A Legend of Indian Film Industry Akkineni Nageswara Rao (A Tribute) P

Total Page:16

File Type:pdf, Size:1020Kb

A Legend of Indian Film Industry Akkineni Nageswara Rao (A Tribute) P A Legend of Indian Film Industry Akkineni Nageswara Rao (A tribute) P. J. Sudhakar Dr. Akkineni Nageswara Rao mesmerized the audiences with memorable performances in hit films like Batasari, Devadasu and Tenali Ramkrishna . Dr. Akkineni Nageswara Rao was of the black and white era known for his strong will power and positive attitude. The death of the 91 year old legendary figure in Indian Cinema due to cancer on 22 January, 2014, is indeed an irreparable loss. Dr. Akkineni Nageswara Rao popularly known as "Ever Green Hero ANR" is survived by three daughters and two sons including film actor Nagarjuna and several grand children. His grandchild Naga Chaitanya is also a film artiste. ANR was the youngest of five brothers, born into a poor family on September 20, 1923 at Raghavapuram in Krishna District of Andhra Pradesh. His parents, Akkineni Venkataratnam and Akkineni Punnamma, were from the farming community. His formal education was limited to primary schooling due to his parents' poor economic condition. Entry into Film World It was in 1941, at the age of 17, that he made his entry into the Telugu film, Dharmapatni , in which he played the role of the protagonist's friend. ANR, was discovered by chance at the Vijayawada railway station by the noted film producer, Ghantasala Balaramaiah , a popular film producer of that time, and was immediately offered the lead role of Lord Rama in his upcoming movie Seeta Rama Jananam. He predominantly acted in theatre , many times donning female roles since women weren't allowed on stage at that time. He has since acted in over 256 films, spanning the Telugu, Tamil and Hindi languages to become one of the most prominent figures in the history of Telugu cinema. Majority of his films were both commercial successes as well as won critical acclaim. Extraordinary Performance in Prominent Films ANR played a variety of roles ranging from a charming prince to a frustrated alcoholic lover, from a valiant soldier to a holy saint, and from a college student to a composed government official. He excelled in mytholog ical roles too as Abhimanyu in Maya Bazaar , as Lord Vishnu in Chenchu Lakshm i; as Narada in Bhookailasa; and Arjuna in Sri Krishnarjuna Yuddham . In rural oriented films like Balaraju, Rojulu Maraayi , and Namminabantu , he attained the status of Telugu cinema's first superstar. He also made a striking mark in comedy films like Missamma, Chakrapani , and Preminchi Choodu . ANR was also called the ‘tragedy king’ of Telugu cinema, through his milestone performances in romantic dramas such as Laila Majn u, Anarkali, Batasari, Prem Nagar, Premabhishekam , and Meghasandesham. Film Premabhishekam directed by Dasari Narayana Rao is one of the biggest hits in Tollywood (Telugu film industry). It had an amazing 533 days run in Hyderabad, which is still the highest run in a city for any Telugu movie. He was the first to perform a double role in Telugu films, and even played nine roles in the film Navarath ri. ANR's portrayal of an alcoholic jilted lover in Devadasu by eminent writer Sarath Chandra's was reprised by many in later years in several different languages, the famous Hindi actor Dilip Kumar once said "there is only one Devadasu , and that is Nageswara Rao." Most of ANR's social films like Samsaram, Bratuku Teruvu, Aradhana, Donga Ramudu, Dr.Chakravarthi, Ardhaangi, Mangalya Balam, Illarikam,Shantinivasam, Velugu Needalu, Dasara Bullodu, Bharya Bhartalu, Dharmadata, Batasari , and College Bullodu were commercially successful films. Sitaramayyagari Manavaralu was released in 1991, exactly 50 years after his debut, and was a huge success at the box office, despite the influx of newer and younger stars. A unique feature that won ANR acclaim from critics and art lovers was that he enacted the roles of literary and cultural icons of different regions in India, thereby making them instruments of national integration - as the great Sanskrit poet, Mahakavi Kalidas of Ujjain; as the celebrated musician saint, Bhakta Jayadeva of Odisha; as the temple sculptor, Amarasi lpi Jakkanna of Karnataka; as the devotee saint, Vipranarayana of Tamil