DOCSLIB.ORG

Photopc 750Z

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Photopc 750Z Lily-fm.fm Page i Tuesday, April 6, 1999 3:30 PM A User’s Guide B Lily.book Page A Tuesday, March 2, 1999 4:06 PM FCC COMPLIANCE STATEMENT WARNING FOR AMERICAN USERS The connection of a non-shielded equipment interface cable to this equipment This equipment has been tested and found to comply with the limits for a will invalidate the FCC Certification of this device and may cause interference class B digital device, pursuant to Part 15 of the FCC Rules. These limits are levels that exceed the limits established by the FCC for this equipment. It is the designed to provide reasonable protection against harmful interference in a responsibility of the user to obtain and use a shielded equipment interface cable residential installation. This equipment generates, uses, and can radiate radio with this device. If this equipment has more than one interface connector, do frequency energy and, if not installed and used in accordance with the not leave cables connected to unused interfaces. instructions, may cause harmful interference to radio and television reception. Changes or modifications not expressly approved by the manufacturer could However, there is no guarantee that interference will not occur in a particular void the user’s authority to operate the equipment. installation. If this equipment does cause interference to radio and television reception, which can be determined by turning the equipment off and on, the FOR CANADIAN USERS user is encouraged to try to correct the interference by one or more of the This Class B digital apparatus complies with Canadian ICES-003. following measures: Cet appareil numérique de la classe B est conforme à la norme NMB-003 du ◗ Reorient or relocate the receiving antenna Canada. ◗ Increase the separation between the equipment and receiver ◗ Connect the equipment into an outlet on a circuit different from that to which the receiver is connected ◗ Consult an experienced radio/TV technician for help. A B Lily-fm.fm Page ii Monday, April 5, 1999 10:03 AM IMPORTANT NOTICE A NOTE CONCERNING RESPONSIBLE USE OF DISCLAIMER OF WARRANTY COPYRIGHTED MATERIALS Epson America makes no representations or warranties, either express or Digital cameras and scanners, like photocopiers and conventional cameras, can implied, by or with respect to anything in this manual, and shall not be liable for be misused by improper copying of copyrighted material. While some countries’ any implied warranties of merchantability and fitness for a particular purpose or laws permit limited copying in certain circumstances, those circumstances may for any indirect, special, or consequential damages. Some states do not allow the not be as broad as some people assume. EPSON encourages each user to be exclusion of incidental or consequential damages, so this exclusion may not responsible and respectful of the copyright laws when using digital cameras and apply to you. scanners. COPYRIGHT NOTICE All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Epson America, Inc. No patent liability is assumed with respect to the use of information contained herein. Nor is any liability assumed for damages resulting from the use of the information contained herein. Further, this publication and features described herein are subject to change without notice. TRADEMARKS EPSON and EPSON Stylus are registered trademarks of SEIKO EPSON CORPORATION. PhotoPC is a registered trademark and EPSON FaxAdvice, EPSON Photo!2, HyPict, and Solar Assist are trademarks of Epson America, Inc. EPSON SoundAdvice is a service mark of Epson America, Inc. Image Expert and Camio are trademarks of Sierra Imaging, Inc. in the United States and other countries and are used under license. Lexar Media is a trademark of Lexar Media. General notice: Other product names used herein are for identification purposes only and may be trademarks of their respective owners. EPSON disclaims any Copyright © 1999 by Epson America, Inc. CPD-7967R1 and all rights in those marks. Torrance, California, USA 4/99 ii Lily.book Page iii Tuesday, March 2, 1999 4:06 PM