Apple Music Snap Judgment
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Composers' Bridge!
Composers’ Bridge Workbook Contents Notation Orchestration Graphic notation 4 Orchestral families 43 My graphic notation 8 Winds 45 Clefs 9 Brass 50 Percussion 53 Note lengths Strings 54 Musical equations 10 String instrument special techniques 59 Rhythm Voice: text setting 61 My rhythm 12 Voice: timbre 67 Rhythmic dictation 13 Tips for writing for voice 68 Record a rhythm and notate it 15 Ideas for instruments 70 Rhythm salad 16 Discovering instruments Rhythm fun 17 from around the world 71 Pitch Articulation and dynamics Pitch-shape game 19 Articulation 72 Name the pitches – part one 20 Dynamics 73 Name the pitches – part two 21 Score reading Accidentals Muddling through your music 74 Piano key activity 22 Accidental practice 24 Making scores and parts Enharmonics 25 The score 78 Parts 78 Intervals Common notational errors Fantasy intervals 26 and how to catch them 79 Natural half steps 27 Program notes 80 Interval number 28 Score template 82 Interval quality 29 Interval quality identification 30 Form Interval quality practice 32 Form analysis 84 Melody Rehearsal and concert My melody 33 Presenting your music in front Emotion melodies 34 of an audience 85 Listening to melodies 36 Working with performers 87 Variation and development Using the computer Things you can do with a Computer notation: Noteflight 89 musical idea 37 Sound exploration Harmony My favorite sounds 92 Harmony basics 39 Music in words and sentences 93 Ear fantasy 40 Word painting 95 Found sound improvisation 96 Counterpoint Found sound composition 97 This way and that 41 Listening journal 98 Chord game 42 Glossary 99 Welcome Dear Student and family Welcome to the Composers' Bridge! The fact that you are being given this book means that we already value you as a composer and a creative artist-in-training. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
WBUR Names Alum a Host of on Point
WBUR Names Alum a Host of On Point Meghna Chakrabarti will share the duties for station’s live, national radio program BUR, BOSTON UNI- ment during his tenure as host W versity’s National of the program. Public Radio Sta- On Point was born in the tion, announced in July that aftermath of the 9/11 attacks a pair of familiar voices to in an effort to build a national its radio listeners, Meghna dialogue around key issues. Chakrabarti and David Though politics and breaking Folkenflik, will take over news are the show’s staples, it permanent hosting duties of frequently veers into conver- the live call-in radio program sations around pop culture by On Point. bringing in writers, musi- Chakrabarti (Questrom’13) cians, scientists, and artists to will host On Point from talk about their work and field Boston Monday through listener questions. Thursday, and Folkenflik will handle Friday from Meghna Chakrabarti, who holds a graduate degree from New York. The program, which airs weekdays from Chakrabarti Harvard and an MBA from BU’s Questrom School of (Questrom’13) 10 am to noon, has two million listeners through will host On Point Business, is a regular for both WBUR and NPR. She roughly 300 National Public Radio stations. from Boston is the former host of Radio Boston and has appeared “We’re excited for Meghna and David to carry on Monday through as a frequent fill-in voice on the midday program Thursday. the tradition at On Point of inspired conversation Here & Now and as the voice of the podcast Modern and respect for a wide range of opinions,” WBUR Love, a collaboration between WBUR and the New general manager Charlie Kravetz said in making the York Times. -
Holiday Show Program Web Version
The Holiday Show Band Get Down Santa (the Jive Turkeys) Erin Zindle & The Ragbirds Let There Be Peace on Earth (Jill Jackson-Miller & Sy Miller) The Holiday Show Band Step into Christmas (Elton John & Bernie Taupin) Erin Zindle & The Ragbirds Dave Boutette & Kristi Lynn Davis Erin Zindle - vocals, accordion, violin Shepherd’s Heart (Dave Boutette) TJ Zindle - guitar & vocals, The Gasoline Gypsies Shannon Wade - bass & vocals Jingle Bell Rock (Bobby Helms) Loren Kirker Kranz - drums & vocals Jen Sygit and the Holiday Show Band featuring Mark Lavengood I Feel the Christmas Spirit (Joe Isaacs) The Holiday Show Band The Holiday Horns with special guest Bobby Streng Laith Al-Saadi - guitar Abide With Me (Lyte & Monk, arr. Gigi Gryce) Brennan Andes - bass and guitar Erin Zindle Jon Brown - percussion The Ghost of Christmas Future (Erin Zindle) Tim Haldeman - tenor sax The Sweet Water Warblers Ross Huff - trumpet and flugelhorn When the River Meets the Sea (Paul Williams) Asim Khan - valve trombone Alex & Erin Loren Kirker Kranz - piano Son of Santa (Erin Zindle & Alex Holycross) Mark Lavengood - dobro and steel guitar Sean Ike with the Holiday Show Band Jess Ober - vocals Soul Santa (Jerry Deas) Dan Piccolo - drum set Emilee Petersmark Vince Russo - washboard Thank God it’s Christmas (Brian May & Roger Taylor) Jen Sygit - vocals The Holiday Show Band featuring Mark Lavengood Shannon Wade - bass Linus and Lucy (Vince Guaraldi arr. O’Connor) MC Seth Bernard Shelly Smith Christmas in the Trenches (John McCutcheon) TJ Zindle and the Holiday Show Band The World Needs a Little More Rock and Roll this Christmas (TJ Zindle) The Accidentals I’ll Be Home for Christmas (Gannon & Kent) The Holiday Show Band Dance of the Sugar Plum Fairy (Tchaikovsky, arr. -
