The Shadow of the Lion by Mercedes Lackey, Eric Flint & Dave Freer

Total Page:16

File Type:pdf, Size:1020Kb

The Shadow of the Lion by Mercedes Lackey, Eric Flint & Dave Freer The Shadow of the Lion by Mercedes Lackey, Eric Flint & Dave Freer This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people or incidents is purely coincidental. Copyright © 2002 by Mercedes Lackey, Eric Flint & Dave Freer All rights reserved, including the right to reproduce this book or portions thereof in any form. A Baen Books Original Baen Publishing Enterprises P.O. Box 1403 Riverdale, NY 10471 www.baen.com ISBN: 0-7434-3523-0 Cover art by Larry Dixon First printing, March 2002 Library of Congress Cataloging-in-Publication Data Lackey, Mercedes. The shadow of the lion / Mercedes Lackey, Eric Flint & Dave Freer. p. cm. ISBN 0-7434-3523-0 1. Venice (Italy)—History—1508–1797—Fiction. 2. Brothers—Fiction. 3. Monsters—Fiction. I. Flint, Eric. II. Freer, Dave. III. Title. PS3562.A246 S53 2002 813'.54—dc21 2001056466 Distributed by Simon & Schuster 1230 Avenue of the Americas New York, NY 10020 Production by Windhaven Press, Auburn, NH Printed in the United States of America World eBook Library Consortia Baen Free Library Science Fiction eBook Collection The World eBook Library, www.worldLibrary.net is an effort to preserve and disseminate literature, serials, bibliographies, dictionaries, encyclopedias, and other reference works in a number of languages and countries around the world. Our mission is to serve the public, aid students and educators by providing public access to the world's most complete collection of electronic books on-line as well as offer a variety of services and resources that support and strengthen the instructional programs of education, elementary through post baccalaureate studies. *This eBook has certain copyright implications you should read.* This book is copyrighted by the Baen Publishing Enterprises, http://www.baen.com/library. With permission copies may be distributed so long as such copies (1) are for your or others personal use only, and (2) are not distributed or used commercially. Prohibited distribution includes any service that offers this file for download or commercial distribution in any form, (See complete disclaimer http://worldlibrary.net/Copyrights.html) or email Librarian@baen. com World eBook Library Consortia P.O. Box 22687 Honolulu, Hawaii 96823 [email protected] To the world's firefighters; and, especially: to the hundreds of those in the Fire Department of New York who died in the line of duty on September 11, 2001. BAEN BOOKS by MERCEDES LACKEY BARDIC VOICES The Lark & the Wren The Robin & the Kestrel The Eagle & the Nightingales The Free Bards Four & Twenty Blackbirds Bardic Choices: A Cast of Corbies (with Josepha Sherman) The Fire Rose Fiddler Fair Werehunter Lammas Night (edited by Josepha Sherman) The Ship Who Searched (with Anne McCaffrey) Wing Commander: Freedom Flight (with Ellen Guon) URBAN FANTASIES Bedlam's Bard (omnibus with Ellen Guon) Beyond World's End (with Rosemary Edghill) Spirits White as Lightning (with Rosemary Edghill) The SERRAted Edge: Chrome Circle (with Larry Dixon) The Chrome Borne (omnibus with Larry Dixon) The Otherworld (omnibus with Mark Shepherd & Holly Lisle) THE BARD'S TALE NOVELS Castle of Deception (with Josepha Sherman) Fortress of Frost & Fire (with Ru Emerson) Prison of Souls (with Mark Shepherd) BAEN BOOKS by ERIC FLINT The Philosophical Strangler Forward the Mage (with Richard Roach) The Belisarius series, with David Drake: An Oblique Approach In the Heart of Darkness Destiny's Shield Fortune's Stroke The Tide of Victory The Tyrant (with David Drake) (forthcoming) 1632 Mother of Demons BAEN BOOKS by DAVE FREER The Forlorn Rats, Bats, and Vats (with Eric Flint) Pyramid Scheme (with Eric Flint) Prologue April, 1537 A.D. MAINZ The yellow lantern-lights of Mainz's dockside inns reached out across the dark Rhine. Standing on the prow of the riverboat, Erik Hakkonsen stared at them, thinking of little more than food and a bed. He'd left his home in Iceland three weeks earlier, to answer the Emperor's summons. They'd had a stormy crossing. Then the late spring thaw had ensured that the roads of the Holy Roman Empire were fetlock deep in glutinous mud. And, finally, the river had been full and the rain steady. Tomorrow he would have to go to the Imperial palace, and find out how to seek an interview with Emperor Charles Fredrik. But tonight he could sleep. The riverboat nudged into the quay. A wet figure stepped out from under the eaves of the inn. "Is there one Erik Hakkonsen on this vessel?" he demanded, half-angrily. The