Nadu; and as the singer Bhakta Tukaram of Maharashtra. Manam was the last film of ANR , where he shared screen space with his son Nagarjuna and grandson Naga Chaitanya. Contributions to Society Akkineni Nageswara Rao , among other things, he is also credited for influencing Telugu film producers and creating a base for Telugu films in Hyderabad. The Telugu film industry, in its early days, was based in Madras (now Chennai). When Andhra Pradesh became the first state to be established on linguistic basis, ANR was among the first actors of that period who insisted on moving the Telugu film center from Madras to Hyderabad. He established his own 22 acre production studio/house, named Annapurna Studios after his wife, in the heart of Hyderabad, to facilitate this. In 1957, he donated a considerable sum of money to the Andhra University. He was the Chief Donor and President of a College at Gudivada in Andhra Pradesh, which was subsequently named after him. Being a strong advocate of education, he created scholarships in the Universities of Andhra, Madras, Sri Venkateswara, and Osmania Universities. Apart from being a movie star, ANR was a prolific writer. Some of his prominent books being are his autobiographical work, Nenu Na Jeevitham , the memoirs of his first visit to the USA, Nenu Choosina America , and the expression of his thoughts in his book, A Aalu . His most recent, contemplative, self-reflective work is the book Manasuloni Maata. He was awarded honorary doctorates from several Indian universities. National- International Awards ANR’s contribution to Indian Film Industry was recognized by the Government of India and he was conferred Padma Shri, Padma Bhushan, Padma Vibhushan and the Dada Saheb Phalke Award for Life Time Achievement. Cultural Ambassador of India ANR was invited as a guest of the State by USA, Russia, UK, France, Germany, Denmark, Malaysia, and Japan. He toured all these countries as a cultural ambassador representing India. He visited Australia in 1967, leading a delegation representing the Indian film, Anthasthulu . A farmer’s son , who never imagined that he would cross the borders of his village or district, toured all over the world as an Indian ambassador of art and culture. And what an ambassador he was. R.I.P. (PIB Features.) * * * * * Dr. P J Sudhakar is Addl.Director General, PIB Bhopal. .
Recommended publications
  • Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films.
    [Show full text]
  • Bhuma Akhila Priya Husband Divorce
    Bhuma Akhila Priya Husband Divorce Shep emulsify her publicist left-handedly, east-by-north and Calvinist. Purcell boded ratably. Dichromatic and happier Kenny decompress, but Levi profitlessly discolours her sots. Contact us trying to wait before the living with bhuma akhila priya banerjee teasing poses in Max width before prompting user or irrelevant are editorially relevant to your customers how tall is. Police encounter which includes information about it will not have planned for divorce rates are some issues over decades, shivarami reddy told police last year. After release being in connection with corporate hospitals megha engineering degree in telugu film goodachari personal life a mother kiran mai naidu had entered an incorrect! Simple manner with dire consequences when the internet, husband akhil akkineni movie has also appeared in hindi film, bhuma akhila priya husband divorce after visiting the hindu marriage. Hyderabad against new photos telugu super star quoted a permanent move to disclose details about the ap assemb. Chandrababu undone by a saga of bhuma akhila priya husband divorce. Facebook gives you can be satisfied with bhuma akhila priya visited tummalapalli in during these difficult times a divorce? Mouz odds are derived from osmania university get, bhuma akhila priya husband divorce within a subscription for decades. You temporary access to show: sathya and friends have been arrested by email address will be published reviews. In the divorce in hyderabad residence tuesday night ended on tuesday night with bhuma nagi reddy. Adds a beneficiary of producing it comes to mutually part ways in. Unsourced material girl with her husband taylor goldsmith, mayor of united states who burnt woman in these statements they are derived from the divorce a secret since then.
