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Baseball Eagles Now 16-2 TV LISTINGS Sponsored by Colby Eagle Varsity Baseball Gatz and Brett Wilson with One Hit Thursday at 4 P.N
FREE PRESS Page 10 Colby Free Press Wednesday, May 11, 2005 SSSPORTSPORTS Baseball Eagles now 16-2 TV LISTINGS sponsored by Colby Eagle varsity baseball Gatz and Brett Wilson with one hit Thursday at 4 p.n. added two more wins to its record each. Colby is ranked #1 in the region the COLBY FREE PRESS on Monday by taking two games Jeremy Dietz took the mound in and hopes for a first-round home from Healy-Leoti. Trenton Powell game #2. he gave up 1 run on 3 hits. game on Monday, May 16. pitched the first game, giving up 4 the game ended after four innings According to coach Kevin Cox, runs on 6 hits. Senior Matt August- by the run rule with the final score the regional seedings will be out WEEKDAYS MAY 10 - MAY 16 ine pitched the final inning and al- Colby 16, Healy-Leoti 1. today. It looks as though Colby may lowed 1 run on 1 hit. The offensive charge was led by get a home game against Goodland, Colby’s offense got started early, Brett Wilson, going 3 for 3. Matt Cox said that Colby’s regional tour- 6AM 6:30 7 AM 7:30 8 AM 8:30 9 AM 9:30 10 AM 10:30 11 AM 11:30 KLBY/ABC Good Morning Good Morning America Mak- Mak- The View Million- News putting 4 runs on the board in the Augustine, going 2 for 3 and Joe nament may be as tough as any in Hh Kansas eover eover aire first inning. -
San Diego Public Library New Additions February 2008
MAYOR JERRY SANDERS San Diego Public Library New Additions February 2008 Juvenile Materials 000 - Computer Science and Generalities Compact Discs 100 - Philosophy & Psychology DVD Videos/Videocassettes 200 - Religion E Audiocassettes 300 - Social Sciences E Audiovisual Materials 400 - Language E Books 500 - Science E CD-ROMs 600 - Technology E Compact Discs 700 - Art E DVD Videos/Videocassettes 800 - Literature E Foreign Language 900 - Geography & History E New Additions Audiocassettes Fiction Audiovisual Materials Foreign Languages Biographies Graphic Novels CD-ROMs Large Print Fiction Call # Author Title J FIC PETSCHEK Petschek, Joyce S. The silver bird : a tale for those who dream J FIC/ADLER Adler, Susan S., 1946- Samantha learns a lesson : a school story J FIC/BARRY Barry, Dave. Peter and the Starcatchers J FIC/BAUM Baum, L. Frank (Lyman Frank) The life and adventures of Santa Claus J FIC/BLADE Blade, Adam. Tartok the ice beast J FIC/BUCKLEY Buckley, Michael. Once upon a crime J FIC/BUTLER Butler, Leah. Owen's choice : the night of the Halloween vandals J FIC/BYNG Byng, Georgia. Molly Moon's incredible book of hypnotism J FIC/CARROLL Carroll, Lewis, 1832-1898. Alice in Wonderland and Through the looking-glass J FIC/COLFER Colfer, Eoin. Artemis Fowl J FIC/CURTIS Curtis, Christopher Paul. Elijah of Buxton J FIC/DAHLBERG Dahlberg, Maurine F., 1951- The story of Jonas J FIC/DANZIGER Danziger, Paula, 1944- You can't eat your chicken pox, Amber Brown J FIC/DENENBERG Denenberg, Barry. Mirror, mirror on the wall : the diary of Bess Brennan J FIC/DITERLIZZI DiTerlizzi, Tony. Lucinda's secret J FIC/DITERLIZZI DiTerlizzi, Tony. -
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms
THE GRYPHON TIMES Friday, January 10, 2019 Volume 12 Issue 8 Ms. Kivett: UA‟s Welcoming Face UA Music Tastes By Chadsity Durr By Jordan LeGrair At University Academy, there are many key staff mem- oughly enjoy,” she said. bers who contribute to the school‟s environment. Fun fact: Ms. Kivett The music industry is keeping a steady pace, with not Ms. Cynthia Kivett, Central Office Manager, is one of has more than 50 first much going on and only a few new releases by artists. these staff members. She has been dedicated to UA for 11 cousins. Also, two of A lot of people who use Spotify, a music streaming years. her grandchildren attend service, are reminiscing on their most played tracks “I started as a volunteer, and