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The Western Novels of Virgil D. Boyles and Kate Boyles Bingham
Copyright © 1993 by the South Dakota State Historical Society. All Rights Reserved. Fictionalizing South Dakota from a Feminist Point of View: The Western Novels of Virgil D. Boyles and Kate Boyles Bingham RUTH ANN ALEXANDER South Dakota history lends itself to fiction because of its conflict, drama, and color. It is full of good stories. More than one literary artist—Ole R0ivaag, Frederick Manfred, and Hamlin Garland, to name a few—has used incidents from the state's past to create novels. Like all artists, these authors shaped the material to express their own visions of reality. Often, these imaginative renderings in- tensified the South Dakota experience for readers, conveying it more vividly than factual and prosaic accounts could. Less well known practitioners of the art of fictionalizing South Dakota history are the brother-and-sister writing combination of Kate Boyles Bingham and Virgil D. Boyles. Together, they published five novels no longer in print: Langford of the Three Bars (1907), The Homesteaders (1909), The Spirit Trail (1910), The Hoosier Volunteer (1914), and A Daughter of the Badlands (1922). The Hoosier Volunteer is based upon the Civil War experiences of their father when he lived in Indiana, but the other four books have South Dakota set- tings. Attempting to recreate actual moments in the development of the state, Bingham and Boyles often relied upon specific historical material to form the plot structure of their novels. The books do not purport to be history, however. Kate Boyles Bingham infused them with her ideas and feelings (Virgil Boyles assisted with plot Copyright © 1993 by the South Dakota State Historical Society. -
C-J Annual Report 2002
Our Mission Chaminade-Julienne Catholic High School is an educational community of faith. We serve the Miami Valley Table of Contents by offering a challenging academic program to a culturally Introduction diverse student population. A Message from the President ................................4-5 A Look Back Our heritage, mission, and methods arise from and are 2001-2002 Highlights ................................................8-9 The Class of 2002 .................................................. 10-11 shaped by the Gospel of Jesus Christ as reflected in Catholic 2001-2002 Alumni Events Alumni Events ......................................................14-15 Tradition and in the charisms of St. Julie Billiart and Blessed The Impact of Your Gift William Joseph Chaminade. Inspired by the goodness of God, 2002 Financial Statement .......................................... 18 2002 Annual Fund Summary ................................... 19 we are committed to educating the whole person, to serving Annual Fund Growth 2001-2002 ............................. 19 Making the Most of Your Gift .............................20-21 the poor, and to developing family spirit. By integrating faith 2002 Annual Fund Contributors Eagle Council ........................................................24-25 with all academic, athletic, artistic, and social activities, we Alumni ...................................................................26-51 Contributions by Class (chart) .......................... 38 prepare young men and women to become life-long -
Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
Sounding Sentimental: American Popular Song From Nineteenth-Century Ballads to 1970s Soft Rock Emily Margot Gale Vancouver, BC Bachelor of Music, University of Ottawa, 2005 Master of Arts, Music Theory, University of Western Ontario, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 © Copyright by Emily Margot Gale All Rights Reserved May 2014 For Ma with love iv ABSTRACT My dissertation examines the relationship between American popular song and “sentimentality.” While eighteenth-century discussions of sentimentality took it as a positive attribute in which feelings, “refined or elevated,” motivated the actions or dispositions of people, later texts often describe it pejoratively, as an “indulgence in superficial emotion.” This has led an entire corpus of nineteenth- and twentieth-century cultural production to be bracketed as “schmaltz” and derided as irrelevant by the academy. Their critics notwithstanding, sentimental songs have remained at the forefront of popular music production in the United States, where, as my project demonstrates, they have provided some of the country’s most visible and challenging constructions of race, class, gender, sexuality, nationality, and morality. My project recovers the centrality of sentimentalism to American popular music and culture and rethinks our understandings of the relationships between music and the public sphere. In doing so, I add the dimension of sound to the extant discourse of sentimentalism, explore a longer history of popular music in the United States than is typical of most narratives within popular music studies, and offer a critical examination of music that—though wildly successful in its own day—has been all but ignored by scholars. -
