A quarterly newsletter from ISSUE 23 • JULY 09 • MICA (P) 155/07/2009 QUICK GLANCE

FEATURED PRODUCT • Digital Camera Bracket FSB-U1 • New EDG Fieldscope Series • Digital SLR Camera Attachment FSA-L2 • MONARCH X 8.5x45/10.5x45 DCF • AF-S Nikkor 70-200mm f/2.8G ED VR II • Nikon D300s • Nikon D3000 03-21

PHTOGRAPHY TIPS BY STEVEN YEE • Travel Photography 22-33

CONTEST • Result of Issue 22th Photography Contest • Nikon Photography Contest 36-37

FEATURED PHTOGRAPHER • Phil Date 38-49

EVENT • SNAP • Nikon Club Photo Hunt 50-69

Q & A CONTEST 70

CONTACTS 72

ISSUE.23 ISSUE.23 000000 000101 FEATURED PRODUCT - DIGITAL CAMERA BRACKET FSB-U1

DIGITAL Focus Newsletter was created just for you, our Nikon Customer, to keep you updated with Nikon’s latest CAMERA developments and products.

Each issue of FOCUS will be packed with BRACKET information, valuable tips, insightful profi les and more. FSB-U1

We’re here for you, and we look forward UNIVERSAL DIGITAL CAMERA to building on a relationship that Nikon BRACKET FOR DIGISCOPING has developed with its customers over the years, and taking it to new heights! – COMPATIBLE WITH NIKON COOLPIX To obtain a copy of our newsletter every quarterly, kindly log in to DIGITAL CAMERAS. www.nikon.com.sg/focus for free subscription.

Thank you and enjoy reading!

RCP S$540

We are pleased to announce the introduction We have released several Nikon Digital Camera of a new digital camera bracket FSB-U1 for Bracket series (FSB-1, FSB-1A, FSB-2, FSB-3, Nikon Coolpix camera series. Placing the FSB-4, FSB-5, and FSB-6) which was exclusively bracket between a Nikon Fieldscope, Spotting used with one COOLPIX model excepting Scope or EZ-Micro and the COOLPIX digital FSB-5. To comply with customers’ requests for the cameras enables further COOLPIX users to shoot versatile bracket to be used with more COOLPIX super-telephoto or macro shots. cameras, we have developed new Digital Camera Editor Co. Reg. No. Distributor Feedback Email Brenda Ang 199503875K Nikon Singapore Pte Ltd [email protected] Bracket FSB-U1. 80 Anson Road #10-01/02 Fuji Xerox Towers Contributors Production Singapore 079907 Website Max Sim Wang Design Station Tel: (65) 6559 3630 Fax: (65) 6559 3671 www.nikon.com.sg/focus

Front cover page PHIL DATE Taken by Nikon D2X, 1/250s – F/11 ISSUE.23 ISSUE.23 000202 000303 FEATURED PRODUCT - DIGITAL CAMERA BRACKET FSB-U1 FEATURED PRODUCT - DIGITAL CAMERA BRACKET FSB-U1

KEY FEATURES

• Can be used with Coolpix cameras of L2, L3, L4, L6, L10, L11, L12, L14, L15, L16, L18, L19, L20, S200, S210, S220, S230, S500, S510, S520, S610, S610c, S600, S620, S700, S710, P1, P2, P3, P4, P50, P5000, P5100, P6000 (Vignetting may occur with some COOLPIX models)

• Enables easy switching between observation and digiscoping without removing the digital camera. (If the bracket is used to combine the Spotting Scope RAIII and DS Spotting Scope Eyepiece 20x/25x, only the shooting (closed) position should be used)

• Comes with cable release (approx. 50cm), which helps prevent camera shake during shooting

COMPATIBLE DIGITAL CAMERAS (COOLPIX) (as of February, 2009)

P series – P6000, P5100, P5000, P50, P4, P3, P2, P1

S series – S710, S700, S620, S610, S610c, S600 S520, S510, S500 ,S230, S220, S210, S200

L series – L20, L19, L18, L16, L15,L14, L12, L11, L10, L6, L4, L3, L2 Enable easy switching between observation SPECIFICATIONS and digiscoping. Comes with a 50cm cable release which helps prevent camera shake Detentions: 155mm (w) x 95mm (d) x 105mm (h) when shooting. Weight: 340g

Note: If the bracket is used to combine Spotting Scope RAIII and DS Notes Spotting Scope Eyepiece 20x/25x, only shooting (closed) position should be used. • Vignetting may occur even with compatible • If you notice external light on the monitor or picture models; occurrence of vignetting also depends on the image, we recommend that you use a shield such as a subject and other shooting conditions black cloth to prevent light entering between the mount and lens of the camera • Camera position may become misaligned during camera operation or replacement of batteries or recording media; • Conventional MC eyepieces cannot be used; please use adjust the camera if necessary before releasing the DS eyepieces for connection with the FSB-U1 (Removing the camera is necessary when replacing batteries or recording media.)

ISSUE.23 ISSUE.23 000404 000505 FEATURED PRODUCTPRODUCT - NEW EDEDGG FIELDFIELDSCOPESCOPE SSERIESERIES FEATURED PRODUCT - NEW EDG FIELDSCOPE SERIES

RCP EDG Fieldscope 65/65-A : S$3466 RCP EDG Fieldscope 85/85-A : S$4418 The new EDG fi eldscopes offer superb features as aspherical lens to minimized image distortion; shown below and will surely position Nikon Sport FEP-25 LER has ultra long 32.03mm eye relief. Optics at the coming generation. STRUCTURAL KEY FEATURES OPTICAL KEY FEATURES • Waterproof up to 2m/6.6ft. for 10 minuets, and • Nikon’s ED (Extra-low Dispersion) glass for fog free with nitrogen gas and O-ring seals. chromatic aberration compensation and (main body and eyepiece joint is water-resistant) brighter, clear viewing. • Three tripod mount screw holes provided for • Phase correction coated roof prism for fl exible mounting position; optimum balance high resolution achieved through CAE (Computer Aided Engineering). • Dielectric high-refl ective multilayer prism • Built-in sliding hood protects objective lens coating on roof prism for the brightest view • Bayonet mount with lock for eyepiece lens (straight models only) • EDG eyepieces (except FEP-20-60) can be Full multi-layer coating • attached to a wide variety of COOLPIX-series • Seven kinds of new eyepiece deliver optimum compact digital cameras using FSB-series Digital EDGE-TO-EDGE BRILLIANCE AND optical performance; FEP-20-60 employs Camera Bracket.

OVERALL LEADING-EDGE PERFORMANCE SPECIFICATION

EDG Fieldscope 65 EDG Fieldscope 65-A EDG Fieldscope 85 EDG Fieldscope 85-A

Nikon Vision Co., Ltd., a subsidiary of Nikon layer prism coatings for higher refl ection rate and Corporation, is pleased to introduce the EDG contrast than ever. Fieldscope series, a new Nikon Sport Optics brand. The new EDG Fieldscope series has been developed The new line is called “EDG” – pronounced “edge” to give users unparalleled optical and mechanical – because that’s exactly what users will get from performance. They are the crowning achievement them: edge-to-edge brilliance and overall leading- of Nikon’s current series of fi eldscopes, which have edge performance. We believe that nature lovers, gained an excellent reputation, thanks to their hunters, bird watchers, outdoor photographers superb performance even under adverse weather - everyone who loves a good view and is into conditions. digiscoping – will welcome these new fi eldscopes from Nikon. Seven kinds of eyepieces have been developed to enable to use these new fi eldscopes for a variety All EDG Fieldscopes benefi t from the use of of applications under various climatic conditions. performance-proven Nikon’s ED (Extra-low The EFP-20-60, newly developed zoom eyepiece, dispersion) glass that assures natural color employs aspherical lens to minimize distortion reproduction and crisp clarity. Straight models, in and comfortable long eye relief (18.4-16.5mm). The addition, feature dielectric high-refl ectivity multi- FEP-25LER eyepiece has superb long eye relief (32.3mm).