rain hadn't been kind to the skinny courtier's bright cloak. The satin clung to him, and he was shivering. Erik pushed back his oilskin-hood. "I'm Hakkonsen." "Thank God for that! I'm soaked to the skin. I've been here for hours," complained the man. "Come. I've got horses in the stable. The Emperor awaits you." Erik made no move. "Who are you?" The fellow shivered. "Baron Trolliger. The Emperor's privy secretary." He held out his hand to show a heavy signet. It was incised with the Roman Eagle. That was not a seal anyone would dare to forge. Erik nodded. "I'll get my kit." The shivering baron shook his head. "Leave it." He pointed to the sailor who had paused in his mooring to stare. "You. Watch over this man's gear. Someone will be sent for it." As much as anything else, the alacrity with which the sailor obeyed the order drove home the truth to Erik. He was in the heart of the Holy Roman Empire, for a certainty. In his native Iceland—or Vinland, or anywhere else in the League of Armagh—that peremptory order would have been ignored, if not met with outright profanity. "Come," the baron repeated. "The Emperor is waiting." * * * Passing from the narrow dark streets and sharp-angled tall houses into the brightness of the imperial palace, Erik had little time to marvel and gawk at the heavy gothic splendor of it all. Instead, Baron Trolliger rushed him through—still trailing mud—into a large austere room. As soon as Erik entered, the baron closed the door behind him, not entering himself. In the center of the room, staring at Erik, stood the most powerful man in all of Europe. He was a large man, though now a bit stooped from age. His eyebrows seemed as thick and heavy as the purple cloak he was wearing; his eyes, a shade of blue so dark they almost matched the cloak. Charles Fredrik. The latest in a long line of Hohenstauffens. Guardian of the Church, Bulwark of the Faith. Lord of lands from northern Italy to the pagan marches in the Baltic. Ruler over millions of people throughout central Europe. The Holy Roman Emperor, himself. In direct line of descent from the great Fredrick Barbarossa. All of that mattered little to Erik. His tie to the Emperor was a clan tie, not a dynastic one. He was there to become the Emperor's servant, not his subject. So, Erik simply bowed to the old man, rather than kneeling, and spoke no words of fealty. Simply the old oath: "Linn gu linn." The words were Gaelic, but the oath that bound him came from the cold fjells of pagan Norway. An oath that went back generations, to the time when a Hohenstauffen prince had rescued a pagan clan from demons set loose by their own foolishness. Charles Fredrik spoke like an old man—despite being no older than Erik's father. But he voiced the ritual words strongly. "From generation to generation." He held out the dagger that Erik had heard described with infinite care all his life. The dagger was iron. Old iron. Sky iron. Hammered with stone in the pagan Northlands, from a fallen thunderbolt. The hilt was shaped into a dragon head—the detail lost in the blurring of hundreds of years of use. It still drew blood for the blood-oath like new steel did. "Blood for blood. Clan for clan." Erik renewed the oath calmly. After binding their wounds himself, Charles Fredrik took Erik by the elbow and led him across to a window. The window was a mere arrow-slit, testimony to the palace's ancient origins. Against modern cannon, such fortifications were almost useless. But . there was a certain undeniable, massive dignity to the huge edifice. There they stood, silent for some time, looking out at the scattered shawl of lights which was the great sleeping city of Mainz. Erik was quite sure that those lights represented more people than lived in all Iceland. Their lives, and those of many more, rested in the hands of the old man standing next to him. The Emperor seemed to have read his thoughts. "It is a great load, at times," he said softly. His heavy jaws tightened. The next words were spoken almost harshly. "I have called for the Clann Harald because my heirs have need. My son is . very sickly. And I do not expect my only surviving brother to outlive me. Not with his wounds. So I must take special care to watch over my two nephews, for it is quite likely that one of them will succeed to the throne after I am gone." The Emperor sighed. "Your older brother Olaf watched over my nephew Conrad for his bond-time, as your father Hakkon watched over me." A slight smile came to his face. "To my surprise, I find I miss him. He used to beat me, you know." "He has told me about it, Godar of the Hohenstauffen." Erik did not add: Often.
