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Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
Universidade Estadual De Campinas Instituto De Artes
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ARTES NYCHOLAS MAIA Um Modelo Computacional de Mixagem Automática para Música Comercial A Computational Model for Automatic Mixing for Pop Music Campinas 2018 NYCHOLAS MAIA Um Modelo Computacional de Mixagem Automática para Música Comercial A Computational Model for Automatic Mixing for Pop Music Dissertação apresentada ao Instituto de Artes da Universidade Estadual de Campinas para obtenção do título de Mestre em Música, na área de Música: Teoria, Criação e Prática Dissertation presented to the Institute of Arts of the State University of Campinas to obtain the degree of Master of Music in the field of Music: Theory, Creation, and Pratice Orientador: Prof. Dr. José Eduardo Fornari Novo Junior ESTE TRABALHO CORRESPONDE A VERSAO FINAL DA DISSERTACAO DEFENDIDA PELO ALUNO NYCHOLAS MAIA, E ORIENTADO PELO PROF. DR. JOSÉ EDUARDO FORNARI NOVO JUNIOR. Campinas 2018 Agência(s) de fomento e nº(s) de processo(s): Não se aplica. ORCID: https://orcid.org/0000-0002-8109-7304 Ficha catalográfica Universidade Estadual de Campinas Biblioteca do Instituto de Artes Silvia Regina Shiroma - CRB 8/8180 Maia, Nycholas, 1989- M28m MaiUm Modelo Computacional de Mixagem Automática para Música Comercial / Nycholas Maia. – Campinas, SP : [s.n.], 2018. MaiOrientador: José Eduardo Fornari Novo Junior. MaiDissertação (mestrado) – Universidade Estadual de Campinas, Instituto de Artes. Mai1. Gravação musical. 2. Percepção musical. 3. Música e tecnologia. I. Novo Junior, José Eduardo Fornari, 1966-. II. Universidade Estadual -
Textual Spectacle: the Transmedial Storyworld of Coldplay's Mylo Xyloto
The Concept Album as Visual-Sonic- Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto Lori Burns University of Ottawa [email protected] Abstract This paper studies the elaboration of the concept album by means of multimodal promotional strategies that include the concert tour, music videos, books, as well as other digital and print materials. Adopting the perspective that the meaning of a concept album emerges in and through a potentially complex network of materials, we can receive and understand concept album storytelling to operate according to multimedial, intermedial and transmedial contexts. This study examines the transmedial storyworld of Coldplay’s Mylo Xyloto concept spectacle as it is developed in and through the material content of the original album, the Coldplay: Live 2012 (Coldplay 2012c) concert film, as well as the paraphonographic materials that extend Mylo Xyloto into a variety of media. KEYWORDS: Concept album, spectacle, multimodality, intermediality, transmediality Introduction In the context of the new millennial industry of popular music, artists from a variety of genres rely heavily upon current technologies and social media platforms to develop elaborate promotional strategies, thus expanding the idea of the concept album to the concert tour, music videos, books, and a range of supplementary materials. With such an approach, the concept album can be seen to extend across multiple media formats in supplementary materials and live IASPM@Journal vol.6 no.2 (2016) Journal of the International Association for the Study of Popular Music ISSN 2079-3871 | DOI 10.5429/2079-3871(2016)v6i2.6en | www.iaspmjournal.net 92 Lori Burns performances. -
Carolyn Lawrence-Dill CURRICULUM VITAE