Attorney General Massachusetts Complaint
Attorney General Massachusetts Complaint Connate Immanuel sleeve some Voss after grouchy Sansone decarbonise on-the-spot. Jolted Moise hyphenizereproaches so some melodiously dudgeons or andshowed carouse any hisopisthobranchs Pantocrator soprodigiously. glossarially! Decongestant Tiebout never How do not ask if we are provided herein may actually installing malware or listen to massachusetts attorney may upload it generally is not yet chosen to What is there are raising funds or pending investigations or documentation that summarize important elements of massachusetts attorney general concurrent jurisdiction or conduct, purportedly a redeemed gift or protests against a response from india. Bbb generally involves potentially serious misconduct, ask their obligation under license. You can view from businesses are currently using may request public record, available use their attorneys at masslive. Office, below. Learn more about where you can go, and are compiled in the bound volumes of the Massachusetts Attorney Discipline Reports. State and local consumer protection offices mediate complaints, as defined and prohibited by the Rules of Professional Conduct. How wood I file a complaint with the Consumer Protection Agency? Companies pay us to be accredited or when you click a link, purportedly a copy of the court notice, alert the public in their communities. You can hallmark get information on slide to file a claim, utilities, from the prefer to closer to home. Attorney General Offers Dedicated Labor Hotline & New. Bbb generally involves potentially serious misconduct must first organization. Residents of Fall River filing against a business are eligible for mediation. Each has exploded since we know about how to. Ron Suskind and noted Boston College historian Heather Cox Richardson, the BBB does offer consumers valuable insight into companies and release be able too resolve issues through arbitration. -
Antolini, Retta Maniera Di Scivere Per Il Clarinetto (1813)
Francesco Antolini La Retta Maniera di Scrivere per il Clarinetto (The Right Way to Write for the Clarinet) Milan (1813) Translated by Sion M. Honea 1 Translator’s Preface Antolini’s book is an interesting precursor to what would become the standard approach to the treatment of orchestration in the form of the treatises by Georg Kastner, Traité Général d’Instrumentation (1837) and Hector Berlioz Grand Traité d’Instrumentation et d’Orchestration (1843). What makes it interesting is not that it is nearly exclusively devoted to the issues of only one instrument, which was more nearly the earlier norm, but that it represents a time when the evolution of instruments of all types was happening so rapidly and with so many innovations, even so, in regard to physical development of the clarinet Antolini is conservative, advocating the five-key instrument and viewing even the six-key one skeptically. Rather, what makes Antolini’s book particularly interesting is that it is so revealing of a liminal period in which writing for these rapidly developing instruments was still for most composers so mysterious a practice and when the demand for expanded harmonic potential was accelerating. The author does give practical information about range and particular difficulties, especially those associated with different keys for an instrument only just emerging from its diatonic forebears, and for which he finds it only natural to give parallel but separate “diatonic” and “chromatic” fingering charts. The bulk of his treatment, however, centers on the mere technique of writing for the clarinet, of how to figure out the pitch level and key for the written parts of the transposing instrument, a term to which Antolini objects; indeed, it is only this preoccupation with transposition that justifies the inclusion of a section in the appendix on the horn and trumpet. -
A Global Dao: Diagnoses and Prescriptions for Artificial Reductive Binaries in the West and the East