Contents Introduction Taking Quick Shots 1-9 PhotoPC 750Z Features 2 Taking HyPict Mode Pictures 1-10 Optional Accessories 3 Using Advanced Settings 1-11 Minimum System Requirements 4 Using White Balance 1-11 Windows Systems 4 Photographing With Fixed White Balance 1-12 Macintosh Systems 4 Photographing With User Defined White Where To Get Help 4 Balance 1-13 Software Support 6 Adjusting Exposure 1-14 Software Licensing 6 Adjusting Sensitivity for Night or Indoor Registration 6 Photos 1-16 Safety Instructions 6 Using Slow Synchronized Flash Mode for Night Photography 1-17 1 Using Advanced Camera Features 2 Playing Back Photos Taking Pictures With the Timer 1-2 Using Macro Mode to Take Close-ups 1-2 Using the Playback Mode 2-2 Taking Digital Panoramic Pictures 1-3 Playing Back Pictures One by One 2-3 A Taking Digital Zoom Pictures 1-5 Playing Back Multiple Pictures 2-4 Using the View Mode Menus 1-5 Playing Your Pictures as a Slide Show 2-5 Continuous Shooting 1-7 Turning Off Picture Information 2-5 B Automatic Continuous Shooting 1-8 Magnifying a Picture 2-6 iii Lily.book Page iv Tuesday, March 2, 1999 4:06 PM Erasing Pictures 2-7 4 Working With Photos and Albums Erasing the Currently Displayed Picture 2-7 Using Albums 4-2 Selecting Pictures to Erase 2-8 Organizing Pictures in Albums 4-2 Locking Photos 2-9 Renaming a Picture 4-3 Unlocking Photos 2-11 Viewing Picture Information 4-3 Playing Back Pictures on TV 2-12 Printing an Image or Album 4-4 Choosing the Layout Style 4-5 3 Getting Photos Into Applications and Adding Text 4-7 Documents Choosing Album Images 4-8 Getting Images Into TWAIN Applications 3-1 Adjusting the Printed Area 4-8 Getting Images That You Can Import 3-3 Adding Sound to an Image 4-9 What To Do If the Camera Is Not Playing Back Sounds 4-10 Responding 3-5 Editing Sounds 4-11 Importing Images Into Documents 3-6 Deleting Sounds 4-11 Getting Images With Copy and Paste 3-8 Adding Annotations 4-12 Using Drag and Drop From an Album Blending In Annotations 4-13 (Windows Only) 3-8 Deleting Annotations 4-13 Getting Images With the Camio Viewer Displaying Albums as Slide Shows 4-14 (Windows 95, Windows 98, and Using an Album as a Screen Saver 4-15 Windows NT 4.0) 3-10 Setting an Image as Wallpaper 4-15 Dragging and Dropping a Picture Into Copying to Diskette or Zip Disk 4-16 a Document 3-11 Viewing the Pictures on Diskette or Transferring Images Before Placing Them 3-12 Zip Disk 4-17 Sending Pictures and Sound by E-mail 4-18 iv Lily.book Page v Tuesday, March 2, 1999 4:06 PM 5 Editing Images Customizing Settings With the LCD Screen 6-9 Viewing and Selecting Images 5-2 Setting the Camera Clock 6-10 Applying Quick Fix 5-3 Setting the Alert Beep 6-11 Correcting an Image 5-3 Setting the LCD Brightness 6-11 Cropping an Image 5-5 Setting the Power Mode 6-12 Resizing an Image 5-5 Setting the Language 6-12 Rotating an Image 5-6 Flipping an Image 5-7 7 Using Your Camera for Presentations Applying Special Effects 5-7 Uploading Images to the Camera 7-1 Creating Panoramas 5-8 Uploading Existing Images From Your Picture-Taking Tips 5-9 Windows PC 7-2 Stitching Images 5-9 Uploading Images From Your Macintosh 7-5 Troubleshooting Panoramas 5-10 Converting Presentations 7-7 Changing the Number of Colors 5-12 Capturing Windows Screens 7-8 Capturing Macintosh Screens 7-9 6 Using Custom and Advanced Features Projecting Your Presentation 7-10 Taking Pictures From Your Computer With Image Expert 6-1 8 Using CompactFlash Memory Cards Using the Self Timer 6-3 Installing a Memory Card 8-2 Setting the Shutter Speed 6-4 Formatting a Memory Card 8-3 Taking Pictures With EPSON Photo!2 6-4 Removing a Memory Card 8-4 Adjusting Camera Settings From Your Computer 6-6 Getting Images From a Card to Your Computer 8-4 A Changing Settings With Image Expert 6-6 Using a PCMCIA Adapter 8-5 Changing Settings With EPSON Photo!2 6-8 Transferring Photos 8-5 Getting Memory Information 8-6 B v Lily.book Page vi Tuesday, March 2, 1999 4:06 PM Copying To and From a Memory Card 8-7 A Optional Accessories Using the Optional AC Adapter A-2 9 Printing Directly From the Camera Using an Optional Tripod A-2 Uploading Direct Print 9-2 About