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Pompey, the Great Husband
Michael Jaffee Patterson Independent Project 2/1/13 Pompey, the Great Husband Abstract: Pompey the Great’s traditional narrative of one-dimensionally striving for power ignores the possibility of the affairs of his private life influencing the actions of his political career. This paper gives emphasis to Pompey’s familial relationships as a motivating factor beyond raw ambition to establish a non-teleological history to explain the events of his life. Most notably, Pompey’s opposition to the special command of the Lex Gabinia emphasizes the incompatibility for success in both the public and private life and Pompey’s preference for the later. Pompey’s disposition for devotion and care permeates the boundary between the public and private to reveal that the happenings of his life outside the forum defined his actions within. 1 “Pompey was free from almost every fault, unless it be considered one of the greatest faults for a man to chafe at seeing anyone his equal in dignity in a free state, the mistress of the world, where he should justly regard all citizens as his equals,” (Velleius Historiae Romanae 2.29.4). The annals of history have not been kind to Pompey. Characterized by the unbridled ambition attributed as his impetus for pursuing the civil war, Pompey is one of history’s most one-dimensional characters. This teleological explanation of Pompey’s history oversimplifies the entirety of his life as solely motivated by a desire to dominate the Roman state. However, a closer examination of the events surrounding the passage of the Lex Gabinia contradicts this traditional portrayal. -
Augustus Go to and Log in Using Your School’S Log in Details
Timelines – Augustus Go to www.worldbookonline.com and log in using your school’s log in details: Log-in ID: Password: Click on Advanced Type in Augustus in Search box Click the article titled Augustus Read the article and answer the questions below. 1. What date was Octavian (Augustus) born? ___________________________________________________________________________ 2. In which year did Octavian take the name Gaius Julius Caesar Octavianus? ___________________________________________________________________________ 3. Octavian defeated Mark Antony, who had taken control of Rome following Caesar’s death, in which year? ___________________________________________________________________________ 4. Octavian and Mark Antony formed a political alliance, known as the Second Triumvirate, with Markus Aemilius Lepidus (chief priest of Rome). In which year were Marcus Junius Brutus and Gaius Cassius Longinus, Caesar’s chief assassins, defeated at Philippi in Macedonia? ___________________________________________________________________________ 5. What year was another threat, Sextus Pompey (son of Pompey the Great), defeated by Antony and Octavian? ___________________________________________________________________________ 6. In what year did the Triumvirate disintegrate? ___________________________________________________________________________ 7. In what year did Mark Antony and Cleopatra (Queen of Egypt) become lovers? ___________________________________________________________________________ 8. In what year did Octavian go to war against -
Coinage of Triumvirs, Antony, Lepidus and Octavian : Illustrative of the History Pdf, Epub, Ebook
COINAGE OF TRIUMVIRS, ANTONY, LEPIDUS AND OCTAVIAN : ILLUSTRATIVE OF THE HISTORY PDF, EPUB, EBOOK H A Grueber | 50 pages | 10 Oct 2016 | Createspace Independent Publishing Platform | 9781539449652 | English | none Coinage of Triumvirs, Antony, Lepidus and Octavian : Illustrative of the History PDF Book AR Denarius 17mm, 3. By continuing to use the portal, you agree to receive cookies. Lepidus was feeling slighted by Octavian and Antony and stationed his troops in Sicily, insisting his triumvir territories be reinstated to what they were when the Lex Titia was signed. Sydenham a. Heidenheim an der Brenz and Hellenstein Castle. Octavian soon entered into a fight with Sextus Pompey. Near Very Fine; banker's mark to obv. Lustrous, light hairlines. A wonderful example of the type. Less than a year later, on the Ides of March, 44 B. The Gallic tribes were governed either by kings in the southwest and in the north or by an aristocracy with appointed chief magistrates in the central region. The moneyer of the same name who struck this coin was the grandson of both men. AR denarius 19mm, 3. If Lepidus had had been a more effective communicator, history might have turned out vastly different! Ahenobarbus achieved considerable naval success against the Second Triumvirate in the Ionian theater, where this denarius was certainly minted, but finally, through the mediation of Gaius Asinius Pollio, he reconciled with Mark Antony, who thereupon made him governor of Bithynia. He made dynastic changes in the dependent kingdoms by taking huge taxes. This agreement is known in history as the Second Triumvirate see also First Triumvirate. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Roman Coins – Mass Media for Image Cultivation
