"He of the Tfees"
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Journey of Vodou from Haiti to New Orleans: Catholicism
THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND IT’S TRANSITION TO NEW ORLEANS IN THE NEW WORLD HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Tyler Janae Smith San Marcos, Texas December 2015 THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND ITS TRANSITION TO NEW ORLEANS IN THE NEW WORLD by Tyler Janae Smith Thesis Supervisor: _____________________________ Ronald Angelo Johnson, Ph.D. Department of History Approved: _____________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract In my thesis, I am going to delve into the origin of the religion we call Vodou, its influences, and its migration from Haiti to New Orleans from the 1700’s to the early 1800’s with a small focus on the current state of Vodou in New Orleans. I will start with referencing West Africa, and the religion that was brought from West Africa, and combined with Catholicism in order to form Vodou. From there I will discuss the effect a high Catholic population, slavery, and the Haitian Revolution had on the creation of Vodou. I also plan to discuss how Vodou has changed with the change of the state of Catholicism, and slavery in New Orleans. As well as pointing out how Vodou has affected the formation of New Orleans culture, politics, and society. Introduction The term Vodou is derived from the word Vodun which means “spirit/god” in the Fon language spoken by the Fon people of West Africa, and brought to Haiti around the sixteenth century. -
Vodou and Political Reform in Haiti: Some Lessons for the International Community
VODOU AND POLITICAL REFORM IN HAITI: SOME LESSONS FOR THE INTERNATIONAL COMMUNITY JOHN MERRILL The record of attempts by developed nations to promote democracy in the developing world is, at best, uneven. Foreign efforts to build democracy in places as diverse as Somalia and Vietnam have failed, in part because of developed nations' inability to understand traditional culture and religion. These foreigners have bypassed traditional local cultures in their designs for political reform, missing opportunities to lash reforms onto structures familiar to the people of the region. Today, the political potential of religious and cultural institutions remains largely untapped. Haiti, a chronic example of this problem, may provide the international community an opportunity to change its approach to intervention. Through- out Haiti's turbulent history, foreign attempts to influence its political dynamic invariably have been unsuccessful. Some initiatives have succeeded briefly but have failed over the longer term, in part because foreigners or Haitian elites who sought to control the nation's political behavior routinely have misunderstood, ignored, trivialized, or suppressed fundamental tenets of tra- ditional Haitian culture. Policies conceived first in Paris during the colonial era, then at the Vatican, later in Washington during the U.S. Marine occupation of 1915-1934, and most recently by the United Nations, have all tended to provoke internal friction and exacerbate social divisions, making stable gov- ernance and political development even more elusive. But the history of foreign initiatives in Haiti need not necessarily determine the outcome of the current attempt by the international community to con- tribute to Haiti's recovery and rehabilitation. -
The Blood of the Land: Haitian Vodou
THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook International Strategic Alliances The Blood of the Land: Haitian Vodou 2 THE BLOOD OF LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances Copyright © 2020 by Michael S. VanHook All rights reserved. This resource is provided to give context and essential background information for those persons with an interest in serving the people of Haiti. It is made available without charge by the publisher, ISA Publishing Group, a division of International Strategic Alliances, Inc. Scanning, uploading, and electronic sharing is permitted. If you would like to use material from this book, please contact the publisher at [email protected]. Thank