Location Accessibility Contact

Total Page：16

File Type：pdf, Size：1020Kb

Panchayat/ Municipality/ Thiruvananthapuram Corporation Corporation LOCATION District Thiruvananthapuram Nearest Town/ Sreevaraham Temple Pond – 450 m Landmark/ Junction Nearest Bus statio East Fort Bus Stop – 1.1 Km Nearest Railway Trivandrum Central Railway Station – 1.9 Km statio ACCESSIBILITY Nearest Airport Trivandrum International Airport – 4.2 Km Sri Chembai Memorial Trust Chembai Road, Ayodhya Nagar Sreevaraham Thiruvananthapuram – 695009 CONTACT Phone: +91-471-2472705 DATES FREQUENCY DURATION TIME August-September(to be advised) Annual 5 Days ABOUT THE FESTIVAL (Legend/History/Myth) The Chembai Vaidyanatha Bhagavathar Music Festival is held in commemoration of the birth anniversary of the late music maestro Chembai Vaidyanatha Bhagavathar. He was an exceptionally talented Carnatic musician from Chembai in Palakkad. The festival is organised by the Sri Chembai Memorial trust in Thiruvananthapuram. Chembai was born on 1 September, 1896 to a family of Carnatic musicians. He lived in a period which was considered the golden era of Carnatic music. Chembai's powerful yet melodious voice could enthrall audience of his times. An ardent devotee of Sree Krishna he attributed all his success to Guruvayoorappan. He was the recipient of numerous honours and recognitions. Gaana Gandharva (1940), Sangita Kalanidhi title (1951), Sangeeta Natak Akademi award (1958), Padmabhushan from President of India (1973), Sangita Samrat title conferred on him by Swami Sivananda etc. were some of the prestigious honors. National Over 1500 RELEVANCE- NO. OF PEOPLE (Local / National / International) PARTICIPATED EVENTS/PROGRAMS DESCRIPTION (How festival is celebrated) The Chembai Vaidyanatha Bhagavathar Music Festival is an annual concert organized in memory of the great Carnatic musician Chembai Vaidyanatha Bhagavathar. It is a 5-day Carnatic Vocal and event conducted at the Chembai Memorial Hall in Instrumental Concerts Thiruvananthapuram during August-September. The festival Presentation of the is marked by magical renditions of eminent Carnatic Chembai Puraskaram vocalists. It also stages the presentation of the prestigious Chembai Puraskaram instituted by the Government of Kerala to musicians of exceptional caliber..

Copy Link

Recommended publications

Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ...........................................................................................................
[Show full text]
News 21112019115636843Ch
2019 \hw-_À 23 cmhnse 9.00 aWn¡v thZn : taev]-¯qÀ HmUn-täm-dnbw {]nb `à-P-\-§-sf, hniz-{]-kn-²-amb Kpcp-hm-bqÀ t£{X-¯nÂ, `à-P-\-§Ä AXy´w {hX-\n-jvT-tbmsS BN-cn-¡p¶ kpZn-\-amWv Kpcp-hm-bqÀ GIm-Z-in. Cs¡m-Ãs¯ Kpcp-hm-bqÀ GIm-Zin atlmÕhw Unkw-_À 8 (1195 hrÝnIw 22) Rmb-dm-gvN-bmWv. `K-hm³ {ioIrjvW³ alm-`m-cX-bp-²`qan-bnÂ sh¨v AÀÖp-\\v `KhZvKoX D]-tZ-in-¨-Xnsâ kvac-W-bnÂ "D°m\ GIm-Zin' F¶pw Adn-b-s¸-Sp¶ Cu kpZn\w KoXm-Zn-\-ambpw BN- cn-¨p-h-cp-¶p. At¶Znhkw t£{X-¯nÂ tZhkzw hI-bmbn DZ-bm-kvX-a\-]q-P, hnti-jmÂ ImgvNiothen F¶nh D m-bn-cn-¡p-¶-Xm-Wv. Zi-an-\m-fnÂ KP-cm-P³ tIi-h³ A\p-kva-c-Whpw tZhkzw \S-¯n-h-cp-¶p. Kpcp-hm-bq-c-¸-t\mSv At`-Zy-amb lrZ-b-_Ôw kq£n-¡p-Ibpw ac-Ww-hsc F´p-Xs¶ {]bm-k-§- fp- m-bmepw Kpcp-hm-bqÀ GIm-Zin Znhkw apS-§msX Kpcp-hm-bq-cn-se¯n `K-hm\v kwKotXm-]mk\ sNbvX A\-izc IÀ®m-SI kwKoXN{IhÀ¯n {io. sNss¼ sshZy-\mY `mK-h-X-cpsS kvac-WmÀ°w Kpcp-hm-bq-À tZhkzw sNss¼ kwKo-tXm-Õhw 44- hÀjambn \S-¯n-h-cp-¶p. 45-þmw sNss¼ kwKo-tXm Õhw 2019 \hw_À 23 i\nbmgvN cmhnse 9.00\v taÂ¸-¯qÀ HmUn-täm-dn-b-¯nse sNss¼ kwKoXaÞ]- ¯nÂ _lp.tIcf kwØm\ klIcW Sqdnkw tZhkzw hIp¸v a{´n {io.