the IOMEGA Clik! Drive A-3 Connecting the Camera to the Printer 9-4 Starting Direct Print 9-5 B Specifications Printing 9-6 Camera B-1 × Printing a Full Size or 5 7 Image 9-6 Physical Dimensions B-1 Producing Your Printout 9-11 Safety Specifications B-1 Printing a Card 9-11 Power B-1 Printing Album Images 9-13 Technical B-2 Printing Stickers 9-14 Environmental B-2 Printing a Contact Sheet 9-16 Photographic B-3 Cleaning the Print Heads 9-17 Camera Picture Capacity B-4 Removing Direct Print 9-18 NiMH Battery Charger B-4 Reading Error Messages 9-18 Physical Dimensions B-4 Technical B-4 10 Maintenance and Troubleshooting Optional AC Adapter B-5 Caring for the Camera and Battery Charger 10-1 Physical Dimensions B-5 Cleaning the Camera and Battery Charger 10-1 Technical B-5 Storing the Camera 10-2 Solving Camera Problems 10-2 Solving Picture Problems 10-8 vi Lily.book Page 1 Tuesday, March 2, 1999 4:06 PM Introduction our new EPSON PhotoPC 750Z is a high resolution, Y easy-to-use digital camera with a built-in LCD screen and 3× optical zoom.
Load more

Recommended publications
  • The Complete Mike Oldfield Mp3, Flac, Wma
    Mike Oldfield The Complete Mike Oldfield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop / Classical / Folk, World, & Country Album: The Complete Mike Oldfield Country: Germany Released: 1985 Style: New Age, Neo-Classical, Pop Rock, Folk, Prog Rock MP3 version RAR size: 1786 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1163 mb Rating: 4.6 Votes: 552 Other Formats: DXD APE AHX MP2 WMA RA AUD Tracklist Hide Credits The Instrumental Side Arrival A1 2:46 Producer – David Hentschel, Mike Oldfield William Tell Overture A2 3:52 Producer – Mike Oldfield Cuckoo Song A3 3:15 Producer – Mike Oldfield Jungle Gardenia A4 2:45 Producer – Mike Oldfield Guilty A5 3:57 Producer – Mike Oldfield Blue Peter A6 2:07 Producer – Mike Oldfield Waldberg (The Peak) A7 3:34 Producer – David Hentschel, Mike Oldfield Wonderful Land A8 3:37 Producer – David Hentschel, Mike Oldfield Etude (Theme From The Killing Fields) (Single Version) A9 3:04 Producer – Mike Oldfield The Vocal Side Moonlight Shadow B1 3:37 Producer – Mike Oldfield, Simon PhillipsVocals – Maggie Reilly Family Man B2 3:45 Producer – Mike OldfieldVocals – Maggie Reilly Pictures In The Dark B3 4:18 Producer – Mike Oldfield Five Miles Out B4 4:17 Producer – Mike Oldfield, Tom Newman Vocals – Maggie Reilly Crime Of Passion B5 3:38 Producer – Mike OldfieldVocals – Barry Palmer To France B6 4:34 Producer – Mike Oldfield, Simon PhillipsVocals – Maggie Reilly Shadow On The Wall (12" Version) B7 5:07 Producer – Mike Oldfield, Simon PhillipsVocals – Roger Chapman The Complex
    [Show full text]
  • Olympus XZ-1 Tips from Jonathon Donahue
    XZ-1 Tips page 1 of 29 Olympus XZ-1 tips from Jonathon Donahue http://jon404.com Here's a grab bag of XZ-1 information... from my posts, and others, on www.Dpreview.com ... and from other places. No charge … but if you want to show your appreciation, check out my website and get a great book! -------------- Setting the camera Start with Program mode instead of I- Auto, Aperture, Shutter, or Manual. On the screen menu that you see after pressing the back OK button -- 1. Select Auto-ISO. The XZ-1 will try really, really hard not to go over ISO 200 -- and that extra stop, from, say ISO 100 to 200, will give you super low-light pictures, with a camera-set shutter speed fast enough to handhold. 2. Next, going down the menu, select 1 Vivid. Then press the little Menu button on the back. Go to Picture Mode, select Vivid. Press the right arrow key, and set Contrast to +1, Sharpness 0, Saturation +1, Gradation - Normal. Important: do NOT set Gradation to Auto, or some other stuff will stop working. 3. Next, select white balance - Underwater (the fish icon). On the back-button Menu, go to WB, press the OK button to select the fish icon, then press the right-arrow. Leave A (amber) at 0, in the middle... but set G (green) to -1. Between this and the Vivid setting above, you'll get beautiful pictures, indoor and out, daytime, twilight, and in the dark. 4. Further down, select 'LF + Raw' as your picture type.