it turned into a permanent UA. throughout 2019. The service officially released this in- job,” she said. “I have two grand- formation to all listeners who use the platform. The top Ms. Kivett‟s job is of high importance, as she is the UA sons here, Anthony and streamed artist of 2019 were Ed Sheeran, with 62.91 mil- doorkeeper. Her job is not only to be responsible for who Keaton Reese, fifth and lion streams per month. Post Malone and Camila Cabello comes in and out of the building, but also to give a positive first grade. I love being followed just behind that. first impression of University Academy to all visitors. As here with my grandchil- Da‟Marion Young, a senior at University Academy, she maintains a positive environment, she also helps keep dren,” she said. -
A Dpics-Ii Analysis of Parent-Child Interactions
WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. _______________________ Lori Jean Klinger Certificate of Approval: ________________________ ________________________ Steven K. Shapiro Elizabeth V. Brestan, Chair Associate Professor Associate Professor Psychology Psychology ________________________ ________________________ James F. McCoy Elaina M. Frieda Associate Professor Assistant Professor Psychology Experimental Psychology _________________________ Joe F. Pittman Interim Dean Graduate School WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 15, 2006 WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. ________________________ Signature of Author ________________________ Date of Graduation iii VITA Lori Jean Klinger, daughter of Chester Klinger and JoAnn (Fetterolf) Bachrach, was born October 24, 1965, in Ashland, Pennsylvania. She graduated from Owen J. Roberts High School as Valedictorian in 1984. She graduated from the United States Military Academy in 1988 and served as a Military Police Officer in the United States Army until 1992. -
Remaking Horror According to the Feminists Or How to Have Your Cake and Eat It, Too
Représentations dans le monde Anglophone – Janvier 2017 Remaking Horror According to the Feminists Or How to Have your Cake and Eat It, Too David Roche, Université Toulouse Jean Jaurès Key words: horror, remake, feminist film theory, post-feminism, politics. Mots-clés : horreur, remake, théorie féministe, post-féminisme, politiques identitaires. Remakes, as Linda Hutcheon has noted, “are invariably adaptations because of changes in context” (170), and this in spite of the fact that the medium remains the same. What Robert Stam has said of film adaptations is equally true of remakes: “they become a barometer of the ideological trends circulating during the moment of production” because they “engage the discursive energies of their time” (45). Context includes the general historical, cultural, social, national and ideological context, of course, as well as the modes of production and aesthetic trends in the film and television industry. Studying remakes is, then, a productive way to both identify current trends and reconsider those of the past, as well as to assess the significance of a previous work into which the remake offers a new point of entry (Serceau 9), and this regardless of whether or not we deem the remake to be a “successful” film in itself. In this respect, remakes are especially relevant to film and television history and, more generally, to cultural history: they can teach us a lot about the history of production strategies, the evolution of genres, narrative, characterization and style, and of various representations (of an event, a situation, a group or a figure). In a recent article entitled “Zip, zero, Zeitgeist” [sic] posted on his blog (Aug 24, 2014), David Bordwell warns against the tendency of some journalists to see “mass entertainment” as “somehow reflect[ing] its society”: In sum, reflectionist criticism throws out loose and intuitive connections between film and society without offering concrete explanations that can be argued explicitly. -
