THE ALL-IN-ONE AUDIOBOOK Combining an Easy-To-Use Player with an Entire Audiobook

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THE ALL-IN-ONE AUDIOBOOK Combining an Easy-To-Use Player with an Entire Audiobook

A GARGANTUAN, MIND-ALTERING COMEDY ABOUT THE PURSUIT OF HAPPINESS IN AMERICA et in an addicts’ halfway house and a tennis academy, and featuring one of the Smost endearingly screwed-up families in contemporary fiction,Infinite Jest explores essential questions about what entertainment is and why it has come to dominate our lives, about how our desire for entertainment affects our need to connect with other people, and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human— and one of those rare books that renew the idea of what a novel can do. “Uproarious....Infinite Jest shows off Wallace as one of the big talents of his generation, a writer of virtuosic talents who can seemingly do anything.” —NEW YORK TIMES “The next step in fiction. Edgy, accurate, and darkly witty. Think Beckett, think Pynchon, think Gaddis. Think.” — SVEN BIRKERTS, Atlantic Monthly DAVID FOSTER WALLACE is the author of several highly acclaimed books, including the novels The Broom of the System and Infinite Jest; the story collections Girl with Curious Hair, Brief Interviews with Hideous Men, and Oblivion; and the nonfiction collections A Supposedly Fun Thing I’ll Never Do Again and Consider the Lobster. He is the recipient of a MacArthur Fellowship and numerous other awards. He died in 2008. His last novel, The Pale King, was published in 2011. ACTUAL SIZE Running Time: Approx. 56 Hours • Unabridged Copyright © 1996 by David Foster Wallace. All rights reserved. In accordance with the U.S. Copyright Act of 1976, the duplicating, uploading, and electronic sharing of any part of this audiobook without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights. 2012 by Hachette Audio. All rights reserved. A division of Hachette Book Group, 237 Park Avenue, New York, NY 10017. Cover design by Keith Hayes. Cover photograph by Jan Stromme / GettyImages. www.HachetteAudio.com 15606 Playaway is a better listening experience THE ALL-IN-ONE AUDIOBOOK combining an easy-to-use player with an entire audiobook. WWW.PLAYAWAY.COM © 2011 Playaway. Patented. All rights reserved. Designed in Ohio. Made in China. PLAYAWAY® and associated logos are registered trademarks of Findaway World, LLC. 31999 Aurora Road, Solon, OH 44139 USA.

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135 Book reviews . Nancy L. Roberts, Book Review Editor ––––––––––––––––– Medium-Type Friends A Free Man: A True Story of Life and Death in Delhi by Aman Sethi Reviewed by Jeff harletS 136 Exploring the Intersection of Literature and Journalism Literature and Journalism: Inspirations, Intersections, and Inventions from Ben Franklin to Stephen Colbert by Mark Canada Reviewed by Thomas B. Connery 140 What the Receptionist Knew about Joe Mitchell The Receptionist: An Education at The NewYorker by Janet Groth Reviewed by Miles Maguire 143 How to: Learning the Craft You Can’t Make This Stuff Up: The Complete Guide to Writing Nonfiction from Memoir to Literary Journalism and Everything in Between By Lee Gutkind Reviewed by Nancy L. Roberts 146 The Fine Print: Uncovering the True Story of David Foster Wallace and the “Reality Boundary” Both Flesh and Not: Essays by David Foster Wallace Reviewed by Josh Roiland 147 Literary Journalism Studies Vol. 5, No. 2, Fall 2013 136 Literary Journalism Studies Medium-Type Friends A Free Man: A True Story of Life and Death in Delhi by Aman Sethi. New York: W.W. Norton, 2012. Hardcover, 240 pp., $24.95. Reviewed by Jeff Sharlet, Dartmouth College, United States alfway through this subtle heartbreak of a book, HMuhammad Ashraf, the “free man” of the title, phones Aman Sethi—author and co-protagonist, at- tentive ego to Ashraf’s titanic id—to tell Sethi that Satish is sick. Who is Satish? The one who is sick, of course. Why must you ask so many questions, Aman bhai (brother). And just like that, Sethi’s profile of Ashraf changes direction for thirty pages, becoming an account of sick Satish, whom Ashraf expects Sethi to look after.
