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Sappho of Lesbos [Born C
Sappho of Lesbos [born c. 612 B.C.] Know the following people, places, and terms: Aphrodite (=Kypris [refers to her sanctuary on Cyprus], =Cytherea [refers to her sanctuary on Cythera]) Eros, Aphrodite's son (sometimes known as Boy, Love or Cupid) Helen, wife of Menelaus, abducted by Paris to Troy Artemis, sister of Phoebus Apollo, goddess of the hunt Hector, greatest of the Trojan warriors, son of King Priam Andromache, Hector's wife Sardis, a town in Lydia, the area of Asia Minor across from Lesbos choriamb: − ∪ ∪ − Sapphic meter: three hendecasyllabic lines − ∪ − x | − ∪ ∪ − | ∪ − − followed by an Adonean − ∪ ∪ − | − 1. What is Sappho's world like? With whom does she associate and care for? What recurring images do we find in Sappho's poetry? In short, what did she value? 2. How is Aphrodite portrayed? Playful? Serious? Powerful? What were her powers? attributes? How does Sappho's view of Aphrodite compare with Homer's and Hesiod's? Whose view do you prefer? 3. What is Sappho's attitude toward love? Does Sappho's portrayal of Aphrodite (her theory of love, if you will) correspond to her actual relationships (i.e. the practice of love)? 4. What kind of relationship did Sappho have with her hetairai , "female companions"? Was it physical as well as emotional? Was there an intellectual component? If you were to speculate, what were the reasons for Sappho's attachment to her companions? What evidence is there that Sappho's hetairai were attracted to her? Is there any evidence in her poems of the erastes-eromenos relationship that we see in classical Athens? 5. -
Ancient Greece Webquest
Name ___________________________________ Pd _____ Ancient Greece WebQuest Part 1: The Life of Sophocles Directions: As you look through the web pages assigned for Part 1, answer the following questions. Website #1 - Sophocles Biography (http://www.online-literature.com/sophocles) 1. What was the City Dionysia? 2. In what year did Sophocles enter his first City Dionysia? How old was he at the time? 3. Besides being a playwright, name at least three other professions or positions Sophocles held in Greek society. 4. How many total plays did Sophocles write? How many still exist in their entirety? 5. What percentage of Sophocles’ works still exist? (This is a math question - use the equation: total still existing total works = percent that still exist) 6. What is considered Sophocles’ greatest work? Website #2 - Sophocles Timeline (http://www.theatrehistory.com/ancient/sophocles002.html) 1. In what year was Sophocles born? How many years ago was his birth from our current year? (HINT: Note that Sophocles lived during B.C.; the years from 0 to our current year are A.D.). 2. In what year did Sophocles presumably write Oedipus the King and Oedipus at Colonus? 3. In what year did Sophocles first exhibit Antigone? Part 2: Greek Life Directions: As you look through the web pages assigned for Part 2, answer the following questions. Website #1 – Greek Democracy (http://www.carlos.emory.edu/ODYSSEY/GREECE/home.html) 1. From what two Greek words do we get the word democracy? 2. What is a polis, and what was the most powerful polis in ancient Greece? 3. -
The Garland of Hippolytus
1 2 3 4 Richard Hunter 5 6 7 The Garland of Hippolytus 8 Abstract: This article discusses a set of remarkable scholia on the dedicatory ad- 9 dress and prayer which Hippolytus offers to Artemis as he places a garland at her 10 statue (Euripides, Hippolytus 73–87); the scholia consider a variety of allegorical 11 interpretations for the garland and for Hippolytus’ moral elitism. The article sets 12 these scholia within the context of the poetic interpretation of later criticism 13 and traces their roots in the language of classical poetry itself. The affiliations of Hippolytus’ language and why it attracted the notice of the scholiasts is 14 also explored, as is the way in which this scholiastic interest points us also to 15 a very important strand of the play’s meaning. 16 17 Keywords: allegorical interpretation, Euripides, Pindar, Orphics, scholia 18 19 One of the most celebrated Euripidean passages is the dedicatory address 20 and prayer which Hippolytus offers to Artemis as he places a garland at 21 her statue, immediately after the hymn which he and his fellow-hunts- 22 men have sung to her as they enter: 23 24 so· t|mde pkejt¹m st]vamom 1n !jgq\tou _ § 25 keil mor, d]spoima, josl^sar v]qy, 5mh’ oute poilµm !nio? v]qbeim bot± 75 26 out’ Gkh] py s_dgqor, !kk’ !j^qatom 27 l]kissa keil_m’ Aqimµ di]qwetai, 28 aQd½rd³ potal_aisi jgpe}ei dq|soir, 29 fsoir didajt¹m lgd³m !kk’ 1mt/i v}sei ¹ ? U 1 ± ! 30 t syvqome mekgwem rt p\mt’ e_,80 to}toir dq]peshai, to?r jajo?si d’ oq h]lir. -
The Role of Aphrodite in Sappho Fr. 1 Keith Stanley