The Three-Hour Rule Insiders’ Reactions
THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA The Three-Hour Rule Insiders’ Reactions By Amy B. Jordan, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania Executive Summary 3 Introduction 5 Methodology 5 Findings 6 The Changing Face of Children’s Television 6 The Impact of the Three-Hour Rule on the Commercial Broadcast Industry 8 The Availability of Educational Television 9 Consolidation 10 Local Production 11 Collaborating with Educational Consultants 12 The Challenges of Producing and Broadcasting Truly Educational Shows 13 The Pressures of Increased Competition 13 Lack of Advertiser Support 14 Low Awareness of E/I Efforts 15 The Lack of Promotion 17 The Opportunities Presented by the Three-Hour Rule 18 A New Dialogue 18 A New Incentive to Create Enriching Children’s Programs 18 Summary 19 Recommendations 21 Conclusions 24 References 25 Appendices 26 Copyright Ó 1999 The Annenberg Public Policy Center Report Series No. 29 The Three-Hour Rule: Insiders’ Reactions Amy B. Jordan is Senior Research Investigator for the Annenberg Public Policy Center of the University of Pennsylvania. She holds a Ph.D. from the Annenberg School for Communication, University of Pennsylvania. Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. ACKNOWLEDGEMENTS Samantha Krofft, who collected data and transcribed interviews Tina Walker and Amy -
Pacing in Children's Television Programming
DOCUMENT RESUME ED 434 364 CS 510 117 AUTHOR McCollum, James F., Jr.; Bryant, Jennings TITLE Pacing in Children's Television Programming. PUB DATE 1999-03-00 NOTE 42p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (82nd, New Orleans, LA, August 4-7, 1999). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Childrens Television; Content Analysis; Preschool Education; *Programming (Broadcast); Television Research IDENTIFIERS Sesame Street ABSTRACT Following a content analysis, 85 children's programs were assigned a pacing index derived from the following criteria:(1) frequency of camera cuts;(2) frequency of related scene changes;(3) frequency of unrelated scene changes;(4) frequency of auditory changes;(5) percentage of active motion;(6) percentage of active talking; and (7) percentage of active music. Results indicated significant differences in networks' pacing overall and in the individual criteria: the commercial networks present the bulk of the very rapidly paced programming (much of it in the form of cartoons), and those networks devoted primarily to educational programming--PBS and The Learning Channel--present very slow-paced programs. (Contains 26 references, and 12 tables and a figure of data.) (RS) ******************************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ******************************************************************************** Pacing in Children's Television Programming James F. McCollum Jr. Assistant Professor Department of Communication Lipscomb University Nashville, TN 37204-3951 (615) 279-5788 [email protected] Jennings Bryant Professor Department of Telecommunication and Film Director Institute for Communication Research College of Communication Box 870172 University of Alabama Tuscaloosa, AL 35487-0172 (205) 348-1235 PERMISSION TO REPRODUCE AND OF EDUCATION [email protected] U.S. -
Nickelodeon Singapore : Program Schedule 1 - 4 January 2009 (R1)