Recommended publications
  • Dante Alighieri's Divine Comedy – Inferno
    DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark..
    [Show full text]
  • Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539 Ellen A. Hurst Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/51 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ITALIANS AND THE NEW BYZANTIUM: LOMBARD AND VENETIAN ARCHITECTS IN MUSCOVY, 1472-1539 by ELLEN A. HURST A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 ELLEN A. HURST All Rights Reserved This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Professor James M. Saslow Date Chair of Examining Committee Professor Claire Bisop Date Executive Officer Professor James M. Saslow Professor Jennifer Ball Professor Warren Woodfin Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539 by Ellen A. Hurst Advisor: Professor James M. Saslow This dissertation explores how early modern Russian identity was shaped by the built environment and, likewise, how the built environment was a result of an emerging Russian identity.
    [Show full text]
  • The Netherlandish Merchant Community in Venice, 1590-1650 Van Gelder, M
    UvA-DARE (Digital Academic Repository) Trading places : the Netherlandish merchant community in Venice, 1590-1650 van Gelder, M. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): van Gelder, M. (2007). Trading places : the Netherlandish merchant community in Venice, 1590-1650. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 TRADING PLACES: THE NETHERLANDISH MERCHANT COMMUNITY IN VENICE, 1590-1650 Maartje van Gelder Research in Venice, Rome, and Livorno was made possible by grants from the Institute of Culture and History at the University of Amsterdam, a fellowship from the Royal Dutch Institute in Rome, two fellowships from the Marie Curie-programme ‘European Doctorate in the Social History of Europe and the Mediterranean’, and a travel grant from the Netherlands Organisation for Scientific Research.
    [Show full text]
  • At the Crossroads a Time for Solutions
    At the Crossroads A Time for Solutions Ruben Vardanyan Nuné Alekyan July 2018 To the memory of Karlen A. Vardanyan (Ter-Balents) A True Armenian and a Man of the World All rights reserved. No part of this text may be reproduced in any form or by any means, including posting it on the Internet and in corporate networks as well as storage in computer memory for private use, without prior permission in writing from the copyright holders. © R. Vardanyan, N. Alekyan, 2018 Russian text editors M.S. Grinberg and I.Yu. Mandre English text translator V. Osipov English text editor G. Stepan-Sarkissian English text copyeditor P. Sutton Contents Introduction 7 Chapter 1. The Past: From the Dawn of Civilization to the 19th Century 12 Chapter 2. The 20th Century 56 Chapter 3. The Present: Independent Armenia (1991–2018) 78 Chapter 4. The World in the 21st Century: New Reality 114 Chapter 5. Our Vision of the Future 144 Afterword 194 Introduction 7 In the course of its long history the Armenian people has known both high and low points and was more than once on the verge of extinction. Yet, unlike many ancient civilizations, we have managed to survive, and this fact is amazing in itself. Today, in the first half of the 21st century, we are again poised at a critical juncture and are facing choices that will have very serious consequences for our nation. We must compare possible trajectories for the nation’s future development and make choices that reflect our keen awareness of our responsibility to the generations to come.