The Rôle of Aphrodite in Sappho Fr.1 Stanley, Keith Greek, Roman and Byzantine Studies; Winter 1976; 17, 4; ProQuest pg. 305 The Role of Aphrodite in Sappho Fr. 1 Keith Stanley APPHO'S Hymn to Aphrodite, standing so near to the beginning of Sour evidence for the religious and poetic traditions it embodies, remains a locus of disagreement about the function of the goddess in the poem and the degree of seriousness intended by Sappho's plea for her help. Wilamowitz thought sparrows' wings unsuited to the task of drawing Aphrodite's chariot, and proposed that Sappho's report of her epiphany described a vision experienced ovap, not v7rap.l Archibald Cameron ventured further, suggesting that the description of Aphrodite's flight was couched not in the language of "the real religious tradition of epiphany and its effect on mortals" but was "Homeric and conventional"; and that the vision was not, therefore, the record of a genuine religious experience, but derived rather from "the bright world of Homer's fancy."2 Thus he judged the tone of the ode to be one of seriousness tempered by "a vein of prettiness and almost of playfulness" and concluded that there was no special ur gency in Sappho's petition itself. While more recent opinion has tended to regard the episode as a poetic fiction which serves to 'mythologize' a genuine emotion, Sir Denys Page has not only maintained that Aphrodite's descent is a "flight of fancy, with much detail irrelevant to her present theme," but argued further that the poem as a whole is a lightly ironic melange of passion and self-mockery.3 Despite a con- 1 Sappho und Simonides (Berlin 1913) 45, with Der Glaube der Hellenen 3 II (Basel 1959) 109; so also J. -
Euripides” Johanna Hanink
The Life of the Author in the Letters of “Euripides” Johanna Hanink N 1694, Joshua Barnes, the eccentric British scholar (and poet) of Greek who the next year would become Regius Professor at the University of Cambridge, published his I 1 long-awaited Euripidis quae extant omnia. This was an enormous edition of Euripides’ works which contained every scrap of Euripidean material—dramatic, fragmentary, and biographical —that Barnes had managed to unearth.2 In the course of pre- paring the volume, Barnes had got wind that Richard Bentley believed that the epistles attributed by many ancient manu- scripts to Euripides were spurious; he therefore wrote to Bentley asking him to elucidate the grounds of his doubt. On 22 February 1693, Bentley returned a letter to Barnes in which he firmly declared that, with regard to the ancient epistles, “tis not Euripides himself that here discourseth, but a puny sophist that acts him.” Bentley did, however, recognize that convincing others of this would be a difficult task: “as for arguments to prove [the letters] spurious, perhaps there are none that will convince any person that doth not discover it by himself.”3 1 On the printing of the book and its early distribution see D. McKitterick, A History of Cambridge University Press I Printing and the Book Trade in Cambridge, 1534–1698 (Cambridge 1992) 380–392; on Joshua Barnes see K. L. Haugen, ODNB 3 (2004) 998–1001. 2 C. Collard, Tragedy, Euripides and Euripideans (Bristol 2007) 199–204, re- hearses a number of criticisms of Barnes’ methods, especially concerning his presentation of Euripidean fragments (for which he often gave no source, and which occasionally consisted of lines from the extant plays). -
The Higher Aspects of Greek Religion. Lectures Delivered at Oxford and In
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIET OF Henirg m. Sage 1891 .A^^^ffM3. islm^lix.. 5931 CornelJ University Library BL 25.H621911 The higher aspects of Greek religion.Lec 3 1924 007 845 450 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924007845450 THE HIBBERT LECTURES SECOND SERIES 1911 THE HIBBERT LECTURES SECOND SERIES THE HIGHER ASPECTS OF GREEK RELIGION LECTURES DELIVERED AT OXFORD AND IN LONDON IN APRIL AND MAY igii BY L. R. FARNELL, D.Litt. WILDE LECTURER IN THE UNIVERSITY OF OXFORD LONDON WILLIAMS AND NORGATE GARDEN, W.C. 14 HENRIETTA STREET, COVENT 1912 CONTENTS Lecture I GENERAL FEATURES AND ORIGINS OF GREEK RELIGION Greek religion mainly a social-political system, 1. In its earliest " period a " theistic creed, that is^ a worship of personal individual deities, ethical personalities rather than mere nature forces, 2. Anthrqgomorphism its predominant bias, 2-3. Yet preserving many primitive features of " animism " or " animatism," 3-5. Its progress gradual without violent break with its distant past, 5-6. The ele- ment of magic fused with the religion but not predominant, 6-7. Hellenism and Hellenic religion a blend of two ethnic strains, one North-Aryan, the other Mediterranean, mainly Minoan-Mycenaean, 7-9. Criteria by which we can distinguish the various influences of these two, 9-1 6. The value of Homeric evidence, 18-20. Sum- mary of results, 21-24. Lecture II THE RELIGIOUS BOND AND MORALITY OF THE FAMILY The earliest type of family in Hellenic society patrilinear, 25-27. -
