O Superfood (2014) List of Samples

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Alex Temple, O Superfood (2014) List of Samples Time Artist Album / Piece & Performer Song / Track / Movement 0:00 Laurie Anderson Big Science O Superman (for Massenet) 0:00 Robert Ashley Improvement: Don Leaves Linda Sunset at the Turnoff 0:09 Paper Mice Paint it Pink I Want to Go to Prison 0:26 Imogen Heap Speak for Yourself Hide and Seek 0:33 James Blake James Blake Lindisfarne I 0:53 Eiffel 65 Europop Blue (Da Ba Dee) 0:54 Tricky Maxinquaye Overcome 1:11 Tom Waits Swordﬁshtrombones Shore Leave 1:14 I Wayan Berata Panyembrama (Gamelan Galak Tika) 1:31 Pierre Boulez Le marteau sans maître (Ensemble InterContemporain) Commentaire I de "Bourreaux de solitudes" 1:44 Martin Denny Exotic Percussion Song of the Bayou 1:46 Olivier Messiaen Réveil des oiseaux (Loriod, Orchestre Nationale de France) Minuit 1:52 Béla Bartók Music for Strings, Percussion & Celesta (Berlin Philharmonic) Adagio 1:56 Mr. Bungle California Sweet Charity 2:16 The Four Tops Reach Out Reach Out I’ll Be There 2:24 Claude Debussy Sonata for Flute, Viola and Harp (Athena Ensemble) Pastorale 2:33 Talking Heads Talking Heads 77 Psycho Killer 2:37 The Flamingos I Only Have Eyes for You 2:56 Paper Mice Paint it Pink I Want to Go to Prison 3:07 Tammy Wynette Stand By Your Man 3:07 David Thomas & Two Pale Boys Meadville Surfer Girl / Around the Fire 3:14 Jan Dismas Zelenka Miserere in C Minor (Prague Madrigal Singers) Gloria Patri II 3:44 Charles Mingus Mingus Mingus Mingus Mingus Mingus I X Love 3:59 Johannes Brahms Clarinet Sonata No. 2 in Eb Major (Cohen, Ashkenazy) Allegro amabile 4:21 Johann Sebastian Bach Brandenburg Concerto No. 6 in Bb Major (Akad. für Alte Musik Berlin) Allegro 4:26 Ludwig van Beethoven String Quartet No. 13 in Bb Major, Op. 130/133 (Quatuor Végh) Große Fuge 4:33 Lusine A Certain Distance Two Dots 4:38 Philip Glass Einstein on the Beach Night Train 4:51 Isolée Rest Beau Mot Plage 5:06 Alamaailman Vasarat Käärmelautakunta Jää, Hyvä Mieli 5:15 Skrillex Bangarang EP Right In 5:29 Krzysztof Penderecki Threnody for the Victims of Hiroshima (Polish Radio National Sym. Orch.) 5:43 Katy Perry Teenage Dream California Gurls (f. Snoop Dogg) 5:56 The Dismemberment Plan Emergency & I Girl O’Clock 6:10 OutKast Stankonia B.O.B. (Bombs Over Baghdad) 6:13 Ornette Coleman Free Jazz 6:22 Sleepytime Gorilla Museum Grand Opening & Closing 1997 (Tonight We’re Gonna Party Like It’s) 6:27 Dillinger Escape Plan Irony is a Dead Scene EP Pig Latin 6:56 Glenn Underground Lounge Excursions Translucent Blues 6:57 Laurie Anderson Big Science O Superman (for Massenet) 7:01 Warren G Regulate ... G Funk Era Regulate (f. Nate Dogg) 7:35 Les Paul & Mary Ford The Hit Makers! Whither Thou Goest 7:54 Suzanne Ciani AT&T Logo.

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Popular Music and Society Artists As Entrepreneurs, Fans As Workers
This article was downloaded by: [James Madison University] On: 03 November 2014, At: 16:54 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Popular Music and Society Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rpms20 Artists as Entrepreneurs, Fans as Workers Jeremy Wade Morris Published online: 15 May 2013. To cite this article: Jeremy Wade Morris (2014) Artists as Entrepreneurs, Fans as Workers, Popular Music and Society, 37:3, 273-290, DOI: 10.1080/03007766.2013.778534 To link to this article: http://dx.doi.org/10.1080/03007766.2013.778534 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes.
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