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Book4 All (Converted)-1 4[d] SWARM INTELLIGENCES Visual Collegium • Medak • SrbljinoviÊ • ZlatiÊ & BoæiËeviÊ • Yugoslavia as a Biopolitical Experiment • Milat COLLECTIVE ACTION Buergel OUTINOPEN 3D JOURNAL Schneider Good Morning, Croatia GROUP DYNAMICS SYMPOSIUM INVISIBLE ZAGREB Read • 3LHD • STEALTH group CENTAR ZA DRAMSKU UMJETNOST+MULTIMEDIJALNI INSTITUT+PLATFORMA 9,81+©TO, KAKO I ZA KOGA [WHW] Zagreb - Kulturni kapital Evrope 3000 je platforma za suradnju nastala kao zajedniËki projekt Centra za dramsku umjetnost, Multimedijalnog instituta, Platforme 9,81 i udruge za vizualnu kulturu ©to, kako i za koga/WHW. Zagreb - Kulturni kapital Evrope 3000 se odvija u okviru projekta relations. Projekt relations inicirala je njemaËka Savezna zaklada za kulturu. Kulturni kapital Êe razvijati one suradnje - kako meu nositeljima tako s lokalnim i internacionalnim inicijativama - koje tematiziraju promjene druπtvenih uvjeta kulturneproizvodnje, razvijaju strukturni poloæaj nezavisne kulture i preispituju dominantne reæime reprezentiranja kulture. Do 2005. u sklopu Kulturnog kapitala planirane su konferencije, umjetniËki festivali, izloæbe, radionice, predavanja, predstavljanja, publikacije, medijske produkcije i dr. Vaæan dio projekta bit Êe aktivnosti iz kulturne politike usmjerene na reforme institucionalnog okvira nezavisne kulture - poveÊavanje njenog utjecaja i jaËanje njenih resursa. Zagreb - Cultural Kapital of Europe 3000 is a collaboration platform created as a joint project of the Center for Drama Art, Multimedia Institute, Platforma 9,81 and What, How and for Whom. This project takes place in the framework of relations. relations is a project initiated by Kulturstiftung des Bundes, Federal Cultural Foundation, Germany. Cultural Kapital will foster those collaborations - both between the project initiators and the local and international initiatives - that will address changes in the social conditions of cultural production, develop the structural position of independent culture and question the dominant regimes of representing culture. Until 2005, Cultural Kapital is planned to include conferences, art festivals, exhibitions, workshops, lectures, presentations, publications, media productions, etc. An important part of the project will be cultural policy activities directed towards reforming the institutional setting of independent culture - increasing its influence and strengthening its resources. 01 Swarm Intelligences Vizualni kolegij / Visual Collegium Vizualni kolegij je iconic turn stoga nije, ili odsjek projekta Swarm je to ponajmanje, isk- Intelligences kojim ot- ljuËiva stvar umjetnosti varamo nova diskurziv- i kulturalnih studija - na polja s obzirom na upravo suprotno! Slika i teoriju vizualnog. Pro- nasilje - to je danas gram kolegija sastoji se pitanje na kojem se od- od: [a] kontinuirane luËuje druπtvenost glo- sheme projekcija u baliziranih zajednica. net.kulturnom klubu Benjamin je prvi uoËio MaMa (u dvotjednom nasilnost i πokantnost ritmu), masovno produciranih i [b] objavljivanja rele- difuzioniranih slika, tj. vantnih tekstova iz po- nasilnost vizualnog koje druËja i je postalo anorgansko. [c] organizacije preda- SlijedeÊi njegovu intu- vanja. iciju, koja je prirodu vi- Pored isticanja aspekta materijalnosti zualnog protumaËila u konstelaciji tehnike, [pokretne, digitalne] slike, posebni naglasak historije i druπtva, nas je u izradi ovog su- leæi na delezijanskom kredu uoËavanja i plementa vodio naputak da nasilnost slike promiπljanja momenata i slikovitost nasilja po- u kojima slika zastaje, a traæimo ponajprije u sa- Suplement Vizualnog kolegija #001 misao otpoËinje. Kruci- / Visual Collegium Suplement #001 mim stvarima/slikama i jalan je dakle moment Slika i nasilje / Image and Violence refleksiji o tome. Moæda: cezure vizualnog i mo- uredili / editors: Jelena KrivokapiÊ slika kao trag nasilnosti guÊe normativnosti [Beograd/Paris], Petar Milat miπljenja, ili nasilje kao slikovnog koja iz toga [Zagreb] trag slikovnosti miπljenja. proizlazi. Tekstovi koje ¶ Klaus Theweleit: Deutschland Filme - Filmsko miπljenje i nasilje donosi suplement #001 [German film - Film thought and objavljen u oæujku 2004. violence] u dvotjedniku Zarez iz ¶ Jelena KrivokapiÊ: Ekonomija Petar MILAT razliËitih rakursa ispituju vidljivog Marie José Mondzain [The voditelj projekta / project Economy of the Visible Marie José coordinator povezanost vizualnog i Mondzain] [email protected] nasilja. Nije pretjerano ¶ Marie José Mondzain: Moæe li Tanja VRVILO kad se ustvrdi da je up- slika da usmrti? [Can an image kill?] voditelj Vizualnog kolegija ravo ikonoklazam kao ¶ Jelena KrivokapiÊ: “Sudbina / Visual Collegium klasiËni topos odnosa slika”, ili kritika idealne istorije coordinator moderniteta [“Destiny of images”, [email protected] slike i