Last update: 4 June 2021 carolyn lawrence-dill CURRICULUM VITAE CONTACT SUMMARY Home Experienced data scientist, plant biologist, and research director with 430 Rookwood Dr. a demonstrated history of working in both higher education and Ames, Iowa 50010 federal sectors. Skilled in genomics, life sciences, research coordination, and mentoring. Focused on catalyzing team science, Work fostering innovation, and supporting novel research that spans 0035B RJ Carver Co-Lab disciplines, organizational units, and institutions. 1111 WOI Road Iowa State University Current objective: Expand my scope of impact in research Ames, Iowa 50011 coordination through service in support of faculty research and the research enterprise. Voice w 515.294.4294 EXPERIENCE - BRIEF h 515.337.1139 m 515.451.6765 Iowa State University Agronomy Genetics, Development & Cell Biology Email Professor 2019 - date [email protected] Associate Professor 2014 - 2019 SOCIAL USDA-ARS Corn Insects & Crop Genetics Research Research Geneticist GS-14 2012 - 2013 IAcornflake GS-13 2008 - 2012 GS-12 2005 - 2008 triffid1 ISU Faculty Collaborator 2005 - 2013 IAcornflake Iowa State University Volker Brendel, Advisor Postdoctoral Associate 2003 - 2005 EDUCATION University of Georgia R.K. Dawe & R.L. Malmberg, Advisors Ph.D. Botany NSF Fellow 1997 - 2003 University of Georgia 1997-2003 Texas Tech University A.S. Holaday, Advisor Research Assistant 1996 - 1997 M.S. Biology NSF/HHMI REU Fellow 1994, 1995 (summers) Texas Tech University 1996-1997 PROFESSIONAL DEVELOPMENT - BRIEF B.A. Biology -
An Analysis of the Musical Style of Miriam Makeba
AN ANALYSIS OF THE MUSICAL STYLE OF MIRlAM MAKEBA BY NOMFUNDO XALUVA XLVNOMOOl A MJNOR DISSERTATION SUBMlTTED IN PARTIAL FU LFILLMENT OF THE REQUIREMENTS FOR THE A WARD OF THE DEGREE OF MASTER OF M-USIC FACULTY OF HUMANITIES SOUTH AFRICAN COLLEGE OF MUSIC UNIVERSITY OF CAPE TOWN 2009 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town II. DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significantcontribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. SIGNATURE DATE �I to/-zoo� Nomfundo Xaluva III For my father, Sam Xaluva IV AN ANALYSIS OF THE MUSICAL STYLE OF MIRIAM MAKEBA By Nomfundo Xaluva 025 Edingight Flats Rondebosch Cape Town A minor dissertation submitted in partial fulfillment of the requirements for the award of the degree of Master of Music. South African College of Music Faculty of Humanities University of Cape Town South Africa 2009 Abstract The motivation behind this study is to explore the musical style of the late Miriam Makeba. The intention is that it will add a valuable contribution to the study of South African musicians and those subsequent scholars, with a common interest, will use the work to further the analytical study of the musical style of South African jazz. -
To Search This List, Hit CTRL+F to "Find" Any Song Or Artist Song Artist
To Search this list, hit CTRL+F to "Find" any song or artist Song Artist Length Peaches & Cream 112 3:13 U Already Know 112 3:18 All Mixed Up 311 3:00 Amber 311 3:27 Come Original 311 3:43 Love Song 311 3:29 Work 1,2,3 3:39 Dinosaurs 16bit 5:00 No Lie Featuring Drake 2 Chainz 3:58 2 Live Blues 2 Live Crew 5:15 Bad A.. B...h 2 Live Crew 4:04 Break It on Down 2 Live Crew 4:00 C'mon Babe 2 Live Crew 4:44 Coolin' 2 Live Crew 5:03 D.K. Almighty 2 Live Crew 4:53 Dirty Nursery Rhymes 2 Live Crew 3:08 Fraternity Record 2 Live Crew 4:47 Get Loose Now 2 Live Crew 4:36 Hoochie Mama 2 Live Crew 3:01 If You Believe in Having Sex 2 Live Crew 3:52 Me So Horny 2 Live Crew 4:36 Mega Mixx III 2 Live Crew 5:45 My Seven Bizzos 2 Live Crew 4:19 Put Her in the Buck 2 Live Crew 3:57 Reggae Joint 2 Live Crew 4:14 The F--k Shop 2 Live Crew 3:25 Tootsie Roll 2 Live Crew 4:16 Get Ready For This 2 Unlimited 3:43 Smooth Criminal 2CELLOS (Sulic & Hauser) 4:06 Baby Don't Cry 2Pac 4:22 California Love 2Pac 4:01 Changes 2Pac 4:29 Dear Mama 2Pac 4:40 I Ain't Mad At Cha 2Pac 4:54 Life Goes On 2Pac 5:03 Thug Passion 2Pac 5:08 Troublesome '96 2Pac 4:37 Until The End Of Time 2Pac 4:27 To Search this list, hit CTRL+F to "Find" any song or artist Ghetto Gospel 2Pac Feat. -
Madam C. J. Walker (1867-1919) African American Entrepreneur, Philanthropist, Social Change Activist, and Educator of African American Women
