DOCSLIB.ORG

Exom¡Ned on Compus

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Exom¡Ned on Compus Revised moster flon is odopted The Board of'lrustees of the I State Center Community College c District has adopted a revised 'Commu¡ity educational master plan for .6. Service - Fresno City College and Reedley programs to provide cultural, College. educatio,nal, and recreational The plan, which projects the services to residents of the educational development of the college service areas beyond two campuses through 1978-79, formalized classroom instruction. reaffirms the district's commit- Projected new programs to be ment to serve the educational developed at Fresno City College needs of the district through six under the adopted plan include areas of instructional concern. commercial photography, con- They are: sumer education, dental labora- 1. Occupotiond Educaticn tory technician, environmental training in vocational skills and- technician, food service and related instruction to qualify the dietary education, industrial student for beginning employ- security, physieian's assistant, ment or advancement in his credit management, purchasing occupation. management, community health 2. College Courses for aide, therapeutic recreation aide, Transfer and cosmetology. parallel those offered freshman AlÞ proposed new programs and sophomore stude¡ts by the must be approved individually by University of California, the the board before becoming a part, state colleges and universities, of the edue¿tional program. The and private universities and l0-year plan, a long-range colleges. projectiop of educational de- 3. General Educotíon In- velopment, is subject to revision struction courses designed to and board review annually. enrich the- life of the student and In other matters the board: enable him to function more -Nominated Board President effectively as an individual and David L. Creighton for consi as a citizen, and to broaden his deration for appointment to the educational and cultural hori- new Callfornia Postsecondary zons. Education Commission, a state 4. Guidonce counseling agency that will supplant the services and exploratory- ex- present Coordinating Council of perience to help students choose Higher Education as of next realistic goals and work April 1. Nominations to the efficiently toward them. agency will be sent to Governor 5. Adult Educ¡tion Reagan, Assembly Speaker courses to provide adults with Robert Moretti, and State opportunities for updating oc- Senator James Mills, the three cupational skills, lea¡ning new See Boord, Poge I Tickling student ivories in dentol hygiene lob. Photo by Lockwood HoYe your choppers exom¡ned on compus It's possible to have your teeth aptitude test. cleaned and examined right here The program, which Varty on campus. describes as "similia¡ to a lab The new service is possible coutse," requires 70 eollege units because of FCCs new dent¿l and leads to an ¿ssociatsof arts clinic, the mostrecent addition to 4"geg. Applictions are accepted the program of dent¿l educatÍon from Jan. I to M¿rch 15. under Dr. Willard B. Varty, the students are equipped- to directq of dental hygiene. do eleaning and flüoride Aceording to Varty, thceli¡ic t¡eatments was instituted to meet require- which the ments set by the Cor¡neil on minimalfee, De¡tal Education of the or pulling Ameriean Dent¿l Associ¡tion. Of dÍa¡¡nose speeific ailnents. the 40 sophomores É¡d freshmen The educ¿tional metbods and currently enrolled in the teehniques used are sta¡d¿rdized program Varùy said it was the by tederal and st¿tp law. Varty first clinic¿l ex.periencr for many said the program has.become a of them. The number ol students entcring the program each year is limited to 20, ehosen ftom what Varty estimated tobe as many as Varty said, "we eaD always use 4fi) applieants. To qualify, î student must have had high school algebra and chemistry or their college equivalents and noons. Appoi¡tments may be must pass a dentàl hygiene made by q¿lling Z64;940i|,. Page2 RAMPAGE IÞc.6, 1973 GUEST EDITOR,IAL MURRAY BUCHWATD JtK loss sr¡ll felt Guest tolks of ltlur]oy Weduesday, Nov. 22, marked the 10th anniversary of the assasination of President John F. Kennedy in Dallas, Texas. It was a day on which people stopped in the streets and wept (Mr. Buchwald is on vacation. business is slow any\Ãray. I used to ask Murray how he operùy from grief. They wept because they painfully felt the This week's column was guest We used to room together in could stand to look at her, he said loss of the man they loved and admired. written by, his