New Arrivals September 2017
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Cow Care in Hindu Animal Ethics Kenneth R
THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
News 21112019115636843Ch
2019 \hw-_À 23 cmhnse 9.00 aWn¡v thZn : taev]-¯qÀ HmUn-täm-dnbw {]nb `à-P-\-§-sf, hniz-{]-kn-²-amb Kpcp-hm-bqÀ t£{X-¯nÂ, `à-P-\-§Ä AXy´w {hX-\n-jvT-tbmsS BN-cn-¡p¶ kpZn-\-amWv Kpcp-hm-bqÀ GIm-Z-in. Cs¡m-Ãs¯ Kpcp-hm-bqÀ GIm-Zin atlmÕhw Unkw-_À 8 (1195 hrÝnIw 22) Rmb-dm-gvN-bmWv. `K-hm³ {ioIrjvW³ alm-`m-cX-bp-²`qan-bn sh¨v AÀÖp-\\v `KhZvKoX D]-tZ-in-¨-Xnsâ kvac-W-bn "D°m\ GIm-Zin' F¶pw Adn-b-s¸-Sp¶ Cu kpZn\w KoXm-Zn-\-ambpw BN- cn-¨p-h-cp-¶p. At¶Znhkw t£{X-¯n tZhkzw hI-bmbn DZ-bm-kvX-a\-]q-P, hnti-jm ImgvNiothen F¶nh D m-bn-cn-¡p-¶-Xm-Wv. Zi-an-\m-fn KP-cm-P³ tIi-h³ A\p-kva-c-Whpw tZhkzw \S-¯n-h-cp-¶p. Kpcp-hm-bq-c-¸-t\mSv At`-Zy-amb lrZ-b-_Ôw kq£n-¡p-Ibpw ac-Ww-hsc F´p-Xs¶ {]bm-k-§- fp- m-bmepw Kpcp-hm-bqÀ GIm-Zin Znhkw apS-§msX Kpcp-hm-bq-cn-se¯n `K-hm\v kwKotXm-]mk\ sNbvX A\-izc IÀ®m-SI kwKoXN{IhÀ¯n {io. sNss¼ sshZy-\mY `mK-h-X-cpsS kvac-WmÀ°w Kpcp-hm-bq-À tZhkzw sNss¼ kwKo-tXm-Õhw 44- hÀjambn \S-¯n-h-cp-¶p. 45-þmw sNss¼ kwKo-tXm Õhw 2019 \hw_À 23 i\nbmgvN cmhnse 9.00\v ta¸-¯qÀ HmUn-täm-dn-b-¯nse sNss¼ kwKoXaÞ]- ¯n _lp.tIcf kwØm\ klIcW Sqdnkw tZhkzw hIp¸v a{´n {io. -
Palghat Mani Iyer.Pdf
COVER STORY Palghat T.S. Mani Iyer (1912-1981) Sriram.V ometime in the 17th century, a Raja of Palghat is said to have invited many Brahmin families Sbelonging to the Tanjavur region to his principality. They were to inculcate learning and culture in the area. These families settled in 96 villages of Palghat district and greatly enriched the place. Many of their descendants rose to high positions in administration, business and other walks of life. Several shone as musicians. But the man who was to prefix the name of the district to his own name and make it synonymous with percussion was Mani Iyer, the mridanga maestro. Palghat T.S. Mani Iyer was born on 12th June 1912 at Pazhayanur, Tiruvilvamala Taluk, in Palghat District to Sesham Bhagavatar and Anandambal as their second son. The couple had many children of whom some died early with only two sons (Mani Iyer and a younger brother) and two daughters surviving into adulthood. Sesham Bhagavatar was a vocalist in the Harikatha troupe of Mukkai Sivaramakrishna Bhagavatar, a famous exponent of the art form. Mani was christened Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Destined as it seemed Mani Iyer was to acquire fame Young Mani in the field of percussion, the forces that control fates could not have selected a better place for his birth. Tiruvilvamala, a village on the southern side of the Born for the Mridanga Bharatapuzha river, was well known for its Panchavadyam performers. ‘Maddalam’ Venkicchan and Konthai were famed practitioners of the percussive arts. -
KADAMB DEPARTMENT of STUDY ABROAD PROGRAM COURSES SPECIAL INDIA COURSES Three Weeks and Ten Weeks Courses for Foreign Students A
KADAMB DEPARTMENT OF STUDY ABROAD PROGRAM Gujarat University has become the growth engine of education in Gujarat. Today deprtment of Study Abroad Program caters to more than 120 countries and 400 students from USA, UK, Belgium, Spain, Japan, Yemeforeign n, Iraq, Afghanistan, Nepal, Bhutan and Egypt. The Ministries and Embassies of different countries as well as ICCR, Ed. CIL. (MHRD Sponsored agency to sponsor foreign and NRI/ PIO students), IIAS, USEIF have been sponsoring their incumbents to study at Gujarat University. A number of self financing foreign students have also chosen Gujarat University to advance their educational skills. COURSES SPECIAL INDIA COURSES Three Weeks and Ten Weeks Courses for Foreign Students and NRIs ● Studies in Gandhian Philosophy ● Studies in Tribal Culture of Gujarat ● Indian Languages ● Indian Poetics ● Yoga and Meditation ● Indian Rural Management Skills ● Classical and Folk Dances of India ● Indian folk music ● Indian Mythology ● Indian films ● Art of Rangoli ● Indian Cuisine ● Indian Literature ● Religions of India ● Traditions and Home stay in Indian background Courses in Foreign Languages With the increased demand of foreign languages across the globe, the university does not want to be left behind hence there are Certificate and Diploma courses for languages like ● French ● German● Spanish ● Russian● Japanese ● Persian● Arabic ● Chinese M.Phil : Indian Diaspora and Migration Studies Ph. D. : Indian Diaspora and Migration Studies Integrated Ph. D. : Indian Diaspora and Migration Studies MoUs with -
