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The Journey of Vodou from Haiti to New Orleans: Catholicism
THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND IT’S TRANSITION TO NEW ORLEANS IN THE NEW WORLD HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Tyler Janae Smith San Marcos, Texas December 2015 THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND ITS TRANSITION TO NEW ORLEANS IN THE NEW WORLD by Tyler Janae Smith Thesis Supervisor: _____________________________ Ronald Angelo Johnson, Ph.D. Department of History Approved: _____________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract In my thesis, I am going to delve into the origin of the religion we call Vodou, its influences, and its migration from Haiti to New Orleans from the 1700’s to the early 1800’s with a small focus on the current state of Vodou in New Orleans. I will start with referencing West Africa, and the religion that was brought from West Africa, and combined with Catholicism in order to form Vodou. From there I will discuss the effect a high Catholic population, slavery, and the Haitian Revolution had on the creation of Vodou. I also plan to discuss how Vodou has changed with the change of the state of Catholicism, and slavery in New Orleans. As well as pointing out how Vodou has affected the formation of New Orleans culture, politics, and society. Introduction The term Vodou is derived from the word Vodun which means “spirit/god” in the Fon language spoken by the Fon people of West Africa, and brought to Haiti around the sixteenth century. -
Vodou and Political Reform in Haiti: Some Lessons for the International Community
VODOU AND POLITICAL REFORM IN HAITI: SOME LESSONS FOR THE INTERNATIONAL COMMUNITY JOHN MERRILL The record of attempts by developed nations to promote democracy in the developing world is, at best, uneven. Foreign efforts to build democracy in places as diverse as Somalia and Vietnam have failed, in part because of developed nations' inability to understand traditional culture and religion. These foreigners have bypassed traditional local cultures in their designs for political reform, missing opportunities to lash reforms onto structures familiar to the people of the region. Today, the political potential of religious and cultural institutions remains largely untapped. Haiti, a chronic example of this problem, may provide the international community an opportunity to change its approach to intervention. Through- out Haiti's turbulent history, foreign attempts to influence its political dynamic invariably have been unsuccessful. Some initiatives have succeeded briefly but have failed over the longer term, in part because foreigners or Haitian elites who sought to control the nation's political behavior routinely have misunderstood, ignored, trivialized, or suppressed fundamental tenets of tra- ditional Haitian culture. Policies conceived first in Paris during the colonial era, then at the Vatican, later in Washington during the U.S. Marine occupation of 1915-1934, and most recently by the United Nations, have all tended to provoke internal friction and exacerbate social divisions, making stable gov- ernance and political development even more elusive. But the history of foreign initiatives in Haiti need not necessarily determine the outcome of the current attempt by the international community to con- tribute to Haiti's recovery and rehabilitation. -
The Blood of the Land: Haitian Vodou
THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook International Strategic Alliances The Blood of the Land: Haitian Vodou 2 THE BLOOD OF LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances Copyright © 2020 by Michael S. VanHook All rights reserved. This resource is provided to give context and essential background information for those persons with an interest in serving the people of Haiti. It is made available without charge by the publisher, ISA Publishing Group, a division of International Strategic Alliances, Inc. Scanning, uploading, and electronic sharing is permitted. If you would like to use material from this book, please contact the publisher at [email protected]. Thank you for your support. ISA Publishing Group A division of International Strategic Alliances, Inc. P.O. Box 691 West Chester, OH 45071 For more information about the work of International Strategic Alliances, contact us at [email protected]. For more information about the author or for speaking engagements, contact him at [email protected]. The Blood of the Land: Haitian Vodou 3 THE BLOOD OF THE LAND: HAITIAN VODOU Michael S. VanHook, International Strategic Alliances INTRODUCTION 4 HISTORY 6 Transformed by Cruelty 7 Bois Caïman 9 