ISSUE.23 ISSUE.23 000606 000707 FEATURED PRODUCT - DIGITAL SLR CAMERA ATTACHMENT FSA-L2 FEATURED PRODUCT - DIGITAL SLR CAMERA ATTACHMENT FSA-L2

FIELDSCOPE DSLR CAMERA KEY FEATURES SPECIFICATIONS • 3.5x zoom function offers 500-1750mm • Compatible Fieldscopes EDG Fieldscope ATTACHMENT FSA-L2 (f/5.9-21) super-telephoto shooting 85/85-A EDG Fieldscope 65/65-A capability with EDG Fieldscope 85/85-A. • Compatible Nikon Digital SLR cameras • Allows the use of Aperture-priority Auto • D3 series,D2 series, D5000, D700, D300, mode and Manual mode with D200, D100, D90, D80, D70 series, most Nikon D-SLR cameras. • D60, D50 & D40 series (As of June 2009) • Attaches directly to the EDG Fieldscopes and the F mount on Nikon D-SLR cameras. • Fully multi-layer coated optics. • Allows the use of Movie mode with D90, D5000. RCP S$1988

Model Name with EDG Fieldscope 85/85-A with EDG Fieldscope 65/65A The Digital SLR Camera Attachment FSA-L2 Thanks to the Aperture-priority Auto Mode of Zoom 3.5x Zoom transforms the newEDG Fieldscopes into a 3.5x D-SLR Camera connected to the FSA-L2 and Focal length 500-1750mm(750 - 2625mm) 400-1400mm (600 - 2100mm) zoom super-telephoto lens of 500-1750mm the EDG Fieldscope, the camera automatically (35mm equivalent focal length)* (f/5.9-21) with Nikon D-SLR Cameras. selects the that will produce the f/number f/5.9-21 f16.2-22 optimal exposure. Exposure Modes of DSLR Aperture-Priority Auto Mode / Manual Mode

Exposure Metering Method Center-Weighted Metering of DSLR Mount for EDG Fieldscope Bayonet mount Mount for Nikon DSLR Camera F mount.

EDG Fieldscope 65-A Length / Weight 150m m / 435g

*35mm equivalent focal length is about 1.5x of the composite focal length of EDG Fieldscope and FSA-L2, when used with Nikon DX format digital SLR Cameras.

The new EDG Fieldscopes have been developed Note: EDG Fieldscope 65 to offer unparalleled optical and mechanical • Focus manually with the focusing ring on the lenses, when the EDG Fieldscope and FSA-L2 are used EDG Fieldscopes. for D-SLR camera, exposure may vary with the camera performance not only for observations but model used. Use exposure compensation if necessary. for taking superb photographs. The FSA-L2 • The actual f-number and the focal length vary depending on the actual zoom setting, while the camera display a Exposure compensation may be required for the shorter features bright optical path with it's fully nd image data show the constant f-number(13) and focal focal length area of the zoom range. EDG Fieldscope 85-A multi-layer coated lenses. length(800mm). • When using a D-SLR camera with FX-format, vignetting • Because the optical system of the EDG Fieldscopes with occurs with the focal length between 500mm The combination of the EDG Fieldscopes and the FSA-L2 has different characteristics from Nikkor and 750mm. the Digital SLR Camera Attachment FSA-L2 delivers brilliant images in super-telephoto shooting.

EDG Fieldscope 85

ISSUE.23 ISSUE.23 000808 000909 FEATURED PRODUCT - MONARCH X 8.5x45/10.5x45 DCF FEATURED PRODUCT - MONARCH X 8.5x45/10.5x45 DCF

Refl ectance characteristics of prism coatings or other metallic layers, assures uniform and ultra- on mirror surface high refl ectivity in full visible range.

As a result, this technique provides almost the same brightness as that perceived by the naked eye, and clear, high-contrast images that display accurate color reproduction.

RCP Monarch X 10.5x45 DCF : S$1188 RCP Monarch X 8.5x45 DCF : S$1088

A roof prism features one surface that does not have total internal refl ection. It is very important for binoculars’ optical performance to raise the refl ectivity of this surface. Monarch X Monarch X 8.5x45 DCF 10.5x45 DCF Dielectric high-refl ective multilayer prism coating, which is composed of multiple thin layers of transparent dielectric material instead of aluminum, The new Monarch X series binoculars have been KEY FEATURES developed to aim at outdoor market. They will Binoculars MONARCH X Specifi cations • Dielectric high-refl ective multilayer prism coating be positioned as the top-line models of our assures uniform and high transmittance in full Model Name MONARCH X 8.5x45 DCF MONARCH X 10.5x45 DCF well-received Monarch range, featuring dielectric visible range for bright and natural color images high-refl ective multilayer prism coating. Monarch Magnifi cation 8.5x 10.5x X binoculars are also great for hunting, fi shing, • All lenses and prisms are multilayer-coated for Objective diameter 45 mm 45 min bird-and-animal watching, in addition to general the brightest images Angular fi eld of view (real) 6.3° 6.3° nature observation purpose. • Phase-correction-coated roof prisms for high Angular fi eld of view (parent)* 50.1° 60.0° resolution Field of view at 1,000 m 110 in 110 m Outstanding optical quality distinguishes these new Exit pupil 5.3 mm 4.3 mm products - ensured by their large 45 mm objective • High-eyepoint design for clear fi eld of view, even diameter and innovative dielectric high-refl ective for eyeglass wearers Relative brightness 28.1 18.5 multilayer prism coating. The O-ring seals and • Waterproof (up to 1 m/3.3 ft. for 10 minutes) Eye relief • 20.6 min 16,0 mm nitrogen gas inside the slim, stylish body assure and fog-free with O-ring seals and nitrogen gas Close focusing distance 3.0 m 3.0 m that the Monarch X binoculars will stay waterproof • Turn-and-slide rubber eyecups with multi-click Interpupillary distance adjustment 56-72 mm 56-72 mm and fog-free. Rubber coating protects the binocular facilitate easy positioning of eyes at the correct Length 156 min 156 mm body and assures a fi rm and comfortable grip. eyepoint Width 139 mm 139 mm • Flip-down objective lens cap Weight 720 g 730 g

• Lightweight, durable body uses polycarbonate Specifi cations are subject to change without any notice *With the conventional method used previously, the apparent fi eld of view was calculated by multiplying the real fi eld of view by the binocular magnifi cation. resin reinforced with fi berglass and carbon fi ber After revision, Nikon’s fi gures are now based on the ISO 14132-1:2002 standard, and obtained by the following formula: tan ω’ = τ x tan ω, Apparent fi eld of view: 2ω’, Real fi eld of view: 2ω

ISSUE.23 ISSUE.23 001010 001111 FEATURED PRODUCT - AF-S NIKKOR 70-200mm f/2.8G ED VR II FEATURED PRODUCT - AF-S NIKKOR 70-200mm f/2.8G ED VR II