Greek (GREEK) 1
Greek (GREEK) 1 Greek (GREEK) GREEK 4505H: Topics in Greek - Humanities - Honors Topics course involving Greek texts. May be repeated for credit. GREEK 1100: Elementary Ancient Greek I Credit Hours: 3 Study of forms, grammar, syntax. Early attention to reading in simple Attic Prerequisites: Honors eligibility required prose. Recommended: GREEK 4300 Credit Hours: 4 GREEK 4510: Greek Tragedy GREEK 1100H: Elementary Ancient Greek I - Honors (cross-leveled with GREEK 7510). Selected works of Aeschylus, Study of forms, grammar, syntax. Early attention to reading in simple Attic Sophocles, Euripides, with special attention to language, style, ideas, and prose. dramatic techniques. Credit Hours: 4 Credit Hours: 3 Prerequisites: Honors eligibility required Recommended: GREEK 4300 GREEK 1200: Elementary Ancient Greek II GREEK 4520: Greek Comedy Continuation of GREEK 1100. Readings in Attic prose. (cross-leveled with GREEK 7520). Selected plays of Aristophanes and Menander, with special attention to cultural contexts. Credit Hours: 4 Prerequisites: GREEK 1100 Credit Hours: 3 Recommended: GREEK 4300 GREEK 1200H: Elementary Ancient Greek II - Honors Continuation of GREEK 1100H. Readings in Attic prose. GREEK 4530: Greek Lyric Poetry (cross-leveled with GREEK 7530). Selected readings from lyric poets, Credit Hours: 4 with attention to verse forms, and dialects. Prerequisites: GREEK 1100, Honors eligibility required Credit Hours: 3 GREEK 2000: Greek Reading Recommended: GREEK 4300 Selected works of Greek literature. GREEK 4540: Greek Oratory Credit Hours: 4 (cross-leveled with GREEK 7540). Selections from Greek orators, with Prerequisites: GREEK 1200 emphasis on Lysias and Demosthenes. GREEK 2000H: Greek Reading - Honors Credit Hours: 3 Selected works of Greek literature. Recommended: GREEK 4300 Credit Hours: 4 GREEK 4560: Greek Historians Prerequisites: GREEK 1200, Honors eligibility required (cross-leveled with GREEK 7560). -
Poikilia in the Book 4 of Alciphron's Letters
The Girlfriends’ Letters : Poikilia in the Book 4 of Alciphron’s Letters Michel Briand To cite this version: Michel Briand. The Girlfriends’ Letters : Poikilia in the Book 4 of Alciphron’s Letters. The Letters of Alciphron : To Be or not To be a Work ?, Jun 2016, Nice, France. hal-02522826 HAL Id: hal-02522826 https://hal.archives-ouvertes.fr/hal-02522826 Submitted on 27 Mar 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THE GIRLFRIENDS’ LETTERS: POIKILIA IN THE BOOK 4 OF ALCIPHRON’S LETTERS Michel Briand Alciphron, an ambivalent post-modern Like Lucian of Samosata and other sophistic authors, as Longus or Achilles Tatius, Alciphron typically represents an ostensibly post-classical brand of literature and culture, which in many ways resembles our post- modernity, caught in permanent tension between virtuoso, ironic, critical, and distanced meta-fictionality, on the one hand, and a conscious taste for outspoken and humorous “bad taste”, Bakhtinian carnavalesque, social and moral margins, convoluted plots and sensational plays of immersion and derision, or realism and artificiality: the way Alciphron’s collection has been judged is related to the devaluation, then revaluation, the Second Sophistic was submitted to, according to inherently aesthetical and political arguments, quite similar to those with which one often criticises or defends literary, theatrical, or cinematographic post- 1 modernity. -
The Ancient Greeks and Modern Realism: Ethics, Persuasion, and Power
978–0–19–955627–4 02-Duncan-Bell-ch02 OUP299-Duncan-Bell (Typeset by SPi, Delhi) 26 of 40 June 9, 2008 16:4 2 The Ancient Greeks and Modern Realism: Ethics, Persuasion, and Power Richard Ned Lebow 2.1. INTRODUCTION There is widespread recognition that the realist tradition reached its nadir in neo- realism. In his unsuccessful effort to transform realism into a scientific theory, Kenneth Waltz, father of neorealism, denuded the realist tradition of its complex- ity and subtlety, appreciation of agency, and understanding that power is most readily transformed into influence when it is both masked and embedded in a generally accepted system of norms. Neorealism is a parody of science.1 Its key terms like power and polarity are loosely and haphazardly formulated and its scope conditions are left undefined. It relies on a process akin to natural selection to shape the behaviour of units in a world where successful strategies are not necessarily passed on to successive leaders and where the culling of less successful units rarely occurs. It more closely resembles an unfalsifiable ideology than it does a scientific theory, and its rise and fall has had little to do with conceptual and empirical advances. Its appeal lay in its apparent parsimony and superficial resemblance to science; something that says more about its adherents that it does about the theory. Its decline was hastened by the end of the Cold War, which appeared to many as a critical test case for a theory that sought primarily to explain the stability of the bipolar world. -