[Show full text]
Palghat Mani Iyer.Pdf
COVER STORY Palghat T.S. Mani Iyer (1912-1981) Sriram.V ometime in the 17th century, a Raja of Palghat is said to have invited many Brahmin families Sbelonging to the Tanjavur region to his principality. They were to inculcate learning and culture in the area. These families settled in 96 villages of Palghat district and greatly enriched the place. Many of their descendants rose to high positions in administration, business and other walks of life. Several shone as musicians. But the man who was to preﬁx the name of the district to his own name and make it synonymous with percussion was Mani Iyer, the mridanga maestro. Palghat T.S. Mani Iyer was born on 12th June 1912 at Pazhayanur, Tiruvilvamala Taluk, in Palghat District to Sesham Bhagavatar and Anandambal as their second son. The couple had many children of whom some died early with only two sons (Mani Iyer and a younger brother) and two daughters surviving into adulthood. Sesham Bhagavatar was a vocalist in the Harikatha troupe of Mukkai Sivaramakrishna Bhagavatar, a famous exponent of the art form. Mani was christened Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Destined as it seemed Mani Iyer was to acquire fame Young Mani in the ﬁeld of percussion, the forces that control fates could not have selected a better place for his birth. Tiruvilvamala, a village on the southern side of the Born for the Mridanga Bharatapuzha river, was well known for its Panchavadyam performers. ‘Maddalam’ Venkicchan and Konthai were famed practitioners of the percussive arts.
[Show full text]
June 2018 (Special Edition on Ganakaladhara Madurai Mani Iyer)
Lalitha Kala Tarangini Premier Quarterly Music Magazine from Sri Rama Lalitha Kala Mandira Volume 2018, Issue 2 June 2018 Sangeetha Kalarathna Titte Krishna Iyengar RR Keshavamurthy - The Lion of Karnataka DK Pattammal the Immortal legend Indian Music Experience (IME) Special Edition on Madurai Mani Iyer Raga Laya Prabha award felicitation Sri Rama Lalitha Kala Mandira awarded “Raaga Laya Prabha” on 13th May 2018 to Aditi B Prahalad (Vocal), BK Raghu (Violin) and Akshay Anand (Mridangam) who are the upcoming youngsters from Bangalore. This award is to commemorate the memory of the Founder-Director, Karnataka Kalashree GV Ranganayakamma, Vidushi GV Neela and her Sister, Founder-patron and Veena artiste Dr. GV Vijayalakshmi. The award carries a cash prize of Rs. Twenty Five Thousand and a citation. The award function was followed by a concert of Abhishek Raghuram (Vocal). B Vittal Rangan (Violin), NC Bharadwaj (Mridanga) and Guruprasanna (Kanjra) in presence of a capacity crowd. Left to Right Standing - Sri DR Srikantaiah - President, Akshay Anand, Sri GV Krishna Prasad - Hon. Secretary, Vidushi Neela Ramgopal,Vidwan Abhishek Raghuram, Aditi B Prahalad, BK Raghu June 2018 Titte Krishna Iyengar and RR Keshavamurthy. I am sure they will be an inspiration to the youngsters. Ganakaladhara Madurai Mani Iyer (MMI) shone like a jewel during the golden period of Karnatak music. He, Music world celebrated the centenary year of DK Pattam- along with GN Balasubramaniam (GN Sir) revolutionised mal a doyen in her own right on March 19, 2019. Vice karnatak music so much so that we talk about music in President of India, Shri M Venkaiah Naidu inaugurated the terms of before MMI, GN Sir and after MMI and GN Sir.
