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Stephen Petrilli USA Local 829 Lighting Designer (347) 408-6531 stephen-petrilli-lighting.com [email protected] Boston Dance Theater Jessie Jeanne Stinnett Boston, Vermont Eastern Connecticut Ballet Adam Miller & Gloria Govrin New London Anikaya Dance Theater Wendy Jehlen Boston, New York Prometheus Dance Tommy Neblett & Diane Arvanites Boston Jean Apollon Expressions Jean Apollon Boston Public Displays of Motion Peter DiMuro Boston Jo-Me Dance May-Lisa Chandler & Joe Gonzalez Boston, Philadelphia Zoe Dance Callie Chapman Korn Boston Doppelganger Dance Collective Danielle Davidson & Shura Baryshnikov Providence, Boston A Palo Seco Rebeca Tomas New York, Boston Sokolow Theatre/Dance Ensemble Jim May New York The Wonder Twins Billy & Bobby McClain Boston, Martha’s Vineyard Kun-Yang Lin/Dancers Kun-Yang Lin Philadelphia, Germany A+B Ali Kenner Brodsky & Betsy Miller Providence, Boston Dance Up @ ICA Maure Aronson / Crash Arts Boston Bellybeat Dance Company Christina Ackley Boston Boston Youth Moves Jimmy Viera & Jeannette Neill Boston Anna Myer & Dancers Anna Myer Boston, Bennington, NYC Continuum Dance Collective Fernadina Chan Boston Pantos Project Kat Pantos Boston H.T. Chen & Dancers H.T. Chen New York, Touring Kat Nasti Dance Kat Nasti Boston Grant Jacoby & Dancers Grant Jacoby Boston Careyworks Carey McKinley Boston Nathan Trice/Rituals Nathan Trice New York LostWax Multimedia Dance Jamie Jewett Providence, Boston Contrapose Dance Courtney Peix Boston Jazz Inc Dance Stephanie Heroux Boston The People Movers Kate Ladenheim Boston, New York Hanna Satterlee Dance Hanna Satterlee Montpelier Atlantic Steps Kieran Jordan & Brian Cunningham Boston, Touring Pivotal Works The Vilcek Foundation New York Provincetown Dance Festival Adam Miller Provincetown Dzul Dance Javier Dzul New York, Mexico Noche Flamenca Martin Santangelo New York, Touring Ailey II Nathan Trice New York, Touring The Kevin Wynn Collection Kevin Wynn New York Pilobolus Dance Theatre Robbie Barnett & Jonathan Wolken New York José Luis Montón Flamenco José Luis Montón & Belén Maya Paris Complexions Dwight Rhoden & Desmond Richardson New York, Paris Related Experience: Production Stage Manager Doug Varone & Dancers BAM, Joyce, US Touring Production Stage Manager Dance Africa, BAM Opera House Brooklyn, NY Lighting & Sound Supervisor Pilobolus Dance Theatre US & International Touring .

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National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
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In This Issue
FALL 2019 IN THIS ISSUE JONATHAN BISS CELEBRATING BEETHOVEN: PART I November 5 DANISH STRING QUARTET November 7 PILOBOLUS COME TO YOUR SENSES November 14–16 GABRIEL KAHANE November 23 MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED Encore Stages features the San Francisco/Bay Area Account Executives BRIEANNA HANSEN, AMELIA HEPPNER, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas.
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Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
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Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others.
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Pilobolus Four@Play
presents Pilobolus Four@Play Thu, June 24, 7 pm Fri, June 25, 4:30 & 7 pm Sat, June 26, 2 & 7 pm Sun, June 27, 2 pm The BEMA • Dartmouth College • 2021 Funded in part by the Class of 1961 Legacy: The American Tradition in Performance Fund, Amy and Henry Nachman Jr 1951 Fund for Visiting Performing Artists in Dance, Barbara J. and Richard W. Couch Jr. ’64 E’65 and Claire Foerster and Daniel S. Bernstein 1987. Program WALKLYNDON (1971) Choreographed by Robby Barnett, Lee Harris, Moses Pendleton and Jonathan Wolken Performed by Quincy Ellis, Marlon Feliz, Casey Howes and Paul Liu Costumes: Kitty Daly Lighting: Neil Peter Jampolis FEMME NOIRE (1999) Choreographed by Alison Chase in collaboration with Rebecca Anderson and Rebecca Stenn Performed by Casey Howes Music: Paul Sullivan Costumes: Angelina Avallone Costume Construction: Parsons-Meares Lighting: Stephen Strawbridge This piece was made possible in part by support from the Connecticut Commission on the Arts. Solo from the EMPTY SUITOR (1980) Choreographed by Michael Tracy Performed by Paul Liu Music: Ben Webster, “Sweet Georgia Brown” used by permission Warner Bros. Costumes: Kitty Daly Lighting: Neil Peter Jampolis ALRAUNE (1975) Choreographed by Alison Chase and Moses Pendleton Performed by Quincy Ellis and Marlon Feliz Music: Robert Dennis Costumes: Malcolm McCormick Lighting: Neil Peter Jampolis About Pilobolus Since 1971, Pilobolus has tested the limits of human Pilobolus Education has been at the forefront of the physicality to explore the beauty and power of company’s activities offering unique programming connected bodies. We continue to bring this tradition for schools, colleges and public arts organizations through our post-disciplinary collaborations with as well as classes and leadership workshops for some of the greatest influencers, thinkers and corporate executives, employees and business creators in the world.