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Editing David Foster Wallace
‘NEUROTIC AND OBSESSIVE’ BUT ‘NOT TOO INTRANSIGENT OR DEFENSIVE’: Editing David Foster Wallace By Zac Farber 1 In December of 1993, David Foster Wallace printed three copies of a manuscript he had taken to calling the “longer thing” and gave one to his editor, Michael Pietsch, one to a woman he was trying to impress, and one to Steven Moore, a friend and the managing editor of the Review of Contemporary Fiction, whose edits and cuts Wallace wished to compare with Pietsch’s. The manuscript, which Little, Brown and Company would publish as Infinite Jest in 1996, was heavy (it required both of Moore’s hands to carry) and, Moore recalled, unruly: It’s a mess—a patchwork of different fonts and point sizes, with numerous handwritten corrections/additions on most pages, and paginated in a nesting pattern (e.g., p. 22 is followed by 22A-J before resuming with p. 23, which is followed by 23A-D, etc). Much of it is single-spaced, and what footnotes existed at this stage appear at the bottom of pages. (Most of those in the published book were added later.) Several states of revision are present: some pages are early versions, heavily overwritten with changes, while others are clean final drafts. Throughout there are notes in the margins, reminders to fix something or other, adjustments to chronology (which seems to have given Wallace quite a bit of trouble), even a few drawings and doodles.1 Wallace followed some of Pietsch and Moore’s suggestions and cut about 40 pages from the first draft of the manuscript2, but before publication he added more than 200 pages of additional material, including an opening chapter that many critics have praised as the novel’s best and more than 100 pages of (often footnoted) endnotes.3 Editing Wallace could be demanding, and those who attempted it found themselves faced with the difficulty of correcting a man with a prodigious understanding of the byzantine syntactical and grammatical rules of the English language.
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E 349S David Foster Wallace—Honors
E 349S l David Foster Wallace—Honors Instructor: Houser, H Areas: I Unique #: 35465 Flags: Writing Semester: Fall 2012 Restrictions: English Honors Cross-lists: LAH 350 Computer Instruction: N Prerequisites: Six semester hours of upper-division coursework in English. Description: This course covers the truncateD career of DaviD Foster Wallace (1962-2008), one of the most examineD anD lauDeD authors of his generation. We will read all of Infinite Jest (fasten your seat belts!) along with essays, short stories, anD selections from his other two novels, Broom of the System anD The Pale King. The following questions will motivate the course: ⋅ What is Wallace's place in US literary history? What is his project for a new fiction? ⋅ What are his positions on 20th-century US culture, meDia, anD technology? Can particular ways of reaDing anD writing intervene in these domains? ⋅ How can the inDiviDual navigate the onslaught of information in the 20th-21st centuries through the novel? By the end of the semester, you will be able to: ⋅ Read analytically across an author's body of work, and craft probing questions that participate in debates about this work. ⋅ Create compelling written responses to these questions by close reading, conducting careful research (if you choose), and integrating textual evidence. ⋅ Articulate opinions about the state and direction of contemporary fiction based on DFW's contributions to it. ⋅ Assess and revise your own and classmates' writing through peer review. Texts: Books at the University Co-Op. Packet at Jenn's Copies (2200 GuaDalupe St., 473.8669) Course Packet (also on BlackboarD anD blog) All by David Foster Wallace Brief Interviews with Hideous Men Consider the Lobster and Other Essays Girl with Curious Hair Infinite Jest The Pale King A Supposedly Fun Thing I'll Never Do Again Requirements & Grading: Participation (15%), 10 blog posts anD comments (10%), 2 short essays + revisions (15% each), final paper prospectus (5%), final presentation (10%), final essay + revision (30%).