Independent Isolation 11 “A Goat Without Horns” 15 Occupied Vodou 18 “The Principle Slave of Satan” 24 Summoning the Spirits 25 THEOLOGY 31 Haitian Vodou is a polytheistic religion 31 The Loas 31 Haitian Vodou is a syncretic religion 40 Vodou is an animistic religion 44 Haitian Vodou is magic 45 The Blood of the Land: Haitian Vodou 4 PRACTICES 53 The Priesthood 53 Ceremonies and Rituals 55 Black Magic 61 REVERBERATIONS 63 Fatalism 63 Christian Mission 65 Personal Note 70 GLOSSARY 72 BIBLIOGRAPHY 78 Resources 78 Images 80 AUTHOR 84 The Blood of the Land: Haitian Vodou 5 Chapter 1 INTRODUCTION Tanbou bat nan raje, men se lakay li vin danse – The drum is beaten in the grass, but it is at home that it comes to dance. -
Vodou and the U.S. Counterculture
VODOU AND THE U.S. COUNTERCULTURE Christian Remse A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2013 Committee: Maisha Wester, Advisor Katerina Ruedi Ray Graduate Faculty Representative Ellen Berry Tori Ekstrand Dalton Jones © 2013 Christian Remse All Rights Reserved iii ABSTRACT Maisha Wester, Advisor Considering the function of Vodou as subversive force against political, economic, social, and cultural injustice throughout the history of Haiti as well as the frequent transcultural exchange between the island nation and the U.S., this project applies an interpretative approach in order to examine how the contextualization of Haiti’s folk religion in the three most widespread forms of American popular culture texts – film, music, and literature – has ideologically informed the U.S. counterculture and its rebellious struggle for change between the turbulent era of the mid-1950s and the early 1970s. This particular period of the twentieth century is not only crucial to study since it presents the continuing conflict between the dominant white heteronormative society and subjugated minority cultures but, more importantly, because the Enlightenment’s libertarian ideal of individual freedom finally encouraged non-conformists of diverse backgrounds such as gender, race, and sexuality to take a collective stance against oppression. At the same time, it is important to stress that the cultural production of these popular texts emerged from and within the conditions of American culture rather than the native context of Haiti. Hence, Vodou in these American popular texts is subject to cultural appropriation, a paradigm that is broadly defined as the use of cultural practices and objects by members of another culture. -
Drapo Vodou: Sacred Standards of Haitian Vodou Continued from Page 1 More Historical and Sociological Approach
FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D. dissertation and during his work on exhibits related to the arts of Haiti. He explains the historical background of the flags, the role of the flags in ceremonies, the colors and symbolism, and he also includes colorful photos of a variety of drapo Vodou. -
The Beyond Heroes Roleplaying Game Book IV: the Book of Magic
1 The Beyond Heroes Roleplaying Game Book IV: The Book of Magic Writing and Design: Marco Ferraro The Book of Modern Classes Copyright © 2019 Marco Ferraro All Rights Reserved This is meant as an amateur free fan production. Absolutely no money is generated from it. Wizards of the Coast, Dungeons & Dragons, and their logos are trademarks of Wizards of the Coast LLC in the United States and other countries. © 2018 Wizards. All Rights Reserved. Beyond Heroes is not affiliated with, endorsed, sponsored, or specifically approved by Wizards of the Coast LLC. Contents Foreword 3 An introduction to Magic 4 How Magic works 10 Magical Locations on Earth 26 Magical Dimensions 34 Mystical Entities 39 Magical Classes 42 Ancient Mysticis Disciplinis Classes 47 Modern Mysticis Disciplinis Classes 75 Classes Experience Table 151 2 Foreword The Beyond Heroes Role Playing Game is based on a heavily revised derivative version of the rules system from Advanced Dungeons and Dragons 2nd edition. It also makes extensive use of the optional point buying system as presented in the AD&D Player’s Option Skills and Powers book. My primary goal was to make this system usable in any setting, from fantasy to pulp to superhero to science fiction. There were way too many spells to fit into this book. They may instead be found in BH5: The Book of Spells. This is the third version of this book, it now also includes descriptions of the various magic classes. Magic is ever-changing. The extent of a character’s magic use differs greatly from tale to tale and from author to author. -
Drapo Vodou: Sacred Standards of Haitian Vodou