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Deelnameniveaus Bewegingsonderwijs in De
Formatief evalueren en de DTT Engels: aan de slag Dansapedia Dansbegrippen - Danssoorten - Personen en gezelschappen SLO • nationaal expertisecentrum leerplanontwikkeling Auteur[s] slo Dansapedia Dansbegrippen - Danssoorten - Personen en gezelschappen Disclaimer De Dansapedia was tot voor kort onderdeel van de inmiddels opgeheven website Danstijd.slo.nl. Om de inhoud van de Dansapedia toch beschikbaar te houden voor docenten (en hun leerlingen), is er voor gekozen om hiervan een document (pdf) te maken. De Dansapedia is op deze manier nog te gebruiken om informatie op te zoeken over ruim 600 items met betrekking tot dansbegrippen, danssoorten en personen (choreografen, dansers, danseressen, gezelschappen). NB. De teksten zijn integraal van de website uit 2008 overgenomen. Daarbij zijn alle verwijzingen en hyperlinks noodzakelijkerwijs verwijderd. Verantwoording SLO (nationaal expertisecentrum leerplanontwikkeling), Enschede Alle rechten voorbehouden. Mits de bron wordt vermeld is het toegestaan om zonder voorafgaande toestemming van de uitgever informatie uit de Dansapedia geheel of gedeeltelijk te kopiëren dan wel op andere wijze te vermenigvuldigen, tenzij expliciet anders is aangegeven. Hoewel bij het samenstellen van de inhoud van de Dansapedia de grootst mogelijke zorgvuldigheid is betracht, sluit SLO iedere aansprakelijkheid uit voor onjuistheden, onvolledigheden, prijs- en typefouten en eventuele gevolgen van het handelen op grond van informatie in dit document. Auteurs (2008): Wieneke van Breukelen, Martin Bijkerk, Jolanda Keurentjes, Isabella Lanz, Pascal Marsman, Ruth Naber en Sofie van Sommen. Redactie (2008) Wieneke van Breukelen (NBDK), Pascal Marsman (SLO). Verdere informatie E-mail: [email protected] Inhoud 1. Overzicht dansbegrippen (alfabetische volgorde) 5 2. Danssoorten 50 3. Overzicht personen en gezelschappen 67 Referenties 90 1. Overzicht dansbegrippen (alfabetische volgorde) Abstracte dans, Abstract ballet Dans/ballet zonder verhaal of boodschap.
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Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 X132 [email protected]
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] PILOBOLUS PRESENTS COME TO YOUR SENSES IN THE TED SHAWN THEATRE, JUNE 27-JULY 1 June 26, 2018 (Becket, MA) Award-winning Pilobolus returns to the Ted Shawn Theatre with Come To Your Senses, a program about accessing all five senses, June 27-July 1. The “mind-blowing troupe of wildly creative and physically daring dancers” (NY Newsday) guides audiences through a multi-sensory experience alongside repertory classics and new work, including the first all-women trio in the company’s history. The Washington Post praises, “Pilobolus embodies a large part of what the best in contemporary dance is all about: discovery.” “We are thrilled to have Pilobolus return to Jacob’s Pillow and to see the work they created for the Inside/Out stage last year reimagined in the historic Ted Shawn Theatre. Their program will also include repertoire that activates all of our senses while celebrating the beauty and power of the human body.” say Jacob’s Pillow Director, Pamela Tatge. Founded in 1971 with their Pillow debut just three years later, Pilobolus is known for its unique, collaborative dance creations which break movement and visual boundaries to reveal the graphic capabilities of the human body in surprising ways. Named after the light-loving fungus Pilobolus crystallinus, the company performs for over 300,000 people each year and has created over 120 works with with their rare vocabulary of humor, invention, and drama.
