern und Sponsoren – besonders and an attempt to make a clean break. bei der nordmedia, der Stadt Osnabrück, der Stiftung Niedersachsen, der Stiftung With 32nd European Media Art Festival Osnabrueck will once again der Sparkasse Osnabrück, dem Landschaftsverband Osnabrücker Land e.V., dem become a forum for exciting media art discourse. Featuring the theme of Wild Auswärtigen Amt und dem Bundesministerium für Bildung und Forschung. Grammar, this year’s festival offers a whole host of works from Germany and Dieser Katalog soll Ihnen als Nachschlagewerk dienen, weitere Infor- abroad that are devoted to the question of the transformative power of language. mation zu den einzelnen Arbeiten liefern und eine Art Adressbuch sein – auf der The programmers and curators have selected a multitude of high-calibre works Suche nach den richtungsweisenden Medienkunstarbeiten des Jahres. from the 2,200 or more entries. This year, EMAF presents more than 130 short and feature-length films, as well as round about 40 installations and performances. During talks at the Kunsthalle Osnabrueck, we will discuss the topic of language, using language. Several locations will showcase a wide range of pieces by young artists from various higher education institutions. Showcasing audiovisual works, We wish you stimulating days and a few wild moments exhibition performances, installations, sound performances and animations, INIT at 32nd European Media Art Festival. Experience provides the opportunity for lively exchange based on all kinds of Wir wünschen Ihnen anregende Tage und ein paar wilde artistic forms of expression at the Haus der Jugend and Haus Heger Straße 29/30. Momente beim 32. European Media Art Festival. We are delighted that Lower Saxony’s Ministerpresident Stephan Weil has again assumed patronage of the festival. We would also like to thank our ⟼ The team of European Media Art Festival 2019 supporters, sponsors and patrons – especially nordmedia, the City of Osnabrueck, Stiftung Niedersachsen, Stiftung der Sparkasse Osnabrueck, Landschaftsver- band Osnabruecker Land e. V., the Federal Foreign Office and the Federal Ministry of Education and Research. This catalogue is intended to serve as a reference work, to provide further information on the individual works and to serve as a kind of address book – in search of the trend-setting media art works of the year. ⟼ DE Sprache weitet und steckt Grenzen. Sie erzeugt unser Bild von der Welt und prägt unsere Interaktion mit ihr und miteinander. Gerade künstlerische Sprachen haben immer wieder gegen die Vereinfachung und Verfestigung unseres Bildes von Wirklichkeit angearbeitet: Sie haben bewusst Un-Sinn produziert, Widersprü- che kultiviert, Hierarchien auf den Kopf gestellt und neue Codes erfunden, die uns die Welt auf andere Weise sehen und erfahren lassen: „wilde Grammatik“ als Gegenrede und versuchter Befreiungsschlag. Mit dem 32. European Media Art Festival wird Osnabrück wieder zum Forum für spannende medienkünstlerische Diskurse. Dieses Jahr bietet das Fes- tival mit dem Thema „Wild Grammar“ eine Vielzahl an Arbeiten aus dem In- und Ausland, die sich der Frage nach der transformativen Kraft der Sprache widmen. Aus mehr als 2200 Einreichungen wählten die Kommissionen und Kurator*innen eine Vielzahl an hochkarätigen Arbeiten aus. Über 130 Kurz- und Langfilme sowie rund 40 Installationen und Performances präsentiert das EMAF in diesem Jahr. Wir diskutieren mit und über Sprache bei den Talks in der Kunsthalle Osnabrück. An mehreren Standorten zeigen wir verschiedenste Arbeiten von Nachwuchs- künstler*innen diverser Hochschulen. Mit Audiovisuellen Arbeiten, Exhibition Preface 002 003 Preface Festival No 32 Catalogue Preface 002 ⟼ Publisher 24/04 – 28/04/2019 Experimentalfilm Workshop FESTIVAL e. V., Osnabrück ↳ Katrin Mundt, Hermann Imprint 005 24/04 – 26/05/2019 Nöring, Alfred Rotert E HIBI ION Lohstraße 45a ↳ X T D-49074 Osnabrück Words of Welcome 007 Tel. +49(0)541/21658 ⟼ Organiser ⟼ Media Campus INIT Fax +49(0)541/28327 Experimentalfilm Workshop Tim Duvendack ⟼ [email protected] EMAF⟼F e. V., Osnabrück Wiebke Glaw ⟼ www.emaf.de Film Programme 011 ⟼ Festival Management Hermann Nöring ⟼ Translations Katrin Mundt (INIT