dear friend and college back in '53 till he moved he couldn't. I'd ask how come he's John Kennedy was the leader of the American people. The fellow political sage, Mitsu in with some WASP broad who living with her, he'd say, "This is young and vigorous president inspired the confidence and trust Schwartz.) thbught his dad was her home ec living?" Boy, he was sure a funny of the people teacher. I don't know whatever guy. HE LED THE nation through some of its most threatening becameofher. Gee, I hope it was And he did the zaniest things. years during the cold war, and he responded to the challenges Hi, I'm Mitsu Schwartz, violent-she was ugly ugly ugly. One time he went into a clothing posed by the threats from Soviet nuclear porver. Mr. Kennedy Murray's best friend. MurraY's in Her face looked like cheese pizza. store, and when a saìesman worked hard for peace and the nuclear test ban treaty, yet he Clovis for a few daYs, so he asked Her body looked like it won third asked what he'd like. he said. "A saw to it that America's position would remain one of strength. me to fill in for him. I said sure, prize at the County Fair for bowl ofchicken soup and a loaf of When Mr. Kennedy called for Americans to reach the moon why not, the barbeP shoP gnarled fish. Russian rye." The guy said, "This before the end of the 1960's, he had the ability to inspire the is a clothing store, we don't have nation. He gave it unity and direction in which to channel its chicken soup," and Murray said, pride and technology in response to yet another Russian N EW S BRIEFS "Oh." Gee, I really cracked up challenge. over that. In addition, the feeling among the young for John Kennedy Another time he fixed us up amounted to almost hero worship. with a couple of broads. We went TO TIIE REST of the world Mr. Kennedy symbolized to the malt shop, got them America, and when he travelled to Germany during the Berlin Vocc¡ncltions free loaded. then drove out to the Wall crisis thousands of Berliners massed together to hear him woods. One of the girls said, speak. To them, he symbolized freedom and resistance to the "What are we stopping out here communist threat. for?" and Murray said, "My dear, Mr. Kennedy and the New Frontier added life and vitality to for the osking we've just run out of gas." So the the American government, qualities which are sadly lacking girl said, "Did you really run out today. The potential and promise for his second term were of gas, or are you just trying to destroyed by an assassin, and in turn some of the life and get fresh?" Murray looked at me Sun Stereo, Sears, Weinstocks enthusiasm for government was killed in all of us. FREE FAMILY IMMUNI. and winked and said, "We've . and Sheraton Inn. Sponsored by Five years later Mr. Kennedy's brother, Robert, and Martin ZATION CLINIC. .Anemia and really run out of gas." So the two Sickle cell blood testing. .Chest Sheraton Inn. Luther King were also murdered. They also possessed the t*+ girls grabbed the gas can out of the nation's problenis and bring people X-rays. .TB skin-testing. the trunk and walked eight miles ability to solve the BODY ELEC- together. Dental examinations.. .Date: STUDENT to a station. When they gòt back, TIONS. Petitions are available In these last 10 years John Kennedy has been missed. 2nd Saturday, every month... Murray said, "I was kidding, Time: 9:00 a.m. to 12:00 at A-104 for ASB elections. they toots-I was really trying to get Channels, Santa Barbara City College -The noon...Place: Hale Medical are only available until Friday, fresh." So the girls dumped gas Center, 302 Fresno St. For Dec.7, and must be turned in at in his lap and lit it up. information call Family Health A-L22 no later than 4:ü) p.m. the Just before graduation I asked Services, 488-5147 Sponsored by same day. B.F.D. trlt Murray what he'd like to be, and Arfist on compus: West Fresno Health Council and he said, "Drunk." I guess his Fresno County Health Dept. CAFETERIA BOYCOTT... greatest ambition always t** has Last year the Student SenaLe, been to write. He used to pace up FoI City lounder CHILDREN'S ROCK MUSI- Faculty Senate, Teacher's Union, and down our dorm, worrying CAL..."Cinderella", Dec. 8 and and the FCC Advisory Board all about his future. He'd say, 9...Four performances...Sat- agreed to support a boycott of all "Someday I'm gonna work on the non-union products in the FCC A leading exponent of Commencement, film, slide show urday, Dec.8, 10:00 a.m. and 1:00 Fresno Guide, I know I am, I've cafeteria. ;MECHA is asking correspondence art will be an on "A Typical Day at Fat City or ' p.m.