tracking systems. The lens also provides superior AF-S NIKKOR 70-200mm f/2.8G ED VR II operation with three focus modes—M, A/M, MAJOR FEATURES M/A—for manual focusing or manually fine- • Vibration reduction (VR II) equivalent to tuning focus acquired with by simply increases in shutter speed by four steps rotating the lens’ focus ring. • A new optical design utilizing seven ED glass elements The vibration reduction system (VR II) provides camera shake compensation equivalent to • Ghost and flare suppression with Nano increases in shutter speed by four steps*. Two Crystal Coat vibration reduction modes are available. • A Silent Wave Motor (SWM) for superior autofocus that is smooth and quiet NORMAL mode: The vibration reduction • Three focus modes built in: M, M/A, A/M mechanism reduces ordinary camera shake. • Aperture diaphragm utilizing an odd number Panning is also supported. of rounded blades (nine) for natural blur ACTIVE mode: The vibration reduction characteristics mechanism reduces extreme camera shake, RCP TBA • Shooting at distances as close as 1.4 m such as that which occurs with shooting from throughout the entire zoom range a moving vehicle. • High-quality exterior design AF-S NIKKOR *As determined in Nikon performance tests With release of this lens, Nikon has structured Construction of AF-S NIKKOR 70-200mm f/2.8G ED VR II an incomparable NIKKOR zoom lens system that 70-200mm also includes the current AF-S NIKKOR 14-24mm f/2.8G ED and AF-S NIKKOR 24-70mm f/2.8G ED for complete coverage of focal lengths from f/2.8G ED VR II 14mm to 200mm with support for a maximum Fast Telephoto Zoom Lens aperture of f/2.8 throughout the entire range. Utilizing Nano Crystal Coat The AF-S NIKKOR 70-200mm f/2.8G ED VR II offers excellent performance throughout its AF-S NIKKOR 70-200mm f/2.8G ED VR II Specifi cations range of focal lengths, from the natural rendering Focal length 70-200mm Tokyo—Nikon Corporation is pleased to announce characteristics of mid-range telephoto positions Maximum aperture f/2.8 the upcoming release of the new fast telephoto to the compressed perspective of telephoto Minimum aperture f/22 zoom lens AF-S NIKKOR 70-200mm f/2.8G ED VR positions. The lens makes the most of a wide II for use with digital- and film-SLR cameras. A variety of scenes, from portraits to staged events Lens construction 21 elements in 16 groups (with 7 ED and some Nano Crystal number of unique Nikon technologies have been as well as sports photography under nighttime Coat-deposited lens elements) lighting, press photography, and scenes that adopted for this lens, including the use of seven Picture angle 34°20’ - 12°20’ (22°50’ - 8° with Nikon DX format) ED glass elements, Nano Crystal Coat, a vibration require soft rendering of out-of-focus portions. Closest focusing distance 1.4 m/4.6 ft. (throughout entire zoom range) reduction (VR II) system that provides camera shake compensation equivalent to increases in The use of seven ED glass elements provides the No. of diaphragm blades 9 (rounded) shutter speed by four steps, and a Silent Wave ultimate in rendering characteristics for capture Filter/attachment size 77mm Motor (SWM). of images exhibiting excellent resolution and high Diameter x length Approximately 87 x 209 mm/3.4 x 8.2 in. contrast. The additional use of Nano Crystal Coat (extension from lens mount) This fast telephoto zoom lens provides the effectively suppresses ghost and flare for clear Weight. Approximately 1,540 g/3.4 lb excellent performance and superior image quality images. Adoption of the Silent Wave Motor Supplied accessories 77mm Snap-on Front Lens Cap LC-77, Rear Lens Cap LF-1, demanded by professional and advanced amateur (SWM) allows for smooth and quiet zooming Bayonet Hood HB-48, Flexible Lens Pouch CL-M4 photographers. that makes the most of camera autofocus subject Specifications and equipment are subject to change without notice or obligation on the part of the manufacturer. Information current as of July 2009.

ISSUE.23 ISSUE.23 001212 001313 FEATURED PRODUCT - NIKON D300s FEATURED PRODUCT - NIKON D300s

give the D300S a special advantage in terms of creative D-SLR versatility. *1 Based on CIPA Guidelines. Nikon latest flagship DX-format DSLR combines professional-level NIKON D300S FEATURE HIGHLIGHTS performance with agility and High-speed performance enhanced D-Movie capabilities One major advancement of the D300S is its ability to deliver a new measure of creative to shoot as fast as 7 frames per second,*1 with versatility. Rechargeable Li-ion Battery EN-EL3e (included), and up to 8 frames per second*2 when using the optional Multi-Power Battery Pack MB-D10 and you the ultimate in detection performance with Rechargeable Li-ion Battery EN-EL4a. It also offers a any AF NIKKOR lens of f/5.6 or faster. You can also rapid startup time of approx. 130 milliseconds and choose to shoot with 11 focus points. an amazingly short shutter release time lag of only 49 milliseconds*1. RCP TBA *1 Based on CIPA Guidelines. *2 Based on CIPA Guidelines. Battery Chamber Cover BL-3 required for Rechargeable Li-ion Battery EN-EL4a.

Refi ned D-Movie TOKYO – Nikon Corporation is pleased to announce plus dual card slots and the rugged durability The D300S’s advanced D-Movie function benefi ts the introduction of its new DX-format digital SLR that enables the camera to work under extreme from a number of functional and technological fl agship, the Nikon D300S. conditions. advancements, including an external stereo microphone input enabling high-fi delity audio, What’s more, an enhanced D-Movie function plus in-camera movie editing, allowing the provides new features, such as an external trimming of clips. And in Tripod mode, the D300S microphone input for stereo sound recording and features contrast-detect AF. Yet another means of AF capability with contrast-detect AF during movie enhancing the dramatic impact of HD video is by recording. Such outstanding specifi cations in a The 51 AF points are employed in various focus area taking advantage of the wide selection of fi nest- trim, responsive, versatile DX-format digital SLR will modes, according to subject conditions. Single- quality NIKKOR interchangeable lenses – from ultra- give any serious photographer an extra measure of point AF mode allows you to choose a single AF wide-angle and fi sheye to super-telephoto – for agility, for traveling and shooting with greater ease. point from among the 51, and in dynamic-area AF incredibly sharp results. What’s more, the camera’s As well as inheriting the fi nest features of the mode, you can select from 9, 21 or 51 AF points. versatile Picture Control adjustment options let you highly acclaimed D300, the D300S boasts many The 51-point option offers 3D-tracking mode, modify the tone and color of HD video clips with innovative enhancements and is designed to meet which automatically shifts the focus point to match remarkable ease. an even broader scope of creative demands from the subject’s movements. Auto-area AF mode serious photographers. specializes in focusing on people, automatically AF system with high-density 51-point AF detecting and prioritizing skin tones with all 51 The D300S’s Multi-CAM 3500DX AF sensor First and foremost, the D300S possesses the superb points. module provides an exceptionally wide area of AF product quality required of the fl agship of Nikon’s coverage. With 51 AF points densely positioned DX-format digital SLR camera line: 7 frames- Large, bright viewfi nder with approximately across the frame, it’s designed to capture your per-second*1 high-speed continuous shooting, On top of this, users can choose from the 100% frame coverage subject accurately, even when its movement is exceptional accuracy thanks to the 51-point AF extraordinary range of more than 60 NIKKOR lenses, The D300S’s viewfi nder features an eye-level unpredictable. Moreover, it utilizes 15 powerful system and approx. 100% viewfi nder coverage, and Nikon’s Total Imaging System — benefi ts that pentaprism with approx. 100% frame coverage cross-type sensors in the center of the frame to give

ISSUE.23 ISSUE.23 001414 001515 FEATURED PRODUCT - NIKON D300s FEATURED PRODUCT - NIKON D300s

and approx. 0.94x magnifi cation. The large, Scene Recognition System makes the most of and “RAW primary, JPEG secondary” recording lets Quiet Shutter-release mode for nonintrusive bright viewfi nder makes for easier, more accurate the 1,005- RGB sensor you record RAW data and JPEG data separately to shooting composition. Nikon’s intelligent and exclusive light metering each card. You can also copy images between the One more advancement over the D300 is that sensor applications have undergone a refi ning two memory cards. And when shooting D-Movie by selecting “Q” on the release mode dial, DX-format CMOS ; 12.3 effective process that clips, it allows you to select the slot containing the megapixels has led to a card with the most available capacity. The D300S employs Nikon’s renowned DX-format breakthrough * Type I compatible only. CMOS image sensor that provides 12.3 effective technology, the Scene Engineered durability Recognition Tested on fully assembled cameras, the shutter System, which mechanism assembly has been proven for 150,000 uses precise color cycles under demanding conditions. The ruggedly and brightness constructed D300S employs a strong yet lightweight information from magnesium alloy for its exterior cover, chassis and the 1,005-pixel RGB sensor to push accuracy levels mirror box, as well as for the cover of the optional for autofocus, auto exposure, i-TTL fl ash control photographers can opt to substantially reduce and auto white balance to an unprecedented level. the sound of the camera’s mirror-down during And in playback mode, the added Face Detection shooting. This is particularly useful when shooting in System lets you instantly zoom in on a human face restrictive conditions such as when photographing megapixels. It delivers extraordinary image quality in the high-resolution, 920k-dot LCD monitor. wildlife. throughout a wide ISO sensitivity range of ISO 200 to ISO 3200 with low noise. In addition, Lo 1 for ISO Dual card slots for CF/SD memory cards Active D-Lighting for smooth tone reproduction 100 equivalent and Hi 1 for ISO 6400 equivalent are New for the D300, the D300S provides dual in high-contrast lighting also available. card slots, enabling the simultaneous use of By localizing tone control, Active D-Lighting accurately restores the details in shadows and Initial image capture data can be quickly and highlighted areas which are often lost in high- accurately transferred using 14-bit integrated A/D contrast lighting situations. Simply choose the conversion. All successive internal processing is appropriate setting — auto, extra high, high, then handled at a full 16 bits. The resulting output Multi-Power Battery Pack MB-D10. The camera normal, low or off — prior to shooting. For further reveals breathtaking details and remarkably smooth also offers comprehensive countermeasures at key options that will help you achieve your desired tonal gradations. points to combat invasive moisture and dust. tone, the D300S also allows you to bracket your pictures with varying strength levels, for up to fi ve image processing Easy-to-access Live View mode frames, perfect for diffi cult lighting situations or if Nikon’s comprehensive EXPEED image processing Live View function, activated by pressing the you don’t have the time or experience to select just utilizes an accumulation of sophisticated Nikon dedicated Live View button, makes it easy to shoot one Active D-Lighting setting. while composing on the LCD monitor. both CompactFlash* and SD memory cards and Picture Control: Customize the visual style of allows photographers to designate the primary In Handheld mode, which allows you to recompose your images recording slot. For the slot designated as secondary, the frame prior to actual shooting, TTL phase- Nikon’s Picture Control enables you to create intelligence and technologies to ensure impeccable photographers can select from three recording detection AF using 51 AF points is activated. Tripod the pictures you envision, quickly and easily, by quality for both still images and movies, while also methods: “Overfl ow” recording lets you use the mode is designed for precise focus accuracy with making specifi c selections and adjustments to achieving high-speed processing and low power memory capacity of the secondary card when still subjects. It allows contrast-detect AF on a image sharpening, contrast, brightness, saturation consumption. It also effectively reduces lateral the primary card is full, automatically; “Backup” desired point within a frame. chromatic aberration. recording stores the same images on both cards;