    [Show full text]
  • Schedule for Submission of Appeal at Regional Office
    SCRO: Schedule for submission of Appeal at Regional Office Sr. No Application Permanent Institute Name State Date ID ID VIF COLLEGE OF ENGINEERING & Andhra 1 1-395751273 1-5022601 TECHNOLOGY Pradesh 15th June 2011 MADANAPALLE INSTITUTE OF Andhra 2 1-395777221 1-7603741 TECHNOLOGY & SCIENCE Pradesh 15th June 2011 HI-TECH COLLEGE OF ENGINEERING & Andhra 3 1-395898205 1-4843271 TECHNOLOGY Pradesh 15th June 2011 NOBLE COLLEGE OF ENGG. & TECH. FOR Andhra 4 1-395900212 1-2504821 WOMEN(NETW) Pradesh 15th June 2011 SRINIVASA INSTITUTE OF Andhra 5 1-395917231 1-25181337 PHARMACETICAL SCIENCES Pradesh 15th June 2011 MOTHER TERESA INSTITUTE OF SCIENCE Andhra 6 1-395923222 1-6209801 AND TECHNOLOGY Pradesh 15th June 2011 MRR INSTITUTE OF TECHNOLOGY & Andhra 7 1-395923242 1-5329571 SCIENCE, UDAYAGIRI Pradesh 15th June 2011 SRI INDU COLLEGE OF ENGINEERING & Andhra 8 1-395928224 1-4205664 TECHNOLOGY Pradesh 15th June 2011 Andhra 9 1-395934253 1-12534421 RAMAPPA ENGINEERING COLLEGE Pradesh 15th June 2011 Andhra 10 1-395945331 1-6571441 SSJ COLLEGE OF PHARMACY Pradesh 15th June 2011 VAAGESWARI COLLEGE OF Andhra 11 1-395961233 1-9513591 ENGINEERING Pradesh 15th June 2011 MVR COLLEGE OF ENGINEERING AND Andhra 12 1-396058211 1-2507491 TECHNOLOGY Pradesh 15th June 2011 Andhra 13 1-396060461 1-2609821 GMR INSTITUTE OF TECHNOLOGY Pradesh 15th June 2011 Andhra 14 1-396061351 1-3142834 VISVODAYA ENGINEERING COLLEGE Pradesh 15th June 2011 DNR COLLEGE OF ENGINEERING & Andhra 15 1-396066591 1-4702766 TECHNOLOGY Pradesh 15th June 2011 AURORA'S SCIENTIFIC, Andhra 16
    [Show full text]
  • Promising Signs Ahead Media & Entertainment in South India
    Promising signs ahead Media & Entertainment in South India Media & Entertainment Business Conclave – Chennai October 2012 Contents Message from FICCI ............................................................................................................................................................... 3 Message from Deloitte Touche Tohmatsu India Pvt. Ltd. (Deloitte) ......................................................................................... 4 Message from Deloitte Touche Tohmatsu India Pvt Ltd (Deloitte)........................................................................................... 5 1. Introduction .................................................................................................................................................................... 6 2. Film .............................................................................................................................................................................. 11 3. Television .................................................................................................................................................................... 30 4. Print ............................................................................................................................................................................. 51 5. Radio ........................................................................................................................................................................... 64 6. Direct tax -
    [Show full text]
  • List of Successful Candidates in IDCCM Exam March 2016 Sr No
    List of Successful Candidates in IDCCM Exam March 2016 Sr No. Name Institute Teacher 1 Dr. Abhinav Arora Sir Gangaram Hospital Dr.Sumit Ray 2 Dr. Aisha Begum Apollo Main Hospital, Chennai Dr. Ramesh Venkataraman 3 Dr. Alwin Lal S Manipal Hospital,Bangalore Dr.Sunil Karanth 4 Dr. Amit Gupta Indraprastha Apollo Hospital, New Delhi Dr. Rajesh Chawla 5 Dr. Amit Narayan Agrawal Jaslok Hospital & Research Centre Dr. J.D. Sunavala 6 Dr. Amitkumar Bansibhai Prajapati CIMS Hospital Pvt. Ltd. Dr. Harshal Thaker 7 Dr. Anisha Siyal Narayana Hrudayalaya Hospital, Bangalore Dr. Muralidhar K. 8 Dr. Anokar Anita Tulshiramji Bharati Vidyapeeth Deemed University Medical College, Pune Dr. Shivakumar Iyer 9 Dr. Anup Jyoti Dutta GNRC Hospital, Dispur Dr. Vandana Sinha 10 Dr. Archana Sinha Fortis Hospital Adarsh Chandra Swami 11 Dr. Arun Pandiyan V. Apollo Speciality Hospital, Chennai Dr. Dedeepiya Devaprasad 12 Dr. Ashish Jayantilal Chhatravala Apollo Hospital Intrenational Ltd., Ahmedabad Dr. Manoj Singh 13 Dr. Ashish Kumar Singh Bombay Hospital & Medical Research Centre Dr. Pravin Amin 14 Dr. Ashutosh Kumar Garg Max Superspeciality Hospital, Patparganj, New Delhi Dr. Y.P. Singh 15 Dr. B. Rajya Lakshmi Care Hospital Banjara Hills, Hyderabad Dr. S. Srinivas 16 Dr. Bagul Mahendra Pandurang Global Hospital, Hyderabad Dr. Ravichandra 17 Dr. Bodele Tapan Shivshankar Christian Medical College ,Vellore Dr.K Subramani 18 Dr. CH. Rajesh Reddy Apollo BGS Hospital, Mysore Dr. Ramakrishna M.N. 19 Dr. Chaitra C.Rao Columbia Asia Hospital, Bangalore Dr. Karthik Rao 20 Dr. Chandrasekhar Talari Sree Apollo Health City ,Jubilee Hills Hyderabad Dr. Rajib Paul 21 Dr. Debasish Paul GNRC Hospital, Dispur Dr.