    [Show full text]
  • M O N T E N E G
    CITY–TO–CITY HUMAN DEVELOPMENT PROGRAMME UNDP/UNOPS serbia IN SERBIA AND MONTENEGRO Montenegro serbia PRESENTATION Duration of activities Territorial actors The Programme began in February 2001 and was Since March 2001, the leading roles in the Programme ongoing as of December 2003. have been taken by the working groups of the cities of Belgrade, Zemun, Kragujevac, Nis, Novi Sad, Pancevo National coordination and Smederevo. The working groups are chaired by the mayors of the cities, and are each made up of The Ministry of Social Affairs was delegated 15–20 representatives of the public administration, responsibility for coordinating the Programme the social educational and health services, private nationally by the Government of Serbia and enterprise, universities, and associations. The working Montenegro. In January 2002, the Ministry of Social groups are a point of reference for decentralised Affairs instituted a National Working Group (NWG) to cooperation committees and were responsible for guarantee interinstitutional coordination of the defining the ongoing projects. activities. Taking part are the Ministries of Health, Justice, Economics and Privatisation, Planning, Since December 2001, the economic development International Economic Relations, Local Autonomy, the agency of the Novi Sad Region, Alma Mons, has served Permanent Conference of Yugoslavian Cities and as a benchmark for local economic partnerships. Municipalities (SKGOJ), and the PALGO Study Centre. Twenty institutions and local associations are members of the agency. Governments involved in cooperation Italy. 182 Territorial partners • Belgrade Working Group • Campania Region and Toscana Region; Committee of the Municipalities of Firenze, Calenzano, Fiesole, Lastra a Signa, Pontassieve, Scandicci, and Sesto Fiorentino; and the Committee of the Municipality of Milano.
    [Show full text]
  • Adult Trade July-December 2016
    BLOOMSBURY NEW TITLES BLOOMSBURY BLOOMSBURY bloomsbury.com NEW TITLES Bloomsbury Publishing Plc 50 Bedford Square, London WC1B 3DP Tel: +44 (0)20 7631 5600 Fax: +44 (0)20 7631 5800 @BloomsburyBooks For Australia & New Zealand enquiries: • Tel: +61 2 8820 4900 JUL @BloomsburySyd Y–DECEMBER 2016 Y–DECEMBER Prices, publication dates and jackets are subject to change and may vary To view the online version of this catalogue please visit: bloomsbury.com/uk/catalogues JULY–DECEMBER 2016 July – December 2016 2 Original Fiction 10 Crime 13 Paperback Fiction 20 Fiction (Also Available) 23 Original Non-fiction 36 Nature Writing & Outdoors 39 Popular Science 42 Food 46 Sport 51 Maritime 53 Military 54 Business 60 Religion 62 Paperback Non-fiction 78 Bloomsbury Contact List & International Sales 80 Index 82 Social Media Contacts export information TPB trade paperback PAPERBACK B format paperback (dimensions 198 mm x 129 mm) The Theoretical Foot M. F. K. Fisher An unpublished novel by the iconic food writer, this portrait of 1930s bohemian life will take the literary world by storm usan and Joe never want this perfect summer to end. It is the 1930s, and society Sfrowns on the slack morals of couples living in sin – but judgement is suspended at the haven on Lake Geneva where Joe’s friend Sara and her lover Tim preside. Here, surrounded by orchards heavy with plums, they are thrust into an exotic milieu of artistic Americans. As one day is recounted through the eyes of seven characters, the group’s hidden tensions and desires are revealed. This lost gem by one of the twentieth century’s most celebrated food writers is a witty, bold portrait of bohemian life.
