Animating All Students
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2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Hilario Miravalles Vs. Artists, Inc
DIVISION OF LABOR STANDARDS ENFORCEMENT Department of Industrial Relations State of California BY: DAVID L. GURLEY (Bar No. 194298) 455 Golden Gate Ave., 9th Floor San Francisco, CA 94102 Telephone: (415) 703-4863 Attorney for the Labor Commissioner BEFORE THE LABOR COMMISSIONER OF THE STATE OF CALIFORNIA HILARIO MIRAVALLES, Case No. TAC 33-99 Petitioner, vs. DETERMINATION OF CONTROVERSY ARTISTS, INC., Respondent . INTRODUCTION The above-captioned petition was filed on September 3, 1999 by HILARIO MIRAVALLES (hereinafter "Petitioner" or “MIRAVALLES”), alleging that ARTISTS, INC., operated by Vice President, Thad Weinlein, (hereinafter “Respondent” or “Weinlein”), acted as an unlicensed talent agency in violation of Labor Code §1700.51. Petitioner seeks a determination from the Labor Commissioner voiding a 1997 written agreement ab initio, and seeks disgorgement of all consideration collected by respondent stemming from this agreement. 1 All statutory citations will refer to the California Labor Code unless otherwise specified. Respondent was served with a copy of the petition on September 28, 1999. Respondent filed his answer with this agency on October 29, 1999, defending on the position that the respondent did not act an agent, but rather acted as an employer and is therefore not subject to the jurisdiction of the Labor Commissioner. A hearing was scheduled and commenced before the undersigned attorney, specially designated by the Labor Commissioner to hear this matter on March 31, 2000, in Los Angeles, California. Petitioner was present and represented by Stuart Libicki of Schwartz, Steinsapir, Dohrmann & Sommers LLP; Respondent did not appear personally but was represented through his attorney, Alan M. Brunswick of Manatt Phelps Phillips. -
San Diego Public Library New Additions February 2008
MAYOR JERRY SANDERS San Diego Public Library New Additions February 2008 Juvenile Materials 000 - Computer Science and Generalities Compact Discs 100 - Philosophy & Psychology DVD Videos/Videocassettes 200 - Religion E Audiocassettes 300 - Social Sciences E Audiovisual Materials 400 - Language E Books 500 - Science E CD-ROMs 600 - Technology E Compact Discs 700 - Art E DVD Videos/Videocassettes 800 - Literature E Foreign Language 900 - Geography & History E New Additions Audiocassettes Fiction Audiovisual Materials Foreign Languages Biographies Graphic Novels CD-ROMs Large Print Fiction Call # Author Title J FIC PETSCHEK Petschek, Joyce S. The silver bird : a tale for those who dream J FIC/ADLER Adler, Susan S., 1946- Samantha learns a lesson : a school story J FIC/BARRY Barry, Dave. Peter and the Starcatchers J FIC/BAUM Baum, L. Frank (Lyman Frank) The life and adventures of Santa Claus J FIC/BLADE Blade, Adam. Tartok the ice beast J FIC/BUCKLEY Buckley, Michael. Once upon a crime J FIC/BUTLER Butler, Leah. Owen's choice : the night of the Halloween vandals J FIC/BYNG Byng, Georgia. Molly Moon's incredible book of hypnotism J FIC/CARROLL Carroll, Lewis, 1832-1898. Alice in Wonderland and Through the looking-glass J FIC/COLFER Colfer, Eoin. Artemis Fowl J FIC/CURTIS Curtis, Christopher Paul. Elijah of Buxton J FIC/DAHLBERG Dahlberg, Maurine F., 1951- The story of Jonas J FIC/DANZIGER Danziger, Paula, 1944- You can't eat your chicken pox, Amber Brown J FIC/DENENBERG Denenberg, Barry. Mirror, mirror on the wall : the diary of Bess Brennan J FIC/DITERLIZZI DiTerlizzi, Tony. Lucinda's secret J FIC/DITERLIZZI DiTerlizzi, Tony. -
Download the Production Notes
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.bvpublicity.com © 2007 Buena Vista Pictures Marketing and Walden Media, LLC. All Rights Reserved. Disney.com/Terabithia BRIDGE TO TERABITHIA PRODUCTION NOTES “Just close your eyes and keep your mind wide open.” PRODUCTION NOTES —Leslie Deep in the woods, far beyond the road, across a stream, lies a secret world only two people on Earth know about—a world brimming with fantastical creatures, glittering palaces and magical forests. This is Terabithia, where two young friends will discover how to rule their own kingdom, fight the forces of darkness and change their lives forever through the power of the imagination. From Walt Disney Pictures and Walden Media, the producers of “The Chronicles of Narnia,” and based on one of the most beloved novels of all time, comes an adventurous and moving tale that explores the wonders of friendship, family