ISSUE.23 ISSUE.23 001616 001717 FEATURED PRODUCT - NIKON D300s FEATURED PRODUCT - NIKON D3000

and hue. And with other Picture Control- compatible cameras, as long as the settings EN-EL3e EN-EL4a with 8 x AA-size New, Intuitive Guide are the same, you’re optional BL-3 Batteries able to obtain the mode and extraordinary *1 Based on CIPA Standards. When Rechargeable Li-ion Battery same picture tone. 10.2-megapixel image quality EN-EL3e is used for camera body, together with Rechargeable The D300S offers provide first-time users with an Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 for the four preset Picture ideal way to experience the world of Multi-Power Battery Pack MB-D10. Control options — Standard, Neutral, Vivid and digital SLD photography. *2 Based on CIPA Guidelines. When Rechargeable Li-ion Battery Monochrome. Your can also download two EN-EL4a and Battery Chamber Cover BL-3 are used for the Multi- additional presets, Portrait and Landscape, from the Power Battery Pack MB-D10, all of which are sold separately. Nikon website.

Additional Nikon D300S Features Built-in fl ash with 16mm lens coverage With a guide number of approx. 17/56 (m/ft., ISO • Virtual Horizon that is available in Live View RCP TBA 200, 20°C/68°F) and 16mm lens coverage – wider shooting. than the 18mm of the D300 – the high-performance • 3-in., 920-k dot high-resolution LCD monitor. built-in fl ash supports Nikon’s original i-TTL fl ash control that evaluates fl ash exposure with greater • Highly effi cient energy-saving design allows precision for exceptional results. Compatible as many as 950 images on a single charge Tokyo — Nikon Corporation is pleased to announce effective megapixels, Nikon’s DX-format CCD with the Nikon Creative Lighting System, the of the Rechargeable Li-ion Battery EN-EL3e. the newest addition to its family of quality DX- sensor, exclusive EXPEED image processing system, format digital SLRs, the D3000. Combining in- and compatibility with an extensive selection of built-in fl ash controls up to two groups of remote (CIPA Standards) camera assistance and supreme ease-of-use with legendary NIKKOR lenses, the D3000 produces units as a master/commander in Advanced • Nikon’s Integrated Dust Reduction System Nikon’s renowned technology, the D3000 is the fi nely detailed images that can be freely cropped Wireless Lighting. including Image Sensor Cleaning function that ideal choice for people looking to upgrade from and enlarged while retaining sharpness. provides effective dust reduction. their point-and-shoot camera to a digital SLR. Multi-Power Battery Pack MB-D10 (optional) • Versatile in-camera Retouch Menus let you Extending the D3000’s excellent performance is The optional Multi-Power Battery Pack MB-D10 enhance your images without using a computer. The D3000 features a new Guide mode – a hassle- Nikon’s exclusive Scene Recognition System, Active supports three types of batteries: R6/AA-size free way for less-experienced picture-takers to D-Lighting, continuous shooting up to 3 frames- batteries, along with Nikon’s Rechargeable Li-ion • Compatible with HDMI (High-Defi nition master the capabilities of digital SLR cameras. per-second, advanced 3D Color Matrix Metering II, Battery EN-EL3e Multimedia Interface) output. Type C connector Through its intuitive user-friendly interface, Guide and 11-point selectable autofocus. and Rechargeable (mini size) is employed. mode assists users in choosing shooting modes Li-ion Battery EN- • With the optional GPS Unit GP-1, location for a variety of situations and, if they choose, in For comfortable viewing when playing back EL4a. It combines information such as latitude, longitude, altitude exploring advanced photographic techniques. From images and retouching photos, the D3000 features a added stability with close-ups and landscapes to portraits with soft and time are automatically recorded to each bright 3.0-in., 230k-dot TFT LCD monitor. The extended shooting backgrounds and picture-taking opportunities of large monitor image’s Exif data. of up to approx. fast-moving action, Guide mode eases users into also improves 2,950 shots*1 per • Exclusive Nikon Software — Nikon Transfer and the world of digital SLR photography. In addition, readability charge and enables ViewNX software packages (supplied) for a range settings made with Guide mode can even be fi ne- of menus faster high-speed of basic photo browsing and editing operations; tuned before the shot in order to achieve the best thanks to a continuous shooting Capture NX 2, Camera Control Pro 2, and Image possible photos. font size that at up to 8 fps*2. Authentication Software (all optional) enable is 20% larger more advanced operation and image editing. Despite its simple interface, the D3000 delivers than that of exceptional picture quality. Thanks to 10.2 the D60.

