Brand Style Guide Version: 01/01/18 Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Load more

BRAND STYLE GUIDE VERSION: 01/01/18 TABLE OF CONTENTS INTRO Our Mission 4 Our Pillars and Keywords 5 The Tilted Kilt® brand is our company’s most valuable and treasured asset. To preserve and LOGOS protect our brand we have filed copyrights Logo Evolution 7 and trademarks. We further protect our brand Logotype (Primary) 8 Alternate Mark (Shield) 9 through proper and consistent use. In an effort Do’s and Don’ts 10 to ensure proper and consistent use of our brand by third parties, we have created this logo TYPOGRAPHY usage and style guide to clearly communicate Typefaces 13 approved usage of our brand and marks and to Production Specs 14 provide examples of approved and disapproved Franchise Locations 15 use of specific words, phrases, marks, and logos. It is imperative that marketing-based DESIGN branding follow these requirements in each Color Palette 17 and every case. The correct displays of logos Tartan & Patterns 18 and strict adherence to this logo usage and style Graphic Elements 19 Photography 20 guide is everyone’s responsibility. Kilt Girls® 22 Limericks 23 — RON LYNCH President Advertisement & Collateral Examples 24 TRADEMARKS & REGISTERED MARKS Trademark Terms & Phrases 26 Registered Marks 27 2 INTRO OUR MISSION Tilted Kilt® strives to provide every guest with a fun and entertaining environment, while engendering a sense of belonging. By offering high-quality food, top-notch beers and cocktails with friendly, hospitable service, guests feel welcome to enjoy a leisurely meal and linger as long as they want. 4 OUR PILLARS KEYWORDS Welcoming Beer Friends GREAT-TASTING FOOD EMOTIONAL Energetic Stimulating Traditions FEAST YOUR EYES AN EXPERIENCE Warm Bawdy Casual TO REMEMBER Familiar Sexy Outgoing Our menu offers a full selection of appetizers, entrées and comfort food. Each dish is carefully made with high-quality ingredients, while Exciting Sassy Friendly continuing to offer a good value. No matter the occasion, we aim to Seasonal Fun Courteous ensure that every customer leaves satisfied. Witty Smart Professional Social Cute Integrity ENTERTAINING ENVIRONMENT Bar Charm FUN IS IN OUR NATURE Our modern take on old-world décor, classic bar games and multiple TVs provide an energetic gathering spot to watch must-see sports, live events, memorable parties or an impromptu night out Fresh Gather America with friends and family. PHYSICAL Classy Variety Pub FEED YOUR SENSES Entertaining Smell Classic YOU’RE IN GOOD COMPANY Sexy Taste Unique Craft Celtic Different WELCOME TO THE PARTY Quality England Connection Our ‘Kilt® staff is made up of fun, classy, easygoing men and women. Modern Scotland Their friendly and attentive demeanors ensure all guests have a good time and the best experience possible. Our pubs are also the Old-world Ireland perfect place for people of all ages to connect with old friends and meet new ones. Attentive Hangout Comfort REFRESHING BREWS FUNCTIONAL Entertainment Upbeat Connection TAKE YOUR PICK WORKING FOR YOU Fun Approachable Personality With 24+ taps, we have one of the largest selections of draft beers Inclusive Sports Value around. To top it all off we have an extensive curated catalog of fine Hospitality Events Selection spirits, wines and custom cocktails. And while variety is the spice Delicious Quick of life, it’s the quality of brews and brands offered that excite and entice our guests Playful Shareable 5 LOGOS LOGO EVOLUTION The Tilted Kilt® Pub & Eatery has evolved through the years. Starting 2003 as a single pub in the Las Vegas Rio Hotel & Casino, the brand has grown beyond expectations—serving up thirst-quenching beverages, mouth-watering food, the best sports and entertainment, and hiring the most fun and attractive staff. As the brand grows, we must never forget our history and where we come from. PRESENT DAY 7 LOGOTYPE (PRIMARY) The words “Tilted Kilt®” may not appear without the words “Pub & Eatery.” This logo is to only be displayed as red, white or black. There cannot be a mix of colors. This is considered the primary “stacked” logo and is available in color, black and white. Any exceptions require prior written approval from Tilted Kilt Franchise Operating, LLC (“TKFO”). These restrictions do not apply to construction and architectural guidelines. Please contact the Pub Development team at TKFO regarding construction and architectural guidelines. A CLEAR SPACE Give the logo a room to breathe. B ROTATION If you prefer to rotate the logo, it can only be at 4°; A no more, no less. B C MINIMUM SIZE At 10mm tall, the logo tagline starts to lose legibility and must be avoided. 