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CONTEMPORARY PROXIMITY FICTION. GUEST EDITED by NADIA ALONSO VOLUME IV, No 01 · SPRING 2018
CONTEMPORARY PROXIMITY FICTION. GUEST EDITED BY NADIA ALONSO VOLUME IV, No 01 · SPRING 2018 PUBLISHED WITH THE ASSISTANCE OF EDITORS ABIS – AlmaDL, Università di Bologna Veronica Innocenti, Héctor J. Pérez and Guglielmo Pescatore. E-MAIL ADDRESS ASSOCIATE EDITOR [email protected] Elliott Logan HOMEPAGE GUEST EDITORS series.unibo.it Nadia Alonso ISSN SECRETARIES 2421-454X Luca Barra, Paolo Noto. DOI EDITORIAL BOARD https://doi.org/10.6092/issn.2421-454X/v4-n1-2018 Marta Boni, Université de Montréal (Canada), Concepción Cascajosa, Universidad Carlos III (Spain), Fernando Canet Centellas, Universitat Politècnica de València (Spain), Alexander Dhoest, Universiteit Antwerpen (Belgium), Julie Gueguen, Paris 3 (France), Lothar Mikos, Hochschule für Film und Fernsehen “Konrad Wolf” in Potsdam- Babelsberg (Germany), Jason Mittell, Middlebury College (USA), Roberta Pearson, University of Nottingham (UK), Xavier Pérez Torio, Universitat Pompeu Fabra (Spain), Veneza Ronsini, Universidade SERIES has two main purposes: first, to respond to the surge Federal de Santa María (Brasil), Massimo Scaglioni, Università Cattolica di Milano (Italy), Murray Smith, University of Kent (UK). of scholarly interest in TV series in the past few years, and compensate for the lack of international journals special- SCIENTIFIC COMMITEE izing in TV seriality; and second, to focus on TV seriality Gunhild Agger, Aalborg Universitet (Denmark), Sarah Cardwell, through the involvement of scholars and readers from both University of Kent (UK), Sonja de Leeuw, Universiteit Utrecht (Netherlands), Sergio Dias Branco, Universidade de Coimbra the English-speaking world and the Mediterranean and Latin (Portugal), Elizabeth Evans, University of Nottingham (UK), Aldo American regions. This is the reason why the journal’s official Grasso, Università Cattolica di Milano (Italy), Sarah Hatchuel, languages are Italian, Spanish and English. -
Tosca Nixon in China a Midsummer Night's Dream
TOSCA NIXON IN CHINA A MIDSUMMER NIGHT’S 19 DREAM THE GONDOLIERS BREAKING THE WAVES ZANETTO SUSANNA’S SECRET IRIS 20CAVALLERIA RUSTICANA ZINGARI UTOPIA, LIMITED FOX-TOT! MERRILY WE ROLL ALONG 5 Subscription Information 6 Tosca 8 Nixon in China 10 A Midsummer Night’s Dream 12 The Gondoliers 14 Breaking the Waves 16 Opera in Concert 20 Opera Highlights 22 Fox-tot! 24 Merrily We Roll Along 26 Amadeus & The Bard 28 Pop-up Opera 32 Emerging Artists 33 Opera Unwrapped 34 Dementia Friendly Performances 36 Audio-described Performances 37 Pre-show Talks 38 Get Involved 40 Box Office Information A huge thank you to all our business sponsors and corporate members: Thanks also to our corporate supporters: Accenture, Caledonian MacBrayne, Cameron, Eusebi Deli, Glasgow Chamber of Commerce, Glasgow Memory Clinic, M.A.C., NorthLink Ferries and Pentland Ferries. WELCOME TO SCOTTISH OPERA’S 2019|20 SEASON Scottish Opera has been entertaining At a time when, perhaps more than ever, audiences the length and breadth of the we are all thinking and talking about country for over 56 years, and still at the heart partnership, we are proud of the relationships of all we do are the words of our founder, that are critical both to Scottish Opera’s success Sir Alexander Gibson, whose vision was and to our ability to create new work for you. ‘to lay the treasures of opera at the feet We don’t work in isolation, and this Season of the people of Scotland’. exemplifies this spirit of collaboration across the world of opera, embracing our partnerships In our 2019/20 Season, we are delighted and co-productions with festivals, companies to take forward his momentous legacy and opera houses in Scotland, England, with a wealth of operatic fare – including Australia, Denmark, Spain and the United 12 operas – that takes us to over 50 venues, States, and with artists and creative teams and is augmented by numerous events in from near and far. -
ROSSINI Tancredi Written by Thomson Smillie Narrated by David Timson
OPERA EXPLAINED An Introduction t o… ROSSINI Tancredi written by Thomson Smillie narrated by David Timson 8.558121D An Introduction to… ROSSINI Tancredi written by Thomson Smillie • narrated by David Timson Background 1 Introduction: Rossini’s background 3:09 2 Rossini’s operatic overtures 5:42 3 Semiramide and William Tell 4:17 4 Rossini’s career and Tancredi 4:06 Tancredi 5 The plot and the beginning 7:01 6 Virtuosic tenors and Argirio’s aria 5:43 7 Tancredi’s arrival 6:55 8 Recitativo strumentato : Amenaide must obey her father 3:42 9 Duet: Tancredi and Amenaide 5:21 10 Act I: Finale 5:55 11 Act II, Scene 1: Isaura’s aria di sorbetto 4:52 2 12 Amenaide in prison 4:39 13 Tancredi’s victory 3:59 14 Tancredi’s ‘grand scena’ 7:17 15 The happy ending wins 4:56 TT 77:44 Music from Tancredi : Naxos 8.660037–38 Isaura Anna Maria di Micco, mezzo-soprano Argirio Stanford Olsen, tenor Orbazzano Pietro Spagnoli, bass Amenaide Sumi Jo, soprano Tancredi Ewa Podles, mezzo-soprano Capella Brugensis Collegium Instrumentale Brugense Alberto Zedda 3 Gioachino Rossini (1792–1868) Tancredi The word ‘opera’ is Latin and means ‘the works’; it represents a synthesis of all the other arts: drama, vocal and orchestral music, dance, light and design. Consequently, it delivers an emotional impact which none of the others can match. The only one of the arts whose origins can be precisely dated, it was ‘invented’ in Italy in 1597 as part of the Renaissance – the rebirth of interest in classical values. -