July 30, 2009

ISSUE.23 ISSUE.23 001818 001919 FEATURED PRODUCT - NIKON D3000 FEATURED PRODUCT - NIKON D3000

Extensive in-camera image control is available using At 10.2 effective megapixels, the D3000 produces 11-point AF system with Multi-CAM 1000 In-camera photo editing Nikon’s Picture Control System, which allows users high-resolution images that enable beautiful autofocus sensor module After shooting, the D3000’s photo editing functions to customize key digital image characteristics to enlargements without loss of sharpness. Normal ISO Employing 11-point autofocus driven by Nikon’s allow for in-camera retouching, lessening the need suit personal preferences. For additional creative sensitivity is ISO 100 to 1600. For added shooting Multi-CAM 1000 autofocus sensor module, the for a computer to enhance or modify images. The control, the D3000 includes comprehensive in- versatility, a Hi 1 setting increases sensitivity to D3000 introduces a new Miniature effect under its camera editing functions via its Retouch Menu that ISO 3200. Retouch Menu that modifi es images to look like enhance photos with a variety of effects – without pictures of miniature models. Each editing function the need for a computer. EXPEED image processing system is applied to a copy of the image, with the original The D3000 is equipped with Nikon’s EXPEED left unmodifi ed. Whether it’s grabbing point-and-shoot snapshots image processing system. EXPEED realizes excellent or exploiting techniques commonly used by more Nikon Integrated Dust Reduction System advanced photographers, the D3000 offers an easy, Dust reduction is handled by the Nikon Integrated inviting way to experience the world of digital SLR Dust Reduction System. This is a comprehensive photography and obtain beautiful pictures. resolution, long tonal scale, and superb color NIKON D3000 FEATURE HIGHLIGHTS while also making possible fast processing of the D3000’s advanced imaging functions such as Scene New Guide mode Recognition and Active D-Lighting. In-camera guidance is provided by new Guide mode, D3000 delivers fast, precise focus over a wide which employs an easy-to-use interface that makes Scene Recognition System area of the frame. Four versatile AF modes are it easy for fi rst-time users to select shooting modes. This feature improves accuracy for exposure, white available: single-point AF for stationary subjects, Additionally, after selecting an item in Guide mode, balance, and autofocus by analyzing color and especially ones that are off-center; dynamic-area camera settings can be further adjusted in order to illumination over the entire scene milliseconds prior AF for moving subjects; auto-area AF when you obtain optimal results. (See diagram A). to shooting. It then adjusts the D3000 accordingly want the D3000 to automatically determine the solution that reduces generation and accumulation for optimal picture quality. proper focus method; and 3D-tracking (11 points) of dust and also provides measures to remove dust. Nikon DX-format CCD sensor; 10.2 effective AF for maintaining focus on subjects even if the A key element of the solution is the Airfl ow Control megapixels Active D-Lighting composition changes. System, which directs dust away from the image The D3000 incorporates Nikon’s Active D-Lighting sensor. The system also includes an image sensor function to vastly improve details in the shadows 3.0-in. LCD monitor cleaning function that activates automatically when and highlights of high-contrast scenes. Like the Image playback and viewing menus is now easier the D3000 is powered on or off. This vibrates the Scene Recognition System, Active D-Lighting than ever thanks to the 3.0-in., 230k-dot TFT LCD low-pass fi lter (located in front of the sensor) to utilizes the 420-pixel RGB sensor to analyze a monitor. The large monitor also results in text size free it from dust. scene then adjust exposure to achieve images that that is 20% larger than on previous Nikon digital closely resemble what the human eye sees. During SLR cameras. Superb NIKKOR lenses processing, this function also restores details in the The D3000 opens up a wide range of possibilities highlight and shadow areas of the image that may Picture Control System for dramatic expression thanks to full compatibility have been lost. The Picture Control System of the D3000 gives users with the extensive lineup of NIKKOR AF-S and AF-I the ability to customize lenses. From ultra wide-angle and micro to super key digital image capture telephoto, NIKKOR lenses give users the means to characteristics to suit explore their creativity to the fullest. personal preferences. Six settings are available: Standard, Neutral, Vivid, Monochrome, Portrait, and Landscape.

Diagram A

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For example, it may record a journey, a travel “The traveler sees what he sees, the “The traveler was active; he went experience, a place, which may include its people, tourist sees what he has come to see. strenuously in search of people, of The whole object of travel is not to adventure, of experience. The tourist is a collection of items specifi c to a place, a culture in set foot on foreign land; it is at last passive; he expects interesting things to its natural state or an activity carried out at a place. TRAVEL to set foot on one’s own country as a happen to him. He goes ‘sightseeing.’” The distance travelled to compile the portfolio is foreign land.” not important. The photography can be taken in Gilbert K. Chesterton Daniel J. Boorstin. PHOTOGRAPHY The Image: any country in the world including Singapore. A Guide to Psuedo-Events in America, 3.2, 1961 Manipulation by digital or other means, which In this fourteenth part of a series “Who lives sees much. Who travels SIGNIFICANTLY alters the truth of the situation or sees more.” “A good traveller has no fi xed plan and of techniques, Steven Yee shall Arab proverb event, is unacceptable. With this defi nition, one has no intent on arriving.” can be more focused on this specialization call Lao Zhu share with you tips in taking travel travel photography. The world is a book, those who do not (Ancient Chinese Philosopher, c 604 B.C.) photography shots. A professional travel read only one page.” photographer and photography From my years of being in the shoes of a travel Saint Augustine (354-430) “If it is better to travel than to arrive, photographer, I would like to share with you the instructor, Steven Yee conducts it is because traveling is a constant arriving, while arrival that precludes following pointers that could be useful in your “Travel makes one modest. You see what the Nikon D40/40X, D60, D80, further traveling is most easily attained journey of travel photography. a tiny place you occupy in the world.” D5000, D90, D300, D700 workshop by going to sleep or dying.” Scott Cameron John Dewey. Research and Plan monthly at Knowledge Bowl Human Nature and Conduct: Know yourself; know your terrain, half the An Introduction to Social Psychology, 4.1, 1992. (www.knowledgebowl.com.sg) “To feel at home, stay at home. A battle won. It is important to do research foreign country is not designed to make on the place you are going instead of going there you comfortable. It’s designed to make From my survey among most of my students, travel and lose your way. You do not have the luxury its own people comfortable.” photography is arguably one of the most liked of time to spend more than 3 months to slowly Clifton Fadiman topics in photography. In itself, travel photography discover a place unless you decide to quit your job. is also a specialization. From the above quotes, one If you hardly have less than a week, it is important can imagine how travel photography changes the to know what the things you are expected to see lives of many people, especially their perception of and what are the places you should visit. There what life is. are many guide books on the shelves of the book stores; at least they are mostly updated. If you What exactly is travel photography? How do we borrow the guide books from other sources, do defi ne travel photography? Do we simply just buy make sure that they are not outdated or else you a ticket, fl y to some place out of the border of your will end up in a different place. It is also important country, take out your camera and snap whatever to know who to contact if you need help, such as the contact number of the embassies. 1 you see? Or for some, could it be merely snapshots of your loved ones with some famous mountains 2 in the background? Can travel photography be If possible, get a local guide defi ned? If you are going on your own or with a few friends, you may like to hire the Certainly it can be defi ned. Strictly defi ned and services of an experienced local guide or driver who adapted from The Royal Photographic Society of knows where are the places you should not miss. Great Britain, travel photography is documentary Do tell them to bring you to places where the locals record photography with a travel connection. often go, as this will shed new light to how the

RELIGION MOTIFS Nikon D2X, Centre Weighted metering, Daylight White Nikon D2X, Centre Weighted metering, Daylight White 1 Balance, ISO800, Aperture Priority Mode, Shutter speed 2 Balance, ISO400, Aperture Priority Mode, Shutter speed 1/60s, Aperture f5.6, 18-200mm VR, set at 170mm, EV -0.7 1/50s, Aperture f4.5, 18-200mm VR set at 62mm

Taken in Tibet, the monks were chanting and the burning incense added a Look out for motifs or patterns on the cloth, textile, walls of places of religion feeling of spirituality to the image. and you can see how the motifs refl ect the culture of a place.

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locals live. If you are on those packaged tour groups No power supply = no charging of batteries = and shoot through the window of the moving bus, Time of the day with more than 40 people on the tour bus, this is batteries fl at = no photography using Aperture Priority mode, ISO800 and with the Our wakeup call is usually 4.30am, probably more of a family sight seeing holiday. I always ensure that I will stay in a reasonably good biggest aperture. But there will be time when you especially if we had to travel long Hence, this is very much dependent on what type hotel with adequate and constant power supply. are sick of shooting the dunes, and you have 6 distances to our destination to photograph the of tour you are looking at. The worst that can happen is while one try to save more hours of travel journey. What I usually do is to sunrise or if the location experience very early a few hundred dollars, stay in some crappy hotels bring along a few movie DVD. 6 hours is more than sunrise. The better time to photograph with good Things to shoot that shut down power supply from 10pm to 6am, enough to watch 3 shows, and you will be amazed lighting is the few hours after sun rise and the few For myself, I have a checklist of things and next comes one of the best sunrise ever by the at how time fl ies and your mood remain good. For hours before sunset. These are the time where we to look out for when I do my travel lake with boat rowers coming towards you out better mood, try watching MR BEAN DVDs. often experience that warm golden light. Midday photography. I would go to the book shop, to from the fog, and your battery is fl at! I also bring sun tends to give harsh lighting which can wash out the library or search the internet for resources along the multi socket plug so that I can charge Backup details, hence the need for ND4 fi lters. or photographs for reference. Samples of my several devices at a go. I bring along 2 sets in case You spend so much time, money and effort checklist can be found in the subsequent pages. anyone of them got smashed in the luggage. in getting the photographs. It is important Select pictures everyday The checklist is as below: to bring along portable external hard disks to store I try to make it a point to select my better I also ensure that my transport is good to last the your images. Do expect to have about 4GB to 8GB pictures everyday instead of waiting to do • Buildings Architecture • Food trip. There was once, due to peak season, we had to of JPEG images per day. This is why I do not shoot so when I get back to Singapore. Procrastination

