Press Release : Johnny Cash the Legend

Total Page:16

File Type:pdf, Size:1020Kb

Press Release : Johnny Cash the Legend Press Release : Johnny Cash The Legend Superstar Johnny Cash was a the enduring love story between side slapping mix of great songs music industry legend for over Johnny Cash and June Carter. and stories. Johnny covered half a century, with an instantly A member of the iconic country songs by many of the greatest recognisable voice and style. music group The Carter Family, 20th Century songwriters such as The hit movie “I Walk the Line” June grew up in showbiz and Bob Dylan, Kris Kristopherson, introduced his dramatic life story became an accomplished and Willie Nelson and in later life and his unmistakeable, tough comedienne. singer, and song he brough his unique authority to music to a younger generation of writer - a true music professional. a later generation of song writers music lovers. Johnny Cash fans Together they were a towering such U2 and Tom Petty, so the now cover three generations. force in American Music. repertoire is extremely broad and Even people who might confess interesting, including some of the to hating Country Music are Vocalist and writer Barry Ferrier greatest popular songs written nevertheless enthusiastic about has brought together a team of over the past 60 years. his legendary up-tempo hits such talented musicians to create an as Folsom Prison Blues, Ring of immersive show based on the “I Hear That Train a-Comin’: Fire, Get Rhythm, I Walk the Line interaction between these two The Johny Cash Story”, - there are just so many great gifted and unique music artists. featuring Barry Ferrier & Ilona and unique songs in the Johnny Barry has the vocal depth to Harker with authentic rockabilly Cash repertoire. emulate the unique Johnny Cash backing by the Tennessee Two, sound and the vivacious Ilona is great entertainment that Those familiar with the highly Harker ‘hoots and hollers’ her appeals across the generations successful bio-pic will know of way through this toe-tapping, and is just plain fun! Barry Ferrier aka THE SHOW Dr Baz SONGS I WALK THE LINE a journey through FOLSOM PRISON BLUES the life & songs Barry’s gained wide expe- A BOY NAMED SUE rience in his early career COCAINE BLUES of Johnny Cash in music theatre, appear- RING OF FIRE ing in the original cast of 5 FEET HIGH & RISIN’ The contrasting voices of Barry “Dr. Baz” Ferrier and Jesus Christ Superstar and JACKSON vivacious songstress Ilona Harker combine to present Joseph & the Amazing 16 TONNES a musical tribute to the legendary country superstar Technicolour Dreamcoat Johnny Cash, his epic life story and love affair with GET RHYTHM and he has written and LONG LEGGED GTR PICKIN’ MAN partner June Carter, threaded through with a tongue in cheek look at Johnny Cash’s wild side and their stormy performed 3 stage musi- HOME OF THE BLUES off stage and on stage relationship. cals. He was a recording HELP ME MAKE IT THRU THE NIGHT HEY PORTER artist for RCA appearing The show captures Johnny looking back on his rise on the ABC’s Countdown HURT from humble conditions as a child on a poor cotton SUNDAY MORNING COMING DOWN farm soaking up gospel and country music, to tough and opening for Ry Cood- times on work gangs, enlistment during the Korean er at the Palais in Mel- CAST RECORDING CD AVAILABLE war as a US airman, which got him to the honky tonks bourne. He played bass of Germany where he began to hone his characteristic with chart topping pop style and began writing his unique songs, and on to his group The Ferrets. Later rise as a music sensation and a recording artist for the legenedary Sun records alongside Elvis and Jerry Lee he worked as music direc- Lewis. tor and composer at the Queensland Performing The show strings together all Johnny Cash’s great hits Arts Centre, Brisbane. He and signature tunes as the story unfolds, and woven has appeared as support through this rich musical journey is a fascinating glimpse into the darker side of his life, his outlaw for many eminent Aussie image and the Prison Concerts, and the epic love story music acts. He was also with lifetime soulmate June Carter, a child star and band leader and guitarist golden haired girl of the famous country music icons for legendary superstar ‘the Carter Family’. Eartha Kitt on her 1996 Looking back on his tough origins, his rise to fame, Australian national tour. and his drug addiction, they laugh, they joke, they He has performed in Eu- fight and they harmonise, as they bring so many great rope and the UK and at songs to life, accompanied by the rockabilly rhythm of the Byron Blues Festival, the Tennesse Two (with lush backing vocals from Slim Gympie Muster, and the Pickens on Bass and Neil McCann on twangy Fender guitar). It’s a polished and entertaining upbeat musical Tamworth Country Music show to get you ee-haa-ing and your toes a tapping. Festivals .
Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Memphis, Tennessee, Is Known As the Home of The
    Memphis, Tennessee, is known as the Home of the Blues for a reason: Hundreds of bluesmen honed their craft in the city, playing music in Handy Park and in the alleyways that branch off Beale Street, plying their trade in that street’s raucous nightclubs and in juke joints across the Mississippi River. Mississippians like Ike Turner, B.B. King, and Howlin’ Wolf all passed through the Bluff City, often pausing to cut a record before migrating northward to a better life. Other musicians stayed in Memphis, bristling at the idea of starting over in unfamiliar cities like Chicago, St. Louis, and Los Angeles. Drummer Finas Newborn was one of the latter – as a bandleader and the father of pianist Phineas and guitarist Calvin Newborn, and as the proprietor of his own musical instrument store on Beale Street, he preferred the familiar environs of Memphis. Finas’ sons literally grew up with musical instruments in their hands. While they were still attending elementary school, the two took first prize at the Palace Theater’s “Amateur Night” show, where Calvin brought down the house singing “Your Mama’s On the Bottom, Papa’s On Top, Sister’s In the Kitchen Hollerin’ ‘When They Gon’ Stop.’” Before Calvin followed his brother Phineas to New York to pursue a jazz career, he interacted with all the major players on Memphis’ blues scene. In fact, B.B. King helped Calvin pick out his first guitar. The favor was repaid when the entire Newborn family backed King on his first recording, “Three O’ Clock Blues,” recorded for the Bullet label at Sam Phillips’ Recording Service in downtown Memphis.
    [Show full text]
  • Country / Folk
    D I E S T I M M E , D I E B E R Ü H R T COUNTRY / FOLK Dolly Parton Jolene Just When I Needed You Most Johnny Cash Falsom Prison Blues Ghostriders In The Sky I Walk The Line Oh Lonesome Me (& Don Gibson) Ring Of Fire Kenny Rogers Islands In The Stream (& Tammy Wynette) Lucille (You Took A Fine Time To Leave Me) You Light Up My Life Kris Kristofferson Help Me Make It Through The Night Me And Bobby Mc Gee The Bellamy Brothers Beautiful Body I Need More Of You Let Your Love Flow Willie Nelson Always On My Mind On The Road Again The City Of New Orleans Billy Ray Cyrus Achy Breaky Heart Olivia Newton-John Banks Of The Ohio Billy Joe Spears Blanket On The Ground Donovan Blowin In The Wind Joe Stafford Carry Me Back To Old Virginia Jim Croce C›est La Vie (You Never Can Tell) John Denver Country Roads Rascal Flatts God Bless The Broken Road Truck Stop Hello Lady Harley Trad. Home On The Ranch Gordon Lightfood If You Could Read My Mind Hank Williams Jambalaya Roger Miller King Of The Road Neil Young Lonesome Me Doobie Brothers Long Train Running Stefan Raab Maschendrahtzaun Texas Lightning No No Never The Mavericks Pizziricco Glen Campbell Rhinestone Cowboy Lynn Anderson Rosegarden Telly Savalas Some Broken Hearts Never Mend Tammy Wynette Stand By Your Man Lucille Star The French Song (Quand Le Soleil Dit Bonjour) Charlie Rich The Most Beautiful Girl Lee Majors The Unknown Stuntman Emily Loo Harris Together Again Tom Astor Tom Dooley Trad.
