Annual Reportreport Annual Report 2008-2009 3
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AnnualAnnual ReportReport Annual Report 2008-2009 3 The Chairman’s Report By Pierre duPont Irving Delivered at the Preservation Society’s Annual Meeting, June 11, 2009 Photo by corbettphotography.net he Preservation Society’s recent acquisition of the In acquisition, I will tell you a little about The Elms overdoor John Singer Sargent portrait of Cornelius Vanderbilt paintings, which have been part of an ongoing story about TTII gives me a wonderful opportunity to talk to you bringing back original objects to the houses. about the museum that it has become today. Acquisition is but the beginning of the story. The care and Our museum collections are comprised of over 40,000 conservation of the collection is equally as important and I catalogued objects either original to the houses or reflecting as will tell you about the fascinating work which is being done closely as possible what would have been in their interiors. In to conserve The Elms lacquer panels. some cases, like Chepstow and Kingscote, the houses were given Then there is the challenge of the interpretation to the Preservation Society with their entire contents of the collections. The Preservation Society is intact. How fortunate we were. In other cases, as engaged in planning an exhibition next with The Elms and Chateau-sur-Mer, their year in the Gothic Room at Marble contents were sold at public auction and the What is House, and I want to tell you Preservation Society has been patiently about that as well. working to bring back and restore their original interiors. unique about the At the time The Elms was built, the dining room and gallery were What is unique about the designed for the display of a cycle Preservation Society’s collections is that Preservation Society’s of ten 18th century Venetian they reside within another collection, history paintings which had the Preservation Society’s eleven iconic collections is that they originally been in the Corner houses. Collections of similar objects Palace in Venice. The series are sometimes distributed throughout comprised four large murals and different houses and do not appear together reside within another six overdoors by various Italian artists as they do in conventional museums. This may depicting Scipio and distinguished make their scope and significance less apparent to collection... members of the Corner family at significant the casual visitor than would otherwise be the case. historical events. It was the largest cycle of 18th The acquisition, conservation, and interpretation of the century Venetian history paintings outside of Italy. collections have been of paramount importance in building and Prior to the Preservation Society acquiring The Elms in 1962, maintaining their integrity. The Preservation Society has recently its contents, including the six overdoors, were sold at auction. engaged in several initiatives which will serve to illustrate in a The four large murals in the gallery depicting Scipio remained representative manner what it is doing in each of these areas. because they could not safely be removed from the gallery wall. Dinner at The Elms Photo by Roskelly.com 4 The Preservation Society of Newport County Annual Report 2008-2009 5 In 2004, four of the six established and the groundwork for their The exhibition will overdoors were secured Della Robbia was restoration is being laid open this winter at the and brought back to lost. It was a in a thoughtful and Ringling Museum in The Elms with money disappointing piece methodical manner, Sarasota. It will then drawn from the of news, but we had and research into move to Newport for collections reserve and tried. methods of the spring and help from private In an conservation is summer of 2010. donors, thus reuniting extraordinary groundbreaking in its Over 350 objects will eight of the ten occurrence, en route own right. Very few return to the Gothic paintings in the to California the lacquer rooms still exist Room at Marble original cycle. The two Della Robbia was in the world. The ones House. It will retrace remaining overdoors damaged in transit, we know of for certain the formation of this Photo by Andrea Carneiro will soon go up for Photo by corbettphotography.net and Mr. Hunt are in Vienna at Schloss once celebrated auction in London. decided that he no Schonbrunn and the collection in 19th One is by the school of Gene Roberts and Pierre Irving unveil the John Singer Sargent portrait of Palais Esterhazy and One of the lacquer panels is carefully removed from the wall in The Elms Breakfast Room for closer inspection. century Paris, its Cornelius Vanderbilt II, purchased at auction and returned to The Breakers. longer wanted it. Sebastiano Ricci, and the other has Through the efforts of Paul Miller in Sweden at installation by been reliably attributed to and the Collections Committee it Drottningholm Palace. Gavet in his Gothic-style Sabastiano