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2007 Madam C. J. Walker (1867-1919) African American Entrepreneur, Philanthropist, Social Change Activist, And Educator Of African American Women Ruth Queen Smith University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Smith, Ruth Queen, "Madam C. J. Walker (1867-1919) African American Entrepreneur, Philanthropist, Social Change Activist, And Educator Of African American Women. " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/306 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Ruth Queen Smith entitled "Madam C. J. Walker (1867-1919) African American Entrepreneur, Philanthropist, Social Change Activist, And Educator Of African American Women." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Education, with a major in Education. Ralph Brockett, Major Professor We have read this dissertation and recommend its acceptance: John Peters, Mary Ziegler, Diana Moyer Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Ruth Queen Smith entitled “Madam C. -
Narrativa Transmedia Como Estrategia De Comunicación En El Sector De La Música
CORE Metadata, citation and similar papers at core.ac.uk Provided by Repositorio Digital de la Universidad Politécnica de Cartagena MÁSTER INTERUNIVERSITARIO EN COMUNICACIÓN MÓVIL Y CONTENIDO DIGITAL Trabajo fin de máster [Narrativa Transmedia como estrategia de comunicación en el sector de la música. Caso específico: Coldplay.] [Mario Daniel Hilario Barinas] Murcia, [Julio] de 2015 FACULTAD DE COMUNCIACIÓN Y DOCUMENTACIÓN MÁSTER INTERUNIVERSITARIO EN COMUNCIACIÓN MÓVIL Y CONTENIDO DIGITAL CURSO 2014-2015 TÍTULO: NARRATIVA TRANSMEDIA COMO ESTRATEGIA DE COMUNICACIÓN EN EL SECTOR DE LA MÚSICA. CASO ESPECÍFICO: COLDPLAY. AUTOR: MARIO DANIEL HILARIO BARINAS TUTOR ACADÉMICO: VERÓNICA PERALES BLANCO Resumen (10 líneas) La narrativa transmedia se ha convertido en una de las principales estrategias de comunicación utilizadas por parte de las empresas para lograr una mayor relación con sus clientes. Este entorno se caracteriza por el uso de diversas plataformas para comunicar lo deseado y por el hecho de que el consumidor, pasa a ser partícipe activo y a convertirse en “prosumidor”. Estas dos singularidades de la narrativa transmedia son analizadas en el ámbito de la música, mostrando el gran potencial que tiene la misma y cómo puede ser aprovechado en las producciones musicales para generar un mayor engagement y ampliar la participación de la audiencia, especialmente de los fans. Para mostrar un ejemplo de narrativa transmedia y de contenidos generados por el usuario se analizará un caso concreto del ámbito musical, el de la banda de música Coldplay que a lo largo de su carrera ha utilizado este tipo de estrategias como parte de su táctica comunicacional. Palabras Claves (Keywords) Narrativa Transmedia, Música, Contenido Generado por Usuario, Prosumidor, Coldplay. -
CHAPTER III RESEARCH METHODOLOGY This Chapter
CHAPTER III RESEARCH METHODOLOGY This chapter presents the research methodology in the present study. It covers research questions, research design, data collection, and data analysis. 3.1 Research Questions The present study was conducted to answer the following research questions: 1. What conceptual metaphors are used in Mylo Xyloto song lyrics? 2. What types of conceptual metaphors are used in Mylo Xyloto song lyrics? 3. What possible reasons can be generated from the use of those conceptual metaphors and types of metaphors? 3.2 Research Design This study primarily uses a qualitative method to achieve the aims of the study. It is because this study identifies, analyzes, and interprets data by describing and understanding the categorization of the data found in the analysis. Williams Selvia Neilil Kamaliah, 2013 Conceptual Metaphors in Mylo Xyloto Album By Coldplay Universitas Pendidikan Indonesia | repository.upi.edu (2007: 67) asserts that “qualitative research builds its premises on inductive, rather than deductive reasoning.” In this case, the present study looks for the types of each conceptual metaphor. It is then concluded inductively the tendency or the dominant types of metaphors. From the tendency, the study interprets the possible reasons of the use of those conceptual metaphors in the Coldplay‟s lyrics. Since this study is situated within qualitative research, the study employs a case study as its design. The case study is considered suitable since it focuses on single person or entity (Gillham, 2000; Yin, 2003), investigates a contemporary phenomenon within its real life context (Yin, 1981, 2003; Duff, 2008) and analyzes the phenomenon in-depth (Cresswell, 1998; Duff, 2008). -
