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Operational Policy
Operational policy Visitor management Orienteering and rogaining in QPWS-managed areas Operational policies provide a framework for consistent application and interpretation of legislation and for the management of non-legislative matters by the Environmental Protection Agency (incorporating the Queensland Parks and Wildlife Service). Operational policies are not intended to be applied inflexibly in all circumstances. Individual circumstances may require a modified application of policy. Policy subject This policy outlines the circumstances in which the Queensland Parks and Wildlife Service (QPWS) may authorise and manage the conduct of orienteering and rogaining activities on QPWS-managed areas. Background While QPWS-managed areas provide a range of opportunities for different visitor activities, not all activities can be accommodated, as requirements for conserving natural and cultural values and other considerations including impacts on other uses, management programs, priority community needs and equity dictate against some activities. Orienteering and rogaining activities vary from relatively informal, small scale gatherings to large scale championship or carnival events. Such events can give rise to a range of issues and impacts, including damage to vegetation, disturbance of wildlife and possible disruption of other visitor activities. Further information on these activities is contained in Attachment 1. The particular scale and format of an event or events will determine the extent to which impacts are concentrated or dispersed across the landscape. Particular environments have different conservation and cultural significance and are more or less sensitive (resistant and/or resilient) to particular types, frequencies and intensities of use. Each of these factors will be critical in identifying the risks associated with proposed orienteering and rogaining activities, and in assessing and determining applications to conduct such activities. -
Redalyc.Mambo on 2: the Birth of a New Form of Dance in New York City
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Hutchinson, Sydney Mambo On 2: The Birth of a New Form of Dance in New York City Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 108-137 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716209 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Hutchinson(v10).qxd 3/1/05 7:27 AM Page 108 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Mambo On 2: The Birth of a New Form of Dance in New York City SYDNEY HUTCHINSON ABSTRACT As Nuyorican musicians were laboring to develop the unique sounds of New York mambo and salsa, Nuyorican dancers were working just as hard to create a new form of dance. This dance, now known as “on 2” mambo, or salsa, for its relationship to the clave, is the first uniquely North American form of vernacular Latino dance on the East Coast. This paper traces the New York mambo’s develop- ment from its beginnings at the Palladium Ballroom through the salsa and hustle years and up to the present time. The current period is characterized by increasing growth, commercialization, codification, and a blending with other modern, urban dance genres such as hip-hop. [Key words: salsa, mambo, hustle, New York, Palladium, music, dance] [ 109 ] Hutchinson(v10).qxd 3/1/05 7:27 AM Page 110 While stepping on count one, two, or three may seem at first glance to be an unimportant detail, to New York dancers it makes a world of difference. -
Memorandum of Understanding Between Forests New South Wales
Memorandum of Understanding between Forests New South Wales and The Orienteering Association of NSW The New South Wales Rogaining Association CONTENTS 1. INTRODUCTION.......................................................................................................... 3 2. PURPOSE OF THE DOCUMENT................................................................................... 3 3. ROLE AND RESPONSIBILITY OF FORESTS NSW......................................................... 3 4. ROLE AND RESPONSIBILITY OF THE ORIENTEERING ASSOCIATION OF NEW SOUTH WALES.............................................................................................................................. 4 5. ROLE AND RESPONSIBILITY OF THE NSW ROGAINING ASSOCIATION ....................... 4 6. OPERATING FRAMEWORK......................................................................................... 5 6.1 Communication.................................................................................................... 5 6.2 Planning.............................................................................................................. 5 6.3 Permit Application Process .................................................................................... 5 6.3.1 State-wide Special Purpose Permit Application.....................................................................................5 6.3.2 Special Regional Arrangements .......................................................Error! Bookmark not defined. 6.3.2 General...............................................................................................................................................7 -