    [Show full text]
  • Marxman Mary Jane Girls Mary Mary Carolyne Mas
    Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You)
    [Show full text]
  • Evaluation of Chromosomally-Integrated Luxcdabe and Plasmid- Borne GFP Markers for the Study of Localization and Shedding of STEC O91:H21 in Calves
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2011 Evaluation of chromosomally-integrated luxCDABE and plasmid- borne GFP markers for the study of localization and shedding of STEC O91:H21 in calves Yingying Hong [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Pathogenic Microbiology Commons Recommended Citation Hong, Yingying, "Evaluation of chromosomally-integrated luxCDABE and plasmid-borne GFP markers for the study of localization and shedding of STEC O91:H21 in calves. " Master's Thesis, University of Tennessee, 2011. https://trace.tennessee.edu/utk_gradthes/881 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Yingying Hong entitled "Evaluation of chromosomally-integrated luxCDABE and plasmid-borne GFP markers for the study of localization and shedding of STEC O91:H21 in calves." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Science, with a major in Animal Science. Alan G. Mathew, Major Professor We have read this thesis and recommend its
    [Show full text]
  • Die TOP 1000 X 14
    Die SWR1 Hitparade Die TOP 1000 X 14. bis 19. August 1989 Platz Titel Interpret 1 Stairway to heaven Led Zeppelin 2 Wish you were here Pink Floyd 3 Brothers in arms Dire Straits 4 Satisfaction Rolling Stones 5 We are the champions Queen 6 Yesterday Beatles 7 Brick in the Wall Pink Floyd 8 The look Roxette 9 Let it be Beatles 10 Smoke on the water Deep Purple 11 In the air tonight Phil Collins 12 Eternal flame Bangles 13 Like a prayer Madonna 14 I want it all Queen 15 Still loving you Scorpions 16 Music John Miles 17 Bohemian rhapsody Queen 18 Child in time Deep Purple 19 Hotel california Eagles 20 Lady in black Uriah Heep 21 Hier kommt Alex Toten Hosen 22 Angie Rolling Stones 23 Carpet crawl Genesis 24 Imagine John Lennon 25 Verdammt lang her BAP 26 In the ghetto Elvis Presley 27 Sailing Rod Stewart 28 Help Beatles 29 Sultans of Swing Dire Straits 30 With a little help from my.. Joe Cocker 31 Thriller Michael Jackson 32 Jump Van Halen 33 Sunday, bloody sunday U2 34 Hymn BJH 35 Wonderful world Louis Armstrong 36 School Supertramp 37 Halt mich Herbert Grönemeyer 38 Locomotive breath Jethro Tull 39 Hey Jude Beatles 40 Das Omen Mysterious Art 41 Money for nothing Dire Straits 42 Belfast Child Simple Minds 43 Pride U2 44 If you don't know me by now Simply Red 45 Born to be wild Steppenwolf 46 Hey Joe Jimi Hendrix 47 The way to your heart Soulsister 48 Born in the USA Bruce Springsteen 49 Bridge over troubled water Simon & Garfunkel 50 We will rock you Queen 51 Männer Herbert Grönemeyer 52 Twist in my Sobriety Tanita Tikaram 53 Solsbury hill
    [Show full text]
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Mike Oldfield Wembley 1999