    [Show full text]
  • I Walk the Line
    I WALK THE LINE iwalk_int.indd 3 18/02/16 10:01 © Éditions Le mot et le reste, 2016. iwalk_int.indd 4 18/02/16 10:01 SILVAIN VANOT I WALK THE LINE L E M O T E T L E R E S T E 2016 iwalk_int.indd 5 18/02/16 10:01 iwalk_int.indd 6 18/02/16 10:01 Il y a deux genres de révolutionnaires : ceux qui s’opposent à ce qui est, et ceux qui, ignorant ce qui est, construisent une œuvre qui, sans qu’ils le sachent même, est révolutionnaire. Emmanuel Bove, Formes, mars 1930 The first time I heard Johnny Cash was when he released “I Walk The Line” in 1956. It was unlike anything I’d ever heard. Elvis had had a lot of hits by that point, but “I Walk The Line” was completely different. It didn’t sound much like any of the country music that was popular at the time, either. There was a kind of dark energy around John. La première fois que j’ai entendu Johnny Cash, c’est quand il a sorti « I Walk The Line », en 1956. Je n’avais jamais rien entendu de semblable. Elvis avait déjà eu plein de tubes à l’époque, mais « I Walk The Line » était totalement différent. Ça ne ressemblait pas vraiment, non plus, à la musique country qui marchait à l’époque. Il émanait de John une sorte d’énergie négative. Kris Kristofferson, Rolling Stone, n° 946, april 15, 2004 iwalk_int.indd 7 18/02/16 10:01 iwalk_int.indd 8 18/02/16 10:01 LA LETTRE AUX CORINTHIENS ET LE BOOM CHICKA BOOM Tous les chanteurs, tous les groupes passent leur carrière, parfois leur vie, à courir après le succès.
    [Show full text]
  • Johnny Cash by Dave Hoekstra Sept
    Johnny Cash by Dave Hoekstra Sept. 11, 1988 HENDERSONVILLE, Tenn. A slow drive from the new steel-and-glass Nashville airport to the old stone-and-timber House of Cash in Hendersonville absorbs a lot of passionate land. A couple of folks have pulled over to inspect a black honky-tonk piano that has been dumped along the roadway. Cabbie Harold Pylant tells me I am the same age Jesus Christ was when he was crucified. Of course, this is before Pylant hands over a liter bottle of ice water that has been blessed by St. Peter. This is life close to the earth. Johnny Cash has spent most of his 56 years near the earth, spiritually and physically. He was born in a three-room railroad shack in Kingsland, Ark. Father Ray Cash was an indigent farmer who, when unable to live off the black dirt, worked on the railroad, picked cotton, chopped wood and became a hobo laborer. Under a New Deal program, the Cash family moved to a more fertile northeastern Arkansas in 1935, where Johnny began work as a child laborer on his dad's 20-acre cotton farm. By the time he was 14, Johnny Cash was making $2.50 a day as a water boy for work gangs along the Tyronza River. "The hard work on the farm is not anything I've ever missed," Cash admitted in a country conversation at his House of Cash offices here, with Tom T. Hall on the turntable and an autographed picture of Emmylou Harris on the wall.
    [Show full text]
  • BBB-2017E.Pdf
    Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept.
    [Show full text]
  • Sweet & Lowdown Repertoire
    SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming
    [Show full text]
  • Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer Is Second Inductee Into Multi-Year Music Icons Series
    FOR IMMEDIATE RELEASE Media Contact: Mark Saunders June 5, 2013 [email protected] 202-268-6524 usps.com/news Release No. 13-056 To obtain a high-resolution of the stamp image for media use only, please email [email protected]. Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer is Second Inductee into Multi-Year Music Icons Series NASHVILLE — John Carter Cash, Rosanne Cash, Larry Gatlin, Jamey Johnson, The Oak Ridge Boys, The Roys, Marty Stuart, Randy Travis and other entertainers paid tribute to Johnny Cash as he was inducted today into the Postal Service’s Music Icons Forever stamp series at the Grand Ole Opry’s Ryman Auditorium. “With his gravelly baritone and spare percussive guitar, Johnny Cash had a distinctive musical sound — a blend of country, rock ’n’ roll and folk — that he used to explore issues that many other popular musicians of his generation wouldn’t touch,” said U.S. Postal Service Board of Governors member Dennis Toner. “His songs tackled sin and redemption, good and evil, selfishness, loneliness, temptation, love, loss and death. And Johnny explored these themes with a stark realism that was very different from other popular music of that time.” “It is an amazing blessing that my father, Johnny Cash be honored with this stamp. Dad was a hardworking man, a man of dignity. As much as anything else he was a proud American, always supporting his family, fans and country. I can think of no better way to pay due respect to his legacy than through the release of this stamp,” said singer-songwriter, producer John Carter Cash, Johnny Cash’s son.