[Show full text]
Annual Report 2020
Imen¡ -äv kÀ-Æ-I-emime UNIVERSITY OF CALICUT Accredited by NAAC with ‘A’ Grade UNIVERSITY OF CALICUT Calicut University.P.O Malappuram, Kerala 673 635 Phone: +91 494 2407104 http://www.uoc.ac.in ANNU 2020 AL REPORT 2020 ANNUAL REPORT ANNUAL REPORT 2020 UNIVERSITY OF CALICUT University of Calicut - Annual Report 2020 Editorial Committee: The Vice-Chancellor (Chairman). The Pro-Vice-Chancellor. The Registrar. The Controller of Examinations. The Finance Officer. Dr. Manoharan M. (Member, Syndicate). Sri. K.K. Haneefa (Member, Syndicate). Adv. Tom K. Thomas (Member, Syndicate). The Publication Officer. The Director of Research. Dr. Denoj Sebastian, Director, DoA. Dr. B.S. Harikumaran Thampi, Director, CDC. Dr. Sivadasan P., Director, IQAC. Dr. V.K. Subramanian, Director, SDE. Dr. R.V.M. Divakaran, Head, Dep’t. of Malayalam & Kerala Studies. Dr. K.M. Sherrif, Associate Professor, Dep’t. of English. Dr. Abraham Joseph, Professor, Dep’t. of Chemistry. The Deputy Registrar, Administration. The Deputy Registrar, Pl.D. Branch (Convenor). CUP 2115/21/125 2 University of Calicut - Annual Report 2020 Foreword This Annual Report arrays the achievements of the University during the year 2020. The report presents a brief of the academic activities, events, and achievements of this University’s teaching and research departments and the affiliated colleges. The year 2020 has delivered tough times to the entire academic activities of the University. Despite the spread of the epidemic, the University has made remarkable achievements in various fields. Calicut University has achieved these significant successes in 2020 based on the bedrock evolved by the development work done over the last few years.
[Show full text]
Trichy Sankaran Complete
Trichy Sankaran master percussionist, composer www.trichysankaran.com Complete Bio Born in the year 1942, Trichy Sankaran had his early musical training under his cousin Sri P.A. Venkataraman. He started at the age of 5, and became seriously involved with the art of drumming at the age of 7. When his first teacher Sri P.A.V. moved to Delhi from Trichy (Trichinappalli) to take up a job initially as a music instructor, and later to become the staff artist of All India Radio Delhi, Sankaran followed him for his musical studies. While in Delhi, Sankaran met Pandit Ravi Shankar for the first time, and played a solo in misra chapu tala for him at the age of 10 (year 1952). It was the same year that Sankaran won the gold medal from the Shankar’s Weekly Children’s Theatre Competition. Again, in the same year, he made his first public appearance (debut) performing with musicians in Harikathakalakshepam (religious discourse -narration with musical accompaniment). Then Sankaran came under the direct tutelage of the legendary mrdangam maestro the late Sri Palani Subramania Pillai. Sankaran made his formal arangetram (musical debut) at the age of 13, in the year 1955, performing in tandem with Sri Palani Subramania Pillai in the concert of Sri Alathoor Brothers, and Sri Lalgudi G. Jayaraman. This concert took place in Sankaran’s home town Trichy at the famous Nanrudaian Pillayar Kovil (Ganesh temple). Sri Palani Subramania Pillai gave Sankaran unique opportunities to perform duos with him to many top rank Karnatak musicians of that time, that included artists such as Ariyakkudi Ramanuja Iyengar, Chembai Vaidhyanatha Bhagavatar, Semmangudi Srinivasa Iyer, Madurai Mani Iyer, G.N.
[Show full text]
T>HE JOURNAL MUSIC ACADEMY
T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report ..