Ricci himself whose Last Supper hangs in the National was subsequently purchased from the Fireman’s Fund Insurance Last year, the Preservation Society’s Chief Conservator, Jeff apartment on the quai Notre Dame, its purchase by Alva Gallery of Art. The Preservation Society intends to be at that Company for $5,500. It has been beautifully restored and now Moore, travelled to Vienna where he met Silvia Miklin-Kniefacz Vanderbilt and installation in the Gothic Room in Newport, auction to see if once again with authorized funds from the hangs in the library at The Elms, returning at last by a somewhat and her associates to discuss and examine their conservation and finally its appeal and sale to John Ringling. The aim of the collections reserve and help from potential private donors it can circuitous route. treatments of the lacquer panels in Vienna. His research is exhibition as explored by Paul Miller of the Preservation Society secure at least one of the remaining overdoors. Whether or not helping to plan the strategy for the conservation of the panels at and Virginia Brilliant of the Ringling Museum will be to tell the Preservation Society will be successful we won’t know until Every object in the Preservation Society’s collection has a story The Elms. Jeff is also researching the best method to introduce about how pre-Renaissance art was viewed and appreciated, and the auction takes place. behind it, and often the history of how they arrived at the houses climate control into the breakfast room to stabilize the to follow its display from the banks of the Seine, to the cliffs of is as fascinating as the intrinsic artistic value of the objects environment for the panels. The Elms Chinese panel restoration Newport, to the tropical shoreline of Sarasota. It is as much a [Ed. Note: The paintings did not meet their reserve at the themselves. Sotheby’s London July 8, 2009 Old Master Paintings Sale and promises to be an exciting and challenging project which has an story of the unique personalities of the dealers and their clients remain on the market. Any contributions towards their purchase, The proper conservation of objects in our collection is as interesting educational dimension for conservationists as well. as the works of art themselves. payable to the Society’s Collections Reserve, would be most important as their acquisition. In The Elms is a unique room Over fifty thousand dollars has been spent to date and the When the exhibition is over, approximately one third of the gratefully appreciated.] which so far as we know is the only surviving room of its type in continuing restoration will cost several hundred thousand dollars objects from the Ringling Museum will remain in the Gothic the United States. In the northwest corner of the house, just off more. We are hoping for foundation and private support as we What is important, as with the acquisition of the Sargent Room on loan. It will be the most ambitious exhibition that the the dining room, is the Chinese breakfast room, designed entirely move forward. Preservation Society has ever undertaken, and we are delighted portrait, is there is a strategy in place to bring this important around a set of Chinese black and gold lacquer panels from the collection back together and that we will be there to try. The interpretation of our collection is a vital aspect of our to have the opportunity to collaborate with the Ringling K’ang Hsi period (1680-1720). The panels were likely exported museum mission and planning is continually underway to show Museum in an exhibition which is national in scope. The Preservation Society has not always been successful in from China to France by 1770 and used as wall decoration in a our collections in new and exciting ways. In the spring and These activities offer insight into the museum that the its efforts to secure important objects original to the houses at Parisian townhouse. summer of 2010, the Preservation Society, in conjunction with auction, but fortune can sometimes smile upon us in strange Preservation Society is today. It is our mission of historic In the late 17th century it was considered the height of good the Ringling Museum of Sarasota, Florida, will host an preservation that gave birth to this museum, and that mission ways. It was reported in the Spring issue of the Newport Gazette taste among fashionable Europeans to have a Chinoiserie room, exhibition entitled: Gothic Art in the Gilded Age: Medieval last year that the Preservation Society was able to reacquire for still remains strong. Our houses and their collections continue and since Mr. Berwind was recreating in 1901 an 18th century Treasures in the Gavet-Vanderbilt-Ringling Collection. In 1889, as to promote the value of historic preservation to the millions of The Elms, through private sale, the only original Della Robia French chateau with its original interior elements, he Marble House was being built, William and Alva Vanderbilt met thought to remain in private hands.