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"One Never Knew": David Foster Wallace and the Aesthetics of Consumption
Bowdoin College Bowdoin Digital Commons Honors Projects Student Scholarship and Creative Work 2016 "One Never Knew": David Foster Wallace and the Aesthetics of Consumption Jesse Ortiz Bowdoin College, [email protected] Follow this and additional works at: https://digitalcommons.bowdoin.edu/honorsprojects Part of the Literature in English, North America Commons Recommended Citation Ortiz, Jesse, ""One Never Knew": David Foster Wallace and the Aesthetics of Consumption" (2016). Honors Projects. 44. https://digitalcommons.bowdoin.edu/honorsprojects/44 This Open Access Thesis is brought to you for free and open access by the Student Scholarship and Creative Work at Bowdoin Digital Commons. It has been accepted for inclusion in Honors Projects by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. “One Never Knew”: David Foster Wallace and the Aesthetics of Consumption An Honors Paper for the Department of English By Jesse Ortiz Bowdoin College, 2016 ©2016 Jesse Ortiz Table of Contents Acknowledgements ii 0: Isn’t it Ironic? 1 1: Guilty Pleasure: Consumption in the Essays 4 2: Who’s There? 28 0. The Belly of the Beast: Entering Infinite Jest 28 1. De-formed: Undoing Aesthetic Pleasure 33 2. Avril is the Cruellest Moms 49 3. “Epiphanyish”: Against the Aesthetics of the Buzz 65 ∞: “I Do Have a Thesis” 79 Works Cited 81 ii Acknowledgements This project, of course, could not exist without the guidance of Professor Marilyn Reizbaum, who gave me no higher compliment than when she claimed I have a “modernist mind.” Thank you. I’d also like to thank my other readers, Morten Hansen, Brock Clarke and Hilary Thompson, for their insightful feedback.
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David Foster Wallace
David Foster Wallace: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Wallace, David Foster (1962-2008) Title: David Foster Wallace Papers Dates: 1971-2008 Extent: 44 document boxes, 8 oversize folders (18.48 linear feet) Abstract: The David Foster Wallace Papers document all but one of Wallace's major works, and many of his shorter works. Call Number: Manuscript Collection MS-5155 Language: English Access: Open for research Administrative Information Acquisition: Purchase, 2009 (09-11-011-P, 12-03-010-P, 12-10-005-P) Processed by: Stephen Cooper, 2010; Jenn Shapland, 2012 Repository: The University of Texas at Austin, Harry Ransom Center Wallace, David Foster (1962-2008) Manuscript Collection MS-5155 Biographical Sketch David Foster Wallace was born February 21, 1962, in Ithaca, New York. His father, James Wallace, is a philosophy professor at the University of Illinois, and his mother, Sally Foster Wallace, is an instructor in English at Parkland College, a community college in Champaign, Illinois. Amy Wallace Havens, Wallace's younger sister, practices law in Tucson, Arizona. Wallace married artist Karen Green in 2004. As an adolescent, Wallace played football and was a regionally ranked tennis player, but his interest in writing and language was influenced by his parents, who read Ulysses out loud to each other. His father read Moby-Dick to Wallace and his sister when they were only eight and six years old, and his mother would playfully pretend to have a coughing fit if one of the children made a usage error during supper conversation. Wallace graduated summa cum laude from Amherst College in 1985 with a double major in Philosophy and English.
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Little, Brown and Company
Little, Brown and Company: A Preliminary Inventory of Its David Foster Wallace Collection at the Harry Ransom Center Descriptive Summary Creator: Little, Brown and Company Title: Little, Brown and Company Collection of David Foster Wallace Dates: 1987-2008 Extent: 5 document boxes (2.1 linear feet) Abstract: The Little, Brown and Company Collection of David Foster Wallace contains the files of Michael Pietsch, David Foster Wallace's Little, Brown editor from Infinite Jest (1996) to The Pale King (2011). Call Number: Manuscript Collection MS-5274 Language: English Access: Open for research Administrative Information Acquisition: Gift, 2012 (2012-03-008-G) Processed by: Stephen Cooper, 2012 Repository: The University of Texas at Austin, Harry Ransom Center Little, Brown and Company Manuscript Collection MS-5274 Scope and Contents The Little, Brown and Company Collection of David Foster Wallace contains the files of Michael Pietsch, David Foster Wallace's Little, Brown editor from Infinite Jest (1996) to The Pale King (2011). The collection contains only a single, unmarked excerpt from The Pale King however, with the majority of these materials residing in the David Foster Wallace Papers at the Ransom Center. Materials in the collection include personal and professional correspondence between Wallace and Pietsch as well as between Pietsch and publishing staff; copy editing files containing manuscript transmittal and design checklists, design proofs, publicity photographs, style sheets, and other items related to book production and promotion; many unmarked and slightly-marked drafts of Wallace pieces sent for Pietsch's review; Pietsch's handwritten reading notes; a Little, Brown author's questionnaire related to Infinite Jest; and editing stickies from drafts of various works.