• Portraits & People • Plants make do with a reasonably “good” vehicle which with RAW fi les, as the space will be horrendous. is something to be avoided. I have experienced it • Transport • Night Life had tyre threads that seem to be smoothened. We I also bring along backup DSLR bodies and lenses. before. There is always the excuse “I have no time For less important trips, I will bring along the digital • Leisure & Sports • Scenery & Landscape had to pray we do not encounter slippery curbs. to run through so many images”, and before you compact camera as a backup. know it, your next trip is coming. • Motifs • Religion Ethics • Places of Interest & • Small things & Signages Travel and Shoot wisely The pointers above are not exhaustive but if you Landmark • Souvenirs & Handicrafts What to bring along for the trip? I prefer bear them in mind and study the case studies • Alleys • Animals to travel light; hence I usually have below, travel photography is enjoyable. “To feel at home, stay at home. • Cultural Performance my DSLR body, 10.5mm DX fi sheye, 12-24mm A foreign country is not designed DX lens and the 18-200mm VR DX lens. I have to make you comfortable. It’s seen photographers bringing along 8kg load of Stay healthy designed to make its own equipment with the various f2.8 fast lenses. If you The worst thing that can happen is to travel people comfortable.” intend to go for a trekking tour and without a while you are sick. A terrible sinus can ruin Clifton Fadiman Sherpa to help you, and you do not have a strong your morning shoot. A tummy ache from eating physique, it may not be advisable to tug along the the unhygienic food from the roadside store (too It is important to respect the ethics of the people in 8kg load of equipment. Know your limits! tempting to resist) can cause much inconvenience different places. What may seem disgusting to you especially in a place where toilet facilities are rare. may be a norm for them. For me, I just photograph To travel without adequate medicine supply is as and move on, do not make any negative comments bad as trying to fry a fi sh in a wok without oil but which may make them unhappy. water only. If you are for the fi rst time going to places of high altitude, such as 3800m above sea Be mentally sane during long journey level, you may like to be mentally prepared for Text and Pictures By Steven Yee Pui Chung The longest journey I have tried is to leave MBA, B.Eng (Mech), FRPS, FPVS, FPSS, FPSM, Hon.FPSM, Hon.FKCC, AFIAP breathlessness and spinning headache. I usually a town at 6am and reach another town at bring adequate supply of medicines, which I can 12 midnight in Northern Xinjiang, China. Another share with my compatriots if they fall sick too. long journey is to travel through the Taklimakan COMING UP NEXT... Desert in Southern Xinjiang, China. It is known as Logistics Coming up in the next issue, do look out for an article on the Death Desert highway, as there is simply not Heard of the cruel cycle of digital travel photographing texture. Do not miss this article as Steven Yee much existence of any life along the highway, photography? It goes something like shares with you how to make the best out of textures. except for scenes of dunes after dunes. I can this…. choose to be constantly on the lookout for subjects

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SMALL THINGS AND SIGNAGES (LEFT) PLACES OF INTEREST & LANDMARK Nikon D2X, Centre Weighted metering, Daylight (LEFT) White Balance, ISO320, Program Mode, Shutter speed Nikon D90, 3D Matrix metering, 1/250s, Aperture f7.6, 18-200mm VR set at 70mm Auto White Balance, ISO200, Aperture Priority Mode, Shutter speed Signage can tell a story of a place, be it the products or 2s, Aperture f11, 18-200mm VR, local specialty. No doubt English language is a universal set at 18mm, EV -0.7 language in many countries; you may expect to see some amusing texts on the signboards in certain places. These When we mention places of interest and are images worth collecting. landmark in Singapore, one of the very fi rst thing that comes to one’s mind would be the Merlion, the Raffl es Hotel, the Esplanade etc. Every country has some places of interest and landmark. These are things that you should not miss.

SCENERY & LANDSCAPE (BELOW) Nikon D2X, Centre Weighted metering, Daylight White Balance, ISO320, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f4.5, 18-200mm VR set at 70mm, EV -0.3

What attracted me to photograph this picture is how the cloud formation cast shadow and highlight on the trees. This was taken in Northern Xinjiang, China, along the road. I shot this through the window of the moving bus.

FOOD (ABOVE) Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO400, Program Mode, Shutter speed 1/160s, Aperture f6, 18-200mm VR set at 200mm

Try to photograph food which is unique to the country. For Singapore, one can easily identify food like Char Kuay Teow, Rojak etc. I usually try to take pictures of the food before I eat them. The above pix is a takeaway Vietnamese noodles fried with beef, from the road side stall. Well, the takeaway is not mine but for a local Vietnamese, I just happen to pass by and request to take a shot.

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ANIMALS (LEFT) Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO320, Program Mode, Shutter speed 1/200s, Aperture f7.1, 18-200mm VR set at 70mm

Stray cats, wild birds, any creatures which are unique to the country and that roam the streets or territory of the place deserve a place in your travel portfolio of images.

PORTRAITS AND PEOPLE (BELOW) Nikon D2X, Centre weighted metering, Daylight White Balance, ISO800, Aperture Priority Mode, Shutter speed 1/80s, Aperture f4.2, 18-200mm VR at 24mm

Try to explore both the modern and rural side of the country. The below picture was taken in the Northern Territories of Hong Kong and I had to take a long journey via the MTR and by rail to reach this village. These three grand old ladies are probably the last few who still wear the old dresses and sport their unique hats.

PLANTS (ABOVE) Nikon D2X, Centre weighted metering, Daylight White Balance, ISO100, Aperture Priority Mode, Shutter speed 1/750s, Aperture f3.5, 18-200mm VR set at 125mm

Taken in Northern Xinjiang, China. I am not sure what species of Lalang (if it is Lalang in the fi rst place) is this, but what attracted me is how they glow under the back light. For Singapore, not to be missed will be our national fl ower Vanda Miss Joaquim orchid plant. There are many species of fungus, fl oral and fauna all over the world. If you can, try to photograph a few.

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CULTURAL PERFORMANCE (LEFT) Nikon D2X, Centre Weighted metering, Auto White Balance, ISO800, Manual Mode, Shutter speed 1/200s, Aperture f5.6, 18-200mm VR set at 150mm

Do not miss those cultural performances. Many travellers avoided cultural NIGHT LIGHTS (BELOW) performance because they thought Nikon D2X, Centre Weighted metering, Daylight White these are nothing but commercialized Balance, ISO100, Aperture Priority Mode, Shutter performances. However, if you do speed 14s, Aperture f9, 18-200mm VR set at 22mm manage to attend a good performance with authentic setups, you will be able to Look at brochures, internet resources and books and do not thoroughly enjoy the essence of the local miss night scenes of the country you are visiting. cultural fl avour. No harm trying. This picture was taken at the Peak in Hong Kong.

LEISURE AND SPORTS (ABOVE) Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO320, Program Mode, Shutter speed 1/640s, Aperture f12, 18-200mm VR set at 70mm

Taken from the Changi Sailing Club, this picture shows some of our local favourite sea sports. One can easily fi nd out from guide books on the locals’ favourite or unique leisure life and sports.

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SOUVENIRS AND HANDICRAFTS TRANSPORT (LEFT) (RIGHT) Nikon D2X, Centre Weighted metering, Daylight White Nikon D2X, Centre Weighted Balance, ISO100, Shutter Priority Mode, Shutter speed metering, Daylight White Balance, 1/15s, Aperture f6.7, 18-200mm VR set at 82mm ISO400, Progra, Mode, Shutter speed For Singapore, one of our unique transports will be the trishaw. 1/6s, Aperture f5.6, 18-200mm The rickshaws are long “extinct”. Though the trishaws are now VR set 24mm mainly used to ferry tourists, you will be surprised that they do Handicraft workshops or souvenir fetch some locals for short distances. Even our trolley buses, showroom are often shunned by some Duck tours etc are worth photographing. It will be a surprise also photographers who believe that these to fi nd out whether you know how many taxi companies we are places mainly for tourists. What they have in Singapore now. Do this likewise when you are in other may not realize is behind the scenes, country and see what are their transports systems. especially in the workshop, you can expect to see many interesting activities such as the production of the handicraft and souvenir. This picture was taken at the back of a souvenir shop that sells pottery. I asked the worker to help do a demonstration after seeking permission from the shop manager.