Experience) LinguaConnect, EMAF⟼E Hermann Nöring Saskia Hellmich Georgsmarienhütte Exhibition 085 Alfred Rotert Laura Keeb ⟼ Catalogue Print ⟼ Film Programme Stina Koch FROMM Druck- und Katrin Mundt Victoria Königs Verlagshaus, Osnabrück INIT⟼F Godart Bakkers Anna Morosow ⟼ ISBN INIT⟼E Media Campus INIT 129 Juan David González Monroy Mirko Müller 978-3-926501-41-7 Stefanie Plappert Melanie Podsigun EMAF⟼T Sebastiaan Schlicher Marie Rusch EMAF Talks 183 ⟼ Guest Curators Jasper Tiemeyer Caspar Stracke & Gabriela Nicole Widner Monroy (Wild Grammar) ⟼ Communication EMAF⟼M/P Graeme Arnfield Katharina Lohmeyer Music / Performance 191 (Dogs Leaving the Factory) Stina Koch ⟼ Jury of the EMAF Award ⟼ Finance & and the Dialog Award of the Accommodation Index 213 Ministery of Foreign Affairs Andrea Gehling Patronage Graeme Arnfield ⟼ Administration Branka Benčić Film Programmes Patron of the European Media Nicolas Feodoroff Johanna Doyé Art Festival 2019 is the ⟼ Jury of the VDFK ⟼ Technical Staff Ministerpresident of Lower EMAF Media Art Award Thorsten Alich Saxony, Stephan Weil Jürgen Kiontke Christian Löwrick Julia Gwendolyn Schneider Michael Rosbeck Morticia Zschiesche Reinhard Westendorf Funded by ⟼ Conference ⟼ Construction and Technical Alfred Rotert Staff for Exhibition ⟼ nordmedia – Film- und Sabine Maria Schmidt Andreas Zelle Mediengesellschaft ⟼ Exhibition Stefan Hestermeyer Niedersachsen/Bremen mbH Hermann Nöring ⟼ Photographers ⟼ Stadt Osnabrück Franz Reimer Angela von Brill ⟼ Bundesministerium für ⟼ Music / Performances Kerstin Hehmann Bildung und Forschung Tim Duvendack ⟼ Art Direction & Design ⟼ Auswärtiges Amt, Berlin Katrin Mundt Cabinet Gold van d’Vlies, ⟼ Stiftung Niedersachsen Hermann Nöring Bremen ⟼ Niedersächsische Franz Reimer ⟼ Website Programming Sparkassenstiftung Alfred Rotert Robin Beckmann ⟼ Stiftung der Sparkasse Datahaus Publishing GmbH, Osnabrück Bramsche ⟼ Landschaftsverband ⟼ Website Content Osnabrücker Land e. V. Katharina Lohmeyer ⟼ DFB-Kulturstiftung Johanna Doyé ⟼ Botschaft von Kanada, Berlin Table of Contents 004 005 Imprint Partners Supported & sponsored by Word of Welcome by the ⟼ AG Kurzfilm – Bundesverband Deutscher Kurzfilm, Dresden Ministerpresident of Lower Saxony ⟼ AKI School of Arts & Design Enschede ⟼ Argos, Brüssel Grußwort des Niedersächsischen ⟼ Arsenal – Institut für Film und Videokunst e.V., Berlin Ministerpräsidenten ⟼ Auguste Orts, Brüssel ⟼ AV-Arkki, Helsinki ⟼ BQ, Berlin ⟼ comfuse GmbH, Osnabrück ⟼ Croatian Film Association, Zagreb ⟼ cybob communication GmbH, Osnabrück ⟼ EN Between 24 and 28 April 2019, Osnabrück will ⟼ DFFB, Berlin be transformed into the centre of the international ⟼ Electronic Arts Intermix (EAI), New York film and media art community for the 32nd time. Since ⟼ Fachbereich Kultur, Stadt Osnabrück it was established in 1988, the European Media Art ⟼ Le Fonds de Dotation Bismuth Festival (EMAF) has enjoyed considerable interna- Lemaître Guymer, Paris tional appeal, recognition and response well beyond ⟼ Film & Medienbüro Niedersachsen e. V., Osnabrück the boundaries of Lower Saxony. It therefore gives me ⟼ Filmakademie Baden-Württemberg, Ludwigsburg great pleasure to assume the patronage of this popular ⟼ Filmuniversität Babelsberg Konrad Wolf cultural event once again this year. ⟼ Le Fresnoy, Tourcoing Time and again, EMAF takes up an issue ⟼ Fünferfilm, Hamburg of social relevance. In keeping with the theme “Wild ⟼ Goethe Institut, München Grammar”, this year’s festival explores the effects – ⟼ Grandfilm, Nürnberg both positive and negative – of language. In this ⟼ Groupe Intervention Vidéo, Montréal respect, language is to be understood in the broadest possible terms. As a politi- ⟼ De Imagerie, Antwerpen cian, I too consider this topic to be highly exciting. ⟼ HBK Braunschweig Media & Cultural Partners Visitors to the festival can look forward to exhibitions on a variety ⟼ HFF, München of themes, and to the presentation of experimental short and feature films. In the ⟼ Hochschule für Künste, Bremen Media Campus INIT section of the festival, the diverse work of mainly young media ⟼ Jubilee, Brüssel artists helps ensure that even regular visitors to the
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