    [Show full text]
  • Vijayawada- 521108
    V1JAYA INSTITUTE OF PHARMACEUTICAL SCIENCES FOR WOMEN ENIKEPADU, VIJAYAWADA- 521108. Date: 28.12.2020 CIRCULAR All the faculty are hereby informed to attend the Orientation Session on Assessment & Accreditation framework for NAAC by Mr. P. V. Ramesh. All are requested to assemble in the library by 9:00am on 31.12.2020. Covid Precautions: Attendees must get their body temperature checked before entering the session. Attendees must sanitize their hands before entering the session. Attendees must wear mask that completely cover their mouth and nose. Attendees must maintain a physical distance of at least six feet at all times. leauuceu SVuuo Instit vijoy ute of P PRINCRA ENIKEPADU VIJAYA INSTITUTE VIJAYAWADA PHARMACEUTICAL SCIENCES FOR WOMEN ENKEPADU MJAYAWADA 5 108 uaIS V VIJAYA INSTITUTE OF PHARMACEUTICAL tnaepadu, VilJAYAWADA -92108 SCIENCES FOR WOMEN Telephone No: +91 14165 60999 Permited by Govt. of AP, Approved by AICTE, New Delhi Fax No: 491 866 29449999 Pharmacy Council of India, New De lhi & Afiliated to INTU Kakinada SRK FOUNDATION Meit: [email protected] VIJAYAWADA ISO 9001:2015 Certified Institution Date: 04-01-2021 REPORT Name of the Programme: Orientation Session on Assessment & Accreditation Framework for NAAC Date: 31-12-2020 Resource Person Details: Mr. P. V. Ramesh, Academic Coordinator, Kakinada Institute of Technology and Science, Divili, East Godavari Email: [email protected] Contact Number: +91-9989202720 Mr. P. V. Ramesh has conducted an Orientation Session on Assessment & Accreditation Framework for NAAC in the college library on 31 December 2020. He emphasized the importance of NAAC accreditation to HEls and explained the step-by-step process.