    [Show full text]
  • Dante Alighieri's Divine Comedy – Paradiso
    DIVINE COMEDY -PARADISO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 7 Canto 3 13 Canto 4 19 Canto 5 25 Canto 6 31 Canto 7 38 Canto 8 43 Canto 9 51 Canto 10 58 Canto 11 65 Canto 12 72 Canto 13 81 Canto 14 87 Canto 15 95 Canto 16 102 Canto 17 111 Canto 18 117 Canto 19 125 Canto 20 133 Canto 21 140 Canto 22 148 Canto 23 155 Canto 24 160 Canto 25 166 Canto 26 172 Canto 27 179 Canto 28 187 Canto 29 195 Canto 30 201 Canto 31 206 Canto 32 213 Canto 33 219 Dante Alighieri 225 Henry Wadsworth Longfellow 231 Paul Gustave Dor´e 237 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Paradiso Paradiso Canto 1 THE glory of Him who moveth everything 1 Doth penetrate the universe, and shine In one part more and in another less.
    [Show full text]
  • Water Management, Governance, and Heritage in Venice and Amsterdam
    University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2017 Cultural Heritage and Rising Seas: Water Management, Governance, and Heritage in Venice and Amsterdam Katherine D. Mitchell Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Mitchell, Katherine D., "Cultural Heritage and Rising Seas: Water Management, Governance, and Heritage in Venice and Amsterdam" (2017). UVM Honors College Senior Theses. 161. https://scholarworks.uvm.edu/hcoltheses/161 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. 1 Cultural Heritage and Rising Seas Water Management, Governance, and Heritage in Venice and Amsterdam Katherine Mitchell A thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts Environmental Program College of Arts and Sciences Honors College University of Vermont May 2017 Advisors Kelley DiDio, PhD, University of Vermont Brendan Fisher, PhD, University of Vermont 2 Abstract Global climate change poses threats, including sea level rise, that will affect cultural heritage. Cultural heritage is “the legacy of physical artifacts and intangible heritage attributes of a group or society that are inherited from past generations, maintained in the present, and bestowed for the benefit of future generations” (UNESCO Office in Cairo, 2016).Venice and Amsterdam are two cities with cultural heritage sites and vulnerability to flooding as a result of geography and rising sea levels.
    [Show full text]
  • FROM EXPULSION to EMANCIPATION Jews in England from the Middle Ages to the Victorian Era
    1 FROM EXPULSION TO EMANCIPATION Jews in England from the Middle Ages to the Victorian Era by Lionel Gossman Foreword The original impetus for the present essay was an invitation from Professor George Landow of Brown University, the learned founder and director of the website www.victorianweb.org to write an account of the so-called “Jew Bill” of 1753, which I happen to have mentioned in one of three earlier essays published on that extraordinary, richly documented website. In view of the website’s focus on the Victorian era, however, I thought it was essential to contextualise the 1753 Bill by situating it in the gradual evolution of the status of Jews in Britain until the achievement of full emancipation in the reign of Queen Victoria. The aim of the book-length study which grew out of this project is thus not to add further material to the history of the Jews in England or to offer a new perspective on it but, while locating the 1753 Bill in the history of the Jews in Britain, to pull together the existing, outstanding scholarship on the history of the Jews in England -- infrequently utilized or even referred to in many fine histories of England – and make it readily accessible to all readers. In addition, however, at a time of increasing anti-Zionism (anti-Semitism?) and uncertainty, among so-called diaspora Jews themselves (for how many generations is it usual for people to think of themselves as part of a diaspora?), as to whether “the people of God” refers to a nation (or, as Benjamin Disraeli put it, a “race”), or to a religious community, or to the inheritors of a tradition, it seems not inappropriate to reconsider the evolving place of Jews in one society, which, in its turn, has defined itself, at various times, by religion, by descent and inheritance, and by a shared history and shared values and interests.