Roman Coins – Mass Media for Image Cultivation Unlike modern coins, Roman money was characterized by an enormous diversity of coin images. This reflected not so much the desire for change, however, but rather an often very purposeful policy of concrete self-interests. At the time of the Roman Republic, coins were issued on behalf of the senate by a committee of moneyers. These men decided independently what motifs their coins were to bear, and, from the late 2nd century BC, used this liberty often for family propaganda. Later, during the time of the Firs and second triumvirate (60 to 32 BC), coins were issued by several powerful Romans or their adherents. These pieces were not republican any more, but imperatorial, and used mainly for the representation of political dispositions and ambitions. In imperial times finally (from 27 BC), the rulers of Rome were in charge of the issuance of money. Naturally, they used the large Roman coins for the artful conversion of political propaganda and self-manifestation as well. 1 von 20 www.sunflower.ch Roman Republic, L. Caecilius Metellus Diadematur (or Delmaticus), Denarius, 128 BC Denomination: Denarius Mint Authority: Moneyer Lucius Caecilius Metellus Diadematus (?) Mint: Rome Year of Issue: -128 Weight (g): 3.94 Diameter (mm): 18.0 Material: Silver Owner: Sunflower Foundation This denarius bears on the obverse a traditional motif, the head of Roma, the goddess and personification of Rome, wearing a winged attic helmet; behind her is the mark XVI for the value of 16 asses. The reverse depicts a goddess driving a biga, a two-horse racing chariot. -
Seutonius: Lives of the Twelve Caesars 1
Seutonius: Lives of the Twelve Caesars 1 application on behalf of his friend to the emperor THE LIVES OF THE TWELVE CAESARS Trajan, for a mark of favor, he speaks of him as "a By C. Suetonius Tranquillus most excellent, honorable, and learned man, whom he had the pleasure of entertaining under The Translation of Alexander Thomson, M.D. his own roof, and with whom the nearer he was brought into communion, the more he loved Revised and corrected by T. Forester, Esq., A.M. 1 him." CAIUS JULIUS CAESAR. ................................................. 2 The plan adopted by Suetonius in his Lives of the Twelve Caesars, led him to be more diffuse on OCTAVIUS CAESAR AUGUSTUS. .................................. 38 their personal conduct and habits than on public TIBERIUS NERO CAESAR. ............................................ 98 events. He writes Memoirs rather than History. CAIUS CAESAR CALIGULA. ........................................ 126 He neither dwells on the civil wars which sealed TIBERIUS CLAUDIUS DRUSUS CAESAR. ..................... 146 the fall of the Republic, nor on the military NERO CLAUDIUS CAESAR. ........................................ 165 expeditions which extended the frontiers of the SERGIUS SULPICIUS GALBA. ..................................... 194 empire; nor does he attempt to develop the causes of the great political changes which A. SALVIUS OTHO. .................................................... 201 marked the period of which he treats. AULUS VITELLIUS. ..................................................... 206 When we stop to gaze in a museum or gallery on T. FLAVIUS VESPASIANUS AUGUSTUS. ..................... 212 the antique busts of the Caesars, we perhaps TITUS FLAVIUS VESPASIANUS AUGUSTUS. ............... 222 endeavor to trace in their sculptured TITUS FLAVIUS DOMITIANUS. .................................. 229 physiognomy the characteristics of those princes, who, for good or evil, were in their times masters of the destinies of a large portion of the PREFACE human race. -
The Rhone Caesar