    Mike oldfield wembley 1999 Mike Oldfield - Then & Now tour 13/07/99 Musicians: Mike Oldfield (Guitars, Keyboards, Marimba, Gong. Live In London, Wembley Arena, THEN & NOW Tour, Mike Oldfield Santa. The Live Then & Now was a concert tour by the British multi-instrumentalist Mike Oldfield. 13 July , London · England, Wembley Arena. 14 July The Crises Tour was a concert tour by the British multi-instrumentalist Mike Oldfield. 22 July , London · United Kingdom · Wembley Arena The 10th Discovery Tour · Tubular Bells II 20th Anniversary Tour · Live Then & Now Exposed is a live concert video by Mike Oldfield recorded in at Wembley Conference Tubular Bells II 20th Anniversary Tour · Live Then & Now This article is a list of Mike Oldfield concert tours. The larger of the tours have separate articles. During the s Oldfield toured twice, for Tubular Bells II and Live Then & Now , the later promoted both the Guitars and Tubular Bells III. Exposed is a live double album by Mike Oldfield, released in The album was a collection A DVD version of the concert, recorded at Wembley Conference Centre, was . Tubular Bells II 20th Anniversary Tour · Live Then & Now Mike Oldfield - Review of Concert at Wembley Arena. August 26, Jerry Ewing Classic Rock (Autumn Special, issue #7). Mike Oldfield's Tours & Live Concerts /04/25, London, Wembley Conference Centre .. Spain, /07/01, San Sebastián, Plaza de Toros de Illumbe. concert page for Mike Oldfield at Wembley Arena (London) on July 13, Discuss the gig, get concert tickets, see who's attending, find similar events. 13th July Mike Oldfield live at Wembley Arena - July Tubular Bells live · Mike Oldfield live Wembley Arena · Mike.
    [Show full text]
  • [LB298 LB390 LB472 LB608 LB610] the Committee on Judiciary Met at 1:30 P.M. on Thursday, February 28, 2013, in Room 1113 Of
    Transcript Prepared By the Clerk of the Legislature Transcriber's Office Judiciary Committee February 28, 2013 [LB298 LB390 LB472 LB608 LB610] The Committee on Judiciary met at 1:30 p.m. on Thursday, February 28, 2013, in Room 1113 of the State Capitol, Lincoln, Nebraska, for the purpose of conducting a public hearing on LB472, LB608, LB610, LB298, and LB390. Senators present: Brad Ashford, Chairperson; Steve Lathrop, Vice Chairperson; Ernie Chambers; Mark Christensen; Colby Coash; Al Davis; Amanda McGill; and Les Seiler. Senators absent: None. SENATOR LATHROP: (Recorder malfunction)...Judiciary Committee. My name is Steve Lathrop. I am the Vice Chair of this esteemed committee. We are going to hear, it looks like, five bills today, beginning with Senator Karpisek's...oh, flying lanterns. SENATOR McGILL: Oh, boy, been here before. (Laugh) SENATOR LATHROP: It will be like Groundhog Day today. Pardon me? When you go up the page will take it from you. Thanks for filling it out. Yeah, so for those of you that haven't been here before let me start with a couple of ground rules. First, turn off your cell phones or put them on vibrate so they're not interrupting the hearing. Second, we will take the bills in the order indicated outside. As we take the bills, the senator will introduce the bill, followed by proponents, followed, thereby, by opponents, then neutral testimony, and then the senator closes. Here's the thing about Judiciary Committee: If you haven't been here before, we use the light system. You'll have a green light when you start talking which should begin with your name and spell your last name.