[Show full text]
New Arrivals September 2017
AMRITA VISHWA VIDYAPEETHAM UNIVERSITY AMRITAPURI CAMPUS CENTRAL LIBRARY NEW ARRIVAL BOOKS SEPTEMBER 2017' Sl. No Acc.No Title Author Subject 1 49127 Adarsh Manavu Hridayu Spiritual 2 49128 Bhagwan ke Samne Sachha So Sachha Spiritual Depth of Knowledge in Ancient Indian 3 49129 Astronomy GOPALAKRISHNAN,N Science 4 49130 Indian Culture Worker,Akendra Spiritual 5 49131 Indian Technological Heritage GOPALAKRISHAN N Science 6 49132 Rama Gita Rambachan,Anantanand Spiritual 7 49133 Yoga for Arthritis Nagarathna,R Spiritual SUDDHA CHAITANYA 8 49134 Bhagavad Gita SWAMI Spiritual 9 49135 Gems of Truth Goyandka, Jayadayal Spiritual 10 49136 Can God Improve My Balance Sheet? Reddy,Dwaraknath Spiritual 11 49137 Pancikaranam of Sri Sankaracarya Spiritual 12 49138 Radha The Secret of All Secretsi KANNAN, S Spiritual 13 49139 Personality Development Vivekananda,Swami Spiritual Ancient Indian Knowledge on The 14 49140 Sun,The Moon and Eclipse GOPALAKRISHAN N Spiritual Bhattathiri, V K 15 49141 Paathanjalayogam Narayana Spiritual 16 49142 Brahma-Sutra-Bhasya of Sri Sankaracarya Gambhirananda, Swami Spiritual 17 49143 Amrit ke Ghoond Spiritual 18 49144 Uddhar Kaise Ho Spiritual Hamari Samskritik Vichardhara Ke Mool 19 49145 Strot Spiritual 20 49146 Jaan Ke Deep Jale Spiritual 21 49147 Sagar Ke Mothi Spiritual 22 49148 Natyakalpadrumam Madhava Chakyar,Mani Spiritual 23 49149 Manasasthravum Manasathrajnanmarum Yati,Nitya Chaitanya Psychology 24 49150 Jnana Ganga Spiritual 25 49151 Ramacharitamanasam Spiritual 26 49152 Ramdhari Simh Dinakar Gupt,Manmathnath
[Show full text]
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi
[Show full text]
The Gazette of India
REGISTERED No. D. 221 The Gazette of India EXTRAORDINARY PART I—Section 1 PUBLISHED BY AUTHORITY No. 21] NEW DELHI, FRIDAY, JANUARY 26, I973/MAGHA 6, 1894 Separate paging is given to this Part in order that it may be filed as a separate compilation PRESIDENT'S SECRETARIAT NOTIFICATION New Delhi, the 26th January 1973 No, 8-Pres/73.—The President is pleased to make the following awards:— PADMA VIBHUSHAN Shrimati Basanti Devi, Freedom Fighter, Calcutta. Dr. Daulat Sinyh Kothari Formerly Chairman, University Grants Commission, New Delhi. Dr. Nagendra Singh, Formerly Secretary to the President and now Chief Elec- tion Commissioner, New Delhi. Shrimati Nellie Sen Gupta, Freedom Fighter, Calcutta. Shri Thirumalraya Swaminathan, Formerly Cabinet Secretary. Government of] India, New Delhi. Shri Uchhrangrai Navalshankar Dhebar, Constructive Worker, Rajkot, Gujarat. PADMA BHUSHAN Shri Bannrsi Dass Chaturvedi, Journalist and Author, Uttar Pradesh. Shri Chembai Vaidyanatha Bhagavathar, Musician, Madras. Shrimati Gosasp Maneekji Sorabji Captain, Freedom Fighter, Bombay. Shri Harindranath Chattopadhyaya, Litterateur, Bombay, Shri Krishna Rao Shankar Pandit, Musician, Madhya Pradesh, ( 75 ) 76 nil; UAZiaTE 01- 1NDJA HX IKAORDlFMRY [PART I—SEC. \[ Shri Kunjuraman Suluirnar;in, Managing Ed'tloc, Kor;ila Kaumudi, Trivandium. Shri Maqbool Fida Hnsuiu, Painter, Nevv Delhi. Shri Naraindas RatUnmal IVIalkani, Social Worker, Gujarat. Dr. Om P. Balil, Professor u: Biochemistry, University of Buttalo, New Itork. Shri Pitambar Punt, Chairman, National Committee on Environmental Planning and Co-ordination, New Delhi. Shri Pothen Joseph, Journalist. (Postlivmou:<)- Dr. Raja Muthiah AnnrimnJal Muthiah Che:tiar, Industrialist, Tamil Nadu. Dr. Haja Ramanna, Director, Bhabha AIOLI.C Research Centre and Member, Research and Development, Ai.on.ik1 Energy Commission, 3<>mha,v.