Essays on Tradition, Recovery and Freedom
DHARAMPAL • COLLECTED WRITINGS Volume V ESSAYS ON TRADITION, RECOVERY AND FREEDOM 1 DHARAMPAL • COLLECTED WRITINGS Volume I Indian Science and Technology in the Eighteenth Century Volume II Civil Disobedience in Indian Tradition Volume III The Beautiful Tree: Indigenous Indian Education in the Eighteenth Century Volume IV Panchayat Raj and India’s Polity Volume V Essays on Tradition, Recovery and Freedom 2 ESSAYS ON TRADITION, RECOVERY AND FREEDOM by Dharampal Other India Press Mapusa 403 507, Goa, India 3 Essays on Tradition, Recovery and Freedom By Dharampal This work is published as part of a special collection of Dharampal’s writings, by: Other India Press Mapusa 403 507, Goa, India. Copyright © (2000) Dharampal Cover Design by Orijit Sen Distributed by: Other India Bookstore, Above Mapusa Clinic, Mapusa 403 507 Goa, India. Phone: 91-832-263306; 256479. Fax: 91-832-263305 OIP policy regarding environmental compensation: 5% of the list price of this book will be made available by Other India Press to meet the costs of raising natural forests on private and community lands in order to compensate for the partial use of tree pulp in paper production. ISBN No.: 81-85569-49-5 (HB) Set ISBN No.:81-85569-50-9 (PB) Set Printed by Sujit Patwardhan for Other India Press at MUDRA, 383 Narayan, Pune 411 030, India. 4 Publisher’s Note Volume V comprises five essays by Dharampal which not only deal with some of the themes covered in the earlier volumes, but also place them within a broad philosophical perspective. Some of these essays are actually lectures delivered by him before audiences in Pune, Bangalore and Lisbon. -
June 2018 (Special Edition on Ganakaladhara Madurai Mani Iyer)
Lalitha Kala Tarangini Premier Quarterly Music Magazine from Sri Rama Lalitha Kala Mandira Volume 2018, Issue 2 June 2018 Sangeetha Kalarathna Titte Krishna Iyengar RR Keshavamurthy - The Lion of Karnataka DK Pattammal the Immortal legend Indian Music Experience (IME) Special Edition on Madurai Mani Iyer Raga Laya Prabha award felicitation Sri Rama Lalitha Kala Mandira awarded “Raaga Laya Prabha” on 13th May 2018 to Aditi B Prahalad (Vocal), BK Raghu (Violin) and Akshay Anand (Mridangam) who are the upcoming youngsters from Bangalore. This award is to commemorate the memory of the Founder-Director, Karnataka Kalashree GV Ranganayakamma, Vidushi GV Neela and her Sister, Founder-patron and Veena artiste Dr. GV Vijayalakshmi. The award carries a cash prize of Rs. Twenty Five Thousand and a citation. The award function was followed by a concert of Abhishek Raghuram (Vocal). B Vittal Rangan (Violin), NC Bharadwaj (Mridanga) and Guruprasanna (Kanjra) in presence of a capacity crowd. Left to Right Standing - Sri DR Srikantaiah - President, Akshay Anand, Sri GV Krishna Prasad - Hon. Secretary, Vidushi Neela Ramgopal,Vidwan Abhishek Raghuram, Aditi B Prahalad, BK Raghu June 2018 Titte Krishna Iyengar and RR Keshavamurthy. I am sure they will be an inspiration to the youngsters. Ganakaladhara Madurai Mani Iyer (MMI) shone like a jewel during the golden period of Karnatak music. He, Music world celebrated the centenary year of DK Pattam- along with GN Balasubramaniam (GN Sir) revolutionised mal a doyen in her own right on March 19, 2019. Vice karnatak music so much so that we talk about music in President of India, Shri M Venkaiah Naidu inaugurated the terms of before MMI, GN Sir and after MMI and GN Sir. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Annual Report 2020
Imen¡ -äv kÀ-Æ-I-emime UNIVERSITY OF CALICUT Accredited by NAAC with ‘A’ Grade UNIVERSITY OF CALICUT Calicut University.P.O Malappuram, Kerala 673 635 Phone: +91 494 2407104 http://www.uoc.ac.in ANNU 2020 AL REPORT 2020 ANNUAL REPORT ANNUAL REPORT 2020 UNIVERSITY OF CALICUT University of Calicut - Annual Report 2020 Editorial Committee: The Vice-Chancellor (Chairman). The Pro-Vice-Chancellor. The Registrar. The Controller of Examinations. The Finance Officer. Dr. Manoharan M. (Member, Syndicate). Sri. K.K. Haneefa (Member, Syndicate). Adv. Tom K. Thomas (Member, Syndicate). The Publication Officer. The Director of Research. Dr. Denoj Sebastian, Director, DoA. Dr. B.S. Harikumaran Thampi, Director, CDC. Dr. Sivadasan