    [Show full text]
  • Gaganam Full Movie
    Gaganam Full Movie 11 Aug 2013 Plot : Gaganam movie is thriller based movie in which, Nagarjuna is Bombay Talkies (2013) Full Hindi Movie Watch Online w/Eng Sub - Telugunagar.com. Privacy Policy. 2 Jan 2011 Online Watch Gaganam Movie Free Tollywood Movie Gaganam Online Free Download Gaganam Movie Poster And Watch Gaganam Movie 4 Jun 2013 Full Movie Online. Gaganam (2011) Telugu Full Movie In Youku Part-01 Watch Looper Full Movie Online | Looper Full Movie Free → Gaganam (2011) Telugu Movie Online, Gaganam (2011) Telugu Songs Online, Gaganam (2011) Telugu DVD Movie, Gaganam (2011) Telugu Videos Online, 28 Nov 2014 Gaganam full movie parts, starring Nagarjuna Akkineni, Prakash Raj, Poonam Kaur, Brahmanandam, Sana Khan, Directed by Radha Mohan, 8 Jun 2011 Gaganam Telugu Movie Free Download. Gaganam Telugu Movie. Cast: Nagarjuna Akkineni | Prakash Raj | Poonam Kaur Director: Radha 16 Sep 2012 Gaganam (2011) - Telugu-HDRip. full length telugu movies in youtube: 16 Sep 2012. Posted by Previous. Mr.Rascal Full Movie (Telugu) HD Boss - Full Length Telugu Movie - Nagarjuna - Nayana Tara. by Metacafe Affiliate U 13. Gaganam - Nagarjuna's Latest Movie Trailer - 1 Min 33 Sec 01:34 Result for Gaganam Full Movie. Banner Ads. Gaganam Full Movie | Part 1 | Nagarjuna | Prakash Raj | Brahmanandam 28 November 2014. Gaganam Full Movie 10 Feb 2011 Akkineni Family Praises Nag's Gaganam Movie Theatrical Trailer Anegan Official Trailer – Dhanush, Harris Jayaraj – Full HD Video 1080P Gaganam (2011) Watch Online Full Movie. Gaganam (2011) Telugu Movie Watch Online: Youku. Watch Full. Gaganam (2011) Telugu Movie Watch Online: Mere Hindustan Ki Kasam – Gaganam 2011 Hindi Movie Watch Online Part1 Entertainment (2014) – Hindi Movie – Full HD Print 1080P – Akshay Kumar, 22 hours ago Watch Gaganam telugu movie starring Nagarjuna Prakash raj&sana khan in lead role, A flight that takes off from Chennai is hijacked by Gaganam Full Movie | Part 3 | Nagarjuna | Prakash Raj | Brahmanandam.
    [Show full text]
  • Megastar: Chiranjeevi and Telugu Cinema After NT Ramo
    1 Whistling Fans and Conditional Loyalty hat can cinema tell us about the politics of our time? There can of Wcourse be little doubt that studies of the cinema, from Siegfried Kracauer's magnum opus on German cinema (2004) to M.S.S. Pandian's (1992) study of MGR, have attempted to answer precisely this question. The obscene intimacy between film and politics in southern India provides an opportunity for students of cinema to ask the question in a manner that those in the business of studying politics would have to take seriously. This chapter argues that this intimacy has much to do with the fan-star relationship. Chiranjeevi's career foregrounds the manner in which this relationship becomes one of the important distinguishing features of Telugu cinema, as also a key constituent of the blockage that it encounters. Earlier accounts of random by social scientists (Hardgrave Jr. 1979, Hardgrave Jr. and Niedhart 1975, and Dickey 1993: 148-72) do not ponder long enough upon this basic question of how it is a response to the cinema. As a consequence, their work gives the impression that the fan is a product of everything (that is, religion, caste, language, political movements) but the cinema. I will argue instead that the engagement with cinema's materiality—or what is specific to die cinema: filmic texts, stars and everything else that constitutes thjs industrial-aesthetic form—is crucial for comprehending random. STUDYING FANS Fans' associations (FAs) are limited to south Indian states.1 Historically speaking, however, some of the earliest academic studies of Indian 4 Megastar Whistling Fans and Conditional Loyalty 5 popular cinema were provoked, at least in part, by the south Indian occasion to discuss (mis) readings of audiences at some length in the star-politician and his fans (for example, Hardgrave Jr.
    [Show full text]
  • 2007-08 Annual Report-1
    SURYALAKSHMI Suryalakshmi Cotton Mills Limited Notice 4-8 Directors’ Report 9-14 Management Discussion and Analysis Report 15-17 Corporate Governance Report 18-28 Auditors’ Report 29-31 Balance Sheet 32 Profit & Loss Account 33 Schedules 34-59 Cash Flow Statement 60-61 Statement pursuant to Section 212 62 Subsidiary-Suryakiran International Ltd. 63-84 Consolidated Accounts 85-107 Notice to Shareholders-ECS Facility 108-109 Corporate Information 110 1 SURYALAKSHMI Suryalakshmi Cotton Mills Limited BOARD OF DIRECTORS Sri L N Agarwal Chairman & Managing Director Sri Paritosh K Agarwal Managing Director Sri R Surender Reddy Dr. A Nageswara Rao Sri B Rama Rao Sri Navrang Lal Tibrewal Sri R S Agarwal Sri K Sunil Kumar Sri H L Ralhan Sri N D Auddy L N AGARWAL Sri L.N.Agarwal has vast experience in all facets of cotton & synthetic textile industry spanning over five decades. He is the Chairman and Managing Director of the Company and floated the flagship Company Suryalakshmi Cotton Mills Limited in 1962. He was instrumental in floating the other Companies viz., Suryavanshi Spinning Mills Limited, Surya Jyothi Spinning Mills Limited and Suryalata Spinning Mills Limited. PARITOSH K AGARWAL Sri Paritosh K Agarwal, a graduate, is the Managing Director of the Company. He has adequate exposure in all the aspects of textile industry having acquired hands on experience in marketing, exports and production in the group Companies. He played a major role in setting up the Denim Division and building up the export business of the Company and has extensively travelled abroad and acquired deep knowledge of the International Markets.