CORE Metadata, citation and similar papers at core.ac.uk Provided by PORTO Publications Open Repository TOrino ¦ ¡ ¢ £¤¥ ¥§§¥ ¨© The Rhone Caesar G. Corazzi (1) and A.C. Sparavigna (2) (1) Liceo Mariano Buratti, Viterbo (2) DISAT, Politecnico di Torino, Torino On 10 January 49 BC, leading the Legion XIII Gemina, general Julius Caesar crossed the Rubicon River, the boundary between Cisalpine Gaul and Italy proper. This Caesar's military action, forbidden to any army-leading general, began the civil war. During the first period of this war, Caesar and Pompey, the commander of Senatorial forces, are engaged in some indirect tactics that included emersion and organization of their supporters. Both Caesar and Pompey (their profiles in Fig.1) have interest in getting the support of Massilia (Marseille), one of the most important cities of the western Mediterranean basin. Approaching Massilia in April 49, Caesar, who was marching to Spain, finds its gates closed: the town, although claiming its neutrality, is allied with Domitius Ahenobarbus, a Pompeian. Caesar, as he is writing in his Commentarii on the civil war, feels deeply insulted; after this hostile action, he leaves the newly raised XVII, XVIII, and XIX legions, under the command of Gaius Trebonius, to conduct a siege against Massilia. At the same time, he orders the neighboring Arelate (Arles) to prepare twelve warships. Differently from Massilia, people of Arles had already joined Caesar’s leadership. Quickly prepared in thirty days, the warships, under the command of Decimus Brutus, move to Massilia to participate its siege. In the beginning of June 49 BC, Caesar reaches Spain, where the Pompeian legates surrendre. -
A Possible Reconstruction of the Face of Julius Caesar Using a Marble Head from Smyrna Conserved by the Rijksmuseum Van Oudheden in Leiden
A possible reconstruction of the face of Julius Caesar using a marble head from Smyrna conserved by the Rijksmuseum van Oudheden in Leiden Amelia Carolina Sparavigna Politecnico di Torino, Torino, Italy Abstract: On 22 June 2018, the web site of the National Museum of Antiquities in Leiden proposed a possible reconstruction of the face of Julius Caesar. Actually, the Museum has two Caesar’s marble heads. One, which is in poor condition, had been used for the above-mentioned reconstruction announced in June 2018. The other marble head, in good condition, was labelled by the web site of the Museum as from Smyrna. Here we use it for a different reconstruction of Caesar’s face. This Leiden head from Smyrna is very interesting, because it could be considered the proper link between the Tusculum and the Arles portraitures of Caesar. Keywords: Face recognition, 3D rendering, History of art, Caesar’s portraitures, Tusculum bust, Arles bust. This article is based on a discussion written by the author in 26 June 2018, available at DOI: 10.5281/zenodo.1298695 Written in Turin on 17 March 2019. DOI: 10.5281/zenodo.2596462 As we have previously told in [1], on 22 June 2018 an article has been published by the National Museum of Antiquities (Rijksmuseum van Oudheden) in Leiden [2], showing a new 3D reconstruction of Julius Caesar’s head based on a marble bust of the museum. Ref.3 is telling that this 3D reconstruction is "including the bizarre proportions of his [Caesar’s] cranium." To this conclusion given in [3] we answered in [1], telling the following. -
The Historical Background
APPENDIX THE HISTORICAL BACKGROUND All dates are B. C. I 06 Birth of Pompey and Cicero. 100 Sixth consulate of Marius. Birth of Julius Caesar. Ca. 100: publication of Meleager's Garland. ca. 97 Birth of Lucretius. 91-89 Social or Marsic War: Rome v. Italian Allies. 89-85 First Mithridatic War. 88 Sulla's march on Rome. Flight of Marius. 88-83 Sulla in the east. 86 Seventh consulate and death of Marius. Athens sacked by Sulla. Mithridates defeated. ca. 84 Birth of Catullus. 83-82 Civil War. 82-79 Dictatorship of Sulla. 73-71 Slave-revolt of Spartacus. Crushed by Crassus and Pompey. 70 First consulate of Pompey and Crassus. Birth of Virgil (Oct. 15) at Andes near Mantua. Ca. 70: arrival at Rome of the Callimachean Parthenius of Nicaea. ca. 69 Birth of Gallus. 67 Defeat of pirates by Pompey. 66 Lex Manilia confers on Pompey the command against Mithridates. 66-63 Pompey in the east. 65 Birth of Horace at Venusia. 63 Consulate of Cicero. Catilinarian conspiracy. Pompey's settlement of the east. Birth of Octavian, later Augustus (63 B.C.-A.D. 14). 60 Formation of first triumvirate: Caesar, Pompey, Crassus. 59 First consulate of Caesar. Birth of Livy at Padua. 58-49 Caesar in Gaul. 56 Conference at Luca: triumvirate renewed. 55 Second consulate of Pompey and Crassus. Ca. 55: birth of Tibullus. 54 Crassus sets out for Parthia. Death of Julia, Caesar's daughter and Pompey's wife. Ca. 54: deaths of Catullus and Lucretius; publication of De Rerum Natura. Birth of Livy. -
Horace's Epode 9 and Its Generals' Confusion