4° C 10mm 8 ALTERNATE MARK (SHIELD) THE “SHIELD LOGO” This is NOT a primary logo mark and CANNOT be used as a sole brand identifer on print or web materials. The Shield is used on apparel, accessories and retail merchandise. In special cases, it may be used as a secondary logo on a building due to city ordinance. All signage usage must have prior written approved by TKFO, LLC. The ribbon may not be removed from the shield shape. The contents of the ribbon text may not be altered. The colors may not be altered or changed. In instances where a black and white logo is required, a grayscale version of the shield logo may not be used. Please refer to the black and white versions only. The Shield is a registered trademark and must have the ® symbol. 9 LOGO DON’TS (PRIMARY) These are prohibited treatments of the Tilted Kilt® Pub & Eatery stacked logo. These restrictions sometimes do not apply to construction and architectural guidelines. Please contact the Pub Development team at TKFO regarding construction and architectural guidelines. DO NOT add any heavy or DO NOT add any stroke effects DO NOT stretch vertically DO NOT invade the safe area obvious drop shadows or horizontally PUB LOCATION DO NOT use unapproved colors DO NOT remove elements DO NOT alter or change logos from the logo when adding franchise location 10 LOGO DON’TS (Shield) These are prohibited treatments of the Tilted Kilt® Pub & Eatery shield logo. These restrictions sometimes do not apply to construction and architectural guidelines. Please contact the Pub Development team at TKFO regarding construction and architectural guidelines. DO NOT add any heavy or DO NOT add any stroke effects DO NOT stretch vertically DO NOT convert to greyscale— obvious drop shadows or horizontally use the black & white version PUB LOCATION DO NOT alter color DO NOT remove elements DO NOT alter or change elements combinations from the logo when adding franchise location 11 TYPOGRAPHY TYPEFACES Our primary typefaces are Alternate Gothic No. 2, Sheepman Open Sans and Demacratica. Secondary typefaces are for special instances like display type treatments and when extra emphasis is needed. These include Alize, Magneta and Griffon. ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789,.!()&? 0123456789,.!()&? Alternate Gothic No. 2 Alize ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789,.!()&? 0123456789,.!()&? Sheepman Bold Magneta ABCDEFGHIJKLMNOPQRSTUVWXYZ ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz 0123456789,.!()&? 0123456789,.!()&? Democratica Bold Griffon ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789,.!()&? Open Sans 13 PRODUCTION SPECS XXX-XXX-XXXX PHONE NUMBERS Saturday, August 25 DATES All phone numbers should be listed with Keep consistency in whether or 123-456-7890 all nine digits. Digits should be separated Sat., Aug. 25 not you are using abbreviations. with hyphens only, not dots, periods or If abbreviating, please use proper parenthesis. grammar and punctuation. DO NOT end any numbers in 4–7PM TIMEFRAMES numerical suffi xes - “th” “st” or “rd.” Timeframes staying within the same AM 8AM–3PM or PM bracket should be listed as start– 7PM–12AM end time with AM or PM at the end. Tilted Kilt Tempe STREET ADDRESSES Keep consistency as to whether or When listing a timeframe that extends 123 South Test Street not abbreviations are going to be between an AM and PM timeframe, list Tempe, Arizona 85284 used. If abbreviating, please use AM or PM after each numercial value. proper grammar and punctuation. Tilted Kilt Tempe - OR - 123 S. Test St. Menu Format PRICING Tempe, AZ 85284 - OR - 11 11.5 When listing pricing on the menu, no decimal is needed for whole numbers. Display Format Prices that include cents must only WEBSITE display the necessary numbers. For tiltedkilt.com $11 DO NOT list “www.” prior to tiltedkilt. display, add the dollar sign and apply the tiltedkilt.com/tempe com. Keep consistent with case $11.5 same formatting rules. When listing cents, -sensitivity, the web address must be please use the ¢ symbol, not a dollar sign tiltedkilt.com/menu 80¢ entirely lowercase or uppercase. It with cent danglers. TILTEDKILT.COM cannot be a mix of the two cases. DO NOT superscript or subscript the cents of any dollar amount. CONTENT SEPARATION Cent symbol: SPECIALS When listing multiple items or calling PC: Alt + 0162 $1.00 Item • $3.00 Item out content in a category, use a bullet Mac: Opt + 4 $5.00 Item •$8.00 Item to separate. Bullet Symbol (•) SLANT PC: Alt + 0149 HEADER TEXT 4° Rotation Keep any slant, rotation or shear to 4° Mac: Opt + 8 4° Shear only. For text, it is recommemded to use both rotation (4°) and shear (4°) so characters align vertically. 14 FRANCHISE LOCATIONS A A When calling out a franchise location name, you may use any of the three typefaces approved by TKFO. All case-sensitive in all capitals. A Alternate Gothic No3D TEMPE LONG BEACH B Open Sans Bold C Sheepman Bold C D Please comply and adhere with the safe area requirements around the logo. The width of the location name may not exceed the width of the stacked logo. The only approved placement for a franchise location call out is below the stacked logo and visually centered. An alternate typeface may be used by prior written approval by TKFO.
Recommended publications
  • Kilts & Tartan