Load more

Recommended publications
  • Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos
    Tab.3a - Classifica canzoni Genesis/Ranking Genesis songs Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti 1 Supper's ready 95 25 Fly on a windshield 9 32 Dusk 2 2 The Musical box 92 White mountain 9 Many too many 2 3 Firth of fifth 90 26 Timetable 8 In that quiet earth 2 4 The cinema show 80 27 The chamber of 32 doors 7 Tonight tonight tonight 2 5 The lamia 44 The colony of slippermen 7 A trick of the tail 2 6 Watcher of the skies 42 28 Robbery assault and battery 6 Silver rainbow 2 7 The Carpet crawlers 38 Calling all stations 6 Dreaming while you sleep 2 8 Can Utility and the coastliners 37 Driving the last spike 6 The waiting room 2 9 Dancing with the moonlit Knight 36 Uncertain weather 6 Second home by the sea 2 10 One for the vine 35 All in a mouse's night 6 After the ordeal 2 11 The fountain of Salmacis 32 29 Undertow 5 Horizons 2 12 Mad man moon 30 Abacab 5 33 More fool me 1 13 Entangled 25 Hairless heart 5 It's gonna get better 1 14 Blood on the rooftops 24 Home by the sea 5 Alien afternoon 1 15 The knife 23 Back in NYC 5 Man of our times 1 16 Ripples 22 Visions of angels 5 Land of confusion 1 In the cage 22 Domino 5 Alone tonight 1 17 Seven stones 21 30 I know what I like 4 In the beginning 1 Los endos 21 Duchess 4 Congo 1 18 Dance on a volcano 18 Down and out 4 Shipwrecked 1 Stagnation 18 Squonk 4 The dividing line 1 Duke's travel 18 Turn it on again 4 Your own special way 1 19 Afterglow 17 Me and Sarah Jane 4 If that's what you need 1 20 Looking for someone 15 Evidence of autumn
    [Show full text]
  • PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
    From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
    [Show full text]
  • Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
    Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4.
    [Show full text]
  • BULLETIN Du Canada Supplement to the Journal of the Royal Astronomical Society of Canada
    February février 1995 Volume 5 Number 1 The Royal La Société Astronomical Society Royale d'Astronomie of Canada BULLETIN du Canada Supplement to the Journal of the Royal Astronomical Society of Canada I automatically just head out to the dark site him that I would have been there just as fast had Reflections: rather than settling for lazy backyard observing. it been him calling for help. A couple of hours So getting back to January 22nd. We had a passed and the officers convinced the girls to The Other Side of the short but extremely transparent evening. My apologize to the cabby and pay him his fare. favourite Sharpless nebulae were easier to see Being a practical and forgiving man he accepted Night than usual and for the first time several of us the cash and dropped the charges. The officers Randy Pakan were able to see the Horsehead Nebula without were officially required to tell me what I did was Edmonton Centre a filter! Alas, the clouds rolled in and we left very stupid, but off the record admitted they around midnight. would have done exactly the same thing. I am Our observing session on January 22nd is I took my time driving home and eventually sure that the fact that I have a teenage daughter one that I will remember for a long time. Not so went to bed around three. However, just as I laid had a lot to do with the way I reacted. much because of the observing but because of back I heard a blood curdling “Help rape..
    [Show full text]
  • Large-Scale Strategy and Compositional Design in the Early Music of Genesis
    Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with
    [Show full text]
  • MUSIC with STEVE SCOTT STEVE HACKETT
    MUSIC with STEVE SCOTT Hackett’s Genesis spirit Steve Hackett... picking the acoustic instrumental Horizons (Foxtrot) By Steve Scott compromised doing that. “For Please Don’t Touch I had the idea of doing an album that Former Genesis lead guitarist Steve Hackett is bringing his “I particularly remember our singer Nad mentioning to me was a cross between white European music and black own band to Auckland in July to perform under the banner his album Unifaun (2008). American music and I was fortunate to get stellar Steve Hackett and Genesis Revisited. “He said it was in the spirit of Genesis and it featured the performances from all those people. He says he is ‘absolutely thrilled’ that so many of Genesis’ kind of songs Genesis could have done. Three years later, Out Of The Tunnel’s Mouth (2009) songs written in the 1970s are considered to be worth more “So I believe Genesis was a very important band for him and revealed influences from Turkey. than a second listen. a big influence and it is wonderful that he reiterated to me On his latest release, his 25th solo album The Night Siren, ‘’I think songs that are written, often very quickly, well you that he is happy to keep doing this, even though he has been Hackett has incorporated musicians and instruments from have no idea of the longevity or effect that they are going to producing great solo stuff and constantly touring to rave a variety of countries. They include vocalists from Israel and have on listeners or concert-goers.