South Dakota Women Writers and the Emergence of the Pioneer Heroine
Copyright © 1983 by the South Dakota State Historical Society. All Rights Reserved. South Dakota Women Writers and the Emergence of the Pioneer Heroine RUTH ANN ALEXANDER The white women who settled Dakota Territory in the 1870s and 1880s did not write novels. After the grueling work of making a home out of a dugout, a sod hut, or a tarpaper shanty and of feeding, clothing, and nurturing their families, they had neither time nor energy for such imaginative creation. If they filched a few moments from their labors to write anything, their literary expression took the form of letters, diaries, or journals.' This 1. Laura Bower Van Nuys, for instance, explains that her mother wrote letters in a "telegraphic style" because of the pressures of washing, cooking, and cleaning for her large family, She quotes from one of her mother's letters to her daughter: "I have just put the girls to bed Lulu is quite sick with a cold Nettie has one of her cry- ing spells and Rose is sick with sympathy with her Quinnie has a touch of sore throat and Squiz fell against the boiler and hurt her eyebrow but they will all be well in the morning and able to eat breakfast" (Laura Bower Van Nuys, The Family Band: From the Missouri to the Black Hills, 1881-1890, Pioneer Heritage Series, no. 5 [Lincoln: University of Nebraska Press, 1961|, p. 47). Copyright © 1983 by the South Dakota State Historical Society. All Rights Reserved. 178 Soutk Dakota History source material has only recently been discovered and explored by scholars for the light it sheds on the settlement of the West,' and it is greatly modifying our interpretation of the western ex- perience, an interpretation that has heretofore focused on the ex- ploits of male figures — scouts, trappers, soldiers, traders, miners, cowboys, outlaws, and sodbusters. -
END of JACK SULLY Up” Men During the Enrly Days of Settle- Travel To-Do Y Contrasted with That of Who Had Been Caught in a Storm, and Ment in the Black Hills
7 ” T' * •4 v MH I ¦ \ - r Embarrassing to the Guest. ny, “Big Nose George" and a man THEN AND NOW. named Gray, who were all noted “hold- A tourist in the Welsh mountains END OF JACK SULLY up” men during the enrly days of settle- Travel To-do y Contrasted With That of who had been caught In a storm, and ment in the Black Hills. “Big Nose One Hundred Yearn Ago. who. after much difficulty, bad suc- George” was hanged by a vigilance com- A gentleman had just come home to ceeded In making his way to a soli- mittee at Rock Springs, Wyo.; “Lama Boston Shore NOTORIOUS DESPERADQ SHOT Short Note*. from New York by the tary cottage, congratulated himself on Johnny” suffered a like fate on a creek Herreid han commissioned Joh. Line Express, which make* the run of ON Got, hie good fortune when he was asked to ROSEBUD RESERVATION. now known as Lame Johnny Creek, in A, Peck, of St. Louis, commissioner of 223 mile* in five hours. He was telling the Block was at •tay all After a suit Hills, and Gray, who night. donning deeds for South Dakota in Missouri. Johnnie about the trip, says the Bos- one time of the old Minnesota of his host's so his own proprietor clothes, that Sturgis will celebrate the Fourth of ton and the won- House at Yankton, was hanged in Ari- Transcript, describing might be dried, he proceeded down July ns usual. A meeting was held re- which zona, a vigilance committee derful mechanism by so swift a having dis- stairs, and on the way met the mis- A RUNNING FIGHT WITH OFFICERS cently and the matter thoroughly brought an end to his carver. -
Family Tree Maker
Descendants of Henry R. H. Emery Generation No. 1 1. HENRY R. H.1 EMERY1,2,3,4 was born March 22, 1816 in Woodend Farm, Staffordshire, England5,6,7,8,9, and died September 11, 1894 in Whetstone, Gregory County, South Dakota10,11,12. He married SUSAN A. BROWN13,14,15 February 12, 1849 in New Jersey16,17. She was born December 23, 1829 in Newton, Sussex County, New Jersey18,19,20,21, and died May 05, 1897 in Valentine, Cherry County, Nebraska22,23,24. Notes for HENRY R. H. EMERY: From "The Saga of Sully Flats," by Adeline S. Gnirk, published 1977, by Gregory Times-Advocate, Gregory, South Dakota, page 159-160. Henry R. H. (1816-1894) immigrated from Woods Ends Farm, Straffordshire, England and settled in New Jersey. Here he met Susan A. (1829-1897) and they were married February 12, 1849. Henry R. H. and Susan Emery moved to Muskegan, Michigan and here 5 more children were born to them, Robert H. being the 7th child. In 1882 the Emery family moved to the Rosebud country, Dakota Territory. Henry R. H. Emery set up headquarters in the southern part of Section 31, named Emery Township. The home was located on the south bank of the south fork of Whetstone Creek, Miyogli Wakpala. This is Indian for Whetstone Creek. The Emery Cemetery was established to the northwest of the section. Northwest of the Emery land was built the Emery school in Emery District. Henry R. H. Emery had built his own American domain; home, cemetery, and school, with his cattle roaming Emery Township. -