Collins Magic in the Ancient Greek World.Pdf
9781405132381_1_pre.qxd 30/10/2007 12:09 Page i Magic in the Ancient Greek World 9781405132381_1_pre.qxd 30/10/2007 12:09 Page ii Blackwell Ancient Religions Ancient religious practice and belief are at once fascinating and alien for twenty-first-century readers. There was no Bible, no creed, no fixed set of beliefs. Rather, ancient religion was characterized by extraordinary diversity in belief and ritual. This distance means that modern readers need a guide to ancient religious experience. Written by experts, the books in this series provide accessible introductions to this central aspect of the ancient world. Published Magic in the Ancient Greek World Derek Collins Religion in the Roman Empire James B. Rives Ancient Greek Religion Jon D. Mikalson Forthcoming Religion of the Roman Republic Christopher McDonough and Lora Holland Death, Burial and the Afterlife in Ancient Egypt Steven Snape Ancient Greek Divination Sarah Iles Johnston 9781405132381_1_pre.qxd 30/10/2007 12:09 Page iii Magic in the Ancient Greek World Derek Collins 9781405132381_1_pre.qxd 30/10/2007 12:09 Page iv © 2008 by Derek Collins blackwell publishing 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Derek Collins to be identified as the author of this work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. -
Meet the Philosophers of Ancient Greece
Meet the Philosophers of Ancient Greece Everything You Always Wanted to Know About Ancient Greek Philosophy but didn’t Know Who to Ask Edited by Patricia F. O’Grady MEET THE PHILOSOPHERS OF ANCIENT GREECE Dedicated to the memory of Panagiotis, a humble man, who found pleasure when reading about the philosophers of Ancient Greece Meet the Philosophers of Ancient Greece Everything you always wanted to know about Ancient Greek philosophy but didn’t know who to ask Edited by PATRICIA F. O’GRADY Flinders University of South Australia © Patricia F. O’Grady 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Patricia F. O’Grady has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identi.ed as the editor of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington Surrey, GU9 7PT VT 05401-4405 England USA Ashgate website: http://www.ashgate.com British Library Cataloguing in Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask 1. Philosophy, Ancient 2. Philosophers – Greece 3. Greece – Intellectual life – To 146 B.C. I. O’Grady, Patricia F. 180 Library of Congress Cataloging-in-Publication Data Meet the philosophers of ancient Greece: everything you always wanted to know about ancient Greek philosophy but didn’t know who to ask / Patricia F. -
Turkish Delights: Stunning Regional Recipes from the Bosphorus to the Black Sea Pdf
FREE TURKISH DELIGHTS: STUNNING REGIONAL RECIPES FROM THE BOSPHORUS TO THE BLACK SEA PDF John Gregory-Smith | 240 pages | 12 Oct 2015 | Kyle Books | 9780857832986 | English | London, United Kingdom Turkish Delights: Stunning Regional Recipes from the Bosphorus to the Black Sea | Eat Your Books She hopes these recipes will take you on a Turkish journey - to learn, taste and enjoy the delicious foods of her homeland and most importantly to feel the warmth and sharing spirit of Turkish culture. Turkish cuisine is based on seasonal fresh produce. It is healthy, delicious, affordable and easy to make. She shows you how to recreate these wonderful recipes in your own home, wherever you are in the world. Her dishes are flavoured naturally with: olive oil, lemon juice, nuts, spices, as well as condiments like pomegranate molasses and nar eksisi. Turkish cuisine also offers plenty of options for vegetarian, gluten-free and vegan diets. She hopes her recipes inspire you to recreate them in your own kitchen and that they can bring you fond memories of your time in Turkey or any special moments shared with loved ones. Her roots - Ancient Antioch, Antakya Her family's roots date back to ancient Antioch, Antakya, located in the southern part of Turkey, near the Syrian border. This book is a special tribute to Antakya and southern Turkish cuisine, as her cooking has been inspired by this special land. Her parents, Orhan and Gulcin, were both born in Antakya and she spent many happy childhood holidays in this ancient city, playing in the courtyard of her grandmother's year old stone home, under the fig and walnut trees.