Inquiry Into the 2011 Kimberley Ultramarathon
Economics and Industry Standing Committee Inquiry into the 2011 Kimberley Ultramarathon Report No. 13 Legislative Assembly August 2012 Parliament of Western Australia Committee Members Chair Mr M.D. Nahan, MLA Member for Riverton Deputy Chair Mr W.J. Johnston, MLA Member for Cannington Members Ms A.R. Mitchell, MLA Member for Kingsley Mr I.C. Blayney, MLA Member for Geraldton Mr M.P. Murray, MLA Member for Collie-Preston Co-opted Member Hon. M.H. Roberts, MLA Member for Midland Committee Staff Principal Research Officer Mr Tim Hughes, BA (Hons) Ms Renée Gould, BA GradDipA (from 16 April 2012) Research Officer Mrs Kristy Bryden, BA, BCom Legislative Assembly Tel: (08) 9222 7494 Parliament House Fax: (08) 9222 7804 Harvest Terrace Email: [email protected] PERTH WA 6000 Website: www.parliament.wa.gov.au/eisc Published by the Parliament of Western Australia, Perth. August 2012. ISBN: 978-1-921865-53-4 (Series: Western Australia. Parliament. Legislative Assembly. Committees. Economics and Industry Standing Committee. Report 13) 328.365 Economics and Industry Standing Committee Inquiry into the 2011 Kimberley Ultramarathon Report No. 13 Presented by Dr M.D. Nahan, MLA Laid on the Table of the Legislative Assembly on 16 August 2012 Contents Executive Summary i Ministerial Response xi Findings and Recommendations xiii Relevant Persons xxv 1 Introduction 1 The 2011 Kimberley Ultramarathon 1 2 RacingthePlanet Events Limited 7 Part One: Risk identification and assessment 7 Risk of fire in the course area 7 RacingThePlanet’s awareness of -
Heart Rate and Accelerometry During Singles Footbag Net Play
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Summer 1-1-2012 Heart Rate and Accelerometry during Singles Footbag Net Play Christopher Michael Siebert Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Physiological Processes Commons, and the Sports Sciences Commons Let us know how access to this document benefits ou.y Recommended Citation Siebert, Christopher Michael, "Heart Rate and Accelerometry during Singles Footbag Net Play" (2012). Dissertations and Theses. Paper 650. https://doi.org/10.15760/etd.650 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Heart Rate and Accelerometry during Footbag Net Singles Play by Christopher Michael Siebert A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in Health Studies Thesis Committee: Gary Brodowicz, Chair Clyde Dent Claire Wheeler Portland State University ©2012 Abstract This investigation examined the heart rate responses and movement characteristics of experienced footbag net players during singles play. Footbag net is a net/court sport similar to volleyball, but it is played with a footbag (e.g., Hacky-Sack™) using only the feet. In singles footbag net, players are allowed either one or two kicks to propel the footbag over the net. Subjects were 15 males and 1 female, ranging in age from 18- 60 years, with a mean age of 33.6 years. -
PHYSICAL N Programme Ideas
S.Pmfecl Inspiring a million VOLUNTEERING more young PHYSICAL volunteers Programme ideas: Volunteering section Programme ideas: Physical section When completing each section of your DofE, you It's your choice... When completing each section of your DofE, you It's your choice... should develop a programme which is specific Volunteering gives you the chance to make a should develop a programme which is specific Doing physical activity is fun and improves your and relevant to you. This sheet gives you a list of difference to people's lives and use your skills and and relevant to you. This sheet gives you a list health and physical fitness. There's an activity to prograrnme ideas that you could do or you could experience to help your local community. You of programme ideas that you could do or you suit everyone so choose something you are really use it as a starting point to create a Volunteering can use this opportunity to become involved in a could use it as a starting point to create a Physical interested in. programme of your own! project or with an organisation that you care about. programme of your own! Help with planning For each idea, there is a useful document Help with planning For each idea, there is a useful document You can use the handy programme planner on giving you guidance on how to do it, which You can use the handy programme planner on giving you guidance on how to do it, which the website to work with your Leader to plan you can find under the category finder on the website to work with your Leader to plan you can find under the category finder on your activity. -
SUGAR HILL ROGAINE II CNYO's 20 ANNUAL ROGAINE 2010