and fantasy: BRIDGE TO TERABITHIA. The story begins with Jess Aarons (JOSH HUTCHERSON), a young outsider on a quest to become the fastest kid in his school. But when the new girl in town, Leslie Burke (ANNASOPHIA ROBB), leaves Jess and everyone else in her dust, Jess’s frustration with her ultimately leads to them becoming fast friends. At first, it seems Jess and Leslie couldn’t be more different—she’s rich, he’s poor, she’s from the city, he’s from the country—but when Leslie begins to open up the world of imagination to Jess, they find they have something amazing to share: the kingdom of Terabithia, a realm of giants, ogres and other enchanted beings that can only be accessed by boldly swinging across a stream in the woods on a strand of rope. -
Kyoobur9000 Interview -- How Did You Come to Logo Editing? I Joined Youtube Back in 2010 and I Was Always Fasc
Kyoobur9000 interview -- How did you come to logo editing? I joined YouTube back in 2010 and I was always fascinated by these videos where people would take their video programs and apply it, plug-in after plug-in after plug-in basically to make it unrecognizable. And that’s initially what I planned on having my channel be but I actually discovered that there were some pretty cool things I could do without, you know, tearing the video apart. So, I just kinda started by trying certain plug-ins or combinations of plug-ins and figured, hey this might sound cool or this might look cool and you know, it just worked out. What was going on at the time when you joined YouTube. You were seeing other production company idents or flips of other sources? What were you seeing and what were your inspirations?.. searching around on YouTube? Yes, there were other YouTube channels that did some work, you know there’s an audio effect called G-Major and um, people would apply that to idents and logos. So that’s what kinda got me attracted to logo editing. And the plug-ins really came from me playing with the video programs I had at my disposal. Even though it wasn’t my initial plan it was mainly that exposure to logos from G-Major that made it the point of my channel. Because you were quite young when you started, right? I was, actually I was just about to start high-school. So how did you come to picking your sources?. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era. -
Looking Back at the Creative Process
IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains. -
Animation Resume
ANIMATION RESUME ARNE JIN AN WONG [email protected] cel: 415-786-1120 Jin An, aka Arne, aka Arnie Wong, has been animating since he was eighteen. Self-taught in animation, he created a series of animated short films that were released with live- action feature films. He later apprenticed under Disney Veteran Animator and Layout Artist- John Freeman (Lady & The Tramp), Warner Bros. Designer/Animator- Corny Cole (Looney Tunes), & UPA Animator/Duck Soup Director- Duane Crowther (Yellow Submarine/ Blue Meanie). Jin An developed his talent to go on to becoming a Visual Effects director, Producer/Director of TV Commercials, and co-producing the first digital animated feature film in China. 1968-1972 Created his own short films that were featured in film festivals internationally and domestically. First Animated Surf Film 1968 1972-1975 Animation Director for Davidson Films SF. Designed, storyboarded, directed, & animated educational films. 1975 Grafis International Graphic Design Award- Designer of 6 Levi Straus Ads. 1975-1978 Animation Apprenticeships with John Freeman, Corny Cole, & Duane Crowther. Freelance Animator for TV Commercial Production Companies. 1978-1988 Started his own animation production studio -Tigerfly Studios. Produced & Directed over 30 TV commercials. 1980 Emmy Award for Best Animated Short Film “Bean Sprouts”. 1980 Walt Disney Studios- EFX Matte Supervisor on “Tron”. 1981 Golden Harvest Films/Hong Kong- Visual EFX Director on “Mt. Zu”, Kung Fu/Sci-Fi Feature film. 1986 Clio Award- Best Animated TV Commercial “Sunkist Orange”. Director/Producer 1988-2001 Started a new company; Stone Studios Inc., Providing pre-production services on animated TV series for Disney TV, Warner Bros., Paramount, Film Roman, Marvel, Klasky-Csupo, & Saban Entertainment. -
The Three-Hour Rule Insiders’ Reactions
THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA The Three-Hour Rule Insiders’ Reactions By Amy B. Jordan, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania Executive Summary 3 Introduction 5 Methodology 5 Findings 6 The Changing Face of Children’s Television 6 The Impact of the Three-Hour Rule on the Commercial Broadcast Industry 8 The Availability of Educational Television 9 Consolidation 10 Local Production 11 Collaborating with Educational Consultants 12 The Challenges of Producing and Broadcasting Truly Educational Shows 13 The Pressures of Increased Competition 13 Lack of Advertiser Support 14 Low Awareness of E/I Efforts 15 The Lack of Promotion 17 The Opportunities Presented by the Three-Hour Rule 18 A New Dialogue 18 A New Incentive to Create Enriching Children’s Programs 18 Summary 19 Recommendations 21 Conclusions 24 References 25 Appendices 26 Copyright Ó 1999 The Annenberg Public Policy Center Report Series No. 29 The Three-Hour Rule: Insiders’ Reactions Amy B. Jordan is Senior Research Investigator for the Annenberg Public Policy Center of the University of Pennsylvania. She holds a Ph.D. from the Annenberg School for Communication, University of Pennsylvania. Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. ACKNOWLEDGEMENTS Samantha Krofft, who collected data and transcribed interviews Tina Walker and Amy -
V I T O V I S C O
VITO VISCOMI – LOS ANGELES 323-314-5448 [email protected] KATHY A ROCCHIO – VANCOUVER 604-506-3460 [email protected] COLLECTIVE PERSONAL CREDITS FOR PARTNERS Vito Viscomi WGA/WGC WRITER SKETCH/REALITY MTV MOVIE AWARDS ’06 Writer Tenth Planet/MTV LAST LAUGH ’05 and ‘06 Writer Tenth Planet/COMEDY CENTRAL BLUE COLLAR TV Writer/Co-Prod WB VIVA LA BAM Writer MTV NICK & JESSICA VARIETY HOUR Writer ABC Variety Special JACKASS Writer MTV JACKASS: THE MOVIE Writer MTV Films I’M WITH BUSEY Writer Jimco/Comedy Central SMOKING GUN Writer Court-TV special BOMBITTY OF ERRORS Co-EP MTV pilot ANIMAL PRANKSTERS Writer Stone-Stanley/Animal Planet special THE ANDY DICK SHOW Senior Writer MTV series THE TOM GREEN SHOW Writer MTV series THE VACANT LOT Writer/Creator Lorne Michaels/COMEDY CENTRAL TALK THE HOWARD STERN SHOW Senior Producer CBS-TV THE LATE EDITION Supervising Producer CNBC SITCOM THE ROAMING GNOME Co-EP, Creator USA Studios/Pilot APARTMENT 2F Story Editor/Writer MTV ANIMATION KID VS. KAT Writer Studio B / YTV / Jetix RICKY SPROCKET Writer Studio B / Teletoon / Nicktoons MR. MEN Writer Cartoon Network ROLLBOTS Story Editor/Writer Amberwood/YTV BEING IAN Story Editor/Writer Studio B/YTV WEIRD YEARS Writer Lenz Entertainment/YTV AMAZING ADRENALINI BROS. Writer Studio B/YTV MONSTER BUSTER CLUB Writer Marathon/YTV BARNYARD Add’l Writing Steve Oedekerk Feature YAKKITY YAK Story Editor/Writer Studio B/Nicktoons/Teletoon THE GODTHUMB Writer Steve Oedekerk, DVD release DIRK DERBY Writer Steve Oedekerk/Nicktoons JOHN CALLAHAN’S QUADS Writer Nelvana YVON OF THE YUKON Writer Studio B/YTV Canada Vito Viscomi continued… RUGRATS GO WILD Add’l Writing Klasky Csupo Feature AWARDS/HONORS ELAN AWARDS (Canada) ‘Being Ian’ – Best Writing – WINNER GOLDEN ROSE AWARD (International) 'The Vacant Lot' - Outstanding Comedy Series - Finalist. -
Nick.Co.Uk Launches the Splat
For immediate release NICK.CO.UK LAUNCHES THE SPLAT New online home for Nickelodeon’s 90’s iconic series launches today on www.nick.co.uk/thesplat London, 31st October, 2016 – Nick.co.uk will take fans back to the ‘90s with today’s launch of The Splat. Fans of shows as Kenan & Kel, Ren & Stimpy, and Hey Arnold!, are set for a nostalgic treat as The Splat hosts clips, galleries and quizzes dedicated to the hit Nickelodeon series of the 90’s. Celebrating the characters and shows that define a generation, The Splat website showcases clips from shows including The Angry Beavers, CatDog, Hey Arnold!, Clarissa Explains It All, Kenan & Kel, Ren & Stimpy, Rocko’s Modern Life, Rugrats, The Wild Thornberrys and As Told By Ginger. The Splat experience continues with a Nickelodeon 90’s quiz, testing Nickelodeon fans on their show knowledge, while The Splat blog offers an introduction to the iconic featured series with posts covering the background of shows like Hey Arnold! and Kenan & Kel. The Splat galleries display pictures of popular show characters such as Angelica (Rugrats), Eliza (The Wild Thornberrys), Norbert Foster (The Angry Beavers) and many more. In the coming months more series and features will be added to The Splat including show theme songs, some of which will feature karaoke lyrics for fan singalongs. The launch of The Splat on Nick.co.uk follows the announcement of a new Hey Arnold! TV movie set to air on Nickelodeon in 2017. Clothing featuring iconic Nickelodeon characters and shows are also available to purchase at UK retailers and The Nickelodeon Store.