Exploiting Playlists for Representation of Songs and Words for Text-Based Music Retrieval
EXPLOITING PLAYLISTS FOR REPRESENTATION OF SONGS AND WORDS FOR TEXT-BASED MUSIC RETRIEVAL Chia-Hao Chung Yian Chen Homer Chen National Taiwan University KKBOX Inc. National Taiwan University [email protected] [email protected] [email protected] ABSTRACT The web-based approach [10, 11] has been considered a good alternative because web documents have rich text As a result of the growth of online music streaming information. However, its performance may degrade in services, a large number of playlists have been created by the presence of noisy text [12]. In contrast, the playlist- users and service providers. The title of each playlist based approach has the following appealing features: 1) provides useful information, such as the theme and The rich text information conveyed by the succinct listening context, of the songs in the playlist. In this paper, playlist title is highly relevant to the songs in the playlist we investigate how to exploit the words extracted from and 2) Songs wrapped in one playlist must be related to playlist titles for text-based music retrieval. The main each other in a certain way. If the relationship can be idea is to represent songs and words in a common latent determined from the playlist, additional efforts on audio space so that the music retrieval is converted to the signal analysis [6, 7, 11] can be saved. problem of selecting songs that are the nearest neighbors Our main idea is to represent songs and words in a of the query word in the latent space. Specifically, an common latent space so that music retrieval can be unsupervised learning method is proposed to generate a converted to the problem of selecting songs sufficiently latent representation of songs and words, where the near the query word in the latent space. -
University of Oklahoma Graduate College Music
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MUSIC FOR STRINGS, PERCUSSION AND CLARINET A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By ANNE-VALERIE BRITTAN-LEIBUNDGUT Norman, Oklahoma 2013 MUSIC FOR STRINGS, PERCUSSION AND CLARINET A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Marvin Lamb, Chair ______________________________ Dr. Roland Barrett ______________________________ Dr. Sanna Pederson ______________________________ Dr. Kenneth Stephenson ______________________________ Dr. Judith Pender © CopyriGht by ANNE-VALERIE BRITTAN-LEIBUNDGUT 2013 All RiGhts Reserved. ACKNOWLEDGEMENTS I Would like to eXpress my sincere Gratitude to Dr. Marvin Lamb, With Whom I studied composition for numerous years at OU, from Whom I have learned so much about music, and Without Whom the redaction of this dissertation Would not have been possible. Thank you so much for years of Great music, Great concerts, and quite a lot of laughter, too! Special thanks to all the members of my committee, Drs. Lamb, Barrett, Pederson, Stephenson, and Pender, who were carefully chosen for their talent, knoWledGe, sense of humor, and support. Their respective insiGht on music and art is both very much appreciated and deeply cherished. Special thanks also to Ricardo Coelho de Souza for supportinG my Work and commissioninG this piece; to Nicole Boyle Who tauGht me a lot When it comes to clarinet Glissandi; to my parents Who did not faint When I officially became a Music Major an ocean aWay from them; to Ann and Ken Muncy for their immeasurable support over the years and Without Whom I Wouldn’t be Where I am today; and finally to my son Liam, my baby Girl to come, and my husband Lance who have seen me struGGle over this project but had the good and wise idea to remain quiet, patient, and understanding.