    [Show full text]
  • I Genesis E Le Rivelazioni Esoteriche Di Peter Gabriel
    www.centrosangiorgio.com RICCARDO CUCCO I Genesis e le rivelazioni esoteriche di Peter Gabriel Centro Culturale San Giorgio 1 www.centrosangiorgio.com AVVERTENZA Il presente saggio, pubblicato sul sito www.centrosangiorgio.com a mero scopo divulgativo, può essere riprodotto parzialmente o integralmente da chiunque lo desideri, purché non a fini di lucro e con la raccomandazione di citarne la fonte. Ultima revisione: 29 marzo 2018 «La verità vi farà liberi» (Gv. 8,32) 2 www.centrosangiorgio.com SOMMARIO INTRODUZIONE 4 I. I PRIMI ALBUM 5 II. WATCHER OF THE SKIES E LA FANTASCIENZA GNOSTICA DI ARTHUR C. CLARKE 17 III. THE LAMB LIES DOWN ON BROADWAY: UN VIAGGIO INIZIATICO 41 IV. RIVELAZIONI ESOTERICHE E RIVOLUZIONE SESSUALE 84 ARTICOLI CORRELATI 126 3 www.centrosangiorgio.com INTRODUZIONE Maschere con la testa di una volpe, ali di pipistrello intorno al capo di Peter Gabriel. Una piscina con tre lamia (esseri mitologici metà donna e metà serpente). Una stanza con 32 porte. Questi sono solo alcuni esempi delle curiose trovate presenti negli album e nei concerti dei Genesis. Non è facile addentrarsi nei meandri dei testi e delle rappresentazioni del gruppo inglese, che si può tranquillamente considerare uno dei più colti e raffinati di tutto il panorama rock, soprattutto per quanto realizzato durante il loro periodo progressive degli anni ’70. Peter Gabriel (voce, flauto), Mike Rutherford (basso), Tony Banks (organo, mellotron, piano, ecc...) e il primo chitarrista Anthony Phillips provenivano da una prestigiosa scuola privata del Surrey, la Charterhouse. Ma anche i membri che si aggiunsero col terzo LP, il nuovo chitarrista Steve Hackett e il batterista Phil Collins non erano certo degli sprovveduti.
    [Show full text]
  • The Peter Vickers Genesis Collection Wednesday 16Th May 2018 at 10.00
    Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) The Peter Vickers Genesis Collection Wednesday 16th May 2018 at 10.00 Viewing: 14th May 10.00-16.00 For enquiries relating to the auction 15th May 2018 09:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 David Martin Fax: 0871 714 6905 Music & Email: [email protected] Entertainment www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price The Peter Vickers Genesis Collection Peter Vickers started collecting Genesis Records and Memorabilia in the Mid 1970s and became a well known and respected member of the Genesis fan community, writing a number of articles on the band for magazines and on line. Peter also self produced several limited edition books on the history of Genesis and Rare Collectibles. It is doubtful if anyone else had the depth and breadth of his knowledge regarding the Band’s Recorded output around the world.