SUGAR HILL ROGAINE II CNYO’s 20th ANNUAL ROGAINE 2010 UNITED STATES ROGAINING CHAMPIONSHIPS Date: July 31-August 1, 2010 Time: Mass start at noon on Saturday. Map issue for planning at 10am on Saturday. Duration: There will be options for 6, 12, and 24 hours. Only the 24 hour event is the official US Rogaining Championships. See more details further down about award categories and eligibility requirements. What is a Rogaine? The concept is very straightforward—teams of two to five people have a fixed time (6, 12, or 24 hours in this event) to visit as many checkpoints as possible, walking, running or resting as they see fit. The checkpoints (controls) are spread over a large area, and are pre-marked on a map issued shortly before the start of the event. Point values for visiting each control vary (and are specified in advance) depending on such factors as the distance from the start/finish area, elevation, navigational complexity, and the whims of the course setter. The members of the team must stay together throughout the event, for reasons of safety. Who may participate? Participants in rogaining come from diverse backgrounds, including hikers, cross-country runners, trail runners, adventure racers, ultra-runners, orienteers, and family groups. Even at a championship event such as this, a wide variety of competitive intensity is found, varying from the casual stroller wanting to add some variety to the weekend hike to serious athletes expecting to vie for the top spots in their category, going with no sleep and at a running pace for most of the event. -
Hip Hop Dance: Performance, Style, and Competition
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HIP HOP DANCE: PERFORMANCE, STYLE, AND COMPETITION by CHRISTOPHER COLE GORNEY A THESIS Presented to the Department ofDance and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofFine Arts June 2009 -------------_._.. _--------_...._- 11 "Hip Hop Dance: Performance, Style, and Competition," a thesis prepared by Christopher Cole Gorney in partial fulfillment ofthe requirements for the Master ofFine Arts degree in the Department ofDance. This thesis has been approved and accepted by: Jenife .ning Committee Date Committee in Charge: Jenifer Craig Ph.D., Chair Steven Chatfield Ph.D. Christian Cherry MM Accepted by: Dean ofthe Graduate School 111 An Abstract ofthe Thesis of Christopher Cole Gorney for the degree of Master ofFine Arts in the Department ofDance to be taken June 2009 Title: HIP HOP DANCE: PERFORMANCE, STYLE, AND COMPETITION Approved: ----- r_---- The purpose ofthis study was to identify and define the essential characteristics ofhip hop dance. Hip hop dance has taken many forms throughout its four decades ofexistence. This research shows that regardless ofthe form there are three prominent characteristics: performance, personal style, and competition. Although it is possible to isolate the study ofeach ofthese characteristics, they are inseparable when defining hip hop dance. There are several genre-specific performance formats in which hip hop dance is experienced. Personal style includes the individuality and creativity that is celebrated in the hip hop dancer. Competition is the inherent driving force that pushes hip hop dancers to extend the form's physical limitations. -
RAISING ENGINEERING the Demand Grows for UTC Grads
VOLUME ONE • ISSUE ONE RAISING ENGINEERING The Demand Grows for UTC Grads The Magazine of The University of Tennessee at Chattanooga | A University of Tennessee at Chattanooga Magazine volume one, issue one • October 2017 utc.edu/magazine INSIDE THIS ISSUE 4 Message from the Chancellor 5 Raising Engineering 9 Olga De Klein 10 Nurse in Alaska 12 Teachers Extraordinaire 14 Fake News Explained 16 Mental Health Court 18 Yesteryear and Now 20 View from Vision Labs 22 UTC Theatre 25 Reese Veltenaar 26 Headed for Stardom 29 Alum News ’n Notes 33 Valediction 34 Notabilis: Bucky Wolford EDITOR George Heddleston Vice Chancellor, Communications and Marketing ASSISTANT EDITOR Chuck Cantrell Associate Vice Chancellor, Communications and Marketing CREATIVE DIRECTOR Stephen Rumbaugh WRITERS Laura Bond, Chuck Cantrell, Sarah Joyner, Shawn Ryan CONTRIBUTING WRITER Chuck Wasserstrom PHOTOGRAPHER Angela Foster CONTRIBUTING Dominique Belanger, Adam Brimer, PHOTOGRAPHERS Esther Pederson, Taylor Slifko, FreeVectorMaps.com VIDEOGRAPHER Mike Andrews We welcome your feedback: [email protected] The University of Tennessee at Chattanooga is an equal employment opportunity/affirmative action/Title VI/Title IX/Section 504/ADA/ADEA institution. The University of Tennessee at Chattanooga is a comprehensive, community-engaged campus of the University of Tennessee System. Chamberlain Pavilion Welcome to the first issue of the The vibrancy of campus is not just in new University of Tennessee at the buildings, however. It echoes in Chattanooga Magazine. Through its the energy of our students, faculty contents, we will keep you connected and alumni, people you will read to UTC, highlighting the outstanding about in the UTC Magazine. Everyone accomplishments—both on campus featured volunteers credit to UTC as and in the community—of our alumni, a major part of their success, and that current students, faculty and staff. -
Beyond 'One Size Fits All' in Physical Education
