SPENCER HUTCHINS Cinematographer – Local 600 – Full Sail University (310) 402-9128 Direct / Email: [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

SPENCER HUTCHINS Cinematographer – Local 600 – Full Sail University (310) 402-9128 Direct / Email: Hutchins.Spencer@Gmail.Com

SPENCER HUTCHINS Cinematographer – Local 600 – Full Sail University (310) 402-9128 direct / email: [email protected] Feature Films BURNING AT BOTH ENDS - Slingshot Media Group Producers | Joshua Fine, Roderick Flint, Guy Louthan Matthew Hill & Landon Johnson, Directors RAY MEETS HELEN - Moonstone Entertainment Producers | Keith Carradine, Sondra Locke, Lesley Ann Warren, Steven Wolfe, Ernst Stroh Alan Rudolph, Director F*&% THE PROM - Big Block Media Holdings / Fine Brothers Entertainment Producers | Jaime Bendell, Scott Prisand, Benny Fine, Raﬁ Fine Benny Fine, Director GHOST HUNTERS - Vox and Hound Productions Producers | David Rimawi, David Latt Pearry Teo, Director NIGHT OF THE WILD - Vox and Hound Productions Producers | David Rimawi, David Latt Eric Red, Director JOE DIRT 2 - 2nd Unit DP - Happy Madison Productions Producers | Adam Sandler, David Spade, Jaime Burke, Amy Kim, Brian Tanke Fred Wolf, Director BENEATH - 2nd Unit DP - Elevative Entertainment Producers | Sean Gowrie, Nick Phillips, Kelly Wagner Ben Ketai, Director Television - 2nd Unit DP STEP UP - 2nd Unit DP - season 1 (10 eps.) Producers | Holly Sorenson, Adam Shankman, Channing Tatum, Jenna Dewan, Salli Newman Lionsgate, YouTube RED SCREAM QUEENS - 2nd Unit DP - seasons 1 & 2 (21 eps.) Producers | Ryan Murphy, Brad Falchuk, Ian Brennan Ryan Murphy Television CHOSEN - 2nd Unit DP - seasons 1&2 (12 eps.) Producers | Ben Ketai, Ryan Lewis, Milo Ventimiglia, Amy Kim, Evan Charnov, Russ Candiff Sony Pictures STAN AGAINST EVIL - 2nd Unit DP - season 3 (8 eps.) Producer | Dana Gould, Frank Scherma, Justin Wilkes, Stephen Cowan, Ed Tapia IFC Commercial / Short Form WALKER - Film Gnomes Producers | Ingrid Gonzales, Wellington Gonzales, Adrian Orozco Adrian Orozco, Director DIVERGENCE - Film Gnomes Producers | Ingrid Gonzales, Wellington Gonzales, Adrian Orozco Adrian Orozco, Director FUGITIVOS DE LA LAY - Mun2 Producers | Ricardo De Montreuil Adrian Orozco, Director VARGUS FEROS - Mun2 Producers | Ricardo De Montreuil Antonio Perez, Director REIGN BEAUTY - Joshua Brands Producers | Cory Baker, Mary Landaverde, Kirstie Hayward David Rosenbaum, Director Awards / Accolades 2016 EMERGING CINEMATOGRAPHER AWARD WINNER SOCIETY OF CAMERA OPERATORS - ACTIVE MEMBER References Alan Rudolph - Director/Producer Adam Shankman – Director/EP Joaquin Sedillo, ASC – DP/Director 206-755-8771 [email protected] 310-962-8574 Amy Kim – EP Janice Cooke – Director/Producer Veronica A. Hodge-Hampton - AD 310-990-1195 323-348-9696 770-722-1326 Charles Randolph Wright - Director Landon Johnson – Director/Producer Adrian Orozco - Director/EP [email protected] 909-286-7521 786-546-2124.

Copy Link

Recommended publications

275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing.
