Evaluation of the Geometric Stability and the Accuracy Potential of Digital Cameras — Comparing Mechanical Stabilisation Versus Parameterisation
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Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) Also: 29/II Dorotheen Strasse 29, Berlin, Germany
Carl Zeiss, 32, Wagnergasse, Jena, Germany. ((1847) also: 29/II Dorotheen strasse 29, Berlin, Germany. (1901) and 29, Margaret St, Regent St, London W (1901) The founder, Carl Zeiss (1816-1888) was born in Weimar, the son of a cabinet maker and ivory carver. He graduated from school in 1834, qualified to be apprenticed to the Grand Dukes Instrument maker, Dr Koerner, and attended academic courses as well as working as apprentice. Next he travelled from Jan. 1838 to Oct. 1845 to study in Stuttgart, Darmstadt, Vienna, and Berlin to broaden his experience. Back at home, he studied chemistry and higher mathematics. By May 1845, he felt well enough qualified to apply to the County Administration at Weimar for permission to found "An establishment for the production of advanced mechanical devices", hoping for a relationship with the University to advance designs. Money was tight with capital of 100 Thalers (possibly £100) only, but in Nov. 1846, he opened at 7, Neugasse. It remained a small business for years, as it took some 20 years for the University relationship to be productive, and he often grew weary of the trial and error methods traditionally used in the trade. Much of the production was of microscopes- often relatively simple ones by modern standards, such as dissection viewers. Then in 1863, a young lecturer Ernst Abbe (1840-1905) joined the University to teach physics and astronomy. Zeiss approached him in 1866 for cooperation in the design of improved systems and this lead to new ideas, eg in the Abbe refractometer (1869), a comparator and a spectrometer. -
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Which DSLR? [Complete]
John Henshall’s Chip Shop WHICH DSLR? John Henshall looks at today’s leading Digital – and Film – Single Lens Reflex cameras Canon EOS-1Ds Mark II Nikon D2x Fujifilm FinePix S3 Pro Canon EOS-350D Kodak DCS ProSLR/c Nikon D50 Canon EOS-20D Nikon F6 Nikon D70s ntil 1999, choosing a DSLR suit or conflict with your needs is perhaps even the last – film SLR, the was easy because there was particularly difficult. Nikon F6 . This was loaded with the just one manufacturer: For example, do you want very high latest 35mm film: the new Fujichrome U Kodak. There were no DSLRs resolution, or accurate – or pleasing – Velvia Professional 100 . The film was from Canon or Nikon but Kodak made colour, or high sensitivity with low processed by one of the leading London m o c models for Canon and Nikon lenses. noise? Or is price or weight the most professional laboratories and scanned . e r The situation is much different now. important factor? at 4000 pixels per inch using the latest t n e c Kodak has ceased manufacture of In an attempt to evaluate some of Nikon Super CoolScan 9000 scanner. - i p DSLRs, whilst Canon and Nikon these factors, I got together the major My first shot was of Bear House. e @ n themselves are now the major players. Canon– and Nikon–mount DSLRs for a Over the years, I have been waiting for h o j l There are other manufacturers, of series of side-by-side real-world shots, a camera which could resolve the l a h course, but their systems are nowhere intended to simulate everyday shooting house name in this shot. -
ALPA of Switzerland - Manufacturers of Remarkable Cameras P G
ALPA of Switzerland - Manufacturers of remarkable cameras p g MENU SELECT FILTER PHOTOKINA 2016 - SPECIAL SITE Here you will find all additional information regarding ALPA's presence at Photokina 2016, taking place 20 - 25 September in Cologne. ALPA will show solutions with the... - Hasselblad Multishot digital back - Phase One IQ3 100 MP, the IQ350 and the Achromatic - all new Sinarback S 30|45 You will find ALPA at stand B021 in hall 2.1 - Download Floor Plan Photokina 2016 http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras PHOTOKINA 2016 - PRESS RELEASES ARCHIVE PRESS RELEASE PACKAGES (ZIP) August 19, 2016 - ALPA Releases Additional Products for Still and Movie Photography August 25, 2016 - ALPA 70 & Years Anniversary: ALPA launches ALPA Anniversary Edition Set August 31, 2016 - Hasselblad and ALPA Sharing Expertise September 16, 2016 - ALPA introduces new control devices - ALPA SILEX, ALPA eShutter Support Sinarback S 30|45 September 17, 2016 - ALPA modularizes bellow and tripod head - ALPA SERPENT and ALPA GON PHOTOKINA 2016: ALPA SILEX - THE NEW SWISS KNIFE ALPA's credo was and is to offer their users the outmost modularity, flexibility and protection http://www.alpa.ch/en/site/photokina-2016-en[26.11.20, 09:37:04] ALPA of Switzerland - Manufacturers of remarkable cameras of their investment. ALPA is pleased to announce in its anniversary year a number of future- oriented products for existing and new customers. ALPA aims to provide highly tailor-made photographic equipment. With 18 new products for this Photokina ALPA is underpinning this claim. -
Operating Manual Foreword
DIGITAL U/W HOUSING FOR NIKON D2 SERIES OPERATING MANUAL FOREWORD Thank you for having selected the AQUATICA Pro Digital Camera Housing System for your underwater photography. The AQUATICA Pro Digital Housing is the result of a long and continuing relationship with the most demanding under- water photographers in the world. Each housing is handcrafted, quality checked and pressure tested to 300 feet by a small group of specially trained individuals, each of whom takes the utmost pride and satisfaction in offering the best underwater camera housing in the world. The Aquatica Pro Digital Housing was designed for optimum technical and optical performance and to provide easy and efficient underwater access to essantials functions and controls of the Nikon D2X and D2Hs and D2H SLR. This manual assumes that the User is already familiar with the Nikon D2 series of cameras. If not, please read the Nikon instruction Manual before attempting to use the housing. With basic care and maintenance, your AQUATICA housing will give you a lifetime of enjoyment and satisfaction in pro- ducing underwater images. Please read this manual carefully before using your housing for the first time and note that: wherever cited the right hand is your right when using the housing. SAFETY PRECAUTIONS Improper transportation handling or use of this housing might cause a flood or malfunction. Please read and follow the following precautions: • Store and transport the housing in a sturdy, shock proof container and avoid travelling with the camera mounted inside the housing as impact forces especially on the external push buttons will be transferred to the camera. -
Carl Zeiss Oberkochen Large Format Lenses 1950-1972
Large format lenses from Carl Zeiss Oberkochen 1950-1972 © 2013-2019 Arne Cröll – All Rights Reserved (this version is from October 4, 2019) Carl Zeiss Jena and Carl Zeiss Oberkochen Before and during WWII, the Carl Zeiss company in Jena was one of the largest optics manufacturers in Germany. They produced a variety of lenses suitable for large format (LF) photography, including the well- known Tessars and Protars in several series, but also process lenses and aerial lenses. The Zeiss-Ikon sister company in Dresden manufactured a range of large format cameras, such as the Zeiss “Ideal”, “Maximar”, Tropen-Adoro”, and “Juwel” (Jewel); the latter camera, in the 3¼” x 4¼” size, was used by Ansel Adams for some time. At the end of World War II, the German state of Thuringia, where Jena is located, was under the control of British and American troops. However, the Yalta Conference agreement placed it under Soviet control shortly thereafter. Just before the US command handed the administration of Thuringia over to the Soviet Army, American troops moved a considerable part of the leading management and research staff of Carl Zeiss Jena and the sister company Schott glass to Heidenheim near Stuttgart, 126 people in all [1]. They immediately started to look for a suitable place for a new factory and found it in the small town of Oberkochen, just 20km from Heidenheim. This led to the foundation of the company “Opton Optische Werke” in Oberkochen, West Germany, on Oct. 30, 1946, initially as a full subsidiary of the original factory in Jena. -
Nikon D3s Menu Settings for Sports Photographers