Ever Active Schools Beyond ‘One Size Fits All’ in Physical Education (Differentiated Instruction in P.E.) Participant Handout Intended Audience: Grades K-12 Teachers Session Outcomes Participants will: 1. Become familiar with and identify strategies for planning student learning opportunities that consider the needs of all students in physical education classes. 2. Review the principles and benefits of differentiated instruction. 3. Participate in activities to support student learning of the Physical Education program outcomes. 4. Identify resources and ongoing support for differentiated instruction in Physical Education. Tracy Lockwood Joyce Sunada Shannon Horricks Doug Gleddie Education Coordinator School Coordinator Project Coordinator Director [email protected] [email protected] [email protected] [email protected] Website: www.everactive.org Workshop development supported by: 2 Differentiated Instruction in Physical Education (Adapted from Differentiation in Health and Physical Education, by Joanne Walsh for the Ontario Physical Education Association, 2007) Diversity is very apparent in a Physical Education class. Students enter classes with vastly different and varied skill sets, levels of confidence and interests. It is a challenge to engage all of these students in the physical education class. Building the key elements of differentiation into planning increases the teacher’s ability to engage all students in learning. As Physical Educator’s, focusing on differentiation does not mean an entire shift from present practice; it means continuing to strengthen our approach to teaching and learning by making small changes in current practice to enhance student learning. Differentiation is not an initiative, a program or the latest innovative teaching strategy. Differentiation begins with the student at the center of learning, respecting that students have diverse learning needs and planning lessons in response to those needs. -
ICTM Abstracts Final2
ABSTRACTS FOR THE 45th ICTM WORLD CONFERENCE BANGKOK, 11–17 JULY 2019 THURSDAY, 11 JULY 2019 IA KEYNOTE ADDRESS Jarernchai Chonpairot (Mahasarakham UnIversIty). Transborder TheorIes and ParadIgms In EthnomusIcological StudIes of Folk MusIc: VIsIons for Mo Lam in Mainland Southeast Asia ThIs talk explores the nature and IdentIty of tradItIonal musIc, prIncIpally khaen musIc and lam performIng arts In northeastern ThaIland (Isan) and Laos. Mo lam refers to an expert of lam singIng who Is routInely accompanIed by a mo khaen, a skIlled player of the bamboo panpIpe. DurIng 1972 and 1973, Dr. ChonpaIrot conducted fIeld studIes on Mo lam in northeast Thailand and Laos with Dr. Terry E. Miller. For many generatIons, LaotIan and Thai villagers have crossed the natIonal border constItuted by the Mekong RIver to visit relatIves and to partIcipate In regular festivals. However, ChonpaIrot and Miller’s fieldwork took place durIng the fInal stages of the VIetnam War which had begun more than a decade earlIer. DurIng theIr fIeldwork they collected cassette recordings of lam singIng from LaotIan radIo statIons In VIentIane and Savannakhet. ChonpaIrot also conducted fieldwork among Laotian artists living in Thai refugee camps. After the VIetnam War ended, many more Laotians who had worked for the AmerIcans fled to ThaI refugee camps. ChonpaIrot delIneated Mo lam regIonal melodIes coupled to specIfic IdentItIes In each locality of the music’s origin. He chose Lam Khon Savan from southern Laos for hIs dIssertation topIc, and also collected data from senIor Laotian mo lam tradItion-bearers then resIdent In the United States and France. These became his main informants. -
A Nonverbal Language for Imagining and Learning: Dance Education in K–12 Curriculum Judith Lynne Hanna
A Nonverbal Language for Imagining and Learning: Dance Education in K–12 Curriculum Judith Lynne Hanna Curriculum theorists have provided a knowledge base concerning the common, narrow, in-depth focus for articles and instead aesthetics, agency, creativity, lived experience, transcendence, learn- address a panorama of issues that educators, dancers, and ing through the body, and the power of the arts to engender visions researchers have been raising, at least since my teacher training at of alternative possibilities in culture, politics, and the environment. the University of California–Los Angeles in the late 1950s. Underlying the discussion is the theoretical work of John However, these theoretical threads do not reveal the potential of Dewey (1934) and Eliot Eisner (2002), who have looked at the K–12 dance education. Research on nonverbal communication and arts broadly. They have established the significance of the expres- cognition, coupled with illustrative programs, provides key insights sion of agency, creativity, lived experience, transcendence, learn- into dance as a distinct performing art discipline and as a liberal ing through the body, and the power of the arts to engender applied art that fosters creative problem solving and the acquisition, visions of alternative possibilities in culture, politics, and the envi- reinforcement, and assessment of nondance knowledge. Synthesizing ronment. Dewey’s prolific writing and teaching at Teachers College of Columbia University prepared schools to offer dance and interpreting theory and research from different disciplines that for all children. He believed that children learn by doing—action is relevant to dance education, this article addresses cognition, emo- being the test of comprehension, and imagination the result of the tion, language, learning styles, assessment, and new research direc- mind blending the old and familiar to make it new in experience.