Original citation: Giusti, Elena (2016) Dithyrambic iambics : Epode 9 and its general(s’) confusion. In: Bather, Philippa and Stocks, Claire, (eds.) Horace’s Epodes: Contexts, Intertexts, and Reception. Oxford University Press. ISBN 9780198746058 Permanent WRAP URL: http://wrap.warwick.ac.uk/95093 Copyright and reuse: The Warwick Research Archive Portal (WRAP) makes this work by researchers of the University of Warwick available open access under the following conditions. Copyright © and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable the material made available in WRAP has been checked for eligibility before being made available. Copies of full items can be used for personal research or study, educational, or not-for profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. Publisher’s statement: Specific material reused: Giusti, Elena (2016) Dithyrambic iambics : Epode 9 and its general(s’) confusion. In: Bather, Philippa and Stocks, Claire, (eds.) Horace’s Epodes: Contexts, Intertexts, and Reception. Oxford University Press. ISBN 9780198746058 by permission of Oxford University Press Published version available from Oxford University Press: http://dx.doi.org/10.1093/acprof:oso/9780198746058.003.0006 For more information, please contact the WRAP Team at: [email protected] A note on versions: The version presented here may differ from the published version or, version of record, if you wish to cite this item you are advised to consult the publisher’s version. -
Sallust's Histories and Triumviral Historiography
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Sallust's Histories and Triumviral Historiography Jennifer Gerrish University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classics Commons Recommended Citation Gerrish, Jennifer, "Sallust's Histories and Triumviral Historiography" (2012). Publicly Accessible Penn Dissertations. 511. https://repository.upenn.edu/edissertations/511 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/511 For more information, please contact [email protected]. Sallust's Histories and Triumviral Historiography Abstract This dissertation explores echoes of the triumviral period in Sallust's Histories and demonstrates how, through analogical historiography, Sallust presents himself as a new type of historian whose "exempla" are flawed and morally ambiguous, and who rejects the notion of a triumphant, ascendant Rome perpetuated by the triumvirs. Just as Sallust's unusual prose style is calculated to shake his reader out of complacency and force critical engagement with the reading process, his analogical historiography requires the reader to work through multiple layers of interpretation to reach the core arguments. In the De Legibus, Cicero lamented the lack of great Roman historians, and frequently implied that he might take up the task himself. He had a clear sense of what history ought to be : encomiastic and exemplary, reflecting a conception of Roman history as a triumphant story populated by glorious protagonists. In Sallust's view, however, the novel political circumstances of the triumviral period called for a new type of historiography. To create a portrait of moral clarity is, Sallust suggests, ineffective, because Romans have been too corrupted by ambitio and avaritia to follow the good examples of the past. -
Antony and Cleopatra, a Historical Romance That Is Larger Than Life, and Had an Impact on the Roman Empire That Shaped Much of the Mediterranean for Years to Come
www.seattleshakespeare.org/education 206-733-8228 ext. 212 or [email protected] All original material copyright © Seattle Shakespeare Company 2012 SEATTLE SHAKESPEARE COMPANY Dear Educators, Fact and fiction collide in Shakespeare’s dramatic telling of the story of Antony and Cleopatra, a historical romance that is larger than life, and had an impact on the Roman Empire that shaped much of the Mediterranean for years to come. Seattle Shakespeare Company’s fall production of this play is no less dramatic, and no less epic in scope. But of course, as educators we already know that any retelling of history is as much fact as we can manage, told as a story from a certain point of view, necessarily adding some element of the fictitious. But it is these stories we tell about history that capture our imagination — it is the headdresses of Cleopatra, the fantastically adorned tomb of King Tut, the glory of ancient Rome and the Empire that we sometimes compare America to, for better or for worse. Stories can teach us something about ourselves, even as much as they teach us about history. Stories about history can highlight the folly of hubris, the danger of ambition, or the horrors of war. They can show that people have always been motivated by many of the same feelings, even when the time and place feel foreign to us. This year, I invite you to indulge in the stories at Seattle Shakespeare Company. We’ll take you from Rome at the fall of the Republic in Antony and Cleopatra, to the turn of the 20th century Norway, where women are struggling for rights in A Doll’s House.