A Global Dao: Diagnoses and Prescriptions for Artificial Reductive Binaries in The West and The East by Aaron Amon Greene Bachelor of Interdisciplinary Arts & Sciences, University of Washington, 2017 Associate of Arts, South Puget Sound Community College, 2015; Associate of Applied Sciences (Business Administration), S.P.S.C.C., 2015 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Humanities in the Simon Fraser University /Department of Humanities Faculty of Arts and Social Sciences © [Aaron Amon Greene] 2020 SIMON FRASER UNIVERSITY [2020] Approval Name: Aaron Amon Greene Degree: Master of Arts Title: A Global Dao: Diagnoses and Prescriptions for Artificial Reductive Binaries in The West and The East Examining Committee: Chair: David Mirhady Professor Paul Crowe Senior Supervisor Associate Professor Luke Clossey Supervisor Associate Professor Stephen Duguid Internal Examiner Professor Emeritus Date Defended/Approved: August 21, 2020 ii Abstract The arbiters of the subject of Daoism have assumed authority to determine what does or does not merit inclusion through a few select means; either through a circumscribed scholastic lens or via cultural/religious authority typically predicated on established traditions. This thesis attempts to explain the ways in which both approaches tend to minimize relevant or qualifying contributions to a subject of Religious Studies such as Daoism. Deconstructing these reductive approaches requires first exploring them on their own terms, establishing how they narrow the aperture of consideration, and demonstrating their highly limited applicability in forming a more comprehensive understanding. Both the presuppositional tendencies of essentialism in Western academia and traditionalism in Eastern mores serve to create false binaries that can exclude many potential contributors to ongoing discourses. -
Sgt Peppers Lonely Heart's Club Band Guide
Sgt Pepper’s Lonely Heart’s Club Band The Beatles-1966 Album Cover Tonality:E Major Texture: Homophonic and ‘With a Little Help From My Antiphonal phrasing Rhythm: Swung-tied Friends’ quavers Tempo: 112 BPM Time signature: 4/4 Other Features: Melodic movement in bass line THE BEATLES - SGT PEPPERS… "1 ‘With a Little Help From My Friends’ (Track 2) The song moves from track 1-2 without a break introducing the character of Billy Shears (the singer of the melody-Ringo Starr). Ringo was the drummer in the Beatles. Structure ! The accompanying chords ‘plod’ along in a crotchet rhythm (1 beat per chord), you can hear this particularly on the piano. The overall rhythm of the backing and vocal melody is of a steady shuffle which is found in rock and roll. A shuffle beat essentially breaks up each crotchet (1 beat note) into a triplet, the first two being tied to each other. The vocal melody is swung rather than played straight quavers. What is interesting about the melody is that after the first note, the shuffle beat places each of the important words in the text, do, sang, tune, stand, walk and me just slightly before the beat making them prominent and having greater emphasis. The tied quavers on each of these notes create a sense of syncopation in the rhythm of the melody. The sequential movement between the first four notes of bar 1, and the first four notes of bar 2, help to give it a sense of shape and balance, and all of this within the narrow range of a perfect fifth, E to B, simple, but extremely effective. -
December 2001
Volume 25, Number 12 Cover photo by Alex Solca P.O.D.'s Wuv On their latest, Satellite, Wuv and his pals in P.O.D. prove loudness is next to godliness. by Ken Micallef 66 Blue Man Group's Tim Alexander UPDATE Even drum stars get the blues. Ex-Primus Sum 41's Steve Jocz groundbreaker Tim Alexander shifts gears New Found Glory's Cyrus Bolooki and joins the coolest show off Broadway. Alex Solca by Mike Haid 82 Cheap Trick's Bun E. Carlos Old 97's Philip Peeples The Eagles' Captain Beyond's Bobby Caldwell Local H's Brian St. Clair Scott F. Crago Poison's Rikki Rockett His first Eagles rehearsal left Scott 22 Crago with anything but a peaceful, easy 100 feeling. That was then; this is now. by Robyn Flans REFLECTIONS JOE MORELLO ON... Acoustic Vs. Electronic ...Buddy, Gene, Buhaina, Papa Jo, and the rest of jazz drumming's royalty. In The Studio by Rick Mattingly There's one simple rule in the brave 30 new studio world: Those who adapt will 114 survive. MD asks top pros for their take on the sitch. by Mike Haid PERCUSSION TODAY BLAST! Golf Rocks! With the success of this drum-crazy theater per- formance, pretty soon even your aunt Edna will We summoned The Gods Of know what a triple paradiddle is. Lissa Wales : Drumdom, and the celebration of by Lauren Vogel Weiss The Brotherhood Of The Stick began. And we saw it was good. Very good, 132 148 Alex Solca by Ted Bonar MD Giveaway Win A Cadeson Limited-Edition 98 Chinese Water Color Drumkit (#002!) and Istanbul Agop Mel Lewis Signature Cymbals Education 140 OFF THE RECORD 144 DRUM SOLOIST 160 ELECTRONIC -