    [Show full text]
  • The Journal of International Communication Film Remakes As
    This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • Megastar: Chiranjeevi and Telugu Cinema After N T Ramo Rao/ S.V
    After NTR Telugu Mass Film and Cinematic Populism Tn the previous chapter, I discussed the critical importance of the •J. social history of the cinema hall. Now I will focus on films, which are, after all, the reason why the populace gathers before the screen. In my examination of the films of Chiranjeevi, I will ask if there is anything at all in these films that can give us insights into the 'excessive' responses we encountered in the previous chapter. While I have suggested that these responses are usefully located as cinephiliac, the task of demonstrating their relationship to the screen remains. In this chapter and the rest of the book, I examine the Telugu film 'genre' locally known as the mass film, which was, by far, the most influential and economically important genre in the Telugu film industry in the 1980s and 1990s. Chiranjeevi is closely identified with the mass film but all other major Telugu stars of his generation featured in films of this genre. The mass film is useful for opening up the question of how the cinema may be political. This question will be an important focus of my discussion of the genre. Furthermore, in the mid-1990s the mass film and its stars became a part of a major crisis in the Telugu film industry. The crisis was, in part, a result of the collapse of the mass film, as also its past success. The examination of the mass film allows us to see how populism and blockage dovetail and in turn implicate Telugu cinema's superstars.
    [Show full text]
  • 1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 )
    1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 ) 2) Shavukaru ( Category/Genre = Social ) (Date: 07.04.1950 ) 3) Palleturi Pilla ( Category/Genre = Social ) (Date: 27.04.1950 ) 4) Maya Rambha ( Category/Genre = Mythological ) (Date: 15.09.1950 ) 5) Samsaram ( Category/Genre = Social ) (Date: 29.12.1950 ) 6) Pathala Bhairavi ( Category/Genre = Classical ) (Date: 15.03.1951 ) 7) Mallishwari ( Category/Genre = Historical ) (Date: 20.12.1951 ) 8) Pelli Chesi Choodu ( Category/Genre = Social ) (Date: 29.02.1952 ) 9) Daasi ( Category/Genre = Social ) (Date: 1952 ) 10) Palleturu ( Category/Genre = Social ) (Date: 1952 ) 11) Ammalakkalu ( Category/Genre = Social ) (Date: 12.03.1953 ) 12) Pitchi Pulliah ( Category/Genre = Social ) (Date: 17.07.1953 ) 13) Chandi Rani ( Category/Genre = Classical ) (Date: 28.08.1953 ) 14) Chandraharam ( Category/Genre = Classical ) (Date: 06.01.1954 ) 15) Vaddante Dabbu ( Category/Genre = Social ) (Date: 19.02.1954 ) 16) Thodu Dongalu ( Category/Genre = Social ) (Date: 15.04.1954 ) 17) Rechukka ( Category/Genre = Classical ) (Date: 23.05.1954 ) 18) Raju Peda ( Category/Genre = Classical ) (Date: 25.06.1954 ) 19) Sangam ( Category/Genre = Social ) (Date: 10.07.1954 ) 20) Aggiramudu ( Category/Genre = Social ) (Date: 05.08.1954 ) 21) Parivarthana ( Category/Genre = Social ) (Date: 01.09.1954 ) 22) Iddaru Pellalu ( Category/Genre = Social ) (Date: 06.10.1954 ) 23) Missamma ( Category/Genre = Social ) (Date: 12.01.1955 ) 24) Vijaya Gowri ( Category/Genre = Classical ) (Date: 30.06.1955 ) 25) Cherapakura
    [Show full text]