KEYNES FOLLOWS EDGEWORTH AMONG THE DACTYLS Geoffrey Fishburn History of Economic Thought Society of Australia 27th Conference, Auckland, N.Z. July 2014 School of Social Sciences University of New South Wales Sydney 2052 Australia.
[email protected] 1 The dactyl, a three-syllabic measure (‘foot’) of the form long-short-short, was a staple of Classical (Greek and Roman) poetry, and gives its name to the dactylic hexameter, a line of six feet where the dactyl appears a variable number of times (with its place otherwise most usually being taken by the long-long spondee). Until the end of the Edwardian era, in Britain at least, such a verse form was familiar to economists from their schooldays. Alfred Marshall, for example, wrote of “… a Greek poet, whose hexameters may be rendered thus:…” (Marshall 1919, 790 n1), the last of four attempts by him at this particular verse over a period of some 16 years (Fishburn 2012). But one with far greater skill as a classicist was his contemporary Francis Ysidro Edgeworth, most often known to economists for his seminal contributions in economics and statistics as well as his role as editor of The Economic Journal, but less often appreciated, and certainly largely glossed over in the familiar biographical/obituary notes (Creedy 2008; Keynes 1926; Newman 2004; Price 1926), that this was not the career path for which his undergraduate studies had prepared him, nor on which he had first ventured. Edgeworth’s application in 1875 for a Professorship in Greek at Bedford College, London, was no less than would have been expected of one with a record of achievement such as his in Classics at Trinity College, Dublin, and Oxford.