2019 Richardson Helen 09664
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The economics of opera in England 1925-1939 Richardson, Helen Joanna Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 The Economics of Opera in England: 1925-1939 Helen Richardson King’s College London August 2019 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of Music. -
Social Enterprise in Scotland Census 2019
Social Enterprise in Scotland Census 2019 Technical Report CONTENTS 1. INTRODUCTION ........................................................................................................ 4 2. IDENTIFICATION OF SOCIAL ENTERPRISES ....................................................... 5 Defining Social Enterprise.......................................................................................... 5 Basis for the Assessment ............................................................................................ 5 Limitations ................................................................................................................ 10 3. DATA CLASSIFICATIONS ....................................................................................... 13 Classification of Regions .......................................................................................... 13 Classification of Urban-Rural Areas ........................................................................ 13 Classification of Areas of Multiple Deprivation ....................................................... 14 Classification of Economic Sectors .......................................................................... 14 4. INCLUSIONS AND EXCLUSIONS FROM THE STUDY ........................................ 16 Arts and Creative Industries..................................................................................... 16 Community Centres and Halls ................................................................................. 16 Early Learning and -
King Henry V ~ July 20 Box Office
Jonathan Gillard Daly, King Lear, 2012 photo by Michal Daniel The front porch is where we gather to talk July 24–August 2, 2013 with our friends, family, and neighbors. ($15 General Admission) Join us Saturday mornings from 10:30am–12:00pm. Each Front Porch Each season, the Intern/Apprentice Event is $15*. Advance ticket purchase program culminates in a performance recommended. More at grsf.org/front-porch. of its own. This year, these young actors Gale Childs Daly ~ June 29 and theater craftspeople present Shakespeare’s great tale about ambition, FRFF film Muse of Fire ~ July 6 power, murder, and the supernatural. Shakespeare Unlocked: Advance tickets are available on-line Twelfth Night ~ July 13 (grsf.org/tickets) and through the King Henry V ~ July 20 box office. Performances are held in the WSU Dorothy B. Magnus Studio Theatre. Peter Saccio ~ July 27 Learn more about the Apprentice Actor Sonnet Contest Reception* ~ August 3 Training Program at grsf.org/apprentice. *The Sonnet Contest Reception is a free event. Sun Mon Tue Wed Thu Fri Sat 26 27 28 – 29 – 7p 12th Night 7p Henry V 6p Free Concert 9a Tour of Trees 4:30p WOW - Free Preview - - Free Preview - 7:30p 12th Night 10:30a Front Porch Directors Reception - Opening - 12-7:15p Dixieland 7:30p Henry V 10p WOW Gala Jazz Festival - Opening - 30 1 2 3 4 5 – 6 – 1p 12th Night 7p 12th Night 1p Henry V 1p 12th Night 1p 12th Night 9a Tour of Trees 6p Free Concert 4p WOW Picnic/ - $10 Tuesday - - Matinee - - Matinee - - Chill with Will - 10:30a Front Porch 6:30p Preshow 10th Anniversary Company -
Social Enterprise in Scotland Census 2017