UC Santa Barbara UC Santa Barbara Previously Published Works Title Drapo Vodou: Sacred Standards of Haitian Vodou Permalink https://escholarship.org/uc/item/5mc5w4g2 Journal Flag Research Quarterly, 2(3-4) Author Platoff, Anne M. Publication Date 2015-08-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2015 No. 7 ARTICLE A research publication of the North American Vexillological Association / Une publication de recherche de Drapo Vodou: Sacred l‘Association nord-américaine de vexillologie Standards of Haitian Vodou By ANNE M. PLATOFF* Introduction The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without exam- ining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demon- strates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise. There are several books that are focused on Vodou flags. Patrick Arthur Polk, a prolific researcher on the topic, has produced a colorful and informative book titled Haitian Vodou Flags (1999). In his book, Polk summarizes information compiled in the preparation of his Ph.D. -
Conversion, Capital, and Haitian Transnational Migration
KAREN E. RICHMAN A MORE POWERFUL SORCERER: CONVERSION, CAPITAL, AND HAITIAN TRANSNATIONAL MIGRATION He was a giant with stooped shoulders, always dressed in black, who never left the house without a Bible tucked under his arm. When he was about thirty years old and already a highly reputed houngan [priest-shaman], he contracted tuberculosis as the consequence of a chill he caught at the falls at Saut d’Eau [pilgrimage festival in honor of the Virgin], where he had bathed while possessed by Simbi. His family loi [spirits], evoked in succession, were not able to affect a cure, so he gave up serving them and was converted to Protestantism. And since he was of robust constitution, a doctor whom he had the good sense to consult succeeded in putting him back on his feet. Then, after some theological studies in Port-au-Prince as well as in the United States, he became, thanks to his extensive knowledge of vodou, one of the most effective adversaries of the popular beliefs in our country. (Thoby-Marcelin & Marcelin 1970:127) The popular religion of Haiti, known to outsiders as Vodou, is a complex, dynamic blend of European, African, and Creole religious ideologies and practices centered around the material reality of spiritual affliction, sor- cery, and magic. The vast majority of the more than two hundred thousand Haitians who arrived in South Florida since the late 1970s identified as Catholics. Echoing a trend in Haiti and throughout Latin America, Haitian migrants have been publicly disavowing both Catholic practice and wor- ship of their African-Creole spirits (lwa), and joining Haitian evangelical Protestant churches. -
Is Vodou an Obstacle to Psychiatric Treatment in Rural Haiti?
Explanatory Models and Mental Health Treatment: Is Vodou an Obstacle to Psychiatric Treatment in Rural Haiti? Nayla M. Khoury, Bonnie N. Kaiser, Hunter M. Keys, Aimee-Rika T. Brewster & Brandon A. Kohrt Culture, Medicine, and Psychiatry An International Journal of Cross- Cultural Health Research ISSN 0165-005X Cult Med Psychiatry DOI 10.1007/s11013-012-9270-2 1 23 Your article is protected by copyright and all rights are held exclusively by Springer Science+Business Media, LLC. This e-offprint is for personal use only and shall not be self- archived in electronic repositories. If you wish to self-archive your work, please use the accepted author’s version for posting to your own website or your institution’s repository. You may further deposit the accepted author’s version on a funder’s repository at a funder’s request, provided it is not made publicly available until 12 months after publication. 1 23 Author's personal copy Cult Med Psychiatry DOI 10.1007/s11013-012-9270-2 ORIGINAL PAPER Explanatory Models and Mental Health Treatment: Is Vodou an Obstacle to Psychiatric Treatment in Rural Haiti? Nayla M. Khoury • Bonnie N. Kaiser • Hunter M. Keys • Aimee-Rika T. Brewster • Brandon A. Kohrt Ó Springer Science+Business Media, LLC 2012 Abstract Vodou as an explanatory framework for illness has been considered an impediment to biomedical psychiatric treatment in rural Haiti by some scholars and Haitian professionals. According to this perspective, attribution of mental illness to supernatural possession drives individuals to seek care from houngan-s (Vodou priests) and other folk practitioners, rather than physicians, psychologists, or psy- chiatrists. -
Conversion, Capital, and Haitian Transnational Migration