South Dakota Periodicals Index: 1982-1986 Clark N
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Hilton M. Briggs Library Faculty Publications Hilton M. Briggs Library 6-1-1987 South Dakota Periodicals Index: 1982-1986 Clark N. Hallman South Dakota State University Mary E. Caspers South Dakota State University, [email protected] Lisa F. Lister South Dakota State University Deb Gilchrist South Dakota State University Follow this and additional works at: http://openprairie.sdstate.edu/library_pubs Recommended Citation Hallman, Clark N.; Caspers, Mary E.; Lister, Lisa F.; and Gilchrist, Deb, "South Dakota Periodicals Index: 1982-1986" (1987). Hilton M. Briggs Library Faculty Publications. Paper 5. http://openprairie.sdstate.edu/library_pubs/5 This Index is brought to you for free and open access by the Hilton M. Briggs Library at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Hilton M. Briggs Library Faculty Publications by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. South Dakota Periodicals Index 1982-1986 Hilton M. Briggs Library South Dakota State University Brookings, South Dakota 1987 SOUTH DAKOTA PERIODICALS INDEX 1982-1986 Compiled By- Clark N. Hallman Mary E. Caspars Lisa F. Lister Deb Gilchrist Reference Department Hiltoni M. Briggs Library South Dakota State University Brookings, SD 57007-1098 1987 Publication of this indexwas funded in part by a grant from the South DakotaCommittee on the Humanities, ^ an affiliate of the National Endowment for the Humanities. LB 056 Introduction The South Dakota Periodicals Index is a subject and author index to selected periodicals and annuals published in South Dakota. -
Music September 3, 2014
Outline of Music September 3, 2014 Contents ARTS>Music ..................................................................................................................................................................... 2 ARTS>Music>Classical ................................................................................................................................................ 2 ARTS>Music>Classical>Composition Types ......................................................................................................... 2 ARTS>Music>Classical>Composition Types>Church ....................................................................................... 5 ARTS>Music>Classical>Composition Types>Dance ........................................................................................ 7 ARTS>Music>Classical>Composition Types>Opera ......................................................................................... 7 ARTS>Music>Classical>Choral .............................................................................................................................. 8 ARTS>Music>Classical>Daily Offices ................................................................................................................... 9 ARTS>Music>Classical>Styles ............................................................................................................................... 9 ARTS>Music>Folk .................................................................................................................................................... -
Hired Gunns Dynamic Duo Joins Music Faculty
WINTER 2008 The News Magazine of the University of Illinois School of Music Hired Gunns Dynamic Duo Joins Music Faculty Bruno Nettl: Early Ethnomusicology at Illinois Sheila C. Johnson: Exploring the Spaces Between the Notes Remembering Jerry Hadley From the Dean It is a pleasure for me to welcome you to this edition of sonorities, the WINTER 2008 news magazine of the School of Published for alumni and friends of the School of Music at the University of Illinois at Urbana-Champaign Music at the University of Illinois at The School of Music is a unit of the College of Fine Urbana-Champaign. and Applied Arts at the University of Illinois at Urbana- Champaign and has been an accredited institutional This past year has been one of member of the National Association of Schools of Music since 1933. incredible growth and accomplishments in the School of Music. Apart from Karl Kramer, director Edward Rath, associate director outstanding recitals and concerts given by faculty and students each year here Marlah Bonner-McDuffie, associate director, development in Urbana-Champaign, this past summer the School participated in such excit- David Atwater, assistant director, business Joyce Griggs, assistant director, enrollment management ing projects as the Burgos Chamber Music Festival in Burgos, Spain, and the and public engagement David Allen, coordinator, outreach and public engagement inaugural Allerton Music Barn Festival in nearby Monticello, Illinois. And in Michael Cameron, coordinator, graduate studies the spring, Chancellor Richard Herman and the Sinfonia da Camera made a B. Suzanne Hassler, coordinator, alumni relations and development successful tour of China, serving as important ambassadors for the University. -