nasilja, najadek- or critique of the ideal history of Jelena KRIVOKAPI∆ vatniji modus miπljenja modernity] urednik suplementa / kako druπtvenog tako i ¶ Jacques Rancière: Sudbina slika supplement editor vizualnog. Proklamirani [Destiny of images] [email protected] 02 Swarm Intelligences Tomislav MEDAK: Zrno druπtvenosti / The Social Grain 23/04/2004. klub za net.kulturu MaMa / net.culture club MaMa Zrno druπtvenosti - socijalna The Social Grain - A Social Ontology ontologija elektronske pokretne slike of the Electronic Moving Image Konstrukcijom vremena u postupku Through its construction of temporality in the montaæe i konstitucijom iskustva u editing procedure and its constitution of experience in a collective perception, ∫lm has kolektivnom Ëinu opaæanja, ∫lm je u 20. crystallized the subjective structure of modern stoljeÊu kristalizirao subjektivnu strukturu sociality in the 20th century. Starting from the moderne druπtvenosti. PretpostavljajuÊi da premise that mediality does not participate only medijalnost ne sudjeluje samo u izvanjskom in the external formation of social phenomena, but rather that mediality, in a privileged sense, obrazovanju druπtvenih fenomena, veÊ da reflects the structure of sociality, the lecture will medijalnost u povlaπtenom smislu odraæava take electronic moving images as a possible strukturu druπtvenosti, predavanje Êe uzeti matrix for crystallizing the social ontology of a elektronske pokretne slike kao moguÊu contemporary, post-Fordist subjectivity. matricu za kristaliziranje socijalne ontologije suvremene, postfordistiËke kontakt / contact: subjektivnosti. Tomislav MEDAK, [email protected] Visual Collegium is a Zarez, question the relation of history and society, in the department of the Swarm the visual and violence from making of this supplement we Intelligences programme that different points of view. It is not were led by the instruction that opens up new discursive fields an exaggeration to claim that we should primarily search for in the theory of the visual. The it is precisely iconoclasm that the violence of the image and programme of the collegium holds, as a classic topos of the visual violence in the very consists of: relation between image and objects/images themselves and [a] a continuous program of violence, the most adequate in reflections on these. Perhaps: screenings at the net.culture modus of thought, both in a image as the trace of violence club MaMa (bi-weekly) social and visual sense. The of thought, or violence as the [b] publication of relevant texts proclaimed iconic turn is thus trace of visual thought. from the field, and not, or least of all, an exclusive [c] organization of lectures. object of art and cultural Together with the emphasis on studies - but rather the the aspect of materiality of the opposite! Image and violence Swarm Intelligences: BLOK, (moving, digital) image, a - this is the current question on Community Art, past:forward particular importance rests in which the sociality of globalized [mi2], Platforma 9,81 the Deleuzeian credo of noting communities is being decided. www. swarm-intelligences.org and rethinking the moments in Benjamin was the ∫rst to notice which an image pauses and the violence and shock value program je ostvaren u suradnji thought begins. The crucial of mass-produced and diffused s Hrvatskim filmskim savezom moment of caesura of the visual images, that is, the violence of i realiziran kroz platformu and the possible normativeness the visual that became clubture / this program was of the pictorial that results from inorganic. Following his carried out in cooperation with this. The texts found in intuition, one which interpreted the Croatian Film Clubs’ supplement #001, published in the nature of the visual through Association and realized March 2004 in the bi-weekly a constellation of technology, through the clubture platform 03 Swarm Intelligences & caternetics Armano SRBLJINOVI∆: Inteligencija roja / Swarm Intelligence 05/03/2004. klub za net.kulturu MaMa / net.culture club MaMa ProuËavanje kolonija insekata, jata ptica ili The study of insect colonies, flocks of birds, riba, krda antilopa i sliËnih prirodnih kole- schools of fish, herds of antelopes and similar natural collective phenomena inspires the ktivnih fenomena izvor je nadahnuÊa za investigation of abstract “swarms” consisting prouËavanje apstraktnih "rojeva" apstrakt- of abstract “individuals” in even more ab- nijih "jedinki" u joπ apstraktnijim "prostori- stract “spaces”. Are these structures intelli- ma". Jesu li takve strukture inteligentne i u gent, and what is their “intelligence”? What insights do computer simulations of these Ëemu je njihova "inteligencija"? Kakve uvide phenomena allow? What new possibilities omoguÊuju raËunalne simulacije takvih does the application
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