NICKELODEON SINGAPORE : PROGRAM SCHEDULE 1 - 4 JANUARY 2009 (R1) Thu Friday Sat Sun SIN SIN 1-Jan 2-Jan 3-Jan 4-Jan 6:00 Go Diego, Go 6:00 6:15 Hey Arnold 6:15 6:30 The Fairly OddParents 6:30 7:00 Nick JR: The Backyardigans Nick JR: Blue's Clues 7:00 7:30 Nick JR: Hi-5 Nick JR: Hi-5 7:30 8:00 Nick JR: Yo Gabba Gabba! Nick JR: Go, Diego, Go 8:00 8:30 Nick JR: Go, Diego Go! Nick JR: Dora, the Explorer 8:30 9:00 Nick JR: WonderPets Tak & the Power of Juju 9:00 9:15 New Year Special: Dora Dances to the Rescue (9-10am) Nick JR: The Magic Roundabout 9:30 Nick JR: Dora, the Explorer The Fairly OddParents 9:30 10:00 Frankenstein's Cat 10:00 Upsized: The Fairly OddParents 10:30 Drake & Josh 10:30 11:00 Edgar & Ellen The Naked Brothers Band 11:00 11:30 New Year Special: Holidaze El Tigre 11:30 11:45 The Mighty B! Upsized: SpongeBob SquarePants 12:00 Ricky Sprocket 12:00 12:30 New Year Special: Team Galaxy : Predators from Outer Lola & Viginia Chalkzone 12:30 12:45 Space Frankenstein's Cat 13:00 SpongeBob SquarePants 13:00 Upsized: Danny Phantom 13:30 The Fairly OddParents 13:30 14:00 Edgar & Ellen 14:00 Upsized: The Fairly OddParents 14:30 The Adventures of Jimmy Neutron 14:30 15:00 The Fairly OddParents The Naked Brothers Band 15:00 15:30 El Tigre Zoey 101 15:30 15:45 The Mighty B! 16:00 Avatar, the Legend of Aang 16:00 Upsized: SpongeBob SquarePants 16:30 TEENIck: iCarly 16:30 17:00 TEENick: Drake & Josh El Tigre 17:00 17:30 Danny Phantom 17:30 Upsized: The Fairly OddParents 18:00 SpongeBob SquarePants 18:00 18:30 Grossology 18:30 Nicktoons: SpongeBob -
GODKILLER: Walk Among Us
GODKILLER: Walk Among Us Feature Film Press Kit Contact: Maddy Dawson Halo-8 Entertainment 7336 Santa Monica Blvd #10 LA CA 90046 p. 323-285-5066 f. 323-443-3768 e. [email protected] CAST LANCE HENRIKSEN as Mulciber (Aliens, AVP: Alien Vs Predator) DAVEY HAVOK as Dragos (singer platinum-selling rockers A.F.I.) DANIELLE HARRIS as Halfpipe (Halloween 4, 5; Rob Zombie’s Halloween 1, 2; Hatchet 2) JUSTIN PIERRE as Tommy (singer Warped Tour heroes Motion City Soundtrack) BILL MOSELEY (The Devil’s Rejects, Texas Chainsaw Massacre 2, Repo: The Genetic Opera) TIFFANY SHEPIS (The Violent Kind, Nightmare Man) LYDIA LUNCH (underground art icon, star of Richard Kern’s Hardcore Collection) KATIE NISA (Threat) NICKI CLYNE (Battlestar Galactica Syfy TV series) CREW MATT PIZZOLO, writer/director/creator (Threat) ANNA MUCKCRACKER, illustrator BRIAN GIBERSON, producer/animator ALEC EMPIRE, score composer (Atari Teenage Riot) Q&A with Director Matt Pizzolo Q. What is the inspiration behind Godkiller? A. When I was on tour with my first film Threat in Europe, I visited tons of churches and museums and was just really struck by the juxtaposition of pagan art and Christian art… and how much Vatican City resembles Disneyland. It’s as if religions and mythologies and cultures compete for disciples through art… that popular art is a battleground of cultural ideas. So I was inspired to create an ongoing, serialized, pop-art mythology for my people: fuck-ups and weirdos and misfits. Q. Is “illustrated films” just a pretentious way of saying “motion comics?” A. Ha. Yes. Well… No, I don’t think so anyway. -
Nickelodeon and Paramount Players to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film
“Everything’s Back to Norman”: Nickelodeon and Paramount Players to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film July 17, 2018 Rugrats Movie and Brand-New, Original 26-Episode TV Series Will Feature Everyone’s Favorite Talking Babies in All-New Adventures NEW YORK & BURBANK, Calif. & HOLLYWOOD--(BUSINESS WIRE)--Jul. 17, 2018-- Viacom (NASDAQ: VIAB, VIA) flagship properties Nickelodeon and Paramount Pictures announced today a relaunch of the iconic kids’ TV series Rugrats, with a 26-episode greenlight from Nickelodeon, and a live-action film featuring CGI characters from Paramount Players. Both the TV series and the movie will include new adventures with beloved charactersTommy, Chuckie, Phil, Lil, Susie and Angelica, and will also introduce a new world of characters. Original creators Arlene Klasky, Gábor Csupó and Paul Germain will return to the TV series as executive producers. Nickelodeon’s Rugrats will be produced in Burbank, Calif., with production already underway. Additional news of the TVseries, airdate and casting--and Reptar sightings--will be announced in the coming months. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20180717005654/en/ The Rugrats movie will be written by David Goodman and is set to be released on November 13th, 2020 by Paramount Players, the division of Paramount Pictures that develops and produces co-branded feature films with Viacom’s leading media networks. Rugrats is the seventh film title announced in connection with this cross-company initiative. “Rugrats is hands-down one of the most celebrated cartoons in TV history, and we are thrilled for a whole new audience to meet these iconic characters in brand-new adventures,” said Sarah Levy, COO, Viacom Media Networks; and Interim President, Nickelodeon. -