Nikon D3s Menu Settings for Sports Photographers Whether at the ballpark or via email, two of the most frequently asked questions I hear are “what are your basic settings when shooting sports using the Nikon D3s” or “how is your Nikon D3s set up? I’ve been shooting sports for a living for over 25 years, with clients ranging from Sports Illustrated to Major League Baseball and The Chicago White Sox. The approach I use when setting up with my equipment might not be considered conventional, but I can tell you this; it works. I refer to it as my unscientific approach to better sports photography. I trust and believe in what works in the real world. I’m always open to new ideas and so should you. If your images are already perfect, stop here. But if you shoot sports action and are looking for ways to improve your images and increase your "keeper percentage", or are setting up a Nikon D3s for the first time, read on. I decided to dissect the menu of my trusty D3s and share my personal settings while discussing a few in detail so that other sports photographers can use them as a point of reference. As the old adage goes, please remember that these are my own personal settings and opinions and should be used as a guide only. No one set of rules (or in this case, settings) should be considered the absolute only way to go. I highly recommend taking the time to experiment and come up with a few of your own favorites. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
FEATURING: the Complete Guide for All Your Safari Photography and Binocular Needs
FEATURING: The complete guide for all your safari photography and binocular needs. SAFARI PHOTOGRAPHY TABLE OF CONTENTS WHICH CAMERA IS RIGHT FOR YOU? TECH SAVVY PAGE 3 PAGE 6 TIPS & TRICKS BINOCULARS PAGE 8 PAGE 16 CHOOSING THE RIGHT CAMERA Camera Technology photographs you take great appeal for many. Modern equipment on safari. If you are Many people prefer helps, fast autofocus, Camera Technology going to try and sell the idea of capturing excellent exposure has become so them to a magazine or movement and sound metering and most advanced in recent book publisher, then and with video importantly, not years that it is easier you need high-quality camcorders being so running out of film than ever for optics and good compact and easy to every 36 pictures. amateurs to take quality transparency use, this is an obvious professional-quality Video cameras and (color slide) film or a choice. camcorders in photographs. Digital professional digital 35mm SLR (single lens The huge advantage of themselves are great camera. If you are digital cameras is the fun, and many a reflex) cameras are going to make an more often used than tiny size of the happy memory can be electronic album to picture-storing captured on the video film cameras. email to friends, then Camcorders with apparatus ? this that would simply be a reasonably priced eliminates the need impossible to depict freeze-frame options digital zoom will be are easy to use and for bags and bags of with a ?still? camera. ideal. Print film is film. In addition, Another great are also very popular preferable to slides, if with safariers. -
1 of 2 2Nd Hand List 6-Month Warranty on All Items Updated on 30/11/2016 NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO
1 of 2 2nd Hand List Updated on 30/11/2016 6-month warranty on all items NIKON BODIES £ +VAT NIKON AF LENSES £ +VAT (SEE ALSO SIGMA LIST) NIKON D3 BODY (fr. 215,721) £499 NIKON TC 14E 111 CONVERTER £225 NIKON D3 BODY (fr. 251,105) £525 NIKON TC-17E II £140 NIKON D3 BODY (fr. 264,050) £525 NIKON TC-17E II £160 NIKON D3 BODY (fr. 125,500) £495 NIKON TC-17E II £155 NIKON D3S BODY (fr: 250,000) £795 NIKON TC-17E II £165 NIKON D3S BODY (fr: 502,000) £750 NIKON TC-20E III £199 NIKON D3S BODY (fr: 202,800) £895 NIKON 10.5MM F2.8 AF-S DX FISHEYE £240 NIKON D3S BODY (fr. 320,000) £895 NIKON 14-24MM F2.8 G AF-S £950 NIKON D800 BODY (fr. 27,700) £895 NIKON 14-24MM F2.8 G AF-S £895 NIKON D800 BODY (fr. 41,500) £799 NIKON 14-24MM F2.8 G N FX £950 NIKON Df KITinc 50mm LENS (fr. 24,910) £1,300 NIKON 16-35MM F4 G VR £595 NIKON D4 Body (fr,172,688) £1,699 NIKON 24MM F1.4 AF-S G N £950 NIKON D4 Body (fr,202,800) £1,650 NIKON 24MM F2.8 AF £150 NIKON D4 Body (fr,420,597) £1,699 NIKON 24MM F2.8 AF-D £179 NIKON D4S Body (fr, 291,158) £2,500 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,500) £2,600 NIKON 24-70MM F2.8 E VR £1200 NIKON D4S Body (fr, 103,600) £2,600 NIKON 28MM F2.8 AF-D £125 NIKON 35-135MM F3.5-4.5 AF £65 NIKON 70-200MM F4 AF-S G VR £675 NIKON FLASHES £ +VAT NIKON 70-200MM F2.8 AF-S G VR 11 £900 NIKON SB-910 SPEEDLIGHT £235 NIKON 70-200MM F2.8 AF-S G VR 11 £945 NIKON 200-400MM F4 G AF-S VR II £1,950 NIKON 300MM F4 AF-S D £299 NIKON 300MM F4 AF-S D £450 SIGMA & OTHER LENSES £ +VAT NIKON 300MM F4 AF-S D £479 NIKON 300MM F4 AF-S £595 SIGMA 8-16MM F3.5-5.6 HSM (EF) £249 NIKON 300MM F2.8 AF-S D £1,295 SIGMA 50-150MM F2.8 DC EF 11 EX APO £245 NIKON 300MM F2.8 AF-I £1,325 SIGMA 80-400MM F4.5-5.6 APO DG EF FIT £295 NIKON 300MM F2.8 AF-S G VR £1,990 SIGMA 100-300MM F4 APO NIKON FIT £199 NIKON 300MM F2.8 AF-S G VR 11 £2,500 SIGMA 120MM-300MM F2.8 DG "SPORT" OS EF £1650FIT NIKON 400MM F2.8 G N VR £3,595 SIGMA 120MM-300MM F2.8 APO HSM EX EF FIT £749 NIKON 400MM F2.8 G N VR £3,599 SIGMA TC-1401 £130 NIKON 400MM F2.8 G N VR £3,750 NIKON ACCS. -
Actus-G Compact View Camera
Actus-G Compact View Camera INSTRUCTION MANUAL EN Please read this manual carefully before using the Cambo Actus-G! Version 2.0 2 Index: 1. Key Features Actus ..................................................................... 4 2. Warnings .................................................................................... 5 3. Cambo AC-78E Bayonet holder installation .................................. 8 4. Camera mount installation ......................................................... 9 5. Mounting the lens-panel ........................................................... 10 6. Mounting the bellows ............................................................... 11 7. Mounting the camera ............................................................... 12 8. Change the orientation of the camera; ...................................... 14 9. Using the Actus ........................................................................ 15 10. Setting the optional infinity hard-stop ....................................... 15 11. Extend the focus range (+45mm) ............................................... 15 12. Changing the rail ...................................................................... 16 13. Cambo ACDB SLW-adapter holders For Digital Backs ................. 17 14. Actus-G accessories .................................................................. 18 3 Thank you for purchasing a Cambo product The Actus-G is a compact view camera system featuring lateral and vertical shift of the rear standard as well as a swing and tilt movement -
Thank You for Purchasing the Sigma Digital Autofocus Camera
Thank you for purchasing the Sigma Digital Autofocus Camera The Sigma SD14 Digital SLR camera is a technical breakthrough! It is powered by the Foveon® X3™ image sensor, the world’s first image sensor to capture red, green and blue light at each and every pixel. A high-resolution digital single-lens reflex camera, the SD14 delivers superior-quality digital images by combining Sigma’s extensive interchangeable lens line-up with the revolutionary Foveon X3 image sensor. You will get the greatest performance and enjoyment from your new SD14 camera’s features by reading this instruction manual carefully before operating it. Enjoy your new Sigma camera! SPECIAL FEATURES OF THE SD14 ■ Powered by Foveon X3 technology. ■ In addition to RAW format data recording system, this camera also incorporates easy to use and high quality JPEG recording format. Super high quality JPEG format recording mode makes the best use of the characteristic of FOVEON® X3TM image sensor. ■ Dust protector keeps dust from entering the camera and adhering to the image sensor. ■ Mirror-up mechanism and depth-of-field preview button support advanced photography techniques. • Please keep this instruction booklet handy for future reference. Doing so will allow you to understand and take advantage of the camera’s unique features at any time. • The warranty of this product is one year from the date of purchase. Warranty terms and warranty card are on a separate sheet, attached. Please refer to these materials for details. Disposal of Electric and Electronic Equipment in Private Households Disposal of used Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol indicates that this product shall not be treated as household waste.