you for your support. ISA Publishing Group A division of International Strategic Alliances, Inc. P.O. Box 691 West Chester, OH 45071 For more information about the work of International Strategic Alliances, contact us at [email protected]. For more information about the author or for speaking engagements, contact him at [email protected]. The Blood of the Land: Haitian Vodou 3 THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances INTRODUCTION 4 HISTORY 6 Transformed by Cruelty 7 Bois Caïman 9 Independent Isolation 11 “A Goat Without Horns” 15 Occupied Vodou 18 “The Principle Slave of Satan” 24 Summoning the Spirits 25 THEOLOGY 31 Haitian Vodou is a polytheistic religion 31 The Loas 31 Haitian Vodou is a syncretic religion 40 Vodou is an animistic religion 44 Haitian Vodou is magic 45 The Blood of the Land: Haitian Vodou 4 PRACTICES 53 The Priesthood 53 Ceremonies and Rituals 55 Black Magic 61 REVERBERATIONS 63 Fatalism 63 Christian Mission 65 Personal Note 70 GLOSSARY 72 BIBLIOGRAPHY 78 Resources 78 Images 80 AUTHOR 84 The Blood of the Land: Haitian Vodou 5 Chapter 1 INTRODUCTION Tanbou bat nan raje, men se lakay li vin danse – The drum is beaten in the grass, but it is at home that it comes to dance. -
Vodou and the U.S. Counterculture
VODOU AND THE U.S. COUNTERCULTURE Christian Remse A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2013 Committee: Maisha Wester, Advisor Katerina Ruedi Ray Graduate Faculty Representative Ellen Berry Tori Ekstrand Dalton Jones © 2013 Christian Remse All Rights Reserved iii ABSTRACT Maisha Wester, Advisor Considering the function of Vodou as subversive force against political, economic, social, and cultural injustice throughout the history of Haiti as well as the frequent transcultural exchange between the island nation and the U.S., this project applies an interpretative approach in order to examine how the contextualization of Haiti’s folk religion in the three most widespread forms of American popular culture texts – film, music, and literature – has ideologically informed the U.S. counterculture and its rebellious struggle for change between the turbulent era of the mid-1950s and the early 1970s. This particular period of the twentieth century is not only crucial to study since it presents the continuing conflict between the dominant white heteronormative society and subjugated minority cultures but, more importantly, because the Enlightenment’s libertarian ideal of individual freedom finally encouraged non-conformists of diverse backgrounds such as gender, race, and sexuality to take a collective stance against oppression. At the same time, it is important to stress that the cultural production of these popular texts emerged from and within the conditions of American culture rather than the native context of Haiti. Hence, Vodou in these American popular texts is subject to cultural appropriation, a paradigm that is broadly defined as the use of cultural practices and objects by members of another culture. -
Drapo Vodou: Sacred Standards of Haitian Vodou Continued from Page 1 More Historical and Sociological Approach
FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D. dissertation and during his work on exhibits related to the arts of Haiti. He explains the historical background of the flags, the role of the flags in ceremonies, the colors and symbolism, and he also includes colorful photos of a variety of drapo Vodou. -
Drapo Vodou: Sacred Standards of Haitian Vodou
UC Santa Barbara UC Santa Barbara Previously Published Works Title Drapo Vodou: Sacred Standards of Haitian Vodou Permalink https://escholarship.org/uc/item/5mc5w4g2 Journal Flag Research Quarterly, 2(3-4) Author Platoff, Anne M. Publication Date 2015-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D. -
ALAIANDÊ Xirê DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO
ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO ALAIANDÊ XirÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO ALAIANDÊ XIRÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO DOI: 10.11606/9786550130060 ALAIANDÊ XIRÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI São Paulo 2019 Os autores autorizam a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fns de estudo e pesquisa, desde que citada a fonte. Universidade de São Paulo Reitor: Vahan Agopyan Vice-reitor: Antonio Carlos Hernandes Faculdade de Educação Diretor: Prof. Dr. Marcos Garcia Neira Vice-Diretor: Prof. Dr. Vinicio de Macedo Santos Direitos desta edição reservados à FEUSP Avenida da Universidade, 308 Cidade Universitária – Butantã 05508-040 – São Paulo – Brasil (11) 3091-2360 e-mail: [email protected] http://www4.fe.usp.br/ Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Educação da Universidade de São Paulo A316 Alaiandê Xirê: desafos da cultura religiosa afro-americana no Século XXI / Vagner Gonçalves da Silva, Rosenilton Silva de Oliveira, José Pedro da Silva Neto (Organizadores). São Paulo: FEUSP, 2019. 382 p. Vários autores ISBN: 978-65-5013-006-0 (E-book) DOI: 10.11606/9786550130060 1. Candomblé. 2. Cultura afro. 3. Religião. 4. Religiões africanas. I. Silva, Vagner Gonçalves da. II. Oliveira, Rosenilton Silva de. III. Silva Neto, José Pedro. IV. Título. -
Os Ritmos No Candomblé De Nação Angola
Universidade de Brasília PROGRAMA DE PÓS-GRADUAÇÃO MÚSICA EM CONTEXTO INSTITUTO DE ARTES - DEPARTAMENTO DE MÚSICA OS RITMOS NO CANDOMBLÉ DE NAÇÃO ANGOLA: A MÚSICA DO TEMPLO DE CULTURA BANTU REDANDÁ LEONARDO FRANÇA MALAGRINO BRASÍLIA DEZEMBRO de 2017 LEONARDO FRANÇA MALAGRINO OS RITMOS NO CANDOMBLÉ DE NAÇÃO ANGOLA: A MÚSICA DO TEMPLO DE CULTURA BANTU REDANDÁ Dissertação apresentada ao Programa de Pós-Graduação Música em Contexto do Departamento de Música da Universidade de Brasília, como requisito para obtenção do grau de Mestre em Música. Área de concentração: Etnomusicologia Orientador: Prof. Dr. Hugo Leonardo Ribeiro BRASÍLIA DEZEMBRO de 2017 FICHA CATALOGRÁFICA LEONARDO FRANÇA MALAGRINO OS RITMOS NO CANDOMBLÉ DE NAÇÃO ANGOLA: A MÚSICA DO TEMPLO DE CULTURA BANTU REDANDÁ Dissertação apresentada ao Programa de Pós-Graduação Música em Contexto do Departamento de Música da Universidade de Brasília, como requisito para obtenção do grau de Mestre em Música. Banca Examinadora _______________________________________ Hugo Leonardo Ribeiro (orientador) _______________________________________ Ângelo Nonato Natale Cardoso _______________________________________ Antenor Ferreira Corrêa Aprovada em _____ de _____________ de _______. AGRADECIMENTOS Agradeço à minha mãe, primeiramente, pelo apoio incondicional e por estar sempre ao lado em tantas dificuldades. A realização desse mestrado também foi possível graças ao fato dela acreditar em meu trabalho, em meu amor inabalável à música e estar sempre torcendo por mim. Portanto, esse título não é só meu como dela também. Agradeço à minha parceira Priscila, que sempre esteve presente nessa trajetória e ao meu lado, na proximidade ou distância durante esse período, dando sábios conselhos, participando, ensinando e aprendendo junto. Além de ser a pessoa pela qual tenho maior admiração com tantas qualidades, torço muito pela sua conquista do mestrado também. -
Ezili's Mirrors
•• Ezili’s mirrors •• ImagInIng Black Queer genders Omise’eke Natasha Tinsley Ezili’s Mirrors EZILI’S MIRRORS imagining black QUEER gEndERs Omise’eke Natasha Tinsley Duke University Press Durham and London 2018 © 2018 Duke University Press All rights reserved Printed in the United States of Ameri c a on acid-f ree paper ∞ Designed by Heather Hensley Typeset in Quadraat Pro by Westchester Publishing Services Library of Congress Cataloging-in -P ublication Data Names: Tinsley, Omise’eke Natasha, [date] author. Title: Ezili’s mirrors : black queer genders / Omise’eke Natasha Tinsley. Description: Durham : Duke University Press, 2018. | Includes bibliographical references and index. Identifiers:LCCN 2017036325 (print) | LCCN 2017056618 (ebook) isbn 9780822372080 (ebook) isbn 9780822370307 (hardcover : alk. paper) isbn 9780822370383 (pbk. : alk. paper) Subjects: LCSH: Gender identity—Haiti. | Blacks—Sexual behavior—Haiti. | Legends—Haiti. | Feminism. | Homosexuality. | Queer theory. | African diaspora in art. Classification:LCC HQ1075.5.H2 (ebook) | lcc HQ1075.5. H2 T567 2018 (print) | ddc 305.3097294—dc23 lc record available at https://lccn.loc.gov/2017036325 Cover art: Didier William, Ezili toujours konnen, collage, acrylic, and wood stain on panel, 36 in. × 48 in., 2015. For my daughter, Baía Tinsley, who is all the black girl magic, all the Ezili that fill my life. I love you more today than I did yesterday— and tomorrow, I’ll love you even more than I do t oday CONTENTS ix Acknowl edgments 1 BRIDGE Read This Book Like a Song 3 ind TRo -