BUILDINGS & ARCHITECTURE (BELOW) Nikon D2X, 3D Matrix metering, Daylight White Balance, ISO500, Aperture Priority Mode, Shutter speed 1/125s, Aperture f4.5, 18- 200mm VR set at 46mm, EV -1.0

The Buildings and architecture from past and present do refl ect about a country’s unique culture. Great buildings or architecture from the past reveal a country’s past splendours and might, while new modern sky scrapers or refurbished old buildings reveal a country’s economic strength and effort in architectural preservation.

ALLEYS (ABOVE) Nikon D2X, Centre Weighted metering, ISO400, Aperture Priority Mode, Shutter speed 1/1000s, Aperture f5.3, 18-200mm VR set at 105mm, EV -0.7

If you not travelling alone, you may like to explore the alley and back lanes where you can fi nd some interesting objects such as abandoned stuff, people feeding the animals and others. But do be careful if you are doing so alone, as the very last thing you want to happen to you is getting mobbed at the alley.

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PHOTOGRAPHY CONTEST PHOTOGRAPHY CONTEST

[ SINGLE LIGHT ] The Winning Entry Of Focus Photography Contest focus PHOTOGRAPHY contest

Send in your best ‘Travel’ shot and WIN a Nikon COOLPIX S230 worth S$399 plus a chance to have your work featured in our next issue. Contest is open to all Nikon users.

To participate, fi ll in the form and attach it with your entry. Closing Date: 15 SEP 2009 FOCUS PHOTOGRAPHY CONTEST – TRAVEL Age: Contact No. (HP): Name: Male: NRIC: Female: Contact No. (O):

Address: Email:

Tile of Photo:

Photo Taken by (Model & Setting / Mode)

Send entry to: FOCUS PHOTOGRAPHY CONTEST Nikon Singapore Pte Ltd, 80 Anson Road, #10-01/02, Fuji Xerox Towers, Singapore 079907

TERMS & CONDITIONS • Eligibility – Open to all Nikon users residing in Singapore except Nikon staff; photo must be taken by Nikon camera only • Each photographer is only allowed one entry with one photo • Only prints in 8X10 size will be accepted or send to [email protected]. For more information, please visit: www.nikon.com.sg/focus WINNER JOEWIE KOH TITLE HIDING FROM THE LIGHT • Print submitted are not returnable • Nikon will not be held for entries lost or damaged Nikon reserves the rights to use any photograph entered for publicity and other purposes • The entries will be judged on their relevance to the theme, creativity and overall technical quality • The winner will be notifi ed by post and his/her PHOTO TAKEN BY NIKON D70S, LENS: AF-S DX ZOOM-NIKKOR 18-70MM F/3.5-4.5G IF-ED AT 18MM name will be published in the next issue of FOCUS SETTING: MANUAL, ISO 1600, F/3.5, 1/25 SEC

ISSUE.23 ISSUE.23 003636 003737 FEATURED PHOTOGRAPHER - PHIL DATE FEATURED PHOTOGRAPHER - PHIL DATE

Phil Date PORTFOLIO 2006. His ever growing portfolio and confidence in stock photography soon led to EastWest Imaging, which has already outgrown its first studio, now includes a Phil studied Actuarial Science at the full-time photo editor, and has traveled to Throughout Phil’s development, the one University of Kent @ Canterbury, and went Australia, Indonesia, and Thailand to build constant has always been Nikon. Phil has on to London to work in finance. During the company’s’ in-demand lifestyle images grown to rely on the build and image quality this time he visited Malaysia frequently, photography base. that is undeniable Nikon. Phil now shoots the country that was home to many of primarily with the D3 which he adore, his classmates from Kent. Each time he As one who thrives on new challenges, Phil along with a 85mm f1.4 or 70-200mm f2.8 returned, his love of Asia grew stronger, as has taken to his D300 with Ikelite casing to VR lens. did his awareness that he was not meant deliver underwater portraiture for children to be desk bound in London. He looked for and families. His teaching background While Phil now calls Singapore home, he still a change that could enable him to work in makes him a natural with children, and no looks to travel with destinations like New Asia, and was soon teaching Mathematics doubt is useful as he works to coordinate Zealand, Cuba, and Alaska on his mind. He at Tanglin Trust School in Singapore. He the difficult task of photographing a child enjoys going back to his photography roots continued to enjoy travelling as he explored underwater. Phil admits his new challenge of travel shots, and even still enjoys using the region (with his new F65 in tow), and is tricky, but well worth the one of a kind an F80 film camera from time to time. sharpened his ever-developing aptitude for photography he can produce. Regardless if it’s a shot from the beaches of photography. Indonesia, one of Singapore’s lush outdoor spots like Fort Canning, or a modern Phil Date’s fresh, classic photography has Phil, always up for a challenge, soon began portraiture from his newly upgraded studio, developed into his nationally-recognized studying studio portraiture in Singapore. Phil has mastered his recognizable style signature style referred to by clients and As he began to build his home studio clients ask for by name. No matter where followers as, naturally, “very Phil Date”. (equipped his new D70) he photographed he is or what he is shooting, we can always What began as a hobby throughout his friends and their kids, whom by word count on a classically fresh signature style travels in Asia developed into not only a of mouth quickly became his friends’ that is “very Phil Date”. successful career change to professional friends, and friends’ friends kids. His photography, but also Phil’s establishment quick popularity sowed the seeds of the Words by Maggie Landy of one of the world’s top micro-stock realization that Phil Date, Math Teacher, contributors, EastWest Imaging. could easily become Phil Date, Professional Photographer. With his growing client base and faith in the future of micro-stock images in the digital age, Phil was able to make the switch to full-time photographer, thus founding Phil Date Photography in

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Taken by , 1/200s – F/13, Taken by Nikon D2X, 1/250s – F/1.8, Exposure Mode: Manual, : Multi- Exposure Mode: Aperture Priority, Metering Pattern, Exposure Comp.: 0 EV, Focal Length: 85mm Mode: Multi-Pattern, Exposure Comp.:0 EV, Focal Length: 85mm

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Taken by D300 with AF-S DX 12-24mm f4. (with Ikelite Under Water casing)

Taken by Nikon D3, 1/250s – F/2.8, Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp:. +0.7 EV, Focal Length: 160mm

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Taken by , 1/250s – F/2.8, Exposure Mode: Aperture Priority, Metering Mode: Multi- Pattern, Exposure Comp.: 0 EV, Focal Length: 50mm

Taken by Nikon D300, 1/160 s – F/4, Exposure Mode: Aperture Priority, Metering Mode: Multi- Pattern, Exposure Comp.: 0 EV, Focal Length: 200mm

Taken by Nikon D300, 1/100s – F/1.8, Exposure Mode: Aperture Priority, Metering Mode: Multi-Pattern, Exposure Comp.: 0 EV, Focal Length: 50mm

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Taken by Nikon D3, 1/6400 s – F/4.8, Taken by Nikon D3, 1/1600 s – F/4, Exposure Mode: Aperture Priority, Metering Mode: Multi- Exposure Mode: Aperture Priority, Metering Mode: Multi- Pattern, Exposure Comp.: 0 EV, Focal Length: 175mm Pattern, Exposure Comp.: 0 EV, Focal Length: 400mm

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(ABOVE) Taken by Nikon D2X, 30 s – F/16, Exposure Mode: Aperture Priority, Metering Mode: Multi- Pattern, Exposure Comp:.+0.3 EV, Focal Length: 18mm

(RIGHT) Taken by Nikon D2X, 30s – F/16, Exposure Mode: Manual, Metering Mode: Multi- Pattern, Exposure Comp.:-0.7 EV, Focal Length: 19mm

ISSUE.23 ISSUE.23 004848 004949 EVENT - SNAP EVENT - SNAP

SNAP! 2009 The National Junior College Photographic A NATIONWIDE Society (NJPS) organized SNAP! 2009 between March 2009 and June 2009 with the aim of YOUTH helping Singaporean youths take a greater interest in the visual arts and the photographic PHOTOGRAPHY medium, and take up photography as their COMPETITION, hobby. Targeted at youths aged 13 to 21, SNAP! had EXHIBITION the theme of ‘Colours’ and the submission period was open from 15 March 2009 to AND SEMINAR 30 April 2009. Participants were required to

submit both the soft and hard copies of their entries to National Junior College by mail. 9 prizes were provided by Nikon Singapore. Anderson Junior College was awarded 12 May 2009 and 06 June 2009. The exhibition the School Challenge Trophy. The list boards were provided by Nikon Singapore, On 30 April 2009, we received over 700 of winners is accessible at this link: and all prints and maintenance was done by entries. Judging of the entries was done by http://njps-snap2009.org/snap_winners.html the SNAP! organizing committee. Mr. Steven Yee and Mr. Chua Swee Ping, and we had the results by 03 May 2009. Results The exhibition displayed all 29 of the winning The exhibition was largely a success with a were officially released to the public and entries, and was set-up in National Junior large and diverse audience viewing them. This to the participants on 09 May 2009. College’s air-conditioned INE Hub between is attributed to the timing of the exhibition, There were a total of 29 winners, and

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These events attracted a great number of local and overseas adults and students.