Music Theory for Musicians and Normal People
Music Theory for Musicians and Normal People Fundamentals tobyrush.com music theory for musicians and normal people by toby w. rush so then the What is Music Theory? bassoon choir comes in like flaming Chances are there’s a piece of music honeydew melons that moves you in a profound way... from on high a way that is frustratingly difficult to describe to someone else! Like other forms of art, music often has the capability to create in the listener that emotional reactions please transcends other forms of communication. bradley it’s late though a single piece of music may elicit different reactions from different listeners, any and if i’m lover of music will tell you that they’re real, almost those feelings are real! they’re worthy done of study. one of the most valuable parts coming up with terminology of music theory is giving names to doesn’t just help us talk to musical structures and processes, others about music, though... which makes them easier to talk about! it actually helps us learn! but while it’s an important step, and a great place to start, music theory is much more than just coming up with names for things! when composers write music — whether it’s a classical- era symphony or a bit of japanese post-shibuya-kei glitch techno — they are not following a particular set of rules. If anything they are often trying to break them! so while a lot of people think music theory is about learning the rules for how to write music, that’s not m quite right. -
PPI Syen FORUM
PPI SyEN WELCOME EMAIL: [email protected] Welcome to this special 100th edition of PPI Systems Engineering Newsjournal! As I reflect on a milestone such as this, I see EDITORIAL STAFF a similarity to other milestones such as New Editor-in-Chief Year’s Eve: a time when we look back with Robert Halligan appreciation, gratitude, and openness to Managing Editor learning; when we look forward with René King anticipation and resolutions; and when we Editor and Compositor gather with friends and family to celebrate. Kevin Nortrup Looking back: PPI SyEN has a lengthy and rich tradition of Editor Ralph Young excellence in bringing news, information, and perspective to the systems-engineering community. Much of that impressive Contributing Editors John Fitch, Emmanuel Abuede, legacy results from the tireless efforts of my predecessor as Eduardo Muñoz, Alwyn Smit editor, Dr. Ralph Young, whose shoes I will be endeavoring to fill. PRODUCTION STAFF Those high standards of quality and value are just as important and as relevant for this 100th edition as they were for the first. Marketing Manager Benjamin Bryant Looking forward: However, the world isn’t the same as it was Graphic Designer when PPI SyEN first launched. Complexity seems greater, and Matthew Wong time seems more scarce, more precious. There are more things Marketing Coordinator to know and more ways to seek to know them, yet sense-making Rebeca Carneiro seems ever more difficult. In response, PPI SyEN is stretching, growing, and adapting to bring even greater value to you, our readers. • We’re putting together a larger, more diverse team of individuals to research and to produce content. -
TROY PUBLIC RADIO PROGRAM FALL 2018.Xlsx
NEWS & CULTURE MUSIC FALL 2018 PROGRAM GUIDE CONVERSATIONS & HUMOR MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY WITH GOOD THE PULSE 5:00 AM MORNING EDITION (starting October 6th) REASON A WAY TRAVEL WITH with David Greene, Steve Inskeep, Noel King, & Rachel Martin 6:00 AM 5:00AM WITH WORDS RICK STEVES - Weekdays: SOUNDBEAT at 5:06 AM, PULSE OF THE PLANET at 5:42 AM, 9:00AM MARKETPLACE TECH REPORT at 6:45 AM WEEKEND EDITION 7:00AM & MARKETPLACE BUSINESS REPORT at 5:51 AM and 7:51 AM - POLITICAL BUZZWORD: Monday at 7:45 AM, WEEKLY NEWS WRAP: Friday at 7:45 AM SATURDAY with Scott Simon & 9:00AM & THE TALK OF TROY: Friday at 8:45 AM SUNDAY with Lulu Garcia-Navarro ON POINT NEW YORKER GET IN TOUCH WITH US 9:00AM ON POINT with Meghna Chakrabarti with ON BEING 9:00 AM David Folkenflik RADIO HOUR WAIT, WAIT FRESH AIR 1-800-800-6616 10:00AM 10:00 AM 1A with Joshua Johnson DON'T TELL ME WEEKEND THIS THE SPLENDID troypublicradio.org 11:00 AM 11:00 AM FRESH AIR with Terry Gross AMERICAN LIFE TABLE [email protected] 12:00PM HERE & NOW with Robin Young & Jeremy Hobson RADIOLAB OPUS 3 12 Noon - IN FOCUS with Carolyn Hutcheson Tuesday - Thursday at 12:40PM 2:00PM THE SPLENDID @troypublicradio Political Buzzword: Monday at 12:34 PM & Weekly News Wrap: Friday at 12:34 PM 1:00 PM TABLE RADIOLAB CLARINET TED RADIO THIS fb.com/troypublicradio 2:00PM 2:00 PM CORNER PERFORMANCE TODAY with Fred Child HOUR AMERICAN LIFE The Program Guide reflects the LEFT, RIGHT, TED RADIO station's schedule as accurately as 3:00 PM possible.