Social Enterprise in Scotland Census 2017 Technical Report CONTENTS 1. INTRODUCTION ........................................................................................................ 4 2. IDENTIFICATION OF SOCIAL ENTERPRISES ....................................................... 6 Defining Social Enterprise.......................................................................................... 6 Basis for the Assessment ............................................................................................ 6 Limitations ................................................................................................................. 11 3. DATA CLASSIFICATIONS ....................................................................................... 14 Classification of Regions .......................................................................................... 14 Classification of Urban-Rural Areas ........................................................................ 14 Classification of Areas of Multiple Deprivation ....................................................... 15 Classification of Economic Sectors .......................................................................... 15 4. INCLUSIONS AND EXCLUSIONS FROM THE STUDY ........................................ 17 Arts and Creative Industries..................................................................................... 17 Community Centres and Halls ................................................................................. 17 Early Learning and -
Chapter 17: Opera in the Age of Rossini, Bellini, Donizetti, and Weber
Chapter 17: Opera in the Age of Rossini, Bellini, Donizetti, and Weber I. Rossini A. Introduction 1. At the same as time Beethoven’s popularity in Vienna peaked, the operas of Gioachino Rossini (1792–1868) were winning acclaim, and young Franz Schubert was writing his most famous lieder. 2. Each of these composers represents the epitome of the genres with which they are most associated. a. Beethoven – instrumental music b. Schubert – smaller domestic pieces c. Rossini – opera 3. Each man’s career as a composer ended within a few years of the others: Beethoven died in 1826, Schubert in 1828, and Rossini essentially retired in 1829. B. The Popularity of Rossini 1. Rossini inherited the legacy of opera after Mozart. 2. His light, effervescent music was amazingly popular. 3. Rossini composed an average of two operas per year, and several of the early ones (including the Barber of Seville) were written in a month or less. 4. The conditions under which Rossini composed aided the quick presentation of his operas. a. He was part of a team in the theater. b. The product was commercial, and successful pieces were revamped for other productions. c. In this scenario, the composer was one of several service personnel, and the focus was on the performers. 5. Rossini and Beethoven differed substantially in many ways. a. Rossini tossed off brilliant pieces effortlessly and was involved in the practical music world. b. Beethoven worked hard on his pieces and was removed from the practical music world. 6. In opera circles, Rossini was seen as a great figure. -
La Donna Del Lago
GIOACHINO ROSSINI la donna del lago conductor Opera in two acts Michele Mariotti Libretto by Andrea Leone Tottola, production Paul Curran based on the poem The Lady of the Lake by Sir Walter Scott set and costume designer Kevin Knight Saturday, March 14, 2015 lighting designer 1:00–4:10 PM Duane Schuler projection designer New Production Driscoll Otto Last time this season The production of La Donna del Lago was made possible by a generous gift from the Betsy and Edward Cohen/Areté Foundation Fund for New Productions and Revivals, and Dominique and Frédéric Laffont Additional funding was received from Mr. and Mrs. William R. Miller, and general manager Peter Gelb William and Helen Little music director James Levine Co-production of the Metropolitan Opera and principal conductor Fabio Luisi the Santa Fe Opera The 8th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance la donna is being broadcast live over The del lago Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Michele Mariotti America’s luxury in order of vocal appearance homebuilder®, with generous long-term elena, daughter of dugl as d’angus support from Joyce DiDonato The Annenberg giacomo v, king james of scotl and, disguised as uberto Foundation, The Juan Diego Flórez Neubauer Family Foundation, the malcolm groeme, in love with elena Vincent A. Stabile Daniela Barcellona Endowment for ser ano, servant to dugl as Broadcast Media, and contributions Eduardo Valdes from listeners dugl as d’angus, scot tish nobleman, worldwide. former tutor of king james Oren Gradus There is no Toll Brothers– rodrigo di dhu, chief of the highlanders Metropolitan Opera John Osborn* Quiz in List Hall today. -
Going Native: Long-Running Television Serials in the Uk