    [Show full text]
  • The Lowhills Song List October 2018
    Country/Bluegrass Nobodies Business- Mississippi John Hurt Deep River Blues- Doc Watson Crawdad Hole- Doc Watson Swinging Doors- Merle Haggard Tonight the bottle let me down – Merle Haggard Sit here and drink- Merle Haggard There Stands the Glass- Web Pierce Gotta Get Drunk- Willie Nelson Good Hearted Woman- Willie Nelson/Waylon Jennings Cold Cold Heart- Hank Williams/ Norah Jones Honkytonk Blues- Hank Williams Lovesick Blues- Hank Williams Your Cheatin Heart- Hank Williams Why Don’t You Love Me- Hank Williams Caleb Meyer- Gillian Welch Deep Elem Blues- Levon Helm/ The Grateful Dead Walkin’ after midnight- Patsy Cline Crazy- Patsy Cline Cheatin Heart- Patsy Cline I’ll Be There (if you ever want me) Ray Price/ JJ Cale Call me the breeze- JJ Cale/ Lynrd Skynrd Hung it up- Junior Brown Loves gonna live here- Buck Owens Women I’ve never had- Hank Williams Jr Freeborn Man- Jimmy Martin Slew foot- Johnny Horton How Mountain Girls Can Love- The Stanley Brothers True life blues- Bill Monroe Blue Moon of Kentucky- Bill Monroe You can have her- Waylon Jennings Wurlitzer Prize- Waylon Jennings That’s alright Mama- Elivs Presley Hound Dog- Elvis Presley Tennessee Whiskey- George Jones Someone I used to know- George Jones and Tammy Winette Slowhand- Conway Twitty Take me back to Tulsa- Bob Wills Old Joe Clark -Trad Salt Creek (instrumental)-Trad All I can do is Dream- The Everly Brothers Clyde –JJ Kale Sleep with One Eye Open- Lester Flatt/ Dolly Parton You Aint Woman Enough –Loretta Lynn Jackson- Johnny Cash Folsom Prison- Johnny Cash Big River-Johnny
    [Show full text]
  • March 1-May 5, 2013
    March 1-May 5, 2013 Created by Richard Maltby, Jr. Conceived by William Meade Orchestrations by Steven Bishop and Jeff Lisenby RING OF FIRE: Milwaukee Repertory Theater presents THE MUSIC OF JOHHNY CASH PLAY GUIDE • Written by Leda Hoffmann Education Coordinator with contributions from Steven Esche Education Intern Created and Directed by Richard Maltby, Jr. Amanda Garrigan Conceived by William Meade Education Intern Orchestrations by Steven Bishop and Jeff Lisenby March 1- May 5, 2013 • Stackner Cabaret Play Guide edited by Lisa Fulton MARK’S TAKE: Director of Marketing “Prior to coming to America, I’d never paid much attention to country music. But it’s now JC Clementz Literary Assistant become a style that I absolutely love. Johnny Cash is so influential to so many musicians Jenny Kostreva across so many genres, and Ring of Fire treats Education Director us to all of those legendary, great songs, • while giving us a snapshot into his life. It’s a Graphic Design by celebration of his soul-stirring music—really good stuff!” Eric Reda -Mark Clements, Artistic Director TABLE OF CONTENTS Page 3 Synopsis Musical Numbers Page 4 Johnny Cash Timeline Tickets: 414-224-9490 www.MilwaukeeRep.com Page 6 Johnny Cash: The Man Page 7 Richard Maltby, Jr. Mark Clements Page 8 Visiting The Rep Artistic Director Milwaukee Repertory Theater 108 E. Wells Street Milwaukee, WI • 53202 SYNOPSIS Ring of Fire is a jukebox musical that celebrates the lives and stories Johnny Cash sang about in his music. A cast of four men and one woman tell his remarkable life story through some of the greatest songs of one of America’s most brilliant singer/ songwriters, Johnny Cash.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]