    Kilts & Tartan

    Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions..........................................................................................
  • THE MYTHOLOGY, TRADITIONS and HISTORY of Macdhubhsith

    THE MYTHOLOGY, TRADITIONS and HISTORY of Macdhubhsith

    THE MYTHOLOGY, TRADITIONS and HISTORY OF MacDHUBHSITH ― MacDUFFIE CLAN (McAfie, McDuffie, MacFie, MacPhee, Duffy, etc.) VOLUME 2 THE LANDS OF OUR FATHERS PART 2 Earle Douglas MacPhee (1894 - 1982) M.M., M.A., M.Educ., LL.D., D.U.C., D.C.L. Emeritus Dean University of British Columbia This 2009 electronic edition Volume 2 is a scan of the 1975 Volume VII. Dr. MacPhee created Volume VII when he added supplemental data and errata to the original 1792 Volume II. This electronic edition has been amended for the errata noted by Dr. MacPhee. - i - THE LIVES OF OUR FATHERS PREFACE TO VOLUME II In Volume I the author has established the surnames of most of our Clan and has proposed the sources of the peculiar name by which our Gaelic compatriots defined us. In this examination we have examined alternate progenitors of the family. Any reader of Scottish history realizes that Highlanders like to move and like to set up small groups of people in which they can become heads of families or chieftains. This was true in Colonsay and there were almost a dozen areas in Scotland where the clansman and his children regard one of these as 'home'. The writer has tried to define the nature of these homes, and to study their growth. It will take some years to organize comparative material and we have indicated in Chapter III the areas which should require research. In Chapter IV the writer has prepared a list of possible chiefs of the clan over a thousand years. The books on our Clan give very little information on these chiefs but the writer has recorded some probable comments on his chiefship.
  • Gaelic Scotland in the Colonial Imagination

    Gaelic Scotland in the Colonial Imagination

    Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca.
  • Nov 2009In Publisher.Pub

    Nov 2009In Publisher.Pub

    The Clan Centre Remember your ancestors with a special plaque on the wall in the MacMillan Garden Buy a clan history book, or a copy of the chief’s verse - email [email protected] for prices Year of Homecoming Gathering in Scotland This issue includes: The Clan Chattan Connection Issue No. 13 Family of Charles McMillan & Caroline Lake Nov / Dec 2009 Got Matar Update CMSNA Gathering 2010 Order now from www.tartansneakers.com Profile of Lt. Gen. Sir John MacMillan 20 1 Some scenes from the Homecoming 2009 The Companions of the Tonsured Servant invested at Kilmory who are named on the opposite page, along with George & Blanche. Gathering Below are scenes from the events at Kilmory, with thanks to photographers Susan Drinkwater and Pauline. in Scotland The chiefly family in the Clan MacMillan George welcomes visitors from Australia tent at The Gathering in Edinburgh to the Clan MacMillan tent Susan Drinkwater presents George with Seated: June Danks, Australia, his chiefly chef’s apron from Canada and Jane Strauss, ME, USA. Ed McMillan, TN, USA Standing in front: Mike Drotar, NH, USA Above: The Norwegian clan at Castle Sween Below: The youngest member of the Norwegian clan, Vikki Sydskjor, receives Above: The Bell family on the ferry Above: Fran & Robert Jones, her birthday gift from George and Pauline Below: Nigel, Gordon, and Sheila GA, USA. at the dinner in Greenock Macmillan at Castle Sween Below: Teresa McMillan, MS, USA. 2 19 Clan MacMillan’s ‘Community of the Tonsured Servant’ (CTS) Founded in 1995: Supporting the Clan MacMillan International Centre (CMIC) at Finlaystone, Scotland, and providing educational materials & events for Clan MacMillan & Sept members around the world.
  • Kilts Available F Kilts Available for Hire for Hire