KAREN E. RICHMAN A MORE POWERFUL SORCERER: CONVERSION, CAPITAL, AND HAITIAN TRANSNATIONAL MIGRATION He was a giant with stooped shoulders, always dressed in black, who never left the house without a Bible tucked under his arm. When he was about thirty years old and already a highly reputed houngan [priest-shaman], he contracted tuberculosis as the consequence of a chill he caught at the falls at Saut d’Eau [pilgrimage festival in honor of the Virgin], where he had bathed while possessed by Simbi. His family loi [spirits], evoked in succession, were not able to affect a cure, so he gave up serving them and was converted to Protestantism. And since he was of robust constitution, a doctor whom he had the good sense to consult succeeded in putting him back on his feet. Then, after some theological studies in Port-au-Prince as well as in the United States, he became, thanks to his extensive knowledge of vodou, one of the most effective adversaries of the popular beliefs in our country. (Thoby-Marcelin & Marcelin 1970:127) The popular religion of Haiti, known to outsiders as Vodou, is a complex, dynamic blend of European, African, and Creole religious ideologies and practices centered around the material reality of spiritual affliction, sor- cery, and magic. The vast majority of the more than two hundred thousand Haitians who arrived in South Florida since the late 1970s identified as Catholics. Echoing a trend in Haiti and throughout Latin America, Haitian migrants have been publicly disavowing both Catholic practice and wor- ship of their African-Creole spirits (lwa), and joining Haitian evangelical Protestant churches. -
Tell-My-Horse -Voodoo-And-Life
TELL MY HORSE VOODOO AND LIFE IN HAITI AND JAMAICA ZORA NEALE HURSTON WITH A NEW FOREWORD BY ISHMAEL REED SERIES EDITOR: HENRY LOUIS GATES, JR. To Carl Van Vechten God’s image of a friend Contents Foreword v Part I Jamaica 1 1 The Rooster’s Nest 3 2 Curry Goat 11 3 Hunting the Wild Hog 21 4 Night Song After Death 39 5 Women in the Caribbean 57 Part II Politics and Personalities of Haiti 63 6 Rebirth of a Nation 65 7 The Next Hundred Years 73 8 The Black Joan of Arc 93 9 Death of Leconte 103 Part III Voodoo In Haiti 111 10 Voodoo and Voodoo Gods 113 11 Isle de la Gonave 133 12 Archahaie and What It Means 139 13 Zombies 179 14 Secte Rouge 199 15 Parlay Cheval Ou (Tell My Horse) 219 16 Graveyard Dirt and Other Poisons 237 17 Doctor Reser 245 18 God and the Pintards 259 Appendix 263 I Songs of Worship to Voodoo Gods 265 II Miscellaneous Songs 279 Afterword 289 Selected Bibliography 301 Chronology 305 About the Author Cover Copyright About the Publisher FOREWORD line from Countee Cullen’s famous poem “Heritage” typifies A the attitudes of many “educated” white and black Americans for whom African and Neo-African religions are exotic faiths whose gods, “quaint…outlandish…,” and “heathen,” are “naught” to them. It took the restless intellect of Zora Neale Hurston to make Neo-Af- rican religion, and its gods, more than “naught.” The result was Tell My Horse, a major work of the Voodoo bibliography, which includes books written in Spanish, French, Portuguese, and Creole as well as English. -
VOODOO (VODUN, VODOU) by Robert and Marilyn Stewart Founded: There Is No Starting Date for Voodoo
VOODOO (VODUN, VODOU) By Robert and Marilyn Stewart Founded: There is no starting date for Voodoo. It developed over several hundred years as a blending of African animism with principles found in other religion such as Catholicism Followers: 30 million Unique terms: Bondye, loa, Rada, Ghede, Petro, Agwe, Zaka, Legba, Erzulie, Damballah, Marassa HISTORY Zombies, black magic and the mysterious Voodoo queen, Marie Laveau, are intriguing images of a popular Hollywood depiction of voodoo. But those who practice voodoo perceive it to be an ancient religion, founded on the spiritual traditions of West Africa, and embracing universal concepts found in other religions.1 During the period of European colonization of the 16th-18th centuries, thousands of slaves were taken from the coast of West Africa to the island of Hispaniola that is today divided between the Dominican Republic and Haiti. Numerous tribes were represented on the island, including the Dahomey, Yoruba, Ewe, Congo, Nago, and Fon tribes. Taking its name from the Fon word for “spirit,” voodoo arose from this melting pot of African ethnic groups as a religion of animistic characteristics that pays homage to spirits and ancestors.2 Spain encouraged missionary work among the slaves during its rule of Haiti, which lasted until the late 1600’s. But the colonists’ focus on economic gain overshadowed the zeal for missionary work among the slave population, declining further during French control of the island. By 1685, in hopes that Christian indoctrination would stave off an impending slave insurrection, the French instituted the Code Noir forbidding all African religious practices and requiring each slave to receive a Christian baptism.