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
    [Show full text]
  • Mike Oldfield Islands Mp3, Flac, Wma
    Mike Oldfield Islands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Islands Country: US Style: Art Rock, Prog Rock MP3 version RAR size: 1126 mb FLAC version RAR size: 1353 mb WMA version RAR size: 1891 mb Rating: 4.9 Votes: 415 Other Formats: RA MP1 MOD VOC AHX AA VQF Tracklist Hide Credits The Wind Chimes Part One 1 2:33 Drums – Simon PhillipsVocals [Chants] – Anita Hegerland The Wind Chimes Part Two 2 19:14 Co-producer – Simon PhillipsDrums – Simon PhillipsVocals [Chants] – Anita Hegerland Magic Touch 3 4:14 Co-producer – Geoffrey Downes*Vocals – Max Bacon The Time Has Come 4 3:51 Co-producer – Michael CretuVocals – Anita Hegerland North Point 5 3:31 Vocals – Anita Hegerland Flying Start 6 3:36 Vocals – Kevin Ayers Islands 7 4:19 Co-producer – Alan Shacklock, Tom Newman Vocals – Bonnie Tyler Companies, etc. Copyright (c) – Virgin Records America, Inc. Credits Design – Douglas Brian Martin Mastered By – Greg Fulginiti Photography By – Jerry Uelsmann Photography By [Portrait] – Andrew Catlin Producer, Composed By – Mike Oldfield Technician [Technical & Engineering Assistant] – Richard Barrie Notes Club issue by BMG; "Mfg for BMG Direct Marketing .....Indianapolis, Indiana" on CD face and back insert P.& C. 1987 Virgin Records America, Inc. Category 7 90645-2 on spine Category 2-90645 on CD face and pg 7 of 8 of booklet Category D 144522 on back insert Category 144522D on CD face NO BARCODE Other versions Category Artist Title (Format) Label Category Country Year CDV2466, CDV Islands (CD, Virgin, CDV2466, CDV
    [Show full text]
  • Thestargazer
    The StarGazer http://www.raclub.org/ Newsletter of the Rappahannock Astronomy Club No. 4, Vol. 3 February 2015–April 2015 Celebrating the Hubble Space Telescope’s 25th Anniversary by David Abbou When Galileo first turned a telescope toward the heavens more than 400 years ago, a new revolution in astronomy was born. Then, 25 years ago, a new chapter in astronomy began with the deployment of the Hubble Space Telescope (HST). While the HST is very well known to most everyone, its beginnings read more like a rag-to-riches story. When the HST was first deployed in 1990, its images of the heavens were blurred because of defects in its mirror. As a result, NASA became the butt of many jokes as the $1.5 billion telescope seemed doomed and useless. HST Pillars of Creation Then and Now. Source: http://www.nasa.gov/sites/default/files/p1501ay.jpg However, as with challenges it faced before, NASA rose to the occasion to devise a solution, and a servicing mission was scheduled to correct HST’s mirror. In late 1993, astronauts aboard the space shuttle successfully repaired HST high above Earth’s surface, and like a nearsighted human who sees the world with glasses for the first time, HST’s vision became crisp and sharp. I remember when one of its many images caught the attention of the world in 1995. This image of a portion of the M16 nebula titled “Pillars of Creation” appeared in newspapers, magazines, and television news stories worldwide. Just the year before, the HST reminded us of how vulnerable we were to collisions from asteroids and comets with its images of Jupiter after the Comet Shoemaker-Levy impacts.
    [Show full text]
  • Experiment Payloads for Manned Encounter Missions to Mars and Venus
    The Space Congress® Proceedings 1968 (5th) The Challenge of the 1970's Apr 1st, 8:00 AM Experiment Payloads for Manned Encounter Missions to Mars and Venus W. B. Thompson Belle omm 3 Inc. Washington, D. C. J. E. Volonte Belle omm 3 Inc. Washington, D. C. Follow this and additional works at: https://commons.erau.edu/space-congress-proceedings Scholarly Commons Citation Thompson, W. B. and Volonte, J. E., "Experiment Payloads for Manned Encounter Missions to Mars and Venus" (1968). The Space Congress® Proceedings. 1. https://commons.erau.edu/space-congress-proceedings/proceedings-1968-5th/session-10/1 This Event is brought to you for free and open access by the Conferences at Scholarly Commons. It has been accepted for inclusion in The Space Congress® Proceedings by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. EXPERIMENT PAYLOADS FOR MANNED ENCOUNTER MISSIONS TO MARS AND VENUS W. B. Thompson J. E. Volonte Belle omm 3 Inc. Washington, D. C. Summary Trajectory opportunities have been Mariner flyby probes through possible manned identified for free return manned flyby, Mars landings in the 1980 f s are being or encounter, missions to Mars and Venus. studied. It appears that a planetary Using Saturn V launch vehicle technology program covering that spectrum of mis­ and assuming the development of a manned sions could achieve many of the scienti­ planetary spacecraft with two year capa­ fic, technological and national prestige bility, missions to these planets with objectives associated with one of the experiment payloads of 50,000 Ibs are major goals of our national space program— possible.
    [Show full text]