    Kilts Available F Kilts Available for Hire for Hire

    Kilts available for hire This is a list of tartans that are available for hire from Celtic Design. For more information on specific sizes please e -mail [email protected] . Adult Kilts Generic Tartans Generic tartans are often the best choice when outfitting a bridal party or mixed group. These tartans have no family affiliations so you avoid problems of asking people to wear tartans that don ’t apply to their ow n history. These tartans are very popular and we are able to offer a larger number of these kilts in our hire range. They have a range of base colours that can be ea sily matched to various colour schemes. Black Single Black Shadow Black Watch 10 kilts 5 kilts 24 kilts A plain black fabric kilt that can look Black thread woven as a tartan The tartan of the Black Watch army, stylish and modern. Generally best pattern. It is only in the reflection of who have existed in various forms when dressed with other colours the light off the fabric surface that since 1729. This tartan is now introduced with the shirt and/or tie. you can see the tartan patterning. considered a “generic” tartan This is considered a “fashion” tartan This is considered a “fashion” tartan meaning that everyone is allowed to and has no clan affiliations. and has no clan affiliations. wear it. Flower of Scotland Irish National Isle of Skye 6 kilts 8 kilts 6 kilts This tartan was created to honour Roy This tartan was produced by The This tartan was selected as the official Williamson, the author of Scotland’s House of Edgar mill in Pitlochry.
  • First Step: Selection of Your Tartan

    First Step: Selection of Your Tartan

    FIRST STEP: Note your name is affiliated to SELECTION OF YOUR TARTAN clan, so you can wear that tartan. The first step in choosing your Highlandwear outfit is to choose your tartan. Here at Houstons we can You can fast find your tartan by going inform you of the correct tartan for your crest or family name. You can also find tartans, crest histories to www.kiltmakers.com/tartans or if and video clips explaining everything you need to know as well as a 60 page buy brochure with kilt you wish to know you have a tartan, packs, accessories, order details & measurements, with questions and answers on-line at our Web Site: go to www.kiltmakers.com/sept www.kiltmakers.com Scotland has many district, town and clan tartans as well as National tartans for example the Scottish MOST National, Flower of Scotland, Braveheart, Spirit of Scotland, Scotland the Brave, Isle of Skye, Millennium tartan, Monarch of the Glen, Spirit of Bannockburn and our own designs, ‘St Mirren’ TARTANS COME IN ‘Scottish Heather’ and ‘Bute Heather’ collection, Irish Districts, Irish National, Irish Blood, Welsh National, Cornish National, Canadian and some American, like New York and American National ANCIENT designed by Houstons. The beauty of these tartans is that anyone can wear them with pride. Soft lighter colours. MacDonald of Most Scottish clans have their own tartan, if not you will find that they are affiliated to a clan which does. Clan Ranald THE “RIGHT” TO WEAR A TARTAN Often over the years one has heard people explaining they have the right or that they are entitled to wear this or that tartan...
  • Costume Design and Illustration

    Costume Design and Illustration

    Tufts College Library GIFT OF ALUMNI Digitized by the Internet Archive in 2016 https://archive.org/details/costumedesignill00trap_0 THE WILEY TECHNICAL SERIES FOR VOCATIONAL AND INDUSTRIAL SCHOOLS EDITED BY J. M. JAMESON GIRAKO COLLEGE THE WILEY TECHNICAL SERIES EDITED BY JOSEPH M. JAMESON Girard College TEXTBOOKS IN DRAFTING AND DESIGN Decorative Design. A Textijook of Practical Methods. By Joseph Cummings Chase, Instructor in Decorative Design at the College of the City of New York and at the Woman’s Art School, Cooper Union, vi + 73 pages, 8 by lOj, 340 figures. Cloth, $1.50 net. Agricultural Drafting. By Charles B. Howe, M.E. 8 by io|, viii+63 pages, 45 figures, 26 plates. Cloth, $1.25 net. Agricultural Drafting F*roblenis. A Manual to Supplement the tc.xt in .\gri- cultural Drafting. By Charles B. Howe, M.E. 26 plates, 8 by lo-P In [lapcr cover, 50 cents net. Architectural Drafting. By A. B. Greenberg, Stuyvcsant Technical High School , Ni vv York; and Charles 15 . Howe, Buslnvick Evening High Sthool, Brooklyn, viii+iio pages, 8 by 1O4, 53 figures, 12 jilates. Cloth, 51.50 net. The Orders of Architecture. A Manual to Supplement the te.xt in Architectural Drafting. By Benton Greenberg 20 plates, 8 by lo-E In paper cover, 50 cents net. Mechanical Drafting. By Charles B Howe, M.E., Bushwiik Evening High School, Brooklyn, x+147 pages, 8Xio| 105 figures, 38 plates. Cloth, Si. 73 net. Drawing for Builders. By R. Burdette Dale, Formerly Director of Vocational Courses, Iowa State College. v+i66 pages, 8 by lof, 69 figures, 50 plates.
  • Special Weave Tartans Guide