[Show full text]
Print Profile
With his unique sense of humor, profound dry wit and likeable demeanor, Kevin Nealon has established himself as one of the premiere television, theatrical and Kevin Nealon stand-up comedians of his generation. As a cast member of SATURDAY NIGHT LIVE (1986-1995), Kevin is most recognized Speech Topics as the characters he created, including: 'The Subliminal Man,' 'Hans and Franz,' and anchoring 'Weekend Update.' Kevin's extensive television credits include guest appearances on such award winning shows as, "The Larry Sanders Show," "Dharma Entertainment and Greg" and "Third Rock from the Sun" and "Crank Yankers." He is currently a Comedian series regular the hit showtime series "Weeds." Celebrity Nealon, who made his film debut in the 1987 romantic comedy Roxanne, with Steve Martin, has gone on to star in over two dozen comedies, including "Happy Gilmore" and "The Wedding Singer", both with Adam Sandler, "Joe Dirt", and "The Master of Disguise". More recently, Kevin Nealon can be seen in "Anger Management" with Jack Nicholson, "Daddy Day Care" with Eddie Murphy and as the voice of 'the Mayor' in the animated holiday feature "8 Crazy Nights". He was also seen in "Good Boy!" opposite another SNL alum, Molly Shannon. Kevin also stays busy performing stand-up comedy around the country and can be seen in his own Stand-Up Special on Comedy Central. In addition to his acting credits, Kevin Nealon is an established and acclaimed writer, garnering him an Emmy nomination for his work on SATURDAY NIGHT LIVE. Raised in Bridgeport, Connecticut, Kevin Nealon has a degree in Marketing from Sacred Heart University and currently resides in Lake Tahoe, NV.
[Show full text]
1 Production Information in Just Go with It, a Plastic Surgeon
Production Information In Just Go With It, a plastic surgeon, romancing a much younger schoolteacher, enlists his loyal assistant to pretend to be his soon to be ex-wife, in order to cover up a careless lie. When more lies backfire, the assistant's kids become involved, and everyone heads off for a weekend in Hawaii that will change all their lives. Columbia Pictures presents a Happy Madison production, Just Go With It. Starring Adam Sandler and Jennifer Aniston. Directed by Dennis Dugan. Produced by Adam Sandler, Jack Giarraputo, and Heather Parry. Screenplay by Allan Loeb and Timothy Dowling. Based on ―Cactus Flower,‖ Screenplay by I.A.L. Diamond, Stage Play by Abe Burrows, Based upon a French Play by Barillet and Gredy. Executive Producers are Barry Bernardi, Allen Covert, Tim Herlihy, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson-Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Just Go With It has been rated PG-13 by the Motion Picture Association of America for Frequent Crude and Sexual Content, Partial Nudity, Brief Drug References and Language. The film will be released in theaters nationwide on February 11, 2011. 1 ABOUT THE FILM At the center of Just Go With It is an everyday guy who has let a careless lie get away from him. ―At the beginning of the movie, my character, Danny, was going to get married, but he gets his heart broken,‖ says Adam Sandler.
[Show full text]
SCMS 2019 Conference Program
CELEBRATING SIXTY YEARS SCMS 1959-2019 SCMSCONFERENCE 2019PROGRAM Sheraton Grand Seattle MARCH 13–17 Letter from the President Dear 2019 Conference Attendees, This year marks the 60th anniversary of the Society for Cinema and Media Studies. Formed in 1959, the first national meeting of what was then called the Society of Cinematologists was held at the New York University Faculty Club in April 1960. The two-day national meeting consisted of a business meeting where they discussed their hope to have a journal; a panel on sources, with a discussion of “off-beat films” and the problem of renters returning mutilated copies of Battleship Potemkin; and a luncheon, including Erwin Panofsky, Parker Tyler, Dwight MacDonald and Siegfried Kracauer among the 29 people present. What a start! The Society has grown tremendously since that first meeting. We changed our name to the Society for Cinema Studies in 1969, and then added Media to become SCMS in 2002. From 29 people at the first meeting, we now have approximately 3000 members in 38 nations. The conference has 423 panels, roundtables and workshops and 23 seminars across five-days. In 1960, total expenses for the society were listed as $71.32. Now, they are over $800,000 annually. And our journal, first established in 1961, then renamed Cinema Journal in 1966, was renamed again in October 2018 to become JCMS: The Journal of Cinema and Media Studies. This conference shows the range and breadth of what is now considered “cinematology,” with panels and awards on diverse topics that encompass game studies, podcasts, animation, reality TV, sports media, contemporary film, and early cinema; and approaches that include affect studies, eco-criticism, archival research, critical race studies, and queer theory, among others.