    [Show full text]
  • WCXR 2004 Songs, 6 Days, 11.93 GB
    Page 1 of 58 WCXR 2004 songs, 6 days, 11.93 GB Artist Name Time Album Year AC/DC Hells Bells 5:13 Back In Black 1980 AC/DC Back In Black 4:17 Back In Black 1980 AC/DC You Shook Me All Night Long 3:30 Back In Black 1980 AC/DC Have a Drink on Me 3:59 Back In Black 1980 AC/DC Dirty Deeds Done Dirt Cheap 4:12 Dirty Deeds Done Dirt… 1976 AC/DC Squealer 5:14 Dirty Deeds Done Dirt… 1976 AC/DC Big Balls 2:38 Dirty Deeds Done Dirt… 1976 AC/DC For Those About to Rock (We Salute You) 5:44 For Those About to R… 1981 AC/DC Highway to Hell 3:28 Highway to Hell 1979 AC/DC Girls Got Rhythm 3:24 Highway to Hell 1979 AC/DC Beating Around the Bush 3:56 Highway to Hell 1979 AC/DC Let There Be Rock 6:07 Let There Be Rock 1977 AC/DC Whole Lotta Rosie 5:23 Let There Be Rock 1977 Ace Frehley New York Groove 3:04 Ace Frehley 1978 Aerosmith Make It 3:41 Aerosmith 1973 Aerosmith Somebody 3:46 Aerosmith 1973 Aerosmith Dream On 4:28 Aerosmith 1973 Aerosmith One-Way Street 7:02 Aerosmith 1973 Aerosmith Mama Kin 4:29 Aerosmith 1973 Aerosmith Rattkesnake Shake (live) 10:28 Aerosmith 1971 Aerosmith Critical Mass 4:52 Draw the Line 1977 Aerosmith Draw The Line 3:23 Draw the Line 1977 Aerosmith Milk Cow Blues 4:11 Draw the Line 1977 Aerosmith Livin' on the Edge 6:21 Get a Grip 1993 Aerosmith Same Old Song and Dance 3:54 Get Your Wings 1974 Aerosmith Lord Of The Thighs 4:15 Get Your Wings 1974 Aerosmith Woman of the World 5:50 Get Your Wings 1974 Aerosmith Train Kept a Rollin 5:33 Get Your Wings 1974 Aerosmith Seasons Of Wither 4:57 Get Your Wings 1974 Aerosmith Lightning Strikes 4:27 Rock in a Hard Place 1982 Aerosmith Last Child 3:28 Rocks 1976 Aerosmith Back In The Saddle 4:41 Rocks 1976 WCXR Page 2 of 58 Artist Name Time Album Year Aerosmith Come Together 3:47 Sgt.
    [Show full text]
  • Die Ewige Bestenliste Nach 100 Sendungen
    Schlagerrallye 2018 - Die ewige Bestenliste nach 100 Sendungen - Stand: 11.10.2020 Gesamt Wochen platziert Chart Chart wie oft Platz Interpret Titel Jahr Datum Datum Datum Datum Datum Datum Punktzahl dabei im Jahr Einstieg Ausstieg Platz 1 1 Abba Eagle 1977 367 18 2019 2020 08.12.19 05.07.20 6 08.12.19 15.12.19 29.12.19 23.02.20 01.03.20 08.03.20 2 Wishful Thinking Hiroshima 1970 337 21 2019 2020 25.08.19 08.03.20 3 25.08.19 01.09.19 15.09.19 3 Gaynor, Gloria Reach Out, I'll Be There 1975 327 24 2019 09.06.19 15.12.19 4 Birth Control Gamma Ray 1972 306 19 2019 17.03.19 18.08.19 6 17.03.19 24.03.19 07.04.19 21.04.19 05.05.19 19.05.19 5 Chic Le Freak 1978 266 16 2019 2020 29.12.19 12.07.20 6 Police, The Walking On The Moon 1979 260 18 2019 28.07.19 08.12.19 2 28.07.19 04.08.19 7 Who, The Won't Get Fooled Again 1971 259 15 2019 2020 15.12.19 21.06.20 8 Smokie It's Your Life 1977 253 21 2018 10.06.18 18.11.18 2 26.08.18 09.09.18 9 Electric Light Orchestra Sweet Talkin' Woman 1977 251 15 2020 01.03.20 26.07.20 10 Whitesnake Don't Break My Heart Again 1981 219 19 2018 10.06.18 04.11.18 1 24.06.18 11 Meat Loaf You Took The Words Right Out Of My Mouth 1977 196 10 2019 2020 03.11.19 23.02.20 3 03.11.19 10.11.19 17.11.19 12 Simple Minds See The Lights 1991 193 13 2020 17.05.20 06.09.20 13 Nannini, Gianna Latin Lover 1982 189 13 2019 03.03.19 09.06.19 1 10.03.19 14 Fleetwood Mac Little Lies 1987 187 11 2019 2020 24.11.19 29.03.20 15 Rheingold Dreiklangsdimensionen 1980 169 9 2019 2020 22.12.19 19.04.20 2 22.12.19 22.03.20 16 Smokie Wild Wild Angels
    [Show full text]
  • MARK SPICER Genesis's Foxtrot* One of the Most Ironic