    Special Weave Tartans Guide

    SPECIAL WEAVE TARTANS GUIDE Houstons can provide special weave tartans not readily available to the market. If you are having trouble finding your desired tartan we can assist and source it for you through the Scottish Tartans Authority. Further to this we can have a tartan designed specifically for you by owner of Houstons, Ken MacDonald to alternatively you can design a tartan yourself using our exclusive „My Tartan‟ design app available to download for free from the Apple App store. They are woven in 16oz heavy weight, 13oz medium weight, 11oz light weight or even silk fabric. You will also be given the option have your tartan Teflon coated which makes it stain proof and even beer proof! If you wish to have a kilt made in one of these tartans you will need to contact us direct. Special Weave tartans will take considerably longer to make. If your chosen tartan is not commercially produced tartan, the tartan must first be designed. If you have chosen to design your own tartan, it will cost more money than a commercially produced tartan. The process of purchasing a special weave tartan that you have designed can often take 1 | P a g e © Houston Traditional Kiltmakers 2013 longer as you will first have to finalise your chosen design with your tartan designer before the cloth can be woven. Once you have finalised your unique tartan design there will be a number of stages to have the cloth woven, finished and made into your bespoke kilt! The time scale for creating a special weave tartan and having it made into a bespoke kilt can be anything from 3 to 6 months.
  • Kirkin' O' the Tartan

    Kirkin' O' the Tartan

    Celebrating Our Scottish Heritage Many Scottish names, both lowland and highland, derive from combining the given name of a famous ancestor with a prefix or suffix meaning “son of.” For As far as scholars can tell, the Kirkin’ o’ the Tartan is a purely American tradition example, the now common prefix of “Mc” is a contraction of “Mac” and is that celebrates Scottish heritage. It was begun in 1941 at the New York Avenue Gaelic for “son of.” It is used in both Scotland and Ireland. The Anglicized ver- Presbyterian Church in Washington, DC by the great Presbyterian minister and sion of “son of” mostly appears as a suffix, as in Anderson. Kirkin’ o’ the Tartan chaplain of the U.S. Senate, Dr. Peter Marshall. Tartans and the Clans By contrast, popular legend has it that the Kirkin’ o’ the Tartan began in the years following the great defeat of the Jacobites at Culloden in 1746, when tartan was Tartans, or plaids, may well be ancient. A piece of black and white checked banned. Families supposedly took small scraps of cloth to church (the kirk) to fabric appears to date back to Roman Britain. But evidence is sketchy and it is A Celebration surreptitiously have them blessed during the service. However, no historical unclear when or how the earliest of these distinctive patterns came into being. evidence has ever been uncovered to lend even the slightest validity to that myth. Likewise the association of a particular tartan with particular clans is often of equally murky. The point of today’s event is to honor the heritage of Scottish Americans, plain and Heritage simple.
  • Gaelic Nova Scotia an Economic, Cultural, and Social Impact Study