Nick.Co.Uk Launches the Splat
For immediate release NICK.CO.UK LAUNCHES THE SPLAT New online home for Nickelodeon’s 90’s iconic series launches today on www.nick.co.uk/thesplat London, 31st October, 2016 – Nick.co.uk will take fans back to the ‘90s with today’s launch of The Splat. Fans of shows as Kenan & Kel, Ren & Stimpy, and Hey Arnold!, are set for a nostalgic treat as The Splat hosts clips, galleries and quizzes dedicated to the hit Nickelodeon series of the 90’s. Celebrating the characters and shows that define a generation, The Splat website showcases clips from shows including The Angry Beavers, CatDog, Hey Arnold!, Clarissa Explains It All, Kenan & Kel, Ren & Stimpy, Rocko’s Modern Life, Rugrats, The Wild Thornberrys and As Told By Ginger. The Splat experience continues with a Nickelodeon 90’s quiz, testing Nickelodeon fans on their show knowledge, while The Splat blog offers an introduction to the iconic featured series with posts covering the background of shows like Hey Arnold! and Kenan & Kel. The Splat galleries display pictures of popular show characters such as Angelica (Rugrats), Eliza (The Wild Thornberrys), Norbert Foster (The Angry Beavers) and many more. In the coming months more series and features will be added to The Splat including show theme songs, some of which will feature karaoke lyrics for fan singalongs. The launch of The Splat on Nick.co.uk follows the announcement of a new Hey Arnold! TV movie set to air on Nickelodeon in 2017. Clothing featuring iconic Nickelodeon characters and shows are also available to purchase at UK retailers and The Nickelodeon Store. -
The Final Girl in 1980’S Slasher Films and Halloween (2018) As a Representation of Ideals and Social Issues in 1980S’ America As Well As Contemporary America
Lindved 1 Martin Lindved Anne Bettina Pedersen Engelsk Almen 1 June 2020 Could it be that One Monster has created Another? –The Final Girl in 1980’s Slasher Films and Halloween (2018) as a Representation of Ideals and Social Issues in 1980s’ America as well as Contemporary America. Table of Contents INTRODUCTION .................................................................................................................2 The Reagan Era in Films of the 1980s ..................................................................................5 The Origin and History of the Slasher Film ........................................................................9 The Making of Halloween ...................................................................................................12 Definition of the Slasher Film .............................................................................................13 The Final Girl as a Male Surrogate ....................................................................................18 The Final Girl as a Feminist Icon .......................................................................................20 ANALYSIS ............................................................................................................................24 The Final Girls of the 1980s’ Slasher Films .................................................24 Final Girls from Halloween ...........................................................................25 Laurie .........................................................................................26