P., Director, IQAC. Dr. V.K. Subramanian, Director, SDE. Dr. R.V.M. Divakaran, Head, Dep’t. of Malayalam & Kerala Studies. Dr. K.M. Sherrif, Associate Professor, Dep’t. of English. Dr. Abraham Joseph, Professor, Dep’t. of Chemistry. The Deputy Registrar, Administration. The Deputy Registrar, Pl.D. Branch (Convenor). CUP 2115/21/125 2 University of Calicut - Annual Report 2020 Foreword This Annual Report arrays the achievements of the University during the year 2020. The report presents a brief of the academic activities, events, and achievements of this University’s teaching and research departments and the affiliated colleges. The year 2020 has delivered tough times to the entire academic activities of the University. Despite the spread of the epidemic, the University has made remarkable achievements in various fields. Calicut University has achieved these significant successes in 2020 based on the bedrock evolved by the development work done over the last few years. -
Trichy Sankaran Complete
Trichy Sankaran master percussionist, composer www.trichysankaran.com Complete Bio Born in the year 1942, Trichy Sankaran had his early musical training under his cousin Sri P.A. Venkataraman. He started at the age of 5, and became seriously involved with the art of drumming at the age of 7. When his first teacher Sri P.A.V. moved to Delhi from Trichy (Trichinappalli) to take up a job initially as a music instructor, and later to become the staff artist of All India Radio Delhi, Sankaran followed him for his musical studies. While in Delhi, Sankaran met Pandit Ravi Shankar for the first time, and played a solo in misra chapu tala for him at the age of 10 (year 1952). It was the same year that Sankaran won the gold medal from the Shankar’s Weekly Children’s Theatre Competition. Again, in the same year, he made his first public appearance (debut) performing with musicians in Harikathakalakshepam (religious discourse -narration with musical accompaniment). Then Sankaran came under the direct tutelage of the legendary mrdangam maestro the late Sri Palani Subramania Pillai. Sankaran made his formal arangetram (musical debut) at the age of 13, in the year 1955, performing in tandem with Sri Palani Subramania Pillai in the concert of Sri Alathoor Brothers, and Sri Lalgudi G. Jayaraman. This concert took place in Sankaran’s home town Trichy at the famous Nanrudaian Pillayar Kovil (Ganesh temple). Sri Palani Subramania Pillai gave Sankaran unique opportunities to perform duos with him to many top rank Karnatak musicians of that time, that included artists such as Ariyakkudi Ramanuja Iyengar, Chembai Vaidhyanatha Bhagavatar, Semmangudi Srinivasa Iyer, Madurai Mani Iyer, G.N. -
The Dayanand Anglo-Vedic School of Lahore: a Study of Educational Reform in Colonial Punjab, Ca
The Dayanand Anglo-Vedic School of Lahore: A Study of Educational Reform in Colonial Punjab, ca. 1885-1925. Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Universität Heidelberg vorgelegt von: Ankur Kakkar Erstgutachter: Prof. Dr. Gita Dharampal-Frick Zweitgutachter: Prof. Dr. Rahul Mukherji Heidelberg, April 2021 1 TABLE OF CONTENTS ACKNOWLEDGEMENTS ....................................................................................................... 5 LIST OF MAPS AND TABLES ................................................................................................. 8 INTRODUCTION ................................................................................................................ 11 CHAPTER 1: EDUCATION POLICY IN COLONIAL INDIA. A HISTORICAL BACKGROUND, CA. 1800-1880 ........................................................................................................................ 33 INTRODUCTION ........................................................................................................................ 33 ‘INDIGENOUS’ INDIAN EDUCATION : A COLONIAL SURVEY, CA. 1820-1830 ......................................... 34 Madras ........................................................................................................................... 38 Bombay .......................................................................................................................... 42 Bengal ........................................................................................................................... -
T>HE JOURNAL MUSIC ACADEMY
T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report ..