    Gaelic Nova Scotia an Economic, Cultural, and Social Impact Study

    Curatorial Report No. 97 GAELIC NOVA SCOTIA AN ECONOMIC, CULTURAL, AND SOCIAL IMPACT STUDY Michael Kennedy 1 Nova Scotia Museum Halifax, Nova Scotia Canada November 2002 Maps of Nova Scotia GAELIC NOVA SCOTIA AN ECONOMIC, CULTURAL, AND SOCIAL IMPACT STUDY Michael Kennedy Nova Scotia Museum Halifax, Nova Scotia Canada Nova Scotia Museum 1747 Summer Street Halifax, Nova Scotia B3H 3A6 © Crown copyright, Province of Nova Scotia All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing from the Nova Scotia Museum, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Nova Scotia Museum at the above address. Cataloguing in Publication Data ISBN 0-88871-774-1 CONTENTS Introduction 1 Section One: The Marginalization of Gaelic Celtic Roots 10 Gaelic Settlement of Nova Scotia 16 Gaelic Nova Scotia 21 The Status of Gaelic in the 19th Century 27 The Thin Edge of The Wedge: Education in 19th-Century Nova Scotia 39 Gaelic Language and Status: The 20th Century 63 The Multicultural Era: New Initiatives, Old Problems 91 The Current Status of Gaelic in Nova Scotia 112 Section Two: Gaelic Culture in Nova Scotia The Social Environment 115 Cultural Expression 128 Gaelic and the Modern Media 222 Gaelic Organizations 230 Section Three: Culture and Tourism The Community Approach 236 The Institutional Approach 237 Cultural Promotion 244 Section Four: The Gaelic Economy Events 261 Lessons 271 Products 272 Recording 273 Touring 273 Section Five: Looking Ahead Strengths of Gaelic Nova Scotia 275 Weaknesses 280 Opportunities 285 Threats 290 Priorities 295 Bibliography Selected Bibliography 318 INTRODUCTION Scope and Method Scottish Gaels are one of Nova Scotia’s largest ethnic groups, and Gaelic culture contributes tens of millions of dollars per year to the provincial economy.
  • Gaelic Views

    Gaelic Views

    Gaelic views Follow the gold numbers on the floor to locate the featured objects and themes Gallery plan 16 15 14 17 18 13 Royal favour 12 19 11 A tour of 20 Scotland 10 21 A romantic vision 9 of Scotland 7 22 8 3873 6 4 23 5 3 The Highland ideal Scotland after Culloden 26 24 25 27 2 1 Wild and Majestic: Romantic visions of Scotland Wild and Majestic: Romantic Visions of Scotland 1 Wild and Majestic: Romantic Visions of Scotland Symbols of Scotland These images and objects tell us immediately how a culture came into being in Scotland that was rooted in the traditional culture of the Highlands. But these ‘roots’ are still a matter of contention. How deep do they really go? Do they derive from an ancient culture that was truly Gaelic? Or was this culture created in the Romantic era? We see weaponry, tartans, a painting and a bagpipe. To an extent each item is a new creation: the new tourist view over Loch Katrine in about 1815; sword designed in the 18th century; a dress sense growing out of army uniforms in the years when Highland dress and tartan was proscribed; and a Highland bagpipe in a new style created about 1790. Certainly, the impact of recent fashions was clear to see. But Gaels would still recognise that each piece, to a greater or lesser extent, formed part of their heritage. Wild and Majestic: Romantic Visions of Scotland 2 The Piper and Champion to the Laird of Grant In the wake of the Jacobites The British government had their reason to pass laws against Highland dress after Culloden.
  • UWS Academic Portal Scotland's Diaspora Strategy Leith

    UWS Academic Portal Scotland's Diaspora Strategy Leith

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Repository and Portal - University of the West of Scotland UWS Academic Portal Scotland's diaspora strategy Leith, Murray; Sim, Duncan Published in: Scottish Affairs DOI: 10.3366/scot.2016.0126 Published: 01/01/2016 Document Version Early version, also known as pre-print Link to publication on the UWS Academic Portal Citation for published version (APA): Leith, M., & Sim, D. (2016). Scotland's diaspora strategy: the view from the current American diaspora. Scottish Affairs, 25(2), 186-208. https://doi.org/10.3366/scot.2016.0126 General rights Copyright and moral rights for the publications made accessible in the UWS Academic Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 17 Sep 2019 SCOTLAND’S DIASPORA STRATEGY: THE VIEW FROM THE CURRENT AMERICAN DIASPORA by: MURRAY STEWART LEITH and DUNCAN SIM Dr Leith is Senior Lecturer in Politics at the University of the West of Scotland Dr Sim is Honorary Senior Research Fellow at the University of the West of Scotland Corresponding author: Dr Duncan Sim, School of Media, Culture and Society, University of the West of Scotland, Paisley PA1 2BE Phone: 0141-848-3658 Fax: 0141-848-3891 Email: [email protected] Biographical Note: Dr Leith has researched extensively on aspects of Scottish politics, devolution and Scottish identity.