SDM Fobguide17.Pdf
CONTENTS 4 Mayor’s Welcome 6 SD Humanities Council Welcome 7 Event Locations and Parking 8 A Tribute to Children’s and Young Adult Literature Sponsored by United Way, John T. Vucurevich Foundation, Northern Hills Federal Credit Union and First Bank & Trust 9 A Tribute to Fiction Sponsored by AWC Family Foundation 10 A Tribute to Poetry Sponsored by Brass Family Foundation 11 A Tribute to Non-Fiction Sponsored by South Dakota Public Broadcasting 12 A Tribute to Writers’ Support Sponsored by South Dakota Arts Council 13 A Tribute to History and Tribal Writing Sponsored by Home Slice Media and City of Deadwood 14 Presenters 24 Schedule of Events 30 Exhibitors’ Hall Who Was Nicholas Black Elk? Black Elk, or Heȟáka Sápa (1863-1950), was an Oglala Lakota vision- ary and healer whose messages about the unity of humanity and Earth were conveyed by John G. Neihardt in the book Black Elk Speaks. At age 9, Black Elk had his Great Vision on Black Elk Peak (then called Harney Peak), the highest natural point in South Dakota and the Black Hills, which many Lakota consider to be the center of the world. The cover photograph was taken by Neihardt in 1931 when Black Elk returned to the peak to pray. Photo courtesy of the John G. Neihardt Trust. For more information visit sdbookfestival.com or call (605) 688-6113. Times and pre- senters listed are subject to change. Changes will be announced on sdbookfestival.com, twitter.com/sdhumanities, facebook.com/sdhumanities and included in the Festival Sur- vivor’s Guide, a handout available at the Exhibitors’ Hall information desk in the Dead- wood Mountain Grand Event Center. -
Report2004.Pdf
87TH REGULAR CONVENTION OF THE EVANGELICAL LUTHERAN SYNOD and the 48TH ANNUAL MEETING OF THE BETHANY LUTHERAN COLLEGE CORPORATION Convention Theme: "Seek the Peace of the Land" Essayist: Rev. David C. Thompson Compiled by Rev. Craig A. Ferkenstad, Secretary Held at BETHANY LUTHERAN COLLEGE and BETHANY LUTHERAN THEOLOGICAL SEMINARY Mankato, Minnesota June 20-24, 2004 1 2 TABLE OF CONTENTS The Convention Day-by-Day .......................................................................................... 6 Roll Call Representatives Convention Committees President's Message and Report .................................................................................. 19 Essay ............................................................................................................................. 37 Reports and Action Synodical Membership ........................................................................................... 76 Credentials .............................................................................................................. 76 Doctrine, Report of the Board ................................................................................ 77 Bethany Lutheran College, Report of the Board .................................................. 83 Bethany Lutheran Seminary, Report of the Board ............................................... 86 Home Missions, Report of the Board ..................................................................... 92 Foreign Missions, Report of the Board ................................................................. -
Native American Cinema: Indigenous Vision, Domestic Space, and Historical Trauma
Native American Cinema: Indigenous Vision, Domestic Space, and Historical Trauma A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jason Mayo May 2013 © 2013 Jason Mayo. All Rights Reserved. 2 The thesis titled Native American cinema: Indigenous Vision, Domestic Space, and Historical Trauma by JASON MAYO has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Madeleine Scott Dean, College of Fine Arts 3 Abstract MAYO, JASON, M.A., May 2013, Film Studies Native American cinema: Indigenous vision, domestic space, and historical trauma Director of Thesis: Ofer Eliaz This thesis argues that Native American cinema defines Indigenous identity by utilizing three modes of representation that revolve around the vision of American Indian protagonists, the familial space of American Indian homes, and the figuration of historical trauma through Indigenous temporal structures. Whereas Hollywood media presents American Indians through the vision of white protagonists, positions the camera outside of American Indian homes, and shows historical trauma through Western structures of temporality. 4 Dedication To Ofer Eliaz and all my Cherokee relations 5 Acknowledgements For his steadfast encouragement, patience, and assistance, I thank my thesis advisor, Dr. Ofer Eliaz. Without Dr. Ofer Eliaz’s support, this thesis would not have been possible. My deepest gratitude also goes to Professor Louis-Georges Schwartz, Michael Gillespie, and the director of the School of Film at Ohio University, Steve Ross, who took the time to offer their support, advice, and patience throughout my two years as a graduate student at Ohio University.