[Show full text]
Movie Titles List, Genre
ALLEGHENY COLLEGE GAME ROOM MOVIE LIST SORTED BY GENRE As of December 2020 TITLE TYPE GENRE ACTION 300 DVD Action 12 Years a Slave DVD Action 2 Guns DVD Action 21 Jump Street DVD Action 28 Days Later DVD Action 3 Days to Kill DVD Action Abraham Lincoln Vampire Hunter DVD Action Accountant, The DVD Action Act of Valor DVD Action Aliens DVD Action Allegiant (The Divergent Series) DVD Action Allied DVD Action American Made DVD Action Apocalypse Now Redux DVD Action Army Of Darkness DVD Action Avatar DVD Action Avengers, The DVD Action Avengers, End Game DVD Action Aviator DVD Action Back To The Future I DVD Action Bad Boys DVD Action Bad Boys II DVD Action Batman Begins DVD Action Batman v Superman: Dawn of Justice DVD Action Black Hawk Down DVD Action Black Panther DVD Action Blood Father DVD Action Body of Lies DVD Action Boondock Saints DVD Action Bourne Identity, The DVD Action Bourne Legacy, The DVD Action Bourne Supremacy, The DVD Action Bourne Ultimatum, The DVD Action Braveheart DVD Action Brooklyn's Finest DVD Action Captain America: Civil War DVD Action Captain America: The First Avenger DVD Action Casino Royale DVD Action Catwoman DVD Action Central Intelligence DVD Action Commuter, The DVD Action Dark Knight Rises, The DVD Action Dark Knight, The DVD Action Day After Tomorrow, The DVD Action Deadpool DVD Action Die Hard DVD Action District 9 DVD Action Divergent DVD Action Doctor Strange (Marvel) DVD Action Dragon Blade DVD Action Elysium DVD Action Ender's Game DVD Action Equalizer DVD Action Equalizer 2, The DVD Action Eragon
[Show full text]
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
[Show full text]
Grown-Ups Film Production Notes
PRODUCTION NOTES Release Date: June 24 th , 2010 Running time: 102 min Rating: PG 1 Grown Ups , Starring Adam Sandler, Kevin James, Chris Rock, David Spade, and Rob Schneider, is a full-on comedy about five men who were best friends when they were young kids and are now getting together with their families on the Fourth of July weekend for the first time in thirty years. Picking up where they left off, they discover that growing older doesn’t mean growing up. Columbia Pictures presents in association with Relativity Media a Happy Madison production, a film by Dennis Dugan, Grown Ups . The film stars Adam Sandler, Kevin James, Chris Rock, David Spade, Rob Schneider, Salma Hayek, Maria Bello, and Maya Rudolph. Directed by Dennis Dugan. Produced by Adam Sandler and Jack Giarraputo. Written by Adam Sandler & Fred Wolf. Executive Producers are Barry Bernardi, Tim Herlihy, Allen Covert, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson- Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Credits are not final and subject to change. 2 ABOUT THE FILM Adam Sandler, Kevin James, Chris Rock, David Spade, and Rob Schneider head up an all-star comedy cast in Grown Ups , the story of five childhood friends who reunite thirty years later to meet each others’ families for the first time. When their beloved former basketball coach dies, they return to their home town to spend the summer at the lake house where they celebrated their championship years earlier.
[Show full text]
Alan Rudolph
Alan Rudolph Quirky, off kilter, stylishly romantic and filled with moments of wry humor, Alan Rudolph makes movies with dreamy eyed protagonists searching for love in all the wrong places. He often mashes up genres into something new and unique and peppers his films with elements not always beholden to realism. He began his four decade career under the watchful eye of mentor Robert Altman, but he soon created a body of work that is clearly his own vision. SYMPOSIUM . JUNE 4 & 5, 2018 SCREENINGS . JUNE 3 - 5, 2018 Michigan Theater The Unreal Reality of Alan Rudolph: 603 E. Liberty Street Conversations with the Filmmaker & Collaborators SUNDAY, JUNE 3 MONDAY, JUNE 4 Midwest Premiere Gallery, Hatcher Graduate Library 7:00 pm 913 S. University Avenue Ray Meets Helen (Alan Rudolph, 2018) Q&A with Director and Actress, Sondra Locke 1:00 pm Opening Remarks MONDAY, JUNE 4 1:30 pm 7:00 pm A Knack for the Unexpected: Why Remember My Name (Alan Rudolph, 1978) Alan Rudolph’s Films Matter 9:00 pm Krin Gabbard . Professor, Stony Brook University Choose Me (Alan Rudolph, 1984) Richard Ness . Professor, Western Illinois University Dan Sallitt . Film Director and Critic Caryl Flinn, Moderator and Professor, University of Michigan TUESDAY, JUNE 5 8:15 pm 3:15 pm The Moderns (Alan Rudolph, 1988) Interview: Alan Rudolph: A Singular Perspective EXHIBIT . JUNE 1-7, 2018 Alan Rudolph . Film Director Gallery, The Institute for the Humanities 4:30 pm 202 S. Thayer Ribbon Cutting Still Images, Moving Pictures: The On-Set Official opening of the Rudolph Archive & Opening Photography of Joyce Rudolph Reception for the Exhibits EXHIBIT .