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Narrative Infinity in the Encyclopedic Novel: Manipulations of Dante Alighieri's Divina Commedia in David Foster Wallace's I
NARRATIVE INFINITY IN THE ENCYCLOPEDIC NOVEL: MANIPULATIONS OF DANTE ALIGHIERI’S DIVINA COMMEDIA IN DAVID FOSTER WALLACE’S INFINITE JEST Frances Higgins A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Comparative Literature. Chapel Hill 2006 Approved by Advisor: Jessica Wolfe Reader: Marsha Collins Reader: Inger Brodey © 2006 Frances Higgins ii ABSTRACT FRANCES HIGGINS: Narrative Infinity in the Encyclopedic Novel: Manipulations of Dante Alighieri’s Divina Commedia in David Foster Wallace’s Infinite Jest (Under the direction of Jessica Wolfe) David Foster Wallace’s novel Infinite Jest includes an allusion to Dante’s Divina Commedia that points the reader back to Dante’s opening lines of Inferno. Dante’s Commedia provides a framework for Wallace’s own novel in that the allusion is not only an indication of Wallace’s attempt to place himself with Dante in the literary category of the encyclopedic novel, but also a reminder to the reader of Infinite Jest’s circular narrative structure. This structure, which Wallace borrows from Dante, relies on the resolution of the narrative embedded in the beginning sections. Wallace’s gestures toward the medieval text serve as an ironic reinterpretation of stable allegory and they introduce the promise of truth only to disprove it later. In place of Dante’s four-fold allegory, Wallace allows his characters to believe in the inherent stability of mathematics and the recovery methods of Alcoholics Anonymous but he ultimately undercut’s the reliability of these systems.
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David Foster Wallace and Millennial America Kiki Benzon
David Foster Wallace and Millennial America Kiki Benzon In a 1993 interview, David Foster Wallace told Larry McCaffery, “there are things about the contemporary U.S. that make it distinctly hard to be a real human being” (McCaffery 131). Examining some of the “things” that Wallace found obstructive to being human reveals much about not only the historical conditions and cultural attitudes that inform his writing, but also Wallace’s own sense of how literature might function to ameliorate social problems and make people feel “less alone” (127). After all, for Wallace, fiction’s role was to convey “what it is to be a fucking human being” (131). Speaking at Wallace’s memorial event in New York, Don DeLillo emphasized the particularly American resonances of Wallace’s writing in his concluding words: “Youth and loss. This is Dave’s voice, American” (24). And while Wallace’s oeuvre is by no means myopic in its focus on American culture—indeed, Paul Giles and Lee Konstantinou have remarked upon the transnational consciousness that underlies Wallace’s dominantly American subjects1—Wallace’s novels, together with his short fiction andnonfiction works, provide specific insights into late twentieth and early twenty-first century America. In an effort to distill the author’s diverse themes to a core set of concerns, this essay will examine the bold contours of the millennial America that informed Wallace’s representation of a media-saturated, corporatized nation, where exceptionalist attitudes and consumer culture compromise the individual’s understanding of civic responsibility and intensify a sense of dislocation, described by one of Wallace’s characters as “[e]xistential individuality, frequently referred to in the West.
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Introducing the Hero of Stasis: an Examination of Heroism in David
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2018 Introducing the Hero of Stasis: An Examination of Heroism in David Foster Wallace's Infinite Jest and The aleP King Gregory Robert Peterson Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Peterson, Gregory Robert, "Introducing the Hero of Stasis: An Examination of Heroism in David Foster Wallace's Infinite Jest and The Pale King" (2018). Masters Theses. 3735. https://thekeep.eiu.edu/theses/3735 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. TheGraduate School� E..\51'F.R,,'JIUJNOIS US JVF.RSITY. Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so.