[Show full text]
A Yogi at the Altar of Music Lakshmi Sreeram
COVER STORY V.V. SUBRAMANYAM A yogi at the altar of music Lakshmi Sreeram V. Subramanyam is a far and deep – that I would be the musician who, even his best. I was not thinking in terms worst detractors will admit, of worldly success, but simply in Vhas reached regions beyond mere terms of musicianship.” technique and dwells in them. As a probable corollary, he is not very His teachers facile with the world of everyday VVS travels back in time. “My interactions. His refusal to accept father, Vadakkencheri Veeraraghava anything less than perfect lies at the Bhagavatar, was my first teacher. root of his musical achievements He perhaps had the strongest and that same attitude perhaps influence on my life; certainly my underlies what is seen as his childhood was filled with pursuit somewhat intractable disposition of music that was primarily his towards men and matters. dream. I practised under his ever watchful eyes. I also learnt for an A complex personality, Subra extensive period from Chembai manyam has one consuming Vaidyanatha Bhagavatar and passion – music; and this has led him into deep explorations Musiri Subramania Iyer. I had some early training in violin of religious belief and spiritual techniques. His is a world from Tripunitura Narayana Iyer and vocal training from of mysterious connections, of kundalini yoga and mantra T.R. Balasubramaniam. sastra, and, above all, nada – that all pervading, primal sound energy mentioned in esoteric philosophical traditions. “Appa was highly respected in the musical community. He was on easy terms with great musicians like Ariyakudi Born at Thoattuvay in Kerala on 16 March 1944, Ramanuja Iyengar, Palghat Mani Iyer, Madurai Mani Iyer, Vadakkencheri Veeraraghava Subramanyam (VVS), is Chembai and GNB.
[Show full text]
Accused Persons Arrested in Palakkad District from 12.04.2020To18.04.2020
Accused Persons arrested in Palakkad district from 12.04.2020to18.04.2020 Name of Name of the Name of the Place at Date & Arresting Court at Name of the Age & Address of Cr. No & Sec Police Sl. No. father of which Time of Officer, which Accused Sex Accused of Law Station Accused Arrested Arrest Rank & accused Designation produced 1 2 3 4 5 6 7 8 9 10 11 Cr No 459/2020 Thumbilam U/s Parambu, 363,447,354 Sudevan, SI 1 Krishnakumar Aandavan 34 Town South PS 15.04.2020 Town South JFCM III Kannadi(po), IPC & 12 r/w of Police Palakkad 11(IV) of POCSO Act Cr No 460/2020 U/S 55(a), 55(i) Anugraha Colony, Anugraha Abdul Kerala Abkari 2 Shajahan kunjumohammed 43 vennakara, Colony, 14.04.2020 Town South Rasheed, SI JFCM III Act, 7,8 KG Act, Noorani, Palakkad Vennakara of Police 492)(e)n r/w 5 KEDO 2020 Cr No 460/2020 U/S 55(a), 55(i) Anugraha Abdul Pudupallitheruvu, Kerala Abkari 3 Navas Muhammed 34 Colony, 14.04.2020 Town South Rasheed, SI JFCM III Noorani, palakkad Act, 7,8 KG Act, Vennakara of Police 492)(e)n r/w 5 KEDO 2020 Cr No 460/2020 Chaithra Nagar, U/S 55(a), 55(i) Anugraha Abdul Flat no 1, Kerala Abkari 4 Reneesh Abdul Rasheed 32 Colony, 14.04.2020 Town South Rasheed, SI JFCM III Puthupalli Theruvu, Act, 7,8 KG Act, Vennakara of Police Palakkad 492)(e)n r/w 5 KEDO 2020 Cr No 460/2020 U/S 55(a), 55(i) Poolakkad, Anugraha Abdul Kerala Abkari 5 Abdul Naseer Ismail 48 Puthupalli Theruvu, Colony, 14.04.2020 Town South Rasheed, SI JFCM III Act, 7,8 KG Act, Palakkad Vennakara of Police 492)(e)n r/w 5 KEDO 2020 Cr No 460/2020 U/S 55(a), 55(i)
[Show full text]