    [Show full text]
  • Re)Writing History in Byzantium
    (Re)writing History in Byzantium Scholars have recently begun to study collections of Byzantine historical excerpts as autonomous pieces of literature. This book focuses on a series of minor collec- tions that have received little or no scholarly attention, including the Epitome of the Seventh Century, the Excerpta Anonymi (tenth century), the Excerpta Salmasiana (eighth to eleventh centuries), and the Excerpta Planudea (thirteenth century). Three aspects of these texts are analysed in detail: their method of redaction, their literary structure, and their cultural and political function. Combining codicologi- cal, literary, and political analyses, this study contributes to a better understanding of the intertwining of knowledge and power, and suggests that these collections of historical excerpts should be seen as a Byzantine way of rewriting history. Panagiotis Manafis is a post-doctoral research fellow at the University of Birmingham, UK. His research interests include middle Byzantine literature, with a particular focus on the manuscript transmission of texts. (Re)writing History in Byzantium A Critical Study of Collections of Historical Excerpts Panagiotis Manafis First published 2020 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2020 Panagiotis Manafis The right of Panagiotis Manafis to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
    [Show full text]
  • Ramsar Advisory Mission N°94 Venice and Its Lagoon, Italy (2020)
    Ramsar Advisory Mission N°94 Venice and its Lagoon, Italy (2020) (including Ramsar Site N°423 Laguna di Venezia: Valle Averto) RAMSAR ADVISORY MISSIONS The Ramsar Convention on Wetlands requires its Parties to designate key sites as Wetlands of International Importance (‘Ramsar Sites’). Parties commit to maintain the ecological character of designated sites. However, Ramsar Sites can face a variety of challenges, including develop- ments in the agricultural, industrial, infrastructure, residential, tourism and recreation sectors; water management issues that affect water quality and quantity; invasive alien species and climate change. Ramsar Advisory Missions (RAMs) help Parties and site managers respond to threats to the ecological character of Ramsar Sites. They are a means by which the Convention provides technical advice for the management and conservation of listed ‘Wetlands of International Importance’ whose ecological character has changed, is changing or is likely to change as a result of technological developments, pollution or other human interference (Resolution XIII.11). RAMs may be conducted jointly with other multilateral agreements or agencies. Advantages of joint missions include increased efficiency from the perspective of the Party, when related international institutions are working together at a practical level, and increased authority and impact of mission findings and recommendations. JOINT ADVISORY MISSION TO VENICE BY THE UNESCO WORLD HERITAGE CENTRE, ICOMOS AND RAMSAR The World Heritage Committee is following the state of conservation of the property ‘Venice and its Lagoon’ in the framework of its ‘Reactive Monitoring’ process since 2014. Upon the request of the Committee, a joint ‘Reactive Monitoring Mission’ by the UNESCO World Heritage Centre, the International Council on Monuments and Sites (ICOMOS), and the Secretariat of the Ramsar Convention on Wetlands took place in October 2015 (cf.
    [Show full text]
  • Petrarch's Rhetorical Reticentia As Politics
    Quidditas Volume 4 Article 3 1983 Petrarch's Rhetorical Reticentia as Politics Lucia Re University of California, Los Angeles Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Re, Lucia (1983) "Petrarch's Rhetorical Reticentia as Politics," Quidditas: Vol. 4 , Article 3. Available at: https://scholarsarchive.byu.edu/rmmra/vol4/iss1/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Petrarch's Rhetorical Reticentia as Politics. by Lucia Re University of California, Los Angeles A discussion of Petrarch's politics must take into account the historicity of politics itself: political science, as distinct from other disciplines, is generally believed to originate with Machiavelli. It would therefore be anti-historical to attribute to Petrarch a systematic political vision (as it is understood today). The modem claim for the independence of political theory and practice is as alien to Petrarch as the possibility of a theologi­ cally integrated political vision: Petrarch could not and would not have written either /l Principe or Dante's De Monarchia. Nevertheless, I will speak of Petrarch's politics not only because, at a very general level, his texts do not escape the basic political nature of rhetorical strategies,• but also because the term rhetoric acquires, in the light of Petrarch's studies of classical antiquity, peculiarly political meanings.
    [Show full text]