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National Endowment for the Arts Annual Report 1975
National Endowment National Council Annual Report for the Arts on the Arts 1975 National Endowment National Council Annual Report for the Arts on the Arts 1975 F’or sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 - Price $2.90 Stock No. 036-000-00031-7 National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the Na tional Council on the Arts for the Fis cal Year ended Jtme ¿0, 1975. Respecffully, Nancy Hanks Chairman The President The White House Washington, D.C. March 1976 Contents 2 Chairman’s Statement 60rganization 6 National Foundation on the Arts and the Humanities 6 National Council on the Arts 7 National Endowment for theArts 7 Federal Council on the Arts and the Humanities 8 National Council on the Arts 10 Architecture + Environmental Arts 18 Dance 26 Education 86 Expansion Arts 42 Federal-State Partnership 48 Literature 54 Museums 66 Music 80 Public Media 86 Special Proiects 92 Theatre 98 Visual Arts 112 The Treasury Fund 112 Contributors to the Treasury Fund, Fiscal Year 1975 110 Financial Summary Fiscal Year 1975 111 History of Authorizations and Appropriations Through Fiscal Year 1975 126 State Arts Agencies’ Chairmen and Executive Directors 130 Staff of the National Endowment for the Arts Chairman’s Statement In 1965 Congress "found and declared Attendance and participation in cultural that the encouragement and support of events are inereasing all over the national progress .
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Presents Pilobolus! Teacher Resource Guide
FirstWorks Arts Learning presents Pilobolus! Teacher Resource Guide Student matinee performance of Branches Friday, October 26, 11:00 am - noon The Vets, 1 Avenue of the Arts, Providence Table of Contents FirstWorks Arts Learning Table of Contents . 2 FirstWorks Launches “EarthFirst”. 3 About Pilobolus: A Brief History. .4 Pilobolus: The Pioneers . 5 What is a “pilobolus”? . .. 11 The Pilobolus Dictionary . .13 Pilobolus Discusses Process . .14 Student Matinee: “Branches” . .15 Theatre Etiquette . .16 K - 12 Lesson: Force and Acceleration . 17 K - Grade 3 Lesson: Dendrochronology . 19 Grade 6 - 8 Lesson: Dendrochronology . 21 Kindergarten - Grade 1 Lesson: Teamwork, “The Tale of the Turnip”. 28 Macomber Turnip Soup Recipe . 32 Turnip Coloring Page . .33 Dancer Coloring Page . 34 Word Search . .35 Teacher Survey. 36 Student Survey. .37 A movement from Branches. Photo by Hibbard Nash Photography 3 FirstWorks Arts Learning FirstWorks Launches EarthFirst! FirstWorks 2018-19 Special Program EarthFirst As FirstWorks prepares to celebrate our 15th anniversary, we are launching an environmentally- themed Season and Arts Learning Program, EarthFirst, to leverage the power of world-class arts to create awareness about sustainability, climate change, and the stewardship of outdoor spaces. A key component of FirstWorks is its dedication to providing transformative arts experiences to underserved youth across Rhode Island. The 2018-19 season marks the launch of our EarthFirst initiative linking the arts with environmental awareness. The Pilobolus dance company will be performing excerpts from its Rhode Island premiere of Branches, which is very much tied to the natural sciences and would be a great STEAM resource. The piece is scored entirely using natural sounds with videos interspered through the dance.
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The Music Center's Study Guide to the Performing Arts
DANCEMUSIC TRADITIONAL ARTISTIC PERCEPTION (AP) ® CLASSICAL CREATIVE EXPRESSION (CE) Artsource CONTEMPORARY HISTORICAL & CULTURAL CONTEXT (H/C) The Music Center’s Study Guide to the Performing Arts EXPERIMENTAL AESTHETIC VALUING (AV) MULTI-MEDIA CONNECT, RELATE & APPLY (CRA) ENDURING FREEDOM & THE POWER THE HUMAN TRANSFORMATION VALUES OPPRESSION OF NATURE FAMILY Title of Work: About The Artwork: The Brass Ring - Choreographed in 2000 The original theme of The Brass Ring was to be the Company: Pilobolus Dance Theatre relationship of art and sport. The dancers and Choreographed by Michael Tracy in collaboration with Ras choreographer, Michael Tracy, investigated the Greek Mikey C, Otis Cook, Mark Fucik, Renee Jaworski, Matt Kent and Jennifer Macavinta ideas behind the games of the first Olympics that took place in 776 B.C. They examined the art and sculpture Background Information: that emphasized the human form in action and Pilobolus Dance Theatre, a major American dance studied the geography of the land in Greece. The company of international influence, began in a exploration deepened to include games, competition Dartmouth College undergraduate dance class in 1971. and sportsmanship. Dancers improvised with the New to traditional modern dance technique, the original movements found in speed skating, the luge and bowling. founders, Jonathan Wolken and Moses Pendleton met in It’s title, The Brass Ring, came out of a moment in this class and were later joined by their dance teacher, rehearsal when dancer, Matt Kent, encouraged his Alison Chase, as well as Robert Barnett, Martha Clarke fellow dancers to “reach for the brass ring” that carousel and Michael Tracy. After much exploration and intense riders attempt to grab as the merry-go-round goes work they discovered a unique and highly original around.