    MARK SPICER Genesis’s Foxtrot* One of the most ironic developments in Billboard chart history occurred in July 1986, when Genesis, basking in the success of having finally scored their first (and only) U.S. #1 hit with Invisible Touch were knocked out of the top spot just one week later by their former frontman Peter Gabriel, who, in turn, scored his first (and only) U.S. #1 with Sledgehammer. While I must admit to having a personal affection for their later records, I think it is safe to say that most fans would prefer to forget the slick, synthesizer-driven pop that characterized much of Genesis’s output in the 1980s and 1990s, and instead look back fondly to the first half of the 1970s — the golden age of British progressive rock — when the group was famous for crafting epic rock pieces in which the multiple shifts of texture, affect, tonality and groove echo those typically found, say, in a large-scale symphonic work by Liszt or Holst. Like Yes, Emerson, Lake & Palmer (ELP), Gentle Giant, King Crimson, Jethro Tull, Soft Machine, Henry Cow, and their other compatriots in British progressive rock during this remarkable period, Genesis did not set out to create music that was immediately catchy or danceable (although one can certainly imagine dancing, however awkwardly, to many of their odd-metered grooves). Theirs was serious music intended for serious listeners. Indeed, as John Covach has put it, “there was the perception [among fans] that these musicians were attempting to shape a new kind of classical music — a body of music that would not disappear after a few weeks or months on the pop charts, but would instead be listened to (and perhaps even studied), like the music of Mozart, Beethoven and Brahms, for years to come.” (Covach, 1997: 4) Figure 1 shows a chronology of Genesis albums released through October 1977, when guitarist Steve Hackett left the group and the three remaining members decided to continue as a trio.
    [Show full text]
  • Original Mix
    Wish List of Genesis Deluxe/Expanded Editions Trespass CD1: Original Mix CD2: Going Out to Get You (Demo 1969)/Dusk (Demo 1969)/Jackson 1 (Provocation)/Jackson 2 (Frustration/Jackson 3 (Manipulation)/Jackson 4 (Resignation)/Shepherd (BBC Nightride 1970)/Pacidy (BBC Nightride 1970)/Let Us Now Make Love (BBC Nightride 1970)/Stagnation (BBC Nightride 1970)/Looking For Someone (BBC Nightride 1970) CD 3: Nick David 2008 Remix Nursery Cryme CD1: Original Mix CD2: Happy The Man/The Musical Box (BBC Sounds of the Seventies 1971)/Stagnation (BBC Sounds of the Seventies 1971)/Return of the Giant Hogweed (BBC Sounds of the Seventies 1972)/Harold the Barrel Mix 1 (BBC Sounds of the Seventies 1972)/Fountain of Salmacis (BBC Sounds of the Seventies 1972)/Harlequin (BBC Sounds of the Seventies 1972)/Harold the Barrel Mix 2 (BBC Sounds of the Seventies 1971)/Fountain of Salmacis (Live at Paris Theatre)/The Musical Box (Live at Paris Theatre)/Return of the Giant Hogweed (Live at Paris Theatre) CD3: Nick Davis 2008 Remix Foxtrot CD1: Original Mix CD2: Watcher of the Skies (Single Mix)/Twilight Alehouse (BBC Sounds of the Seventies 1972)/Watcher of the Skies (BBC Sounds of the Seventies 1972)/Get ‘em out by Friday (BBC Sounds of the Seventies 1972)/Supper’s Ready (Live 1973 – Genesis Live outtake) CD3: Nick Davis 2008 Remix Selling England CD1: Original Mix + Twilight Alehouse CD2: Live at the Rainbow ’73 – Dancing with the Moonlit Knight/The Cinema Show/I Know What I Like/Firth of Fifth/More Fool Me/Battle of Epping Forest/Story of Old Michael/Supper’s
    [Show full text]