A Glimpse Into Vodou Paul Touloute
A Glimpse into Vodou Paul Touloute Since creation, human beings have always desired to investigate the invisible world. This led to many philosophies and religious tendencies that account for many religions in the world. Vodou, one of those, is practiced throughout the world under various names. Slaves from various African tribes were able to preserve it in Haiti. The attempt of this article shall be to investigate Vodou beliefs for a better understanding of them as well as an honest and respectful communication with people holding them. 1. A DESCRIPTION OF VODOU 1.1. Alternative Designations Vodou permeates the whole Caribbean basin and also extends to some American states. Vodou is the traditional and popular religion of Haiti. This pantheistic religion, that has affinity with many other religions and mythologies, is known in Cuba and throughout South America under names such as hoodoo, santeria, chango, naniguismo, candomble, and macumba. Even in Haiti it is designated as Vodoun, Vaudou, Vodou, Vodu, and Voodoo. First, it was named differently among the various African lines; second, Haitian Creole varies much both in orthography and phonetics because it is developed from many languages and dialects1; and third, it builds heavily on French, the other official language of Haiti. The term “Vodou” that the Haitian majority use to describe this belief system comes from vo: introspection and du: into the unknown. Thus, Vodou means “introspection into the unknown.” For the sake of uniformity, and because it is closer to the most common and standardized spelling of the common language of Haiti, the author of this article will depart from the spelling of some of his sources and adopt “V-o-d-o-u” to mean any of the above spellings. -
Bodies Scared Sacred at the Crossroads: Vodou Loa Erzulie in Mayra Montero’S the Red
Urbistondo 1 Bodies Scared Sacred at the Crossroads: Vodou Loa Erzulie in Mayra Montero’s The Red of His Shadow and Ana-Maurine Lara’s Erzulie’s Skirt Josune Urbistondo University of Miami Édouard Glissant argues that “immobility and alienation are the necessary consequences and the facilitating circumstances of exploitation” (xliii). Through representations of Dominican- Haitian Vodou loa, Erzulie, Mayra Montero’s The Red of His Shadow (2001) and Ana-Maurine Lara’s Erzulie’s Skirt (2006) critique the doubly vulnerable position disenfranchised women face in local and global exchanges. Both novels present traditions of the spirit and more specifically the women’s relationship to loa, Erzulie as a conduit to negotiate sexual agency and citizenship. The relationship between sexual agency and citizenship in the novels critiques heteropatriarchal notions of normative couples as the nucleus and foundation for family and, by extension, social recognition and continuity for the nation. Montero and Lara move away from heteropatriarchal relationships and present the women protagonists Zulé, Miriam, and Micaela, as accessing their sacral and sexual personas as critical registers for identity construction. According to William J. Spurlin “One dimension of the study of sisterhood [within post-colonial queer theory] must include…attention to erotic ties between women and the ways in which these operate oppositionally as sites of decolonization and erotic autonomy, thereby constituting other forms of resistance to heteropatriarchy” (196). In this essay, I argue that the relationships between Zulé and Erzulie and then Miriam and Micaela with Erzulie introduce a sacral feminist politics. Within worldly and otherworldly exchanges, these women resist their bodies becoming social tools for physical labor, gendered control, and sacral discipline. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ).