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Or Later, but Before 1650] 687X868mm. Copper Engraving On
60 Willem Janszoon BLAEU (1571-1638). Pascaarte van alle de Zécuften van EUROPA. Nieulycx befchreven door Willem Ianfs. Blaw. Men vintfe te coop tot Amsterdam, Op't Water inde vergulde Sonnewÿser. [Amsterdam, 1621 or later, but before 1650] 687x868mm. Copper engraving on parchment, coloured by a contemporary hand. Cropped, as usual, on the neat line, to the right cut about 5mm into the printed area. The imprint is on places somewhat weaker and /or ink has been faded out. One small hole (1,7x1,4cm.) in lower part, inland of Russia. As often, the parchment is wavy, with light water staining, usual staining and surface dust. First state of two. The title and imprint appear in a cartouche, crowned by the printer's mark of Willem Jansz Blaeu [INDEFESSVS AGENDO], at the center of the lower border. Scale cartouches appear in four corners of the chart, and richly decorated coats of arms have been engraved in the interior. The chart is oriented to the west. It shows the seacoasts of Europe from Novaya Zemlya and the Gulf of Sydra in the east, and the Azores and the west coast of Greenland in the west. In the north the chart extends to the northern coast of Spitsbergen, and in the south to the Canary Islands. The eastern part of the Mediterranean id included in the North African interior. The chart is printed on parchment and coloured by a contemporary hand. The colours red and green and blue still present, other colours faded. An intriguing line in green colour, 34 cm long and about 3mm bold is running offshore the Norwegian coast all the way south of Greenland, and closely following Tara Polar Arctic Circle ! Blaeu's chart greatly influenced other Amsterdam publisher's. -
Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen
113 Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen Junko NINAGAWA ヨーロッパ人が描いたアジアの諸 都市 ―日本の萬国図屏風を手がかりに 蜷 川 順 子 東京の三の丸尚蔵館が所蔵する八曲一双の萬国図屏風には、制作当時の日本に知られ ていた最新の世界のイメージが描かれている。その主要な源泉は1609年のいわゆるブラ ウ=カエリウスの地図だと考えられるが、タイトルに名前のあるブラウ(1571‒1638)が1606 年に制作し1607年に出版したメルカトール図法による世界地図が、本件と深くかかわって いる。この地図は、その正確さ、地理的情報の新しさ、装飾の美しさなどの点で評判が 高く、これを借用したり模倣したりする他の地図制作者も少なくなかった。カエリウス(1571 ‒c. 1646)もそうした業者のひとりで、1609年に上述のブラウの世界地図を正確に模倣し たブラウ = カエリウスの地図を出版した。 カトリック圏のポルトガル人やスペイン人は、プロテスタント圏の都市アムステルダムで活 躍していたブラウの地図をその市場で購入することもできたが、カトリック圏の都市アント ウェルペンの出身であるカエリウスの方が接触しやすかったものと思われる。おそらくは 彼らの要請により、自身も優れた地図制作者であったカエリウスが1606/07年のブラウの 世界地図を正確に模倣し、そのことによる業務上の係争を避けるために、制作後ただち に同市から出帆する船の積荷に加えさせたのであろう。 ポルトガル人がこの地図を日本にもたらし、そのモチーフを使った屏風の制作に関わっ たことは明らかである。都市図のもっとも大きい区画をポルトガルの地図が占め、1606/07 年のオランダの地図にはなかったカトリックの聖都ローマの都市図が上段の中心付近に置 かれている。ポルトガル領内の第二の都市インドのゴアが、地図の装飾の配置から考えて ほぼ中心にあるのは、インドを天竺として重視した仏教徒にアピールするためであろうか。 こうすることで、日本におけるポルトガル人の存在を認めるよう日本の権力者に促す意図が あったのかもしれない。ここではさらに、制作に関わったと思われる日本人画家の関心な どを、アジアの都市図の描き方を手がかりに論じた。 114 A Japanese folding screen illustrated with twenty-eight cityscapes and portraits of eight sovereigns of the world [Fig. 1], the pair to a left-hand one depicting a world map and people of diff erent nations [Fig. 2], preserved in the Sannomaru Shōzōkan, or the Museum of the Imperial Collections, Tokyo, is widely recognized as one of the earliest world imageries known to Japan at that time 1). It is said to have been a tribute pre- Fig. 1 Map of Famous Cities [Bankoku e-zu](Right Screen) Momoyama period(the late 16th‒the early 17th -
Missing Pacific Island Riddle Solved, Researcher Says 3 December 2012
Missing Pacific island riddle solved, researcher says 3 December 2012 "My supposition is that they simply recorded a hazard at the time. They might have recorded a low- lying reef or thought they saw a reef. They could have been in the wrong place. There is all number of possibilities," he said. "But what we do have is a dotted shape on the map that's been recorded at that time and it appears it's simply been copied over time." The supposed 'Sandy Island' as seen on Google Earth. A New Zealand researcher Monday claimed to have solved the riddle of a mystery South Pacific island shown on Google Earth and world maps which does not exist, blaming a whaling ship from 1876. The phantom landmass in the Coral Sea is shown as Sandy Island on Google Earth and Google maps and is supposedly midway between Australia and the French-governed New Caledonia. This November 22, 2012 photo illustration shows a computer screen displaying the Google Maps location of The Times Atlas of the World appears to identify it Sandy Island, which Australian scientists said last month as Sable Island, but according to Australian did not exist. It now appears to have been removed from scientists who went searching last month during a Google Maps. geological expedition it could not be found. Intrigued, Shaun Higgins, a researcher at Auckland Museum, started investigating and claimed it never News of the invisible island sparked debate on existed, with a whaling ship the source of the social media at the time, with tweeters pointing out original error. -
The Longitude of the Mediterranean Throughout History: Facts, Myths and Surprises Luis Robles Macías
The longitude of the Mediterranean throughout history: facts, myths and surprises Luis Robles Macías To cite this version: Luis Robles Macías. The longitude of the Mediterranean throughout history: facts, myths and sur- prises. E-Perimetron, National Centre for Maps and Cartographic Heritage, 2014, 9 (1), pp.1-29. hal-01528114 HAL Id: hal-01528114 https://hal.archives-ouvertes.fr/hal-01528114 Submitted on 27 May 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. e-Perimetron, Vol. 9, No. 1, 2014 [1-29] www.e-perimetron.org | ISSN 1790-3769 Luis A. Robles Macías* The longitude of the Mediterranean throughout history: facts, myths and surprises Keywords: History of longitude; cartographic errors; comparative studies of maps; tables of geographical coordinates; old maps of the Mediterranean Summary: Our survey of pre-1750 cartographic works reveals a rich and complex evolution of the longitude of the Mediterranean (LongMed). While confirming several previously docu- mented trends − e.g. the adoption of erroneous Ptolemaic longitudes by 15th and 16th-century European cartographers, or the striking accuracy of Arabic-language tables of coordinates−, we have observed accurate LongMed values largely unnoticed by historians in 16th-century maps and noted that widely diverging LongMed values coexisted up to 1750, sometimes even within the works of one same author. -
Antique Maps and the Study Ok Caribbean Prehistory
ANTIQUE MAPS AND THE STUDY OK CARIBBEAN PREHISTORY Stephen D. Glazier In this presentation I will explore possible uses of sixteenth and seventeenth century maps for the study of Caribbean prehistory and protohistory. Several considerations entered into my choice of maps, the foremost of which was accessibility. Maps covered in this present ation are readily available through private collections, the map trade, museums, libraries and in facsimile. Accuracy was a secondary consideration. The succession of New World maps is not a general progression from the speculative to the scientific, and at times, as Bernardo Vega demonstrated in his mono graph on the caciques of Hispaniola, early maps may be more accurate than later editions. Professor Vega found that the map of Morales (1508) was far superior to later maps and that it was far more accurate than the published accounts of Las Casas and Oveido (Vega 1980: 22). Tooley (1978: xv), the foremost authority on antique maps, claims that seventeenth century maps are much more "decorative" than sixteenth century maps. Whenever mapmakers of the sixteenth century encountered gaps in their knowledge of an area, they simply left that area blank or added a strapwork cartouche. Seventeenth century map- makers, on the other hand, felt obliged to fill in all gaps by provid ing misinformation of depicting native ways of life and flora and fauna. Sea monsters and cannibals were commonly used. All mapmakers claimed to base their works on the "latest" inform ation; however, it is my contention that maps are essentially conserv ative documents. A number of factors militated against the rapid assimilation of new data. -
Gold, Landscape, and Economy in Cristobal De Acuña’S Nuevo Descubrimiento Del Gran Rio De Las Amazonas (1641)
Gold, Landscape, and Economy in Cristobal de Acuña’s Nuevo Descubrimiento del Gran Rio de las Amazonas (1641) DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Daniel Dinca M.A. Graduate Program in Spanish and Portuguese The Ohio State University 2015 Dissertation Committee: Professor Ulises Juan Zevallos-Aguilar, advisor Professor Ignacio Corona Professor Fernando Unzueta Copyright by Daniel Dinca 2015 Abstract This dissertation analyzes how nature is represented and the functions it serves in the discourse of Nuevo descubrimiento del Gran rio de las Amazonas (1641) written by Cristobal de Acuña, one of the first detailed published accounts about the “discovery” of the Amazon region by Europeans. I argue that in Cristobal de Acuña’s narrative, Nuevo descubrimiento del Gran rio de las Amazonas (1641), the narrating subject tries to persuade the Spanish Crown to acknowledge the great economic potential that the natural resources from the Amazon region have to offer, how they would add to the wealth of the Spanish Empire and implicitly begin the Spanish efforts to colonize and evangelize the Amazon region. I claim that Acuña is “ahead of his time” and thinks like an innovative entrepreneurial capitalist proposing a new economic model for generating sustainable wealth: extraction and manufacture of the natural resources found in the Amazon region under a “state-guided” capitalistic system. Acuña does not just describe the unique, exotic landscapes he encounters in his voyage down the Amazon River, but rather these landscape descriptions serve the purpose of emphasizing the economic value of nature in the region. -
FOR PEOPLE WHO LOVE EARLY MAPS 99298 IMCOS Covers 2012 Layout 1 06/02/2012 09:45 Page 5
IMCSJOURNAL S pr ing 2013 | Number 132 FOR PEOPLE WHO LOVE EARLY MAPS 99298 IMCOS covers 2012_Layout 1 06/02/2012 09:45 Page 5 THE MAP HOUSE OF LONDON (established 1907) Antiquarian Maps, Atlases, Prints & Globes 54 BEAUCHAMP PLACE KNIGHTSBRIDGE LONDON SW3 1NY Telephone: 020 7589 4325 or 020 7584 8559 Fax: 020 7589 1041 Email: [email protected] www.themaphouse.com JOURNAL OF THE INTERNATIONAL MAP COLLECTORS’ SOCIETY FOUNDED S pr ing 2013 | Number 132 1980 FEATURES Mercator and his ‘Atlas of Europe’ 13 Self-protection, official obligations and the pursuit of truth Peter Barber High in the Andes partii 25 Further adventures of the French Academy expedition to Peru Richard Smith ‘The Dutch colony of The Cape of Good Hope’ 30 A map by L.S. De la Rochette Roger Stewart REGULAR ITEMS A Letter from the Chairman 3 Hans Kok From the Editor’s Desk 5 Ljiljana Ortolja-Baird IMCoS Matters 7 Mapping Matters 37 Worth a Look 46 You Write to Us 49 Book Reviews 53 Copy and other material for our next issue (Summer 2013) should be submitted by 1 April 2013. Editorial items should be sent to the Editor Ljiljana Ortolja-Baird, email [email protected] or 14 Hallfield, Quendon, Essex CB11 3XY United Kingdom Consultant Editor Valerie Newby Designer Catherine French Advertising Jenny Harvey, 27 Landford Road, Putney, London SW15 1AQ United Kingdom Tel +44 (0)20 8789 7358, email [email protected] Please note that acceptance of an article for publication gives IMCoS the right to place it on our website. -
THE CONSTELLATION MUSCA, the FLY Musca Australis (Latin: Southern Fly) Is a Small Constellation in the Deep Southern Sky
THE CONSTELLATION MUSCA, THE FLY Musca Australis (Latin: Southern Fly) is a small constellation in the deep southern sky. It was one of twelve constellations created by Petrus Plancius from the observations of Pieter Dirkszoon Keyser and Frederick de Houtman and it first appeared on a 35-cm diameter celestial globe published in 1597 in Amsterdam by Plancius and Jodocus Hondius. The first depiction of this constellation in a celestial atlas was in Johann Bayer's Uranometria of 1603. It was also known as Apis (Latin: bee) for two hundred years. Musca remains below the horizon for most Northern Hemisphere observers. Also known as the Southern or Indian Fly, the French Mouche Australe ou Indienne, the German Südliche Fliege, and the Italian Mosca Australe, it lies partly in the Milky Way, south of Crux and east of the Chamaeleon. De Houtman included it in his southern star catalogue in 1598 under the Dutch name De Vlieghe, ‘The Fly’ This title generally is supposed to have been substituted by La Caille, about 1752, for Bayer's Apis, the Bee; but Halley, in 1679, had called it Musca Apis; and even previous to him, Riccioli catalogued it as Apis seu Musca. Even in our day the idea of a Bee prevails, for Stieler's Planisphere of 1872 has Biene, and an alternative title in France is Abeille. When the Northern Fly was merged with Aries by the International Astronomical Union (IAU) in 1929, Musca Australis was given its modern shortened name Musca. It is the only official constellation depicting an insect. Julius Schiller, who redrew and named all the 88 constellations united Musca with the Bird of Paradise and the Chamaeleon as mother Eve. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Guiana Sive Amazonum Regio Stock#: 44336 Map Maker: Blaeu Date: 1640 circa Place: Amsterdam Color: Hand Colored Condition: VG+ Size: 19.5 x 14.5 inches Price: SOLD Description: El Dorado on Lake Parimus -- The Fabled City of Gold Nice old color example of Blaeu's decorative map of the coast between the Orinoco River and the Amazon, centered on Parime Lacus. The map tracks the Amazon River into the interior and, most notably, locates the mythical city of El Dorado or Manoa. The Legend of El Dorado El Dorado is applied to a legendary story regarding a city paved with gold and precious stones. The concept of El Dorado underwent several transformations, and eventually accounts of the previous myth were also combined with those of a legendary lost city. The resulting El Dorado myth enticed European explorers for two centuries. Among the earliest stories was the one told on his deathbed by Juan Martinez, a captain of munitions for Spanish adventurer Diego de Ordaz, who claimed to have visited the city of Manoa. Martinez had allowed a store of gunpowder to catch fire and was condemned to death, however his friends let him escape downriver in a canoe. Martinez then met with some local people who took him to the city. He reported that: The canoa was carried down the stream, and certain of the Guianians met it the same evening; and, having not at any time seen any Christian nor any man of that colour, they carried Martinez into the land to be wondered at, and so from town to town, until he came to the great Drawer Ref: South America Stock#: 44336 Page 1 of 2 Barry Lawrence Ruderman Antique Maps Inc. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Novissima et Accuratissima Septentrionalis ac Meridionalis Americae Descriptio . Stock#: 2743 Map Maker: De Wit Date: 1710 circa Place: Amsterdam Color: Hand Colored Condition: VG+ Size: 22.5 x 19 inches Price: SOLD Description: De Wit’s Map of the Americas—The First Dutch Map to Show Five Great Lakes Fine example of De Wit’s map of the Americas, first published ca. 1675. It was the first Dutch map to include all five Great Lakes, an improvement on De Wit’s first map of the Americas (1660) and his wall map of 1672. The map includes both North and South America, as well as much of the Pacific. It is based on De Wit’s earlier two maps of the continents, as well as draws on Guillaume Sanson’s map of North America, published in 1669. California is depicted as an island. The west coast of Hudson Bay has been updated since De Wit’s earlier maps. The interior of North America shows the political demarcations between empires. There are also many animals to fill the vast plains, including bears, foxes, and wolverines. Of most interest, though, are the five large lakes in the Midwest of the continent, Lac Superieur (Lake Superior), Lac des Puans (Lake Michigan), Mare Dulce (Lake Huron), Lac Erie (Lake Erie), and L. de S. Louis (Lake Ontario). South America includes the Strait of Le Maire with a small Staten Landt and an open-ended island east of the Straat de Brouwers, a suggestion of the still-elusive southern continent. -
The Lost Towns of Honduras
William V. Davidson The Lost Towns of Honduras. Eight once-important places that dropped off the maps, with a concluding critical recapitulation of documents about the fictitious Ciudad Blanca of La Mosquitia. Printed for the author Memphis, Tennessee, USA 2017 i The Lost Towns of Honduras. ii In Recognition of the 100th Anniversary of the Honduran Myth of Ciudad Blanca – The last of the “great lost cities” that never was. Design by Andrew Bowen Davidson North Carolina State University Raleigh, North Carolina, USA Cover Photograph: Church ruin, Celilac Viejo By author 1994 All rights reserved Copyright © 2017 William V. Davidson Memphis, Tennessee, USA iii Table of Contents Table of Contents iv Preface v I. Introduction 1 II. Nueva Salamanca (1544-1559) 4 III. Elgueta (1564-1566) 20 IV. Teculucelo (1530s - 1590) 26 V. Cárcamo/Maitúm (1536-1632) 31 VI. Munguiche (1582-1662) 39 VII. Quesaltepeque (1536-1767) 45 VIII. Cayngala (1549-1814) 51 IX. Cururú (1536-1845) 56 X. Concluding Remarks 65 XI. Ciudad Blanca (1917-Never Was) 67 XII. Concluding Remarks 125 Bibliography 127 iv Preface Over the last half century my intention has been to insert a geographical perspective into the historical study of indigenous Honduras. Historical research, appropriately, focuses on "the what,” “the who," and "the when.” To many historians, "the where," the geographical component, is much less important, and, indeed, is sometimes overlooked. One of my students once reflected on the interplay of the two disciplines: “Historical geography, in contrast to history, focuses on locations before dates, places before personalities, distributions before events, and regions before eras. -
Maps: Holdings
Maps: Holdings This listing was last updated on April 3, 2019. The most recently acquired maps are listed first. Tallis, John 1851. Falkland Islands and Patagonia/ J. & F. Tallis, New York Keywords: Falkland Islands/Coastlines/Patagonia Call Number: R45 Notes: Rubini Family Collection #5642 Abstract: Hand tinted, steel engraving of two separate maps on one page both with countries outlined in color: top, the Falkland Islands, and bottom, Patagonia. Detailed map of coastlines including sounds, bays, passages, and inlets. Settlements and areas occupied by Amerindians are labeled. Relief rendered pictorially. The work comes from J. & F. Tallis’ Illustrated Atlas (1851). Tallis’ cartographic works are renowned for ornate borders and the use of romantic vignette views to shown native peoples, daily life, and points of interest. John Rapkin drew and engraved the maps. The vignette drawings by H. Winkles include pictures of penguins, sea eagles, and the Jason Islands around the Falklands. Fugeans and Christmas Sound leading to Tierra del Fuego decorate Patagonia toward the bottom. Tallis, John 1851. Peru and Bolivia/ J. & F. Tallis, New York Keywords: Bolivia/Coastlines/Peru Call Number: R44 Notes: Rubini Family Collection #3936 Abstract: Hand tinted, steel engraving of a decorative map of the countries of Peru and Bolivia. Detailed map of settlements, drainages, and landforms. Relief rendered pictorially. The work comes from J. & F. Tallis’ Illustrated Atlas (1851). Tallis’ cartographic works are renowned for ornate borders and the use of romantic vignette views to shown native peoples, daily life, and points of interest. John Rapkin drew and engraved the maps. The vignette drawings by H.