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Getting Away from It All: the Literary Journalism of David Foster Wallace and Nietzsche's Concept of Oblivion
David Foster Wallace 89 Getting Away From It All: The Literary Journalism of David Foster Wallace and Nietzsche’s Concept of Oblivion By Joshua Roiland Saint Louis University, U.S.A. Wallace, best known for the novel Infinite Jest, greatly admired literary journalism’s power to keep both practitioners and readers alert, curious, and conscious of the world. Yet the literary journalism he himself produced must be understood within the context of what Nietzsche termed ‘oblivion’ n a dry Saturday morning in late May 2005, the writer David Foster Wallace delivered the commencement address to the graduating class at Kenyon College Oin central Ohio. He sought to tell them why their liberal arts degree had “actual human value instead of just a material payoff.” For Wallace that value lay not in the old cliché of learning how to think, but rather in learning how to exercise control over what to think about: “It means being conscious and aware enough to choose what you pay atten- tion to and to choose how you construct meaning from experience. Because if you cannot or will not exercise this kind of choice in adult life, you will be totally hosed.”1 The speech, both colloquial and compassionate, was the clearest articulation of a philosophy that guided Wallace’s writing and life. A little more than three years later, on a warm September evening, Wallace went into the backyard of his home in Claremont, California, bound his hands with duct tape, and hanged himself from his deck. He was forty-six years old. In the weeks and months that followed his death, remembrances and tributes abounded online and in print.
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Unabridged [email protected] Sound Library® Is an Imprint of Audiogo
READ BY ROBERT PETKOFF LIVING TOGETHER IN CAMBRIDGE IN 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared “an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap / hip-hop.” The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom. Signifying Rappers issued a fan’s challenge to the giants of rock writing, Greil Marcus, Robert Palmer, and Lester Bangs: Could the new street beats of 1989 set us free, as rock had always promised? First published in 1990, Signifying Rappers is a rare record of a city and a summer by two great thinkers, writers, and friends. This long-awaited new edition features a preface by Mark Costello recalling his friendship with David Foster Wallace and their remarkable experience writing together. Mark Costello is the author of two novels, including the National Book Award finalist Big If. He lives in New York City. David Foster Wallace is the author of the novels The Pale King, Infinite Jest, and The Broom of the System and the story collections Oblivion, Brief Interviews with Hideous Men, and Girl with Curious Hair. His nonfiction includes Both Flesh and Not, Consider the Lobster, A Supposedly Fun Thing I’ll Never Do Again, Everything and More, and This Is Water. He died in 2008. Playing time: 5½ hrs Copyright 1990 by Mark Costello and David Foster Wallace. Preface 2013 by Mark Costello. All rights reserved. In accordance with the U.S. Copyright Act of 1976, the duplicating, uploading, and electronic sharing of any part of this audiobook without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property.
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Kevin Richard Kaiser
VARIABLE KINDNESS Posthumanist Ethics in the Fiction of George Saunders Kevin Richard Kaiser TESI DOCTORAL UPF / 2018 DIRECTOR DE LA TESI Dr. Pere Gifra Adroher DEPARTAMENT D’HUMANITATS A tots els animals. En memòria de l'Spencer. iii Agraïments Primer i abans que res, gràcies a la UPF per acceptar-me en el programa de doctorat. També, gràcies al Dr. Pere Gifra per la seva orientació, suggeriments i suport en aquest projecte. El procés d'escriure aquesta tesi hauria estat molt menys viable sense la seva ajuda. Igualment, sense l'ajuda de l'Ángels Bertran, navegar a través dels processos administratius del doctorat hauria estat molt més confús. En totes les consultes que li he fet, George Saunders, com sempre, ha estat d'allò més generós, malgrat la seva creixent fama. Dos petonets a cadascun dels meus amics de Barcelona—la Jésica i en David, la Renata i en Joan, la Laure i l’Enric—amb qui vaig beure molt de Vichy Catalan i herba mate. No hauria pogut acabar aquesta tesi sense la paciència i suport de l’Angela, que em va aportar una altra perspectiva. També, m’agradaria agrair el suport dels meus pares, que hi han sacrificat molt i han fet tot això possible. Finalment, vull mostrar també el agraïment als meus mestres no humans, que inclouen en Ponyboy, en Buddy, i la Friede i tots els que viuen al Zoo de Barcelona. Que algun dia puguin viure més lliurement! v Abstract This thesis examines the fiction of contemporary American author George Saunders in terms of how it presents situations applicable to the chief notions of posthumanist ethics and how these conceptions of ethics concern nonhuman animals, which are prevalent in his writing.
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