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Published in Current Biography Magazine New York Times
Published in Current Biography Magazine November 2006 Alison Becker Chase “I don’t think there’s a choreographer going – none of them will admit it, of course – who hasn’t been affected by the reach that Pilobolus has taken into what is possible in the shapes and forms of the human body,” Charles L. Reinhart, the president and onetime co-director of the American Dance Festival, told Lesley Stahl for the television newsweekly 60 Minutes (February 15, 2004). Pilobolus – formally, the Pilobolus Dance Theatre – germinated in an introductory class in modern dance taught in 1971 at Dartmouth College by the choreographer and dancer Alison Becker Chase, widely considered the “mother” of the troupe. Chase, at 24, was not much older than the seniors among her students when the class first met. “I realized that I couldn’t teach them as I would teach dancers,” she told Lisa Traiger for the Washington Post (December 6, 2002), “so I started teaching them improvisation and choreography instead.” Several of the students began to experiment with “body-linked” acrobatics that blurred the lines separating modern dance, gymnastics, pantomime, and slapstick; accomplished athletes, they developed routines centered on an array of visually striking formations, displaying what one student – Moses Pendleton – dubbed “collective muscle,” as he recalled to Alan M. Kriegsman for the Washington Post (April 13, 1977). In 1973 Chase joined her former students as choreographer and dancer and, with another addition to the group, Martha Clarke, enhanced Pilobolus’s aggressively physical routines with touches of femininity. Pilobolus became hugely popular on college campuses and other venues in the U.S.
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Pilobolus Disney’S Beauty September 17, 2013 and the Beast September 24-29, 2013 GAT127.13-Nashvilleartsad 7.125X10.875 FINAL.Indd 1 One Contact
COMING SOON: Pilobolus Disney’s Beauty September 17, 2013 and the Beast September 24-29, 2013 Grand Avenue takes me everywhere. — DON MACLACHLAN Tennessee Titans, Executive Vice President One Contact. 450 Cities Worldwide. Download OUR APP Call us today at 615.714.5466 or toll-free at 866.455.2823 to book on the go! or visit G RANDA VENUEW ORLDWIDE.COM GAT 127.13 | NA&E 7/13 GAT GAT127.13-NashvilleArtsAd_7.125x10.875_FINAL.indd 1 7/2/13 9:42 AM EVOLVED ESSENTIAL EPIC APPLE • ATHLETA • BURBERRY • THE CHEESECAKE FACTORY DAVID YURMAN • FREE PEOPLE • GUS MAYER • JIMMY CHOO KATE SPADE NEW YORK • LOUIS VUITTON • MAC COSMETICS MICHAEL KORS • OMEGA • RESTORATION HARDWARE • SEPHORA STUART WEITZMAN • TIFFANY & CO. • TORY BURCH NORDSTROM • DILLARD’S • MACY’S OVER 100 SPECIALTY SHOPS & RESTAURANTS HILLSBORO PIKE, I-440 EXIT 3 • NASHVILLE, TN • SHOPGREENHILLS.COM GH170.PlaybillFullPage.indd 1 6/12/13 12:42 PM At Bridgestone Americas, performance is in our blood. That’s why we’re proud to call Nashville home. You’ll ﬁ nd more than 2,300 Bridgestone teammates hard at work and play in Nashville’s communities. Being involved is an important part of our business. It’s our passion. It’s our home. Find out more at www.BridgestoneAmericas.com Nashville’s Rising Star Meet Music City’s newest star. The stunning Omni Nashville Hotel. Located in the heart of downtown and connected to the Country Music Hall of Fame & Museum, this Four Diamond hotel will dazzle guests with luxurious accommodations, amazing amenities and legendary service. Book your room today.
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