The seminar was held on 6 June 2009 from 1300HRS to 1700HRS at NJC’s Ngee Ann Kongsi Performing Arts Theatre. It consisted of talks on Photography by Mr Edward Cheong, Nature Photography by Mr Raymond Chua and Photoshop by Mr Chan Kheng How.

Speaker on Flash Photography - Mr Edward Cheong Speaker on Photoshop - Mr Chan Kheng How

Seminar registration

which was planned to coincide with the following events: 40th Anniversary College Day; 40th Anniversary Gala Dinner; 5th International Students Science Fair (http://www.njc. Speaker on Nature Photography - Mr Raymond Chua edu.sg/ISSF/); 3rd Leadership Symposium Overall, SNAP! 2009 was a resounding success (http://www.njc.edu.sg/leadership_ despite the fact that it was the first time the symposium/) and 2nd Singapore International National Junior College Photographic Society Science Challenge (http://sisc.sg/info.php). organised an event of this scale.

Tea break (By Steven Yee)

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Guest of honour - NJC’s Vice Principal Mrs Poon Kam Wai Chin First prize winner - Ray Chew

Second prize winner - Oon Ming Liang (Collected on behalf by the girl in the picture)

Photograph of the entire SNAP! team

School Challenge Trophy - Anderson Junior College

All photographs are by NJPS members unless otherwise stated

Third prize winner - Aerilynn Tan

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BEST 3 WINNERS

1. Ray Chew (Anderson Junior College) 2. Onn Ming Liang (Hwa Chong Institution) 3. Aerilynn Tan (Cedar Girl Secondary School)

2

3

1

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CONSOLATION WINNERS D

A. Ang Jun Xiang (Anderson Junior College) B. FuDi (National Junior College) C. Clara Tan May Ting (Anderson Junior College) D. Lim Yu Cheng (Manjusri Secondary) E. Ilyas Sujak Bakir (National Junior College) F. Dennis Tan Jun Ming

A

B

C E

F

ISSUE.23 ISSUE.23 005858 005959 EVENT - NIKON CLUB PHOTO HUNT EVENT - NIKON CLUB PHOTO HUNT

NIKON CLUB PHOTO HUNT A shower of rain came in the morning and we @ THE LAST were pondering if the trip to the last Kampong in Singapore would be affected.

KAMPONG IN Fortunately, the rain was there just to cool the day. Sun after the rain, we embarked on the SINGAPORE journey with anticipation and excitement as most of the participants were newcomers to our 27 June 2009 Nikon Club outings.

Nikon Clubbers posing for a group shot.

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The photo hunt consisted of a set of photos by Steven Yee which participants were tasked to find. So together with Steven providing guidance along the way, we eagerly scanned the whole of this small little kampong, capturing everything from little kittens to dogs, birds, and chickens!

Finally, before the weather became too hot, it was time to head back. Most of us got all the shots we needed. One participant was even glad to have found a prized shot of a rare spider!

Back at the Nikon Office, although lethargic after the hunt, our enthusiasm for the photo critique session got over the better of us. So after a satisfying dinner, an interesting and educational photo critique session began!

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Images brought by some of the Nikon Clubbers for the photo critique session.

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The end of the photo critique session marked and we at Nikon Club were once again inspired to the end of Nikon Club’s June Photo Outing. We continue to plan more of such events! believe that everyone will forever remember this little journey to the last Kampong in Singapore, “Kampong Buangkok”, since some of us didn’t even know it existed!

Satisfi ed participants left with a big “thank you” to what was a fruitful and fulfi lling event for them, Keep yourself updated at www.nikonclub.com.sg for latest events, contests and hot shots!

ISSUE.23 ISSUE.23 006868 006969 Q & A CONTEST Win LEXAR 4GB SD Card with Card Reader

Q1. What devices can be attached to the FSB-U1 Q3. How many Focusing Areas does D3000 and a COOLPIX Camera? comes with?

1) Fieldscope a) 3 2) Spotting Scope b) 5 3) EZ-Micro c) 9 4) All of the above d) 11

Q2. What does EDG means in English? Q4. What is the name of the mode implemented in D300s to reduce the sound from the 1) EDGE camera’s mirror down during shooting 2) Extra Dispersion 3) Extreme Digital a) Silent Mode 4) Element Digital Glass b) Sound Reduction Mode c) Soft Mode d) Quiet Shutter-release Mode

ISSUE 23

Simply send the completed coupon with your answers to:

FOCUS Q & A CONTEST Nikon Singapore Pte Ltd 80 Anson Road #10-01/02 Fuji Xerox Towers Singapore 079907 by 15 Spetember 2009

WINNER OF FOCUS 22TH ISSUE Q&A CONTEST Name : AYLWIN KUEH NRIC : SXXX7869/E

ANSWER: Q1: 2 Q2: 4 Q3: 2 Q4: 2

TERMS & CONDITIONS: This contest is opened to all readers except employees of Nikon Singapore Pte Ltd • Prize must be taken as provided and is neither transferable nor exchange for cash • Winner will be notifi ed by post.

ISSUE.23 007070 CONTACTS PHOTOGRAPHY TIPS

CONTACTS

Service Centre : 80 Anson Road #10-01/02 Fuji Xerox Towers Singapore 079907 Service Hours : Mon, Tue & Fri: 9am – 5pm Wed & Thu: 9am – 7pm Service Hotlines : Tel: (65) 6559 6363, Fax: (65) 6559 3669 Email: [email protected] Sales & Marketing Hotline : Tel: (65) 6559 3630, Fax: (65) 6559 3671 Email: [email protected] Technical Support : Email: [email protected] Website : http://www.nikon.com.sg

AUTHORIZED DEALERS

[AMK HUB]: M.S. Colour 6452 2828 • Max Photo 6483 3368. [Ang Mo Kio Central]: M.S. Colour Service 6457 6380. [Bedok Central]: Parisilk 6441 6066 [Causeway Point]: Posh Photo (Metro Dept Store) 6893 9363. [Centrepoint]: Max Photo 6733 3848. [Far East Plaza]: Ngen Seng 6734 9342. [Funan DigitaLife Mall]: Alan Photo 6883 0922 • Bally Photo 6338 6965 • Song Brothers 6336 8001 • South Asia Computer 6337 0871. [Holland Village]: Parisilk 6466 6002. [Jalan Bukit Merah]: Audio & Photo 6738 1800 [Liang Court]: Audio House Marketing 6336 7177. [Lucky Plaza]: Aik Seng Photo 6734 5771 • Apo Foto 6235 2686 • DG Image 6836 7981 • Ishida Marketing 6734 7679 • Lord’s Camera 6235 4605 • Lucky Centre 6733 3256. [Marina Square]: Cathay Photo 6339 6188. [Mustafa Centre]: Mohamad Mustafa & Samsuddin 6295 5855. [Pagoda Street] Digitronics 6224 6741 • Max Photo 6221 1639. [Peninsula Plaza]: Cathay Photo 6337 4274. [Sembawang]: Parisilk 6452 1593. [Shaw Towers]: T K Foto 6292 8167. [Sims Drive]: Audio House 6841 2122. [Sim Lim Square]: Alan Photo 6336 0922 • Bally Photo 6338 9752 • Edison Electronics 6337 4444 • Song Brothers 6336 8001 [Singapore Changi Airport T2]: Sprint-Cass 6214 0673. [Singapore Changi Airport T3]: Dufry Singapore 6542 4996. [Tanglin Shopping Centre]: Gope’s Foto 6737 2633. [Tangs Orchard]: A J Digital 6734 2271

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