[Show full text]
Keith Carradine Regis Dialogue Formatted
Keith Carradine Regis Dialogue with Phil Anderson, 1991 Phil Anderson: Well anyway, thanks for coming yourself. I want to start, I have a small question and I have a big question. Small question is simple. How did you get involved with the Material Girl video directed by Mary Lambert? Keith Carradine: They called me up. Phil Anderson: Why do you think they asked you? What do you think they needed from you? Keith Carradine: I don't know. I was requested by her ladyship and Mary Lambert, the director. Apparently I was their first choice to play the part, this Howard Hughes-esque character who was supposed to be this mysterious wealthy owner of the studio for which she is one of their stars. There was something about what I had done, I guess, that they saw, that they thought was right for this. So they called me up and I said, "Yeah. Sure, what the heck?" Phil Anderson: Well I asked that because who wouldn't? Keith Carradine: Well, actually, there are a few people that might not. Phil Anderson: It seems that throughout your career, people seem to think you stand for something. At certain points in your career, you stand for different things. But in this and in many other things, you seem to stand for a kind of purity or a sense of morality, whereas in other times you're quite evil, quite sneaky. You're not on trial here, but I have some character references I found. There is a current article in American Film about you, based on The Ballad of the Sad Café where the author Will Schneider says, "Carradine relishes a full day on a ski slope, sews is a top-notched kid-sized Spider- Man costume, saddles a horse deftly and rides easily, and hasn't raised his voice at his agent once in their seven-year relationship." Another reference I found that people in your family apparent describe you as the white sheep of the Carradine family.
[Show full text]
Geraldine Chaplin
Geraldine Chaplin 66422_Rybin.indd422_Rybin.indd i 008/07/208/07/20 111:001:00 AAMM International Film Stars Series Editors: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin www.euppublishing.com/series/ifs 66422_Rybin.indd422_Rybin.indd iiii 008/07/208/07/20 111:001:00 AAMM Geraldine Chaplin The Gift of Film Performance Steven Rybin 66422_Rybin.indd422_Rybin.indd iiiiii 008/07/208/07/20 111:001:00 AAMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge
[Show full text]
Away from Her, a Film by Sarah Polley, Starring Julie Christie, Gordon
Mongrel Media Presents AWAY FROM HER A Film By SARAH POLLEY Starring Julie Christie Gordon Pinsent Olympia Dukakis (2006, 110 mins, Canada) Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html AWAY FROM HER SYNOPSIS AWAY FROM HER is the lyrical screenplay adaptation of celebrated author Alice Munro’s short story “The Bear Came Over the Mountain”. AWAY FROM HER is a beautifully moving love story that deals with memory and the circuitous, unnamable paths of a long marriage. Married for 50 years, Grant (Gordon Pinsent) and Fiona’s (Julie Christie) commitment to each other appears unwavering, and their everyday life is full of tenderness and humour. This serenity is broken only by the occasional, carefully restrained reference to the past, giving a sense that this marriage may not always have been such a fairy tale. This tendency of Fiona’s to make such references, along with her increasingly evident memory loss, creates a tension that is usually brushed off casually by both of them. As the lapses become more obvious and dramatic, it is no longer possible for either of them to ignore the fact that Fiona is suffering from Alzheimer’s disease. Eventually, Fiona decides that it is time for her to enter into Meadowlake, a retirement home that specializes in the disease.
[Show full text]
During My First Five Years Doing Stand Up, I Thought I Can
Sept. 13, 2009 “During my first five years doing stand up, I thought I can always switch and go back to valeting cars.” SPADE SHOWS HIS CARDS Comedian’s career keeps him busy as he returns to Vegas BY ALEZA FREEMAN Vegas.com he interview begins 15 minutes late. Comedian David Spade has just finished rehearsing for the CBS sitcom, “Rules of Engagement,” and is heading home when he calls from his car. The voice and the laugh are recognizably his, though tinged with an T Photos by Sony Pictures Television / Sonja Flemming audible air of exhaustion. Spade explains that he arrived in Califor- David Spade stars in the ensemble cast of “Rules of Engagement” as Russell, a single guy on the prowl. nia only one day earlier, directly following three months of shooting the movie “Grown was doing all the things that you really do, hood. says, he can barely keep up. Ups” in Boston. Just switching from movie so I accidentally had a really good time.” “I moved a lot and didn’t have any hard “It’s hard to have like a super fun night mode to television mode is an adjustment, The comedy, set to debut in the summer core friends for awhile,” says Spade, whose before a show, because you know people are but now the “Saturday Night Live” alumnus of 2010, is about five best friends from high nickname growing up was Shrimp Cocktail. paying good money. I have to feel good, I will have to switch gears once again to school who reunite in their hometown 30 “[I was] just trying to deal with crazy home can’t get sick and I have to keep talking for prepare for his stand-up act at the Venetian years later.
[Show full text]