PRODUCTIONS / MARKETS / STRATEGIES GOING NATIVE: LONG-RUNNING TELEVISION SERIALS IN THE UK DOUGLAS CHALMERS AND HUGH O’DONNELL Name Douglas Chalmers, Hugh O’Donnell to language use throughout this period, focusing on the Academic centre Department of Social Sciences, Media and move from Standard English to a wide range of regional Journalism, Glasgow Caledonian University, United Kingdom dialects during the four decades when these serials were E-mail address [email protected], [email protected] at the height of their popularity, routinely dominating the television ratings. It then examines the development KEYWORDS of long-form serials in languages other than English, Soap opera; minority language; Welsh; Gaelic; Scots. firstly Welsh from the mid 1970s on, and then Gaelic intermittently from the early 1990s to the present day, and finally Scots, a highly minoritised Germanic language ABSTRACT spoken mostly in the Scottish Lowlands. It compares both This article examines in detail the development of the long- the current health and the future prospects of Gaelic and running serial in the UK, from its beginnings on radio in the Scots with a particular focus on the challenges faced by 1940s, through the move to television in the mid 1950s both. Additional insights into the particular case of Gaelic and then up to the present day. It pays particular attention are provided via interviews with a number of stakeholders. 09 SERIES VOLUME IV, Nº 1, SPRING 2018: 09-20 DOI https://doi.org/10.6092/issn.2421-454X/8396 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X CONTEMPORARY PROXIMITY FICTION PRODUCTIONS / MARKETS / STRATEGIES > DOUGLAS CHALMERS & HUGH O’DONNELL GOING NATIVE: LONG-RUNNING TELEVISION SERIALS IN THE UK 1. -
**********Press Release********** New Scottish Opera Set
**********Press Release********** September 2015 – for immediate use New Scottish opera set for CD release • Julian Wagstaff’s short opera Breathe Freely to be released on Linn Records on 16 October 2015 • First studio recording of a Scottish opera for over a decade • Scottish Opera’s Head of Music Derek Clark conducted the recording sessions • Producer is Calum Malcolm, best known for work with rock and pop acts such as Runrig, The Blue Nile and Prefab Sprout • Production supported by Scottish Opera and the University of Edinburgh • Special launch event at the Royal Society of Chemistry in London on 13 October Scottish composer Julian Wagstaff announces the release of a studio recording of his opera Breathe Freely on the Glasgow-based label Linn Records. The new recording features world-class musicians and singers including conductor Derek Clark, Scottish Opera’s Head of Music. Commercial recordings of Scottish operas are rare, and this is the first such recording since Judith Weir’s A Night at the Chinese Opera in 2002. The 40-minute opera, commissioned by the University of Edinburgh to celebrate the 300th anniversary of its School of Chemistry in 2013, played to a full house at its world première in Edinburgh’s Assembly Rooms in October of that year. The producer and engineer on the project is Calum Malcolm. Calum has a career spanning over 35 years and has worked with some of the biggest names in Scottish Music, including The Blue Nile, Capercaillie, Fish, Lau, Runrig, the Edinburgh Quartet, Scottish Chamber Orchestra and Royal Scottish National Orchestra. Julian Wagstaff’s opera Breathe Freely tells the story of a Polish independence fighter, socialist activist and chemist named Stanisław Hempel, who came to Edinburgh in 1943 to undertake scientific work in support of the Polish Armed Forces in the West, in which he held the rank of lieutenant. -
1 Glasgow Cultural Statistics Digest 2018 2
GLASGOW CULTURAL STATISTICS DIGEST 2018 EDITION TABLES John Myerscough Prepared for Glasgow Life April 2019 1 2 Glasgow Cultural Statistics Digest 2018 CONTENTS Page Introduction 5 1. Overview 7 2. Theatres, halls, centres 13 3. Companies 19 4. Performances and productions 29 5. Visual arts 33 6. Creative and cultural industries 37 7. Museums and historic buildings 43 8. Libraries and archive 49 9. Training and outreach 53 10. Markets 61 11. Attendance and participation 65 12. Tourism 71 13. Funding 77 14. Resources 83 Appendix 89 3 Glasgow Cultural Statistics Digest 2018 4 Glasgow Cultural Statistics Digest 2018 INTRODUCTION The Cultural Statistics Digest aims to provide a quantitative basis for understanding the nature of Glasgow’s cultural system and the journey on which it is travelling. The Digest describes structures and resources alongside activities and outcomes. It covers the principal domains within the cultural system, and cross-cuts and contextual information are provided on markets, attendance, training and resources. The institutions and organisations which constitute Glasgow’s cultural system are listed in the Appendix to this document. The Digest has been assembled mainly by drawing together existing quantitative material and presenting this in consistent and relevant ways. A number of new analyses of existing data have also been obtained. The contents are in the form of some 169 tables, grouped in 14 sections. A technical appendix is available on request. As necessary, and where possible, the data have been subject to an appropriate level of validation and cross-check